Studies in The South and West, With Comments on Canada

There is a great temptation to regard New Orleans through the romance of its past; and the most interesting occupation of the idler is to stroll about in the French part of the town, search the shelves of French and Spanish literature in the second-hand book-shops, try to identify the historic sites and the houses that are the seats of local romances, and observe the life in the narrow streets and alleys that, except for the presence of the colored folk, recall the quaint picturesqueness of many a French provincial town. One never tires of wandering in the neighborhood of the old cathedral, facing the smart Jackson Square, which is flanked by the respectable Pontalba buildings, and supported on either side by the ancient Spanish courthouse, the most interesting specimens of Spanish architecture this side of Mexico. When the court is in session, iron cables are stretched across the street to prevent the passage of wagons, and justice is administered in silence only broken by the trill of birds in the Place d’.rmee and in the old flower-garden in the rear of the cathedral, and by the muffled sound of footsteps in the flagged passages. The region is saturated with romance, and so full of present sentiment and picturesqueness that I can fancy no ground more congenial to the artist and the story-teller. To enter into any details of it would be to commit one’s self to a task quite foreign to the purpose of this paper, and I leave it to the writers who have done and are doing so much to make old New Orleans classic.

Possibly no other city of the United States so abounds in stories pathetic and tragic, many of which cannot yet be published, growing out of the mingling of races, the conflicts of French and Spanish, the presence of adventurers from the Old World and the Spanish Main, and especially out of the relations between the whites and the fair women who had in their thin veins drops of African blood. The quadroon and the octoroon are the staple of hundreds of thrilling tales. Duels were common incidents of the Creole dancing assemblies, and of the cordon bleu balls—the deities of which were the quadroon women, “the handsomest race of women in the world,” says the description, and the most splendid dancers and the most exquisitely dressed—the affairs of honor being settled by a midnight thrust in a vacant square behind the cathedral, or adjourned to a more French daylight encounter at “The Oaks,” or “Les Trois Capalins.” But this life has all gone. In a stately building in this quarter, said by tradition to have been the quadroon ball-room, but I believe it was a white assembly-room connected with the opera, is now a well-ordered school for colored orphans, presided over by colored Sisters of Charity.

It is quite evident that the peculiar prestige of the quadroon and the octoroon is a thing of the past. Indeed, the result of the war has greatly changed the relations of the two races in New Orleans. The colored people withdraw more and more to themselves. Isolation from white influence has good results and bad results, the bad being, as one can see, in some quarters of the town, a tendency to barbarism, which can only be counteracted by free public schools, and by a necessity which shall compel them to habits of thrift and industry. One needs to be very much an optimist, however, to have patience for these developments.

I believe there is an instinct in both races against mixture of blood, and upon this rests the law of Louisiana, which forbids such intermarriages; the time may come when the colored people will be as strenuous in insisting upon its execution as the whites, unless there is a great change in popular feeling, of which there is no sign at present; it is they who will see that there is no escape from the equivocal position in which those nearly white in appearance find themselves except by a rigid separation of races. The danger is of a reversal at any time to the original type, and that is always present to the offspring of any one with a drop of African blood in the veins. The pathos of this situation is infinite, and it cannot be lessened by saying that the prejudice about color is unreasonable; it exists. Often the African strain is so attenuated that the possessor of it would pass to the ordinary observer for Spanish or French; and I suppose that many so-called Creole peculiarities of speech and manner are traceable to this strain. An incident in point may not be uninteresting.

I once lodged in the old French quarter in a house kept by two maiden sisters, only one of whom spoke English at all. They were refined, and had the air of decayed gentlewomen. The one who spoke English had the vivacity and agreeability of a Paris landlady, without the latter’s invariable hardness and sharpness. I thought I had found in her pretty mode of speech the real Creole dialect of her class. “You are French,” I said, when I engaged my room.

“No,” she said, “no, m’sieu, I am an American; we are of the United States,” with the air of informing a stranger that New Orleans was now annexed.

“Yes,” I replied, “but you are of French descent?”

“Oh, and a little Spanish.”

“Can you tell me, madame,” I asked, one Sunday morning, “the way to Trinity Church?”

“I cannot tell, m’sieu; it is somewhere the other side; I do not know the other side.”

“But have you never been the other side of Canal Street?”

“Oh yes, I went once, to make a visit on a friend on New-Year’s.”

I explained that it was far uptown, and a Protestant church.

“M’sieu, is he Cat’olic?”

“Oh no; I am a Protestant.”

“Well, me, I am Cat’olic; but Protestan’ o’ Cat’olic, it is ‘mos’ ze same.”

This was purely the instinct of politeness, and that my feelings might not be wounded, for she was a good Catholic, and did not believe at all that it was “‘mos’ ze same.”

It was Exposition year, and then April, and madame had never been to the Exposition. I urged her to go, and one day, after great preparation for a journey to the other side, she made the expedition, and returned enchanted with all she had seen, especially with the Mexican band. A new world was opened to her, and she resolved to go again. The morning of Louisiana Day she rapped at my door and informed me that she was going to the fair. “And”—she paused at the door-way, her eyes sparkling with her new project—“you know what I goin’ do?”

“No.”

“I goin’ get one big bouquet, and give to the leader of the orchestre.”

“You know him, the leader?”

“No, not yet.”

I did not know then how poor she was, and how much sacrifice this would be to her, this gratification of a sentiment.

The next year, in the same month, I asked for her at the lodging. She was not there. “You did not know,” said the woman then in possession—“good God! her sister died four days ago, from want of food, and madame has gone away back of town, nobody knows where. They told nobody, they were so proud; none of their friends knew, or they would have helped. They had no lodgers, and could not keep this place, and took another opposite; but they were unlucky, and the sheriff came.” I said that I was very sorry that I had not known; she might have been helped. “No,” she replied, with considerable spirit; “she would have accepted nothing; she would starve rather. So would I.” The woman referred me to some well-known Creole families who knew madame, but I was unable to find her hiding-place. I asked who madame was. “Oh, she was a very nice woman, very respectable. Her father was Spanish, her mother was an octoroon.”

One does not need to go into the past of New Orleans for the picturesque; the streets have their peculiar physiognomy, and “character” such as the artists delight to depict is the result of the extraordinary mixture of races and the habit of out-door life. The long summer, from April to November, with a heat continuous, though rarely so excessive as it occasionally is in higher latitudes, determines the mode of life and the structure of the houses, and gives a leisurely and amiable tone to the aspect of people and streets which exists in few other American cities. The French quarter is out of repair, and has the air of being for rent; but in fact there is comparatively little change in occupancy, Creole families being remarkably adhesive to localities. The stranger who sees all over the French and the business parts of the town the immense number of lodging-houses—some of them the most stately old mansions—let largely by colored landladies, is likely to underestimate the home life of this city. New Orleans soil is so wet that the city is without cellars for storage, and its court-yards and odd corners become catch-alls of broken furniture and other lumber. The solid window-shutters, useful in the glare of the long summer, give a blank appearance to the streets. This is relieved, however, by the queer little Spanish houses, and by the endless variety of galleries and balconies. In one part of the town the iron-work of the balconies is cast, and uninteresting in its set patterns; in French-town much of it is hand-made, exquisite in design, and gives to a street vista a delicate lace-work appearance. I do not know any foreign town which has on view so much exquisite wrought-iron work as the old part of New Orleans. Besides the balconies, there are recessed galleries, old dormer-windows, fantastic little nooks and corners, tricked out with flower-pots and vines.

The glimpses of street life are always entertaining, because unconscious, while full of character. It may be a Creole court-yard, the walls draped with vines, flowers blooming in bap-hazard disarray, and a group of pretty girls sewing and chatting, and stabbing the passer-by with a charmed glance. It may be a cotton team in the street, the mules, the rollicking driver, the creaking cart. It may be a single figure, or a group in the market or on the levee—a slender yellow girl sweeping up the grains of rice, a colored gleaner recalling Ruth; an ancient darky asleep, with mouth open, in his tipped-up two-wheeled cart, waiting for a job; the “solid South,” in the shape of an immense “aunty” under a red umbrella, standing and contemplating the river; the broad-faced women in gay bandannas behind their cake-stands; a group of levee hands about a rickety table, taking their noonday meal of pork and greens; the blind-man, capable of sitting more patiently than an American Congressman, with a dog trained to hold his basket for the pennies of the charitable; the black stalwart vender of tin and iron utensils, who totes in a basket, and piled on his head, and strung on his back, a weight of over two hundred and fifty pounds; and negro women who walk erect with baskets of clothes or enormous bundles balanced on their heads, smiling and “jawing,” unconscious of their burdens. These are the familiar figures of a street life as varied and picturesque as the artist can desire.

New Orleans amuses itself in the winter with very good theatres, and until recently has sustained an excellent French opera. It has all the year round plenty of cafes chantants, gilded saloons, and gambling-houses, and more than enough of the resorts upon which the police are supposed to keep one blind eye. “Back of town,” towards Lake Pontchartrain, there is much that is picturesque and blooming, especially in the spring of the year—the charming gardens of the Jockey Club, the City Park, the old duelling-ground with its superb oaks, and the Bayou St. John with its idling fishing-boats, and the colored houses and plantations along the banks—a piece of Holland wanting the Dutch windmills. On a breezy day one may go far for a prettier sight than the river-bank and esplanade at Carrollton, where the mighty coffee-colored flood swirls by, where the vast steamers struggle and cough against the stream, or swiftly go with it round the bend, leaving their trail of smoke, and the delicate line of foliage against the sky on the far opposite shore completes the outline of an exquisite landscape. Suburban resorts much patronized, and reached by frequent trains, are the old Spanish Fort and the West End of Lake Pontchartrain. The way lies through cypress swamp and palmetto thickets, brilliant at certain seasons with fleur-de-lis. At each of these resorts are restaurants, dancing-halls, promenade-galleries, all on a large scale; boat-houses, and semi-tropical gardens very prettily laid out in walks and labyrinths, and adorned with trees and flowers. Even in the heat of summer at night the lake is sure to offer a breeze, and with waltz music and moonlight and ices and tinkling glasses with straws in them and love’s young dream, even the ennuyé globe-trotter declares that it is not half bad.

The city, indeed, offers opportunity for charming excursions in all directions. Parties are constantly made up to visit the river plantations, to sail up and down the stream, or to take an outing across the lake, or to the many lovely places along the coast. In the winter, excursions are made to these places, and in summer the well-to-do take the sea-air in cottages, at such places as Mandeville across the lake, or at such resorts on the Mississippi as Pass Christian.

I crossed the lake one spring day to the pretty town of Mandeville, and then sailed up the Tehefuncta River to Covington. The winding Tchefuncta is in character like some of the narrow Florida streams, has the same luxuriant overhanging foliage, and as many shy lounging alligators to the mile, and is prettier by reason of occasional open glades and large moss-draped live-oaks and China-trees. From the steamer landing in the woods we drove three miles through a lovely open pine forest to the town. Covington is one of the oldest settlements in the State, is the centre of considerable historic interest, and the origin of several historic families. The land is elevated a good deal above the coast-level, and is consequently dry. The town has a few roomy oldtime houses, a mineral spring, some pleasing scenery along the river that winds through it, and not much else. But it is in the midst of pine woods, it is sheltered from all “northers,” it has the soft air, but not the dampness, of the Gulf, and is exceedingly salubrious in all the winter months, to say nothing of the summer. It has lately come into local repute as a health resort, although it lacks sufficient accommodations for the entertainment of many strangers. I was told by some New Orleans physicians that they regarded it as almost a specific for pulmonary diseases, and instances were given of persons in what was supposed to be advanced stages of lung and bronchial troubles who had been apparently cured by a few months’ residence there; and invalids are, I believe, greatly benefited by its healing, soft, and piny atmosphere.

I have no doubt, from what I hear and my limited observation, that all this coast about New Orleans would be a favorite winter resort if it had hotels as good as, for instance, that at Pass Christian. The region has many attractions for the idler and the invalid. It is, in the first place, interesting; it has a good deal of variety of scenery and of historical interest; there is excellent fishing and shooting; and if the visitor tires of the monotony of the country, he can by a short ride on cars or a steamer transfer himself for a day or a week to a large and most hospitable city, to society, the club, the opera, balls, parties, and every variety of life that his taste craves. The disadvantage of many Southern places to which our Northern regions force us is that they are uninteresting, stupid, and monotonous, if not malarious. It seems a long way from New York to New Orleans, but I do not doubt that the region around the city would become immediately a great winter resort if money and enterprise were enlisted to make it so.

New Orleans has never been called a “strait-laced” city; its Sunday is still of the Continental type; but it seems to me free from the socialistic agnosticism which flaunts itself more or less in Cincinnati, St. Louis, and Chicago; the tone of leading Presbyterian churches is distinctly Calvinistic, one perceives comparatively little of religious speculation and doubt, and so far as I could see there is harmony and entire social good feeling between the Catholic and Protestant communions. Protestant ladies assist at Catholic fairs, and the compliment is returned by the society ladies of the Catholic faith when a Protestant good cause is to be furthered by a bazaar or a “pink tea.” Denominational lines seem to have little to do with social affiliations. There may be friction in the management of the great public charities, but on the surface there is toleration and united good-will. The Catholic faith long had the prestige of wealth, family, and power, and the education of the daughters of Protestant houses in convent schools tended to allay prejudice. Notwithstanding the reputation New Orleans has for gayety and even frivolity—and no one can deny the fast and furious living of ante-bellum days—it possesses at bottom an old-fashioned religious simplicity. If any one thinks that “faith” has died out of modern life, let him visit the mortuary chapel of St. Roch. In a distant part of the town, beyond the street of the Elysian Fields, and on Washington avenue, in a district very sparsely built up, is the Campo Santo of the Catholic Church of the Holy Trinity. In this foreign-looking cemetery is the pretty little Gothic Chapel of St. Roch, having a background of common and swampy land. It is a brown stuccoed edifice, wholly open in front, and was a year or two ago covered with beautiful ivy. The small interior is paved in white marble, the windows are stained glass, the side-walls are composed of tiers of vaults, where are buried the members of certain societies, and the spaces in the wall and in the altar area are thickly covered with votive offerings, in wax and in naive painting—contributed by those who have been healed by the intercession of the saints. Over the altar is the shrine of St. Roch—a cavalier, staff in hand, with his clog by his side, the faithful animal which accompanied this eighth-century philanthropist in his visitations to the plague-stricken people of Munich. Within the altar rail are rows of lighted candles, tended and renewed by the attendant, placed there by penitents or by seekers after the favor of the saint. On the wooden benches, kneeling, are ladies, servants, colored women, in silent prayer. One approaches the lighted, picturesque shrine through the formal rows of tombs, and comes there into an atmosphere of peace and faith. It is believed that miracles are daily wrought here, and one notices in all the gardeners, keepers, and attendants of the place the accent and demeanor of simple faith. On the wall hangs this inscription:

“O great St. Roch, deliver us, we beseech thee, from the scourges of God. Through thy intercessions preserve our bodies from contagious diseases, and our souls from the contagion of sin. Obtain for us salubrious air; but, above all, purity of heart. Assist us to make good use of health, to bear suffering with patience, and after thy example to live in the practice of penitence and charity, that we may one day enjoy the happiness which thou hast merited by thy virtues.

“St. Roch, pray for us.

“St. Roch, pray for us.

“St. Roch, pray for us.”

There is testimony that many people, even Protestants, and men, have had wounds cured and been healed of diseases by prayer in this chapel. To this distant shrine come ladies from all parts of the city to make the “novena”—the prayer of nine days, with the offer of the burning taper—and here daily resort hundreds to intercede for themselves or their friends. It is believed by the damsels of this district that if they offer prayer daily in this chapel they will have a husband within the year, and one may see kneeling here every evening these trustful devotees to the welfare of the human race. I asked the colored woman who sold medals and leaflets and renewed the candles if she personally knew any persons who had been miraculously cured by prayer, or novena, in St. Roch. “Plenty, sir, plenty.” And she related many instances, which were confirmed by votive offerings on the walls. “Why,” said she, “there was a friend of mine who wanted a place, and could hear of none, who made a novena here, and right away got a place, a good place, and” (conscious that she was making an astonishing statement about a New Orleans servant) “she kept it a whole year!”

“But one must come in the right spirit,” I said.

“Ah, indeed. It needs to believe. You can’t fool God!”

One might make various studies of New Orleans: its commercial life; its methods, more or less antiquated, of doing business, and the leisure for talk that enters into it; its admirable charities and its mediaeval prisons; its romantic French and Spanish history, still lingering in the old houses, and traits of family and street life; the city politics, which nobody can explain, and no other city need covet; its sanitary condition, which needs an intelligent despot with plenty of money and an ingenuity that can make water run uphill; its colored population—about a fourth of the city—with its distinct social grades, its superstition, nonchalant good-humor, turn for idling and basking in the sun, slowly awaking to a sense of thrift, chastity, truth-speaking, with many excellent order-loving, patriotic men and women, but a mass that needs moral training quite as much as the spelling-book before it can contribute to the vigor and prosperity of the city; its schools and recent libraries, and the developing literary and art taste which will sustain book-shops and picture-galleries; its cuisine, peculiar in its mingling of French and African skill, and determined largely by a market unexcelled in the quality of fish, game, and fruit—the fig alone would go far to reconcile one to four or five months of hot nights; the climatic influence in assimilating races meeting there from every region of the earth.

But whatever way we regard New Orleans., it is in its aspect, social tone, and character sui generis; its civilization differs widely from that of any other, and it remains one of the most interesting places in the republic. Of course, social life in these days is much the same in all great cities in its observances, but that of New Orleans is markedly cordial, ingenuous, warmhearted. I do not imagine that it could tolerate, as Boston does, absolute freedom of local opinion on all subjects, and undoubtedly it is sensitive to criticism; but I believe that it is literally true, as one of its citizens said, that it is still more sensitive to kindness.

The metropolis of the South-west has geographical reasons for a great future. Louisiana is rich in alluvial soil, the capability of which has not yet been tested, except in some localities, by skilful agriculture. But the prosperity of the city depends much upon local conditions. Science and energy can solve the problem of drainage, can convert all the territory between the city and Lake Pontchartrain into a veritable garden, surpassing in fertility the flat environs of the city of Mexico. And the steady development of common-school education, together with technical and industrial schools, will create a skill which will make New Orleans the industrial and manufacturing centre of that region.

IV.—A VOUDOO DANCE

There was nothing mysterious about it. The ceremony took place in broad day, at noon in the upper chambers of a small frame house in a street just beyond Congo Square and the old Parish prison in New Orleans. It was an incantation rather than a dance—a curious mingling of African Voudoo rites with modern “spiritualism” and faith-cure.

The explanation of Voudooism (or Vaudouism) would require a chapter by itself. It is sufficient to say for the purpose of this paper that the barbaric rites of Voudooism originated with the Congo and Guinea negroes, were brought to San Domingo, and thence to Louisiana. In Hayti the sect is in full vigor, and its midnight orgies have reverted more and more to the barbaric original in the last twenty-five years. The wild dance and incantations are accompanied by sacrifice of animals and occasionally of infants, and with cannibalism, and scenes of most indecent license. In its origin it is serpent worship. The Voudoo signifies a being all-powerful on the earth, who is, or is represented by, a harmless species of serpent (couleuvre), and in this belief the sect perform rites in which the serpent is propitiated. In common parlance, the chief actor is called the Voudoo—if a man, the Voudoo King; if a woman, the Voudoo Queen. Some years ago Congo Square was the scene of the weird midnight rites of this sect, as unrestrained and barbarous as ever took place in the Congo country. All these semi-public performances have been suppressed, and all private assemblies for this worship are illegal, and broken up by the police when discovered. It is said in New Orleans that Voudooism is a thing of the past. But the superstition remains, and I believe that very few of the colored people in New Orleans are free from it—that is, free from it as a superstition. Those who repudiate it, have nothing to do with it, and regard it as only evil, still ascribe power to the Voudoo, to some ugly old woman or man, who is popularly believed to have occult power (as the Italians believe in the “evil-eye”), can cast a charm and put the victims under a spell, or by incantations relieve them from it. The power of the Voudoo is still feared by many who are too intelligent to believe in it intellectually. That persons are still Voudooed, probably few doubt; and that people are injured by charms secretly placed in their beds, or are bewitched in various ways, is common belief—more common than the Saxon notion that it is ill-luck to see the new moon over the left shoulder.