Jacob's Room

There is also the highly respectable opinion that character-mongering is much overdone nowadays. After all, what does it matter – that Fanny Elmer was all sentiment and sensation, and Mrs. Durrant hard as iron? that Clara, owing (so the character-mongers said) largely to her mother's influence, never yet had the chance to do anything off her own bat, and only to very observant eyes displayed deeps of feeling which were positively alarming; and would certainly throw herself away upon some one unworthy of her one of these days unless, so the character-mongers said, she had a spark of her mother's spirit in her – was somehow heroic. But what a term to apply to Clara Durrant! Simple to a degree, others thought her. And that is the very reason, so they said, why she attracts Dick Bonamy – the young man with the Wellington nose. Now HE'S a dark horse if you like. And there these gossips would suddenly pause. Obviously they meant to hint at his peculiar disposition – long rumoured among them.

"But sometimes it is precisely a woman like Clara that men of that temperament need…" Miss Julia Eliot would hint.

"Well," Mr. Bowley would reply, "it may be so."

For however long these gossips sit, and however they stuff out their victims' characters till they are swollen and tender as the livers of geese exposed to a hot fire, they never come to a decision.

"That young man, Jacob Flanders," they would say, "so distinguished looking – and yet so awkward." Then they would apply themselves to Jacob and vacillate eternally between the two extremes. He rode to hounds – after a fashion, for he hadn't a penny.

"Did you ever hear who his father was?" asked Julia Eliot.

"His mother, they say, is somehow connected with the Rocksbiers," replied Mr. Bowley.

"He doesn't overwork himself anyhow."

"His friends are very fond of him."

"Dick Bonamy, you mean?"

"No, I didn't mean that. It's evidently the other way with Jacob. He is precisely the young man to fall headlong in love and repent it for the rest of his life."

"Oh, Mr. Bowley," said Mrs. Durrant, sweeping down upon them in her imperious manner, "you remember Mrs. Adams? Well, that is her niece." And Mr. Bowley, getting up, bowed politely and fetched strawberries.

So we are driven back to see what the other side means – the men in clubs and Cabinets – when they say that character-drawing is a frivolous fireside art, a matter of pins and needles, exquisite outlines enclosing vacancy, flourishes, and mere scrawls.

The battleships ray out over the North Sea, keeping their stations accurately apart. At a given signal all the guns are trained on a target which (the master gunner counts the seconds, watch in hand – at the sixth he looks up) flames into splinters. With equal nonchalance a dozen young men in the prime of life descend with composed faces into the depths of the sea; and there impassively (though with perfect mastery of machinery) suffocate uncomplainingly together. Like blocks of tin soldiers the army covers the cornfield, moves up the hillside, stops, reels slightly this way and that, and falls flat, save that, through field glasses, it can be seen that one or two pieces still agitate up and down like fragments of broken match-stick.

These actions, together with the incessant commerce of banks, laboratories, chancellories, and houses of business, are the strokes which oar the world forward, they say. And they are dealt by men as smoothly sculptured as the impassive policeman at Ludgate Circus. But you will observe that far from being padded to rotundity his face is stiff from force of will, and lean from the efforts of keeping it so. When his right arm rises, all the force in his veins flows straight from shoulder to finger-tips; not an ounce is diverted into sudden impulses, sentimental regrets, wire-drawn distinctions. The buses punctually stop.

It is thus that we live, they say, driven by an unseizable force. They say that the novelists never catch it; that it goes hurtling through their nets and leaves them torn to ribbons. This, they say, is what we live by – this unseizable force.

"Where are the men?" said old General Gibbons, looking round the drawing-room, full as usual on Sunday afternoons of well-dressed people. "Where are the guns?"

Mrs. Durrant looked too.

Clara, thinking that her mother wanted her, came in; then went out again.

They were talking about Germany at the Durrants, and Jacob (driven by this unseizable force) walked rapidly down Hermes Street and ran straight into the Williamses.

"Oh!" cried Sandra, with a cordiality which she suddenly felt. And Evan added, "What luck!"

The dinner which they gave him in the hotel which looks on to the Square of the Constitution was excellent. Plated baskets contained fresh rolls. There was real butter. And the meat scarcely needed the disguise of innumerable little red and green vegetables glazed in sauce.

