A Philosophical Dictionary, Volume 06

It is in poetry particularly that this imagination of detail and expression ought to prevail. It is always agreeable, but there it is necessary. In Homer, Virgil, and Horace, almost all is imagery, without even the reader's perceiving it. Tragedy requires fewer images, fewer picturesque expressions and sublime metaphors and allegories than the epic poem and the ode; but the greater part of these beauties, under discreet and able management, produce an admirable effect in tragedy; they should never, however, be forced, stilted, or gigantic.

Active imagination, which constitutes men poets, confers on them enthusiasm, according to the true meaning of the Greek word, that internal emotion which in reality agitates the mind and transforms the author into the personage whom he introduces as the speaker; for such is the true enthusiasm, which consists in emotion and imagery. An author under this influence says precisely what would be said by the character he is exhibiting.

Less imagination is admissible in eloquence than in poetry. The reason is obvious – ordinary discourse should be less remote from common ideas. The orator speaks the language of all; the foundation of the poet's performance is fiction. Accordingly, imagination is the essence of his art; to the orator it is only an accessory.

Particular traits or touches of imagination have, it is observed, added great beauties to painting. That artifice especially is often cited, by which the artist covers with a veil the head of Agamemnon at the sacrifice of Iphigenia; an expedient, nevertheless, far less beautiful than if the painter had possessed the secret of exhibiting in the countenance of Agamemnon the conflict between the grief of a father, the majesty of a monarch, and the resignation of a good man to the will of heaven; as Rubens had the skill to paint in the looks and attitude of Mary de Medici the pain of childbirth, the joy of being delivered of a son, and the maternal affection with which she looks upon her child.

In general, the imaginations of painters when they are merely ingenious, contribute more to exhibit the learning in the artist than to increase the beauty of the art. All the allegorical compositions in the world are not worth the masterly execution and fine finish which constitute the true value of paintings.

In all the arts, the most beautiful imagination is always the most natural. The false is that which brings together objects incompatible; the extravagant paints objects which have no analogy, allegory, or resemblance. A strong imagination explores everything to the bottom; a weak one skims over the surface; the placid one reposes in agreeable pictures; the ardent one piles images upon images. The judicious or sage imagination is that which employs with discrimination all these different characters, but which rarely admits the extravagant and always rejects the false.

If memory nourished and exercised be the source of all imagination, that same faculty of memory, when overcharged, becomes the extinction of it. Accordingly, the man whose head is full of names and dates does not possess that storehouse of materials from which he can derive compound images. Men occupied in calculation, or with intricate matters of business, have generally a very barren imagination.

When imagination is remarkably stirring and ardent, it may easily degenerate into madness; but it has been observed that this morbid affection of the organs of the brain more frequently attaches to those passive imaginations which are limited to receiving strong impressions of objects than to those fervid and active ones which collect and combine ideas; for this active imagination always requires the association of judgment, the other is independent of it.

It is not perhaps useless to add to this essay, that by the words perception, memory, imagination, and judgment, we do not mean distinct and separate organs, one of which has the gift of perceiving, another of recollecting, the third of imagining, and the last of judging. Men are more inclined, than some are aware, to consider these as completely distinct and separate faculties. It is, however, one and the same being that performs all these operations, which we know only by their effects, without being able to know anything of that being itself.

SECTION II

Brutes possess imagination as well as ourselves; your dog, for example, hunts in his dreams. "Objects are painted in the fancy," says Descartes, as others have also said. Certainly they are; but what is the fancy, and how are objects painted in it? Is it with "the subtle matter"? "How can I tell" is the appropriate answer to all questions thus affecting the first principles of human organization.

Nothing enters the understanding without an image. It was necessary, in order to our obtaining the confused idea we possess of infinite space, that we should have an idea of a space of a few feet. It is necessary, in order to our having the idea of God, that the image of something more powerful than ourselves should have long dwelt upon our minds.

