Astounding Stories of Super-Science, May, 1930

Jim began to circle the pool to find a landing-place. But as he looked down, the surface of the pool began to change its aspect.

_____________________________

In place of the unruffled calm, it began to work with some devil's yeast all around the central pillar of flame, until its depths seemed to be churned up in frothy masses and the movement extended almost to the circumference. Then the whole surface of the water began to tilt and sway with a slow, shimmering, undulatory movement, as if it was a giant roulette wheel in rotation.

And something was materializing out of the heart of the violet flame itself.

It was a face – a human face, with bestial features, distorted and enormously magnified through the substance in which it was. Such a face as might look back upon an observer out of one of those distorting mirrors at Coney Island, or some other place of popular amusement, but twisted and enlarged beyond conception, so that it covered half the area of a city block.

Curiously blurred, too, as if each atom of that face was in isolated motion on its own account. And beneath the face appeared the vague outlines of a hand, apparently manipulating some sort of infernal mechanism.

And that face, enlarged as it was out of all proportion, filled Jim's heart with greater horror than any face he had ever known.

For it was the visage of Lucius Tode, and on those huge and distorted features was something that looked like a diabolical smile.

_____________________________

Everything vanished. Jim was back in the surrounding wall of fog. Instinctively he banked again. He strove to drive the horror from his brain. He must circle, circle incessantly, in the hope of finding Lucille. She must have already arrived. But if she had not fallen into Tode's power, she would hear the roaring of the plane and manage to signal him.

He circled back into the clear space between the white and the violet, and now he saw that the effect upon the pool was still more pronounced. The waters were rising up in a rim all around, and yet not overflowing. They were standing up like a bowl of clay upon the potter's wheel, and down in the depths Jim could see the head and shoulders of Tode, much less magnified, more natural in appearance, and less blurred. And Tode was looking up at him and pointing that infernal mechanism at him – something that looked like the tube of a telescope.

Suddenly the plane shivered and stood still. The motor died abruptly. The stick went dead. And yet the plane did not fall. As if upheld by the same repulsive force that drove back the white fog, it simply hung suspended three hundred feet above the heart of the violet flame.

Then – there was no longer any plane. The stick had melted in Jim's hand, the wings dissolved like wreaths of mist. The entire body had disintegrated into nothingness. Jim sat suspended in the void, and felt himself very slowly descending into the violet column.

Down into the vortex of that bubbling pool, which rimmed him on all sides … down into the central aperture out of which emerged the leering face of Tode! And as he dropped Jim heard, thin, faint, and very far away, the despairing cry of Lucille…

CHAPTER II

Old Friends – and Foes

Jim must have lapsed into unconsciousness, for when he opened his eyes there was a gap in his consciousness of the passage of time, though none in his memory. He opened his eyes, and instantly he remembered everything.

Only a brief interval could have elapsed, for it was not quite dark. The fog and the violet flame had cleared away. Overhead a few stars twinkled. Jim was lying on his side, half-buried in the black, slimy mud of the dried up pool.

There was nothing but the smooth, shelving mud basin, with the scrub oak surrounding it. Tode and the machine had vanished.

Jim pulled himself with an effort out of the sucking mud, and, heavily clogged with it, began to make his way toward the margin.

Stumbling, struggling through the viscid ooze, he shouted Lucille's name despairingly. But no answer came, and his cries only made the utter silence all about him seem more fearsome.

Exhausted by his efforts, he gained the edge of the pool at last, and stopped, trying to orientate himself. As he did so, he saw a human face peering at him out of a clump of scrub oak.

It was the face of an aged man, with a long white beard and rags of clothes that were festooned about him. Jim took a step toward it, shouting a challenge. Next moment it had hurled itself out of its shelter toward him, and two skeletonlike arms were twined about his shoulders, while the fingers worked upward toward his throat.

The face was that of a madman, crazed by fear. And Jim recognized it. It was the face of Professor Parrish.

Parrish, the trim, immaculate, clean-shaven, urbane old man, whose lectures, imbued with wit and scholarship, had always been the delight of his classes – Parrish reduced to this gibbering maniac! And yet Parrish himself, returned to the site of their experiments after five years!