It was strange, though. There were the little tables set out at intervals on the scarlet floor with the Greek King's monogram wrought in yellow. Sandra dined in her hat, veiled as usual. Evan looked this way and that over his shoulder; imperturbable yet supple; and sometimes sighed. It was strange. For they were English people come together in Athens on a May evening. Jacob, helping himself to this and that, answered intelligently, yet with a ring in his voice.

The Williamses were going to Constantinople early next morning, they said.

"Before you are up," said Sandra.

They would leave Jacob alone, then. Turning very slightly, Evan ordered something – a bottle of wine – from which he helped Jacob, with a kind of solicitude, with a kind of paternal solicitude, if that were possible. To be left alone – that was good for a young fellow. Never was there a time when the country had more need of men. He sighed.

"And you have been to the Acropolis?" asked Sandra.

"Yes," said Jacob. And they moved off to the window together, while Evan spoke to the head waiter about calling them early.

"It is astonishing," said Jacob, in a gruff voice.

Sandra opened her eyes very slightly. Possibly her nostrils expanded a little too.

"At half-past six then," said Evan, coming towards them, looking as if he faced something in facing his wife and Jacob standing with their backs to the window.

Sandra smiled at him.

And, as he went to the window and had nothing to say she added, in broken half-sentences:

"Well, but how lovely – wouldn't it be? The Acropolis, Evan – or are you too tired?"

At that Evan looked at them, or, since Jacob was staring ahead of him, at his wife, surlily, sullenly, yet with a kind of distress – not that she would pity him. Nor would the implacable spirit of love, for anything he could do, cease its tortures.

They left him and he sat in the smoking-room, which looks out on to the Square of the Constitution.

"Evan is happier alone," said Sandra. "We have been separated from the newspapers. Well, it is better that people should have what they want… You have seen all these wonderful things since we met… What impression … I think that you are changed."

"You want to go to the Acropolis," said Jacob. "Up here then."

"One will remember it all one's life," said Sandra.

"Yes," said Jacob. "I wish you could have come in the day-time."

"This is more wonderful," said Sandra, waving her hand.

Jacob looked vaguely.

"But you should see the Parthenon in the day-time," he said. "You couldn't come to-morrow – it would be too early?"

"You have sat there for hours and hours by yourself?"

"There were some awful women this morning," said Jacob.

"Awful women?" Sandra echoed.

"Frenchwomen."

"But something very wonderful has happened," said Sandra. Ten minutes, fifteen minutes, half an hour – that was all the time before her.

"Yes," he said.

"When one is your age – when one is young. What will you do? You will fall in love – oh yes! But don't be in too great a hurry. I am so much older."

She was brushed off the pavement by parading men.

"Shall we go on?" Jacob asked.

"Let us go on," she insisted.

For she could not stop until she had told him – or heard him say – or was it some action on his part that she required? Far away on the horizon she discerned it and could not rest.

"You'd never get English people to sit out like this," he said.

"Never – no. When you get back to England you won't forget this – or come with us to Constantinople!" she cried suddenly.

"But then…"

Sandra sighed.

"You must go to Delphi, of course," she said. "But," she asked herself, "what do I want from him? Perhaps it is something that I have missed…"

"You will get there about six in the evening," she said. "You will see the eagles."

Jacob looked set and even desperate by the light at the street corner and yet composed. He was suffering, perhaps. He was credulous. Yet there was something caustic about him. He had in him the seeds of extreme disillusionment, which would come to him from women in middle life. Perhaps if one strove hard enough to reach the top of the hill it need not come to him – this disillusionment from women in middle life.

"The hotel is awful," she said. "The last visitors had left their basins full of dirty water. There is always that," she laughed.

"The people one meets ARE beastly," Jacob said.

His excitement was clear enough.

"Write and tell me about it," she said. "And tell me what you feel and what you think. Tell me everything."

The night was dark. The Acropolis was a jagged mound.

"I should like to, awfully," he said.

"When we get back to London, we shall meet…"

"Yes."

"I suppose they leave the gates open?" he asked.

"We could climb them!" she answered wildly.

Obscuring the moon and altogether darkening the Acropolis the clouds passed from east to west. The clouds solidified; the vapours thickened; the trailing veils stayed and accumulated.