We do not create a single idea or image. I defy you to create one. Ariosto did not make Astolpho travel to the moon till long after he had heard of the moon, of St. John, and of the Paladins.

We make no images; we only collect and combine them. The extravagances of the "Thousand and One Nights" and the "Fairy Tales" are merely combinations. He who comprises most images in the storehouse of his memory is the person who possesses most imagination.

The difficulty is in not bringing together these images in profusion, without any selection. You might employ a whole day in representing, without any toilsome effort, and almost without any attention, a fine old man with a long beard, clothed in ample drapery, and borne in the midst of a cloud resting on chubby children with beautiful wings attached to their shoulders, or upon an eagle of immense size and grandeur; all the gods and animals surrounding him; golden tripods running to arrive at his council; wheels revolving by their own self-motion, advancing as they revolve; having four faces covered with eyes, ears, tongues, and noses; and between these tripods and wheels an immense multitude of dead resuscitated by the crash of thunder; the celestial spheres dancing and joining in harmonious concert, etc. The lunatic asylum abounds in such imaginations.

We may, in dealing with the subject of imagination distinguish:

1. The imagination which disposes of the events of a poem, romance, tragedy, or comedy, and which attaches the characters and passions to the different personages. This requires the profoundest judgment and the most exquisite knowledge of the human heart; talents absolutely indispensable; but with which, however, nothing has yet been done but merely laying the foundation of the edifice.

2. The imagination which gives to all these personages the eloquence or diction appropriate to their rank, suitable to their station. Here is the great art and difficulty; but even after doing this they have not done enough.

3. The imagination in the expression, by which every word paints an image in the mind without astonishing or overwhelming it; as in Virgil:

… Remigium alarum. – ÆNEID, vi, 19.Mærentem abjungens fraterna morte juvencum.– GEORGICS, iii, 517.… Velorum pandimus alas. – ÆNEID, iii, 520.Pendent circum oscula nati. – GEORGICS, ii, 523.Immortale jecur tundens fecundaque pœnis Viscera. – ÆNEID, vi, 598-599.Et caligantem nigra formidine lucum.– GEORGICS, iv, 468.Fata vocant, conditque natantia lumina somnus.– GEORGICS, iv, 496.

Virgil is full of these picturesque expressions, with which he enriches the Latin language, and which are so difficult to be translated into our European jargons – the crooked and lame offspring of a well-formed and majestic sire, but which, however, have some merit of their own, and have done some tolerably good things in their way.

There is an astonishing imagination, even in the science of mathematics. An inventor must begin with painting correctly in his mind the figure, the machine invented by him, and its properties or effects. We repeat there was far more imagination in the head of Archimedes than in that of Homer.

As the imagination of a great mathematician must possess extreme precision, so must that of a great poet be exceedingly correct and chaste. He must never present images that are incompatible with each other, incoherent, highly exaggerated, or unsuitable to the nature of the subject.

The great fault of some writers who have appeared since the age of Louis XIV. is attempting a constant display of imagination, and fatiguing the reader by the profuse abundance of far-fetched images and double rhymes, one-half of which may be pronounced absolutely useless. It is this which at length brought into neglect and obscurity a number of small poems, such as "Ver Vert," "The Chartreuse," and "The Shades," which at one period possessed considerable celebrity. Mere sounding superfluity soon finds oblivion.

Omne supervacuum pleno depectore manat.– HORACE, Art of Poetry, 837.

The active and the passive imagination have been distinguished in the "Encyclopædia." The active is that of which we have treated. It is the talent of forming new pictures out of all those contained in our memory.

The passive is scarcely anything beyond memory itself, even in a brain under strong emotion. A man of an active and fervid imagination, a preacher of the League in France, or a Puritan in England, harangues the populace with a voice of thunder, with an eye of fire, and the gesture of a demoniac, and represents Jesus Christ as demanding justice of the Eternal Father for the new wounds he has received from the royalists, for the nails which have been driven for the second time through his feet and hands by these impious miscreants. Avenge, O God the Father, avenge the blood of God the Son; march under the banner of the Holy Spirit; it was formerly a dove, but is now an eagle bearing thunder! The passive imaginations, roused and stimulated by these images, by the voice, by the action of those sanguinary empirics, urge the maddened hearers to rush with fury from the chapel or meeting house, to kill their opponents and get themselves hanged.