_____________________________

So fierce was the old man's onset, so desperate his clutch, that for a half-minute or more Jim was reduced to fighting for his life. The clawing fingers, armed with long nails, furrowed Jim's throat, there was a terrific strength in the body, wasted though it was almost to a skeleton.

But it was only for a half-minute that old Parrish's endurance lasted. Suddenly the old man went limp and tottered forward, dropped upon the ground. Jim bent over him.

"Parrish, you know me! I'm Jim Dent!" he cried. "I came here to save you."

Parrish was muttering something. Jim caught the words "Tode," and "God help Lucille!"

"Parrish, I'm Jim Dent!" Jim cried again, and the old man, shuddering, opened his eyes and recognized him.

"Jim!" he muttered. "Jim Dent! Then where is she? I got away from that devil, found farmhouse empty, got telephone book, found her and 'phoned her. Told her to come. Save – Lucille!"

He fell back, his eyes closed. Jim crouched over the unconscious old man. He was in a state of utter perplexity. He could not quite gather what Parrish had been trying to tell him, and it was with difficulty that he could focus his mind upon the situation, so great had been the shock of finding his former chief in that condition.

What had become of his plane, and where was Lucille? Jim was positive that he had heard her cry for help out of the vortex in the water.

But there was no water, only the circle of black mud extended in the starlight.

Again and again Jim shouted Lucille's name, and his cries went echoing away through the scrub without result.

Jim looked down at the unconscious old man beside him. He must get Parrish away, get him to Andy Lumm's. He bent over him again and raised him in his arms.

_____________________________

Suddenly he heard two familiar sounds behind him, two dull thumps that sounded less like explosions than echoes, long drawn out, and receding into infinity. There was no other sound quite like them that he had ever heard.

They were the snap of the electrical discharge as the Atom Smasher began to operate, and why the snap had sounded like a heavy body falling a long distance away, was not known.

Tode had said one day, with what Jim had taken for sarcasm, that they represented the wave series of a single sound extended in time to make four-dimensional action, but Jim had never considered the explanation seriously.

That sound, bringing back all Jim's memories of their experiments, brought him to his feet sharply. He swung around. The surface of the pool was a bubbling, seething mass of mud and water. And over its surface that faint violet haze was beginning to spread.

In the center where the light was thickest, something like a gyroscope appeared to be revolving. Out of the gyroscope something was beginning to project – that infernal tube of Lucius Tode. And Jim knew that in the heart of the flame that enormous, distorted face of Lucius Tode would again be visible.

The human nervous system can only endure a certain amount of impact. The sight of that ghastly flame, already condensing into a violet pillar, was more than Jim could stand. He dragged old Parrish to his feet and started off with him into the thickest part of the undergrowth.

A fearful scream behind him stopped him at the very edge of the scrub. He looked back, still supporting the half-conscious old man in his arms. The violet flame was shooting up in a straight pillar, the whole central portion of the pool was dry, and the waters were heaped up all around it.

From the slightly elevated spot where Jim stood, he could see Tode holding Lucille in his arms in the very heart of the fire, which threw a pale, fluorescent light over their faces. Tode was wearing a spotted skin, like that of a leopard, and Lucille was in the blue frock that she had worn when Jim and she had dinner together two evenings before.

Jim dropped old Parrish, shouted in answer, and dashed back like a madman down the slope into the solid wall of water.

_____________________________

He fought his way desperately through that wall, which seemed of the consistency of soft rubber or treacle, as if some subtle change had taken place in its molecular isomers. It adhered to him without wetting him, and he plunged through it, hearing Lucille cry out again, and yet again.

And now he was through, and once more struggling over the viscid surface of the pond. Behind him he heard old Parrish blundering, and screeching at the top of his voice, but he paid no attention to him.

He could see Lucille more clearly, and the large, hazy outlines of Tode's features were beginning to assume the proper proportions. There was a diabolical leer upon Tode's face, unchanged during the five years since Jim had seen him last, except that it had become more evil, more powerful. The enormous and distorted face that Jim had seen had been simply due to the presence of some refracting medium.