It was dark now over Athens, except for gauzy red streaks where the streets ran; and the front of the Palace was cadaverous from electric light. At sea the piers stood out, marked by separate dots; the waves being invisible, and promontories and islands were dark humps with a few lights.

"I'd love to bring my brother, if I may," Jacob murmured.

"And then when your mother comes to London – ," said Sandra.

The mainland of Greece was dark; and somewhere off Euboea a cloud must have touched the waves and spattered them – the dolphins circling deeper and deeper into the sea. Violent was the wind now rushing down the Sea of Marmara between Greece and the plains of Troy.

In Greece and the uplands of Albania and Turkey, the wind scours the sand and the dust, and sows itself thick with dry particles. And then it pelts the smooth domes of the mosques, and makes the cypresses, standing stiff by the turbaned tombstones of Mohammedans, creak and bristle.

Sandra's veils were swirled about her.

"I will give you my copy," said Jacob. "Here. Will you keep it?"

(The book was the poems of Donne.)

Now the agitation of the air uncovered a racing star. Now it was dark. Now one after another lights were extinguished. Now great towns – Paris – Constantinople – London – were black as strewn rocks. Waterways might be distinguished. In England the trees were heavy in leaf. Here perhaps in some southern wood an old man lit dry ferns and the birds were startled. The sheep coughed; one flower bent slightly towards another. The English sky is softer, milkier than the Eastern. Something gentle has passed into it from the grass-rounded hills, something damp. The salt gale blew in at Betty Flanders's bedroom window, and the widow lady, raising herself slightly on her elbow, sighed like one who realizes, but would fain ward off a little longer – oh, a little longer! – the oppression of eternity.

But to return to Jacob and Sandra.

They had vanished. There was the Acropolis; but had they reached it? The columns and the Temple remain; the emotion of the living breaks fresh on them year after year; and of that what remains?

As for reaching the Acropolis who shall say that we ever do it, or that when Jacob woke next morning he found anything hard and durable to keep for ever? Still, he went with them to Constantinople.

Sandra Wentworth Williams certainly woke to find a copy of Donne's poems upon her dressing-table. And the book would be stood on the shelf in the English country house where Sally Duggan's Life of Father Damien in verse would join it one of these days. There were ten or twelve little volumes already. Strolling in at dusk, Sandra would open the books and her eyes would brighten (but not at the print), and subsiding into the arm-chair she would suck back again the soul of the moment; or, for sometimes she was restless, would pull out book after book and swing across the whole space of her life like an acrobat from bar to bar. She had had her moments. Meanwhile, the great clock on the landing ticked and Sandra would hear time accumulating, and ask herself, "What for? What for?"

"What for? What for?" Sandra would say, putting the book back, and strolling to the looking-glass and pressing her hair. And Miss Edwards would be startled at dinner, as she opened her mouth to admit roast mutton, by Sandra's sudden solicitude: "Are you happy, Miss Edwards?" – a thing Cissy Edwards hadn't thought of for years.

"What for? What for?" Jacob never asked himself any such questions, to judge by the way he laced his boots; shaved himself; to judge by the depth of his sleep that night, with the wind fidgeting at the shutters, and half-a-dozen mosquitoes singing in his ears. He was young – a man. And then Sandra was right when she judged him to be credulous as yet. At forty it might be a different matter. Already he had marked the things he liked in Donne, and they were savage enough. However, you might place beside them passages of the purest poetry in Shakespeare.

But the wind was rolling the darkness through the streets of Athens, rolling it, one might suppose, with a sort of trampling energy of mood which forbids too close an analysis of the feelings of any single person, or inspection of features. All faces – Greek, Levantine, Turkish, English – would have looked much the same in that darkness. At length the columns and the Temples whiten, yellow, turn rose; and the Pyramids and St. Peter's arise, and at last sluggish St. Paul's looms up.

The Christians have the right to rouse most cities with their interpretation of the day's meaning. Then, less melodiously, dissenters of different sects issue a cantankerous emendation. The steamers, resounding like gigantic tuning-forks, state the old old fact – how there is a sea coldly, greenly, swaying outside. But nowadays it is the thin voice of duty, piping in a white thread from the top of a funnel, that collects the largest multitudes, and night is nothing but a long-drawn sigh between hammer-strokes, a deep breath – you can hear it from an open window even in the heart of London.