Persons of passive imaginations, for the sake of high and violent excitement, go sometimes to the sermon and sometimes to the play; sometimes to the place of execution; and sometimes even to what they suppose to be the midnight and appalling meetings of presumed sorcerers.

IMPIOUS

Who is the impious man? It is he who exhibits the Being of Beings, the great former of the world, the eternal intelligence by whom all nature is governed, with a long white beard, and having hands and feet. However, he is pardonable for his impiety – a weak and ignorant creature, the sight or conduct of whom we ought not to allow to provoke or to vex us.

If he should even paint that great and incomprehensible Being as carried on a cloud, which can carry nothing; if he is so stupid as to place God in a mist, in rain, or on a mountain, and to surround him with little round, chubby, painted faces, accompanied by two wings, I can smile and pardon him with all my heart.

The impious man, who ascribes to the Being of Beings absurd predictions and absolute iniquities, would certainly provoke me, if that Great Being had not bestowed upon me the gift of reason to control my anger. This senseless fanatic repeats to me once more what thousands of others have said before him, that it is not our province to decide what is reasonable and just in the Great Being; that His reason is not like our reason, nor His justice like our justice. What then, my rather too absurd and zealous friend, would you really wish me to judge of justice and reason by any other notions than I have of them myself? Would you have me walk otherwise than with my feet, or speak otherwise than with my mouth?

The impious man, who supposes the Great Being to be jealous, proud, malignant, and vindictive, is more dangerous. I would not sleep under the same roof with such a man.

But how will you treat the impious man, the daring blasphemer, who says to you: "See only with my eyes; do not think for yourself; I proclaim to you a tyrant God, who ordained me to be your tyrant; I am His well-beloved; He will torment to all eternity millions of His creatures, whom He detests, for the sake of gratifying me; I will be your master in this world and will laugh at your torments in the next!"

Do you not feel a very strong inclination to beat this cruel blasphemer? And, even if you happen to be born with a meek and forgiving spirit, would you not fly with the utmost speed to the West, when this barbarian utters his atrocious reveries in the East?

With respect to another and very different class of the impious – those who, while washing their elbows, neglect to turn their faces towards Aleppo and Erivan, or who do not kneel down in the dirt on seeing a procession of capuchin friars at Perpignan, they are certainly culpable; but I hardly think they ought to be impaled.

IMPOST

SECTION I

So many philosophical works have been written on the nature of impost, that we need say very little about it here. It is true that nothing is less philosophical than this subject; but it may enter into moral philosophy by representing to a superintendent of finances or to a Turkish teftardar that it accords not with universal morals to take his neighbor's money; and that all receivers and custom-house officers and collectors of taxes are cursed in the gospel.

Cursed as they are, it must, however, be agreed that it is impossible for society to subsist unless each member pays something towards the expenses of it; and as, since every one ought to pay, it is necessary to have a receiver, we do not see why this receiver is to be cursed and regarded as an idolater. There is certainly no idolatry in receiving money of guests to-day for their supper.

In republics, and states which with the name of kingdoms are really republics, every individual is taxed according to his means and to the wants of society.

In despotic kingdoms – or to speak more politely – in monarchical states, it is not quite the same – the nation is taxed without consulting it. An agriculturist who has twelve hundred livres of revenue is quite astonished when four hundred are demanded of him. There are several who are even obliged to pay more than half of what they receive.

The cultivator demands why the half of his fortune is taken from him to pay soldiers, when the hundredth part would suffice. He is answered that, besides the soldiers, he must pay for luxury and the arts; that nothing is lost; and that in Persia towns and villages are assigned to the queen to pay for her girdles, slippers, and pins.