The pillar of violet light was thinning, spreading out over the pool, but Jim could now see the scene more clearly than before, even as he rushed onward.

The machine was inside what looked like a flat boat, but more circular than a boat, and apparently was made of some metal resembling aluminum. Either from the metal hull or from the mechanism inside it there was emitted a pungent odor resembling chlorine.

The mechanism itself bore some resemblance to the old Atom Smasher of five years before, but it appeared to be immensely more complicated. Wheels of various sizes were set at every conceivable angle around the central tube, from which the violet light was emanating, and all were rotating and gyrating so fast that they looked like discs of light. The boat itself was trembling, and this movement appeared to be communicated to the boiling mud in the central part of the pool.

_____________________________

As Jim tried to leap down through the sucking mud to snatch Lucille from Tode, the latter stopped, straightened himself, and pointed a short tube at Jim's heart.

Jim felt as if an enormous, invisible force had struck him in the chest. It was apparently the same repulsive force that had driven back the waters. The shock was not a violent one. It did not throw him off his feet. It merely pushed him slowly and irresistibly backward.

And the whole picture was beginning to fade. Etched sharply in the violet light one moment, it now looked like a drawing that had been covered with tissue paper.

The outlines were dissolving into a haze – or, rather, each line seemed reproduced an infinite number of times, as the edge of a vibrating saw shows an infinitude of edges. The violet fire was becoming still more diffused. It hovered over the waters, a pale, flickering glow. And simultaneously the walls of water began to break and come surging forward.

Jim saw Lucille stretching out her arms toward him, and tried to struggle forward, but in vain. She cried out his name, and he put all his strength into that desperate futile struggle to reach her. But he was being borne backward by the invisible power in the tube. The rushing torrent was surging about his knees; grew waist deep: in another moment Jim was swimming for his life against the furious flood.

Suddenly, however, the tremendous pressure on his chest was relaxed. Tode had turned the tube away from him. He was leaning forward out of the boat and grasped old Parrish, who had been flung violently against it by the dissolving waters.

The same flood carried Jim to the boat's side. Here, however, the flood was only knee deep, owing to the repulsion still being exercised by the violet light, which was glimmering feebly. Jim found his feet and leaped into the craft. He grasped Lucille in his arms.

_____________________________

He turned to confront Tode, who had just dragged old Parrish over the side. The three men confronted one another.

"Turn that tube on me, and I'll jump into your damn machinery and bust it!" Jim shouted.

An ironical expression came on Tode's face. It was clear that he still considered himself master of the situation. "At the immediate moment, Dent, the lives of all of us depend upon your keeping absolutely still," he answered. "Take my advice and sit down!"

Jim saw Lucille's face, ghastly in the faint violet light that played about it. The girl had fainted. She was lying unconscious, her feet against the circular metal plate that protected the machinery, her head upon the rail that ran around the boat's upper edge. Tode, without waiting for Jim's answer, stepped over the plate and took his seat at a sort of instrument board with control levers and thumb screws that apparently controlled the needles on four dials. He touched a button, and instantly the violet light disappeared.

With its vanishing, the waves came surging forward, and lapped violently against the hull, as if about to overwhelm the vessel, which, however, seemed immovable. It simply rose higher in the water.

Jim understood the cause of this. Those gyroscopes would retain the hull in the same position against anything but a mechanical force strong enough to ruin it. He watched Tode as he sat at the instrument board, which was illuminated by two tiny lights of what looked like mercury-vapor. His face, handsome and cruel as ever, was tense as he manipulated the thumb screws. Beside him lay Parrish, faintly whimpering. The old man had evidently abandoned all hope of effecting his escape, or of rescuing his daughter.

It was unbearable to have to sit there, knowing that the three of them were absolutely at Tode's mercy, and yet there was nothing else to do.

_____________________________

Tode looked up with a saturnine smile. "It's a delicate operation to blur the present without shooting out a hundred years or so in time," he said, "but my micrometer's pretty accurate, Dent. Don't move, I caution you!" He smiled again. "Yes, Dent, time is something like the fourth dimension of space, as we believed in the old days, and I've proved it."