But who, save the nerve-worn and sleepless, or thinkers standing with hands to the eyes on some crag above the multitude, see things thus in skeleton outline, bare of flesh? In Surbiton the skeleton is wrapped in flesh.

"The kettle never boils so well on a sunny morning," says Mrs. Grandage, glancing at the clock on the mantelpiece. Then the grey Persian cat stretches itself on the window-seat, and buffets a moth with soft round paws. And before breakfast is half over (they were late today), a baby is deposited in her lap, and she must guard the sugar basin while Tom Grandage reads the golfing article in the "Times," sips his coffee, wipes his moustaches, and is off to the office, where he is the greatest authority upon the foreign exchanges and marked for promotion. The skeleton is well wrapped in flesh. Even this dark night when the wind rolls the darkness through Lombard Street and Fetter Lane and Bedford Square it stirs (since it is summer-time and the height of the season), plane trees spangled with electric light, and curtains still preserving the room from the dawn. People still murmur over the last word said on the staircase, or strain, all through their dreams, for the voice of the alarum clock. So when the wind roams through a forest innumerable twigs stir; hives are brushed; insects sway on grass blades; the spider runs rapidly up a crease in the bark; and the whole air is tremulous with breathing; elastic with filaments.

Only here – in Lombard Street and Fetter Lane and Bedford Square – each insect carries a globe of the world in his head, and the webs of the forest are schemes evolved for the smooth conduct of business; and honey is treasure of one sort and another; and the stir in the air is the indescribable agitation of life.

But colour returns; runs up the stalks of the grass; blows out into tulips and crocuses; solidly stripes the tree trunks; and fills the gauze of the air and the grasses and pools.

The Bank of England emerges; and the Monument with its bristling head of golden hair; the dray horses crossing London Bridge show grey and strawberry and iron-coloured. There is a whir of wings as the suburban trains rush into the terminus. And the light mounts over the faces of all the tall blind houses, slides through a chink and paints the lustrous bellying crimson curtains; the green wine-glasses; the coffee-cups; and the chairs standing askew.

Sunlight strikes in upon shaving-glasses; and gleaming brass cans; upon all the jolly trappings of the day; the bright, inquisitive, armoured, resplendent, summer's day, which has long since vanquished chaos; which has dried the melancholy mediaeval mists; drained the swamp and stood glass and stone upon it; and equipped our brains and bodies with such an armoury of weapons that merely to see the flash and thrust of limbs engaged in the conduct of daily life is better than the old pageant of armies drawn out in battle array upon the plain.

CHAPTER THIRTEEN

"The Height of the season," said Bonamy.

The sun had already blistered the paint on the backs of the green chairs in Hyde Park; peeled the bark off the plane trees; and turned the earth to powder and to smooth yellow pebbles. Hyde Park was circled, incessantly, by turning wheels.

"The height of the season," said Bonamy sarcastically.

He was sarcastic because of Clara Durrant; because Jacob had come back from Greece very brown and lean, with his pockets full of Greek notes, which he pulled out when the chair man came for pence; because Jacob was silent.

"He has not said a word to show that he is glad to see me," thought Bonamy bitterly.

The motor cars passed incessantly over the bridge of the Serpentine; the upper classes walked upright, or bent themselves gracefully over the palings; the lower classes lay with their knees cocked up, flat on their backs; the sheep grazed on pointed wooden legs; small children ran down the sloping grass, stretched their arms, and fell.

"Very urbane," Jacob brought out.

"Urbane" on the lips of Jacob had mysteriously all the shapeliness of a character which Bonamy thought daily more sublime, devastating, terrific than ever, though he was still, and perhaps would be for ever, barbaric, obscure.

What superlatives! What adjectives! How acquit Bonamy of sentimentality of the grossest sort; of being tossed like a cork on the waves; of having no steady insight into character; of being unsupported by reason, and of drawing no comfort whatever from the works of the classics?

"The height of civilization," said Jacob.

He was fond of using Latin words.

Magnanimity, virtue – such words when Jacob used them in talk with Bonamy meant that he took control of the situation; that Bonamy would play round him like an affectionate spaniel; and that (as likely as not) they would end by rolling on the floor.

"And Greece?" said Bonamy. "The Parthenon and all that?"