He replies that he knows nothing of the history of Persia, and that he should be very indignant if half his fortune were taken for girdles, pins, and shoes; that he would furnish them from a better market, and that he endures a grievous imposition.

He is made to hear reason by being put into a dungeon, and having his goods put up to sale. If he resists the tax-collectors whom the New Testament has damned, he is hanged, which renders all his neighbors infinitely accommodating.

Were this money employed by the sovereign in importing spices from India, coffee from Mocha, English and Arabian horses, silks from the Levant, and gew-gaws from China, it is clear that in a few years there would not remain a single sous in the kingdom. The taxes, therefore, serve to maintain the manufacturers; and so far what is poured into the coffers of the prince returns to the cultivators. They suffer, they complain, and other parts of the state suffer and complain also; but at the end of the year they find that every one has labored and lived some way or other.

If by chance a clown goes to the capital, he sees with astonishment a fine lady dressed in a gown of silk embroidered with gold, drawn in a magnificent carriage by two valuable horses, and followed by four lackeys dressed in a cloth of twenty francs an ell. He addresses himself to one of these lackeys, and says to him: "Sir, where does this lady get money to make such an expensive appearance?" "My friend," says the lackey, "the king allows her a pension of forty thousand livres." "Alas," says the rustic, "it is my village which pays this pension." "Yes," answers the servant; "but the silk that you have gathered and sold has made the stuff in which she is dressed; my cloth is a part of thy sheep's wool; my baker has made my bread of thy corn; thou hast sold at market the very fowls that we eat; thus thou seest that the pension of madame returns to thee and thy comrades."

The peasant does not absolutely agree with the axioms of this philosophical lackey; but one proof that there is something true in his answer is that the village exists, and produces children who also complain, and who bring forth children again to complain.

SECTION II

If we were obliged to read all the edicts of taxation, and all the books written against them, that would be the greatest tax of all.

We well know that taxes are necessary, and that the malediction pronounced in the gospel only regards those who abuse their employment to harass the people. Perhaps the copyist forgot a word, as for instance the epithet pravus. It might have meant pravus publicanus; this word was much more necessary, as the general malediction is a formal contradiction to the words put into the mouth of Jesus Christ: "Render unto Cæsar the things which are Cæsar's." Certainly those who collected the dues of Cæsar ought not to have been held in horror. It would have been, at once, insulting the order of Roman Knights and the emperor himself; nothing could have been more ill-advised.

In all civilized countries the imposts are great, because the charges of the state are heavy. In Spain the articles of commerce sent to Cadiz, and thence to America, pay more than thirty per cent. before their transit is accomplished.

In England all duty upon importation is very considerable; however, it is paid without murmuring; there is even a pride in paying it. A merchant boasts of putting four or five thousand guineas a year into the public treasury. The richer a country is, the heavier are the taxes. Speculators would have taxes fall on landed productions only. What! having sown a field of flax, which will bring me two hundred crowns, by which flax a great manufacturer will gain two hundred thousand crowns by converting it into lace – must this manufacturer pay nothing, and shall I pay all, because it is produced by my land? The wife of this manufacturer will furnish the queen and princesses with fine point of Alençon, she will be patronized; her son will become intendant of justice, police, and finance, and will augment my taxes in my miserable old age. Ah! gentlemen speculators, you calculate badly; you are unjust.

The great point is that an entire people be not despoiled by an army of alguazils, in order that a score of town or court leeches may feast upon its blood.

The Duke de Sully relates, in his "Political Economy," that in 1585 there were just twenty lords interested in the leases of farms, to whom the highest bidders gave three million two hundred and forty-eight thousand crowns.

It was still worse under Charles IX., and Francis I., and Louis XIII. There was not less depredation in the minority of Louis XIV. France, notwithstanding so many wounds, is still in being. Yes; but if it had not received them it would have been in better health. It was thus with several other states.