Jim saw Tode touch the screw that controlled the fourth dial, and instantly it was borne in on him that each of the dials controlled one spatial dimension. This fourth, then, was the time dimension!

Could it be true that Tode had solved the practical problem of traveling in time, theoretically implied since the discoveries of Einstein?

He had known in the old days that the Atom Smasher might be adapted to this purpose, but neither Parrish nor he had dreamed of turning aside from their endeavor to utilize it for the purpose of releasing atomic energy.

Thump! Thump! The familiar old sound, rushing back into memory after all those years, the release of the electrical discharge, echoing through infinity! The scrub around the pool blurred and was gone. A vast gray panorama extended itself on either side of them.

They were travelling – in space – and time too. Jim no longer doubted. And, chilled with horror, he sat there, his arm about Lucille's unconscious form.

CHAPTER III

Into the Infinite

How long he sat there he did not know. Minutes or hours seemed all the same to him. Nothing but that gray monochrome, of neither light nor darkness, that endless panorama of miles and years, blended together into this chaos!

But suddenly there came a shout from Tode. The blur ceased, the lights flickered. Again there sounded the two thumps of the electrical discharge. The vibrating mechanism grew steady. Above them, out of the grayness, a moon disclosed itself, then the pin-points of stars. All about them was an immense, sandy waste.

"Know where we are, Dent?" came Tode's chuckle.

Jim was not sufficiently master of himself to attempt to answer.

"We are on what will be the Russian steppes some fifty thousand years ahead of us in time," grinned Tode. "This is an interlude between two ice ages. Observe how pleasantly warm the climate is, for Russia. Unfortunately the receding glaciers carried off the top-soil, which accounts for the barrenness of the district, but in another century this country will be overgrown with ferns, and inhabited by the mastodon and wild horse, and a few enterprising palaeolithic hunters, who will come in to track them down and destroy them with their stone axes."

_____________________________

"I think you're the same sort of damn liar you always were, Tode," answered Jim – but without conviction. There was something terrific about that desolation. Nothing within a thousand miles of Long Island corresponded to it.

"You'll be convinced pretty quickly, when you see my specimen," answered Tode. "I let him off here on the way to the pool. He's not exactly presentable, and when I got the idea of picking up Lucille and taking her back with me, I thought it best not to let her see him. He didn't want to be let off. Was afraid I wouldn't pick him up again, and I'll admit it was a matter of pretty careful reckoning. But this is the place, almost to the yard.

"Yes, I've done some close reckoning, Dent, but the cleverest part of the business was letting old Parrish think he'd got away from me. I knew he'd telephone Lucille. You know, I always had the brains of the outfit, Dent," he continued, with a smirk of self-satisfaction.

He looked out of the boat. "And here, if I'm not mistaken, comes my specimen," he added.

_____________________________

Something was running across the steppes toward them. It came nearer, took human form. It was human! A man – but such a man as Jim had never seen before outside the covers of a book. And he recognised the race immediately.

It was a Neanderthal man, one of the race that co-existed with the highly developed Cro-Magnons some thirty thousand years ago. Man and not ape, though the face was bestial, and there were huge ridges above the eyebrows.

And if Jim had needed conviction, the sight of this gibbering creature, now climbing into the boat and fawning upon Tode, convinced him. For the Neanderthal man vanished from the scene long before the beginning of recorded history.

For a few moments a deathly faintness overcame him … his eyes closed, he felt unconsciousness rushing in upon him like a black cloud.

"It's all right, Dent – don't look so scared!" came Tode's mocking voice.

Jim opened his eyes, shook off that cloud of darkness with an immense effort. The boat was throbbing violently as the wheels gyrated, the violet light had become a pillar as thick as a man, and shot straight up to a height of fifty feet, before it rolled away. Lucille was lying where she had been, her eyes still staring up unseeing at the stars. Old Parrish was whining and whimpering as he crouched in his place.

And at Tode's feet crouched the Neanderthal man, repulsive, bestial, even though hardly formidable, and filling the last vacant spot inside the boat. He was gibbering and mouthing as he fawned upon Tode and pressed his hand to his hairy face. He continued to crouch and looked up at his master with doglike eyes.

_____________________________

Repulsive, and yet man, not ape. Distinctly human, perhaps a little lower than the Australian aborigine, the Neanderthal showed by his reverence that the human faculty of worship existed in him.

"Meet Cain, one of my Drilgoes," said Tode, with a grin. "A faithful servant. I left him here to wait for me on the return journey. Cain's just my pet name for him because he subsists on the fruits of the earth, don't you, Cain?"

The Drilgo grunted, and pressed Tode's hand to his repulsive lips, which were fringed with a reddish beard. Suddenly Tode began to laugh uproariously. "Feel anything wrong with your head, Dent?" he asked.

Dent put up his hand and pulled away a quantity of charred hair. His forehead began to itch, and, rubbing his finger across it, he realized that his eyebrows were gone. Tode laughed still louder.

"You've kept your teeth by about two seconds' grace, Dent, but I shouldn't be surprised if you needed dental attention shortly," he said. "What a pity dentists won't be invented for another forty or fifty thousand years."

"You're a devil!" cried Jim.

"You see, the human body is very resistant to the Ray," Tode went on. "It almost seems as if there is an organizing principle within it. Even the animal tissues are resistant, though not to the same extent as the human ones. It takes about twenty seconds for the organized human form to be disintegrated. But hair and beaks and claws, being superficial matter, vanish almost as soon as the Ray is turned on them. Ten seconds more, and you'd have been obliterated, Dent, just as your plane was.

"Yes, rub your head. Your hair will probably grow again – if I decide to let you live. It rather depends upon what impression you make upon Lucille as a bald-headed hero. After all, I didn't invite you to accompany us. It's your own lookout."

_____________________________

Jim could find nothing to say to that. He was discovering more and more that they were all helpless in Tode's hands.

"Sit back!" snarled Tode suddenly. He gave the Drilgo a push that sent him sprawling into the bottom of the boat. "Dent, your life depends upon your absolute acquiescence to my proposals. I didn't like you particularly in the old days, any more than you liked me. I thought you were a fool. On the other hand, I've no active reason to hate you, at present. It may be that I can use you.

"Meanwhile we've got a longish journey before us, ten thousand years more, multiplied by the fourth power of two thousand miles. Seems simple? Well, I had to invent the mathematical process for it. Reckon in the gravitational attraction of the planets, and you'll begin to get an idea of the complexity of it. So, in vulgar parlance, we're not likely to arrive till morning."

He glanced at Lucille, who was still lying unconscious with Jim's arm about her. Then his eyes rose to meet Jim's, and a sneering smile played about his lips. That smile was the acknowledgment of their rivalry for the girl's affections. And it was more – it was a challenge.

Tode welcomed that rivalry because, Jim could see, he meant to keep him alive under conditions of servitude, to demonstrate to Lucille his superiority.

Tode turned his thumbscrews, and the two thuds resounded. The violet column sank down, the boat vibrated, the level stretch of land became a blur again. The moon and stars vanished. Once more the four were off on that terrific journey.

_____________________________

At first they seemed to be traversing space that was shot through by alternate light and darkness, so that at times Jim could see the other occupants of the boat clearly, while at other times there was only Tode visible at the instrument board, with the dark outlines of the Drilgo, Cain, sprawled at his feet. But soon these streaks seemed to come closer and closer together, until the duration of each was only a fraction of a second. And closer, until light and darkness blended into a universal gray. These, Jim knew, were the alternations of night and day.

They were traveling – incredible as it was – in time as well as space, though whether backward or forward Jim could not know. From the presence of the Neanderthal man, however, Jim was convinced that Tode was taking them back more thousands of years, into the beginnings of humanity.

A fearful journey! A madder journey than Jim could have conceived of, had he not been a participant in it. He was losing all sense of reality. He was hardly convinced that he would not awaken in New York, to discover that the whole episode had been a dream.