"There's none of this European mysticism," said Jacob.

"It's the atmosphere. I suppose," said Bonamy. "And you went to Constantinople?"

"Yes," said Jacob.

Bonamy paused, moved a pebble; then darted in with the rapidity and certainty of a lizard's tongue.

"You are in love!" he exclaimed.

Jacob blushed.

The sharpest of knives never cut so deep.

As for responding, or taking the least account of it, Jacob stared straight ahead of him, fixed, monolithic – oh, very beautiful! – like a British Admiral, exclaimed Bonamy in a rage, rising from his seat and walking off; waiting for some sound; none came; too proud to look back; walking quicker and quicker until he found himself gazing into motor cars and cursing women. Where was the pretty woman's face? Clara's – Fanny's – Florinda's? Who was the pretty little creature?

Not Clara Durrant.

The Aberdeen terrier must be exercised, and as Mr. Bowley was going that very moment – would like nothing better than a walk – they went together, Clara and kind little Bowley – Bowley who had rooms in the Albany, Bowley who wrote letters to the "Times" in a jocular vein about foreign hotels and the Aurora Borealis – Bowley who liked young people and walked down Piccadilly with his right arm resting on the boss of his back.

"Little demon!" cried Clara, and attached Troy to his chain.

Bowley anticipated – hoped for – a confidence. Devoted to her mother, Clara sometimes felt her a little, well, her mother was so sure of herself that she could not understand other people being – being – "as ludicrous as I am," Clara jerked out (the dog tugging her forwards). And Bowley thought she looked like a huntress and turned over in his mind which it should be – some pale virgin with a slip of the moon in her hair, which was a flight for Bowley.

The colour was in her cheeks. To have spoken outright about her mother – still, it was only to Mr. Bowley, who loved her, as everybody must; but to speak was unnatural to her, yet it was awful to feel, as she had done all day, that she MUST tell some one.

"Wait till we cross the road," she said to the dog, bending down.

Happily she had recovered by that time.

"She thinks so much about England," she said. "She is so anxious – "

Bowley was defrauded as usual. Clara never confided in any one.

"Why don't the young people settle it, eh?" he wanted to ask. "What's all this about England?" – a question poor Clara could not have answered, since, as Mrs. Durrant discussed with Sir Edgar the policy of Sir Edward Grey, Clara only wondered why the cabinet looked dusty, and Jacob had never come. Oh, here was Mrs. Cowley Johnson…

And Clara would hand the pretty china teacups, and smile at the compliment – that no one in London made tea so well as she did.

"We get it at Brocklebank's," she said, "in Cursitor Street."

Ought she not to be grateful? Ought she not to be happy?

Especially since her mother looked so well and enjoyed so much talking to Sir Edgar about Morocco, Venezuela, or some such place.

"Jacob! Jacob!" thought Clara; and kind Mr. Bowley, who was ever so good with old ladies, looked; stopped; wondered whether Elizabeth wasn't too harsh with her daughter; wondered about Bonamy, Jacob – which young fellow was it? – and jumped up directly Clara said she must exercise Troy.

They had reached the site of the old Exhibition. They looked at the tulips. Stiff and curled, the little rods of waxy smoothness rose from the earth, nourished yet contained, suffused with scarlet and coral pink. Each had its shadow; each grew trimly in the diamond-shaped wedge as the gardener had planned it.

"Barnes never gets them to grow like that," Clara mused; she sighed.

"You are neglecting your friends," said Bowley, as some one, going the other way, lifted his hat. She started; acknowledged Mr. Lionel Parry's bow; wasted on him what had sprung for Jacob.

("Jacob! Jacob!" she thought.)

"But you'll get run over if I let you go," she said to the dog.

"England seems all right," said Mr. Bowley.

The loop of the railing beneath the statue of Achilles was full of parasols and waistcoats; chains and bangles; of ladies and gentlemen, lounging elegantly, lightly observant.

"'This statue was erected by the women of England…'" Clara read out with a foolish little laugh. "Oh, Mr. Bowley! Oh!" Gallop – gallop – gallop – a horse galloped past without a rider. The stirrups swung; the pebbles spurted.

"Oh, stop! Stop it, Mr. Bowley!" she cried, white, trembling, gripping his arm, utterly unconscious, the tears coming.