SECTION III

It is just that those who enjoy the advantages of a government should support the charges. The ecclesiastics and monks, who possess great property, for this reason should contribute to the taxes in all countries, like other citizens. In the times which we call barbarous, great benefices and abbeys Were taxed in France to the third of their revenue.

By a statute of the year 1188, Philip Augustus imposed a tenth of the revenues of all benefices. Philip le Bel caused the fifth, afterwards the fifteenth, and finally the twentieth part, to be paid, of all the possessions of the clergy.

King John, by a statute of March 12, 1355, taxed bishops, abbots, chapters, and all ecclesiastics generally, to the tenth of the revenue of their benefices and patrimonies. The same prince confirmed this tax by two other statutes, one of March 3, the other of Dec. 28, 1358.

In the letters-patent of Charles V., of June 22, 1372, it is decreed, that the churchmen shall pay taxes and other real and personal imposts. These letters-patent were renewed by Charles VI. in the year 1390.

How is it that these laws have been abolished, while so many monstrous customs and sanguinary decrees have been preserved? The clergy, indeed, pay a tax under the name of a free gift, and, as it is known, it is principally the poorest and most useful part of the church – the curates (rectors) – who pay this tax. But, why this difference and inequality of contributions between the citizens of the same state? Why do those who enjoy the greatest prerogatives, and who are sometimes useless to the public, pay less than the laborer, who is so necessary? The Republic of Venice supplies rules on this subject, which should serve as examples to all Europe.

SECTION IV

Churchmen have not only pretended to be exempt from taxes, they have found the means in several provinces to tax the people, and make them pay as a legitimate right.

In several countries, monks having seized the tithes to the prejudice of the rectors, the peasants are obliged to tax themselves, to furnish their pastors with subsistence; and thus in several villages, and above all, in Franche-Comté, besides the tithes which the parishioners pay to the monks or to chapters, they further pay three or four measures of corn to their curates or rectors. This tax was called the right of harvest in some provinces, and boisselage in others.

It is no doubt right that curates should be well paid, but it would be much better to give them a part of the tithes which the monks have taken from them, than to overcharge the poor cultivator.

Since the king of France fixed the competent allowances for the curates, by his edict of the month of May, 1768, and charged the tithe-collectors with paying them, the peasants should no longer be held to pay a second tithe, a tax to which they only voluntarily submitted at a time when the influence and violence of the monks had taken from their pastors all means of subsistence.

The king has abolished this second tithe in Poitou, by letters-patent, registered by the Parliament of Paris July 11, 1769. It would be well worthy of the justice and beneficence of his majesty to make a similar law for other provinces, which are in the same situation as those of Poitou, Franche-Comté, etc.

By M. CHR., Advocate of Besançon

IMPOTENCE

I commence by this question, in favor of the impotent – "frigidi et maleficiati," as they are denominated in the decretals: Is there a physician, or experienced person of any description, who can be certain that a well-formed young man, who has had no children by his wife, may not have them some day or other? Nature may know, but men can tell nothing about it. Since, then, it is impossible to decide that the marriage may not be consummated some time or other, why dissolve it?

Among the Romans, on the suspicion of impotence, a delay of two years was allowed, and in the Novels of Justinian three are required; but if in three years nature may bestow capability, she may equally do so in seven, ten, or twenty.

Those called "maleficiati" by the ancients were often considered bewitched. These charms were very ancient, and as there were some to take away virility, so there were others to restore it; both of which are alluded to in Petronius.

This illusion lasted a long time among us, who exorcised instead of disenchanting; and when exorcism succeeded not, the marriage was dissolved.

The canon law made a great question of impotence. Might a man who was prevented by sorcery from consummating his marriage, after being divorced and having children by a second wife – might such man, on the death of the latter wife, reject the first, should she lay claim to him? All the great canonists decided in the negative – Alexander de Nevo, Andrew Alberic, Turrecremata, Soto, and fifty more.