A Servant of the Public

As he turned into his street about ten o'clock and approached the door of his house, he perceived a man walking slowly up and down, to and fro. There was something familiar in the figure and the gait; an indecision, a looseness, a plaintive weakness. Unconsciously Ashley quickened his step; he had a conviction which seemed absurd and was against all probability; a moment would prove or disprove its truth. The man came under the gas lamp, stopped, and looked up at Ashley's windows. His face was plain to see now. "By God, it is!" whispered Ashley Mead, with a frown and a smile. A little more slinking, a little more slouching, a little more altogether destitute of the air which should mark a self-respecting man, but unchanged save for these intensifications of his old characteristics, Jack Fenning stood and looked up at the house whence he had once come out richer by a thousand pounds than when he went in. He seemed to regard the dingy old walls with a maudlin affection.

It was a pretty bit of irony that she should come back in this way; that this aspect of her, this side of her life, should be thrust before Ashley's eyes when all that he loved of her and longed for was so far away. Ashley walked up to Jack Fenning with lips set firm in a stiff smile.

"Well, Mr. Fenning, what brings you here?" he asked. "I've no more thousands about me, you know."

"I – I thought you might give me a drink for old friendship," said Jack. "They said you were out, and wouldn't let me sit in your room. So I said I'd come back; but I've been waiting all the time."

"If you don't mind what the drink's for, I'll give it you. Come along." He loathed the man, but because the man in a sense belonged to Ora he would not turn him away; curiosity, too, urged him to find out the meaning of an appearance so unexpected. With Ora in America, how could it profit Jack to make a nuisance of himself in England? There was nothing to be got by that.

When they were upstairs and Jack had been provided with the evidence of friendship which he desired, Ashley lit his pipe, sat down by the fire, and studied his companion in silence for a few moments. Jack grew a little uncomfortable under the scrutiny; he was quite aware that he did not and could not stand investigation. But Ashley was thinking less of him than of what he represented. He had been just one of those stupid wanton obstacles, in themselves so unimportant, which serve to wreck fair schemes; he seemed to embody the perversity of things, and to make mean and sordid the fate that he typified.

"What do you want?" Ashley asked suddenly and abruptly. "I've got no more money for you, you know."

No doubt Jack was accustomed to this style of reception. It did not prevent him from telling his story. He lugged out a cheap broken-backed cigar from his breast-pocket and lit it; it increased the feeble disreputableness of his appearance.

"I'll tell you all about it, Mr. Mead," he said. "It may be worth your while to listen." But the sudden confidence of these last words died away quickly. "I hope to God you'll do something for me!" he ended in a whining voice.

This man was Ora Pinsent's husband.

"Go on," muttered Ashley, his teeth set hard on the stem of his pipe.

The story began, but proceeded very haltingly; Ashley had to draw it out by questions. The chief point of obscurity was as regards Jack's own intentions and motives. Why he had come to England remained in vagueness; Ashley concluded that the memory of the thousand pounds had drawn him with a subtle retrospective attraction, although reason must have told him that no second thousand would come. But on the matter of his grievances and the sad treatment he had suffered from others Jack was more eloquent and more lucid. Everybody was against him, even his wife Ora Pinsent, even his own familiar friend Miss Daisy Macpherson. For Miss Macpherson had deserted him, had gone over to the enemy, had turned him out, and for lucre's sake had given information to hostile emissaries. And his wife ("My own wife, Mr. Mead," said Jack mournfully) was trying to get rid of him for good and all.

Ashley suddenly sat up straight in his seat as the narrative reached this point.

"To get rid of you? What do you mean?" he asked.

"There's a fellow named Flint – " said Jack between gulps at his liquor.

Of course there was! A fellow who did not despise nosings! That bygone talk with Babba leapt lifelike to Ashley's mind.

The fellow named Flint, aided by the basest treachery on the part of Miss Macpherson – why had she not denied all compromising facts? – had landed Mr. Fenning in his present predicament.

"What in the world is it you mean?" groaned Ashley.

"They've begun divorce proceedings," said Jack, with a desperate pull at the broken-backed leaky cigar. "My own wife, Mr. Mead."

"Upon my soul, you're a much-wronged man," said Ashley.

In the next few moments he came near to repenting his sarcastic words. Repentance would indeed have been absurd; but if every one were kicking the creature it was hard and needless to add another kick. He found some sorrow and disapprobation for the conduct of Miss Daisy Macpherson; it was ungrateful in her who had liked to be known as Mrs. Foster in private life.

"Babba Flint got round your friend, did he?" he asked. "Well, I suppose you've no defence?"

"I've got no money, Mr. Mead."

"That's the same thing, you know," said Ashley. "Well, what's the matter? How does it hurt you to be divorced?"

"I never tried to divorce her," moaned Jack.

"Never mind your conduct to your wife; we can leave that out."

"I was very fond of Miss Pinsent; but she was hard to me."

"I've nothing to do with all that. What do you want to resist the divorce for?" His tone was savage; how dare this creature tell him that he had been very fond of Ora Pinsent? Must her memory be still more defiled? Should he always have to think of this man when he thought of her? Jack shrank lower and lower in his chair under the flash of severity; his words died away into confused mutterings; he stretched out his hand towards the whiskey bottle.

"You're half drunk already," said Ashley. Jack looked at him for an instant with hazy eyes, and then poured out some liquor; Ashley shrugged his shoulders; his suggested reason had, he perceived, no validity. Jack drank his draught and leant forward towards his entertainer with a fresh flicker of boldness.

"I know what their game is, Mr. Mead," he said. "Daisy let it all out when we had our row."

"Whose game?"

"Why, Ora's, and that damned Flint's, and Hazlewood's."

"Will you oblige me in one point? If you will, you may have some more whiskey. Tell the story without mentioning Miss Pinsent."

Jack smiled in wavering bewilderment. Why shouldn't he mention Ora? He took refuge in an indeterminate "They," which might or might not include his wife.

"They mean to get rid of me, then their way's clear," he said with a nod.

"Their way to what?"

"To marrying her to Hazlewood," said Jack with a cunning smile. He waited an instant; his smile grew a little broader; he took another gulp. "What do you say to that, Mr. Mead?" he asked.

Several moments passed, Jack still wearing his cunning foolish smile, Ashley smoking steadily. What did he say to that? Babba had offered him the service of nosings; would he not, in an equally liberal spirit, put them at the disposal of Mr. Hazlewood? Hazlewood was a good fellow, but he would not be squeamish about the nosings. So far there was no improbability. But Ora? Was she party to the scheme? Well, she would gladly – great heavens, how gladly! – be rid of this creature; and the other thing would be held in reserve; it would not be pressed on her too soon. The same mixture of truth and pretence which had marked his talk with Irene Bowdon displayed itself in his answer to Jack Fenning.

"The most natural thing in the world," he said, with a shrug of his shoulders.

Jack's face fell, disappointment and dismay were painted on it. His next remark threw some light on the hopes which had brought him to England.

"I thought you'd be obliged to me for the tip," he said mournfully.

Tips and nosings – nosings and tips!

"Good God, have you any notion at all of the sort of creature you are?" asked Ashley.

Jack giggled uncomfortably. "We're none of us perfect," he said. "I don't see that I'm worse than other people." He paused, and added again, "I thought you'd be obliged to me, Mr. Mead."

Ashley had fallen to thinking; now he asked one question.

"Does Miss Pinsent know you came here before?"

"Daisy gave away the whole thing," murmured Jack forlornly. "All about my being here and what you did; and Hazlewood saw me here, you know." He paused again, and resumed, "It's all pretty rough on me; I don't want to be troublesome, but they ought to do something for me."

"And they wouldn't, so you came to me?"

Jack wriggled about and finished his glass.

"Well, I won't, either," said Ashley.

"I've only got thirty shillings. There's a cousin of mine in Newcastle who might do something for me if I had a bit of money, but – "

"What have you done with the thousand?"

"Daisy clawed the lot," moaned Mr. Fenning.

It was surely a delusion which made Ashley feel any responsibility for the man; he had no doubt prevented Jack from rejoining his wife, but no good could have come of the reunion. Nevertheless, on the off-chance of there being a moral debt due, he went to the drawer of his writing-table and took out two bank-notes. It occurred to him that the proceeding was unfair to the cousin in Newcastle, but in this world somebody must suffer. He held out the notes to Jack. "Go," he said. Jack's eyes glistened as he darted out his hand. "Never come back. By heaven, I'll throw you downstairs if you ever come back."

Jack laughed weakly as he looked at the notes and thrust them into his pocket. He rose; he could still stand pretty steadily. "You understand? Never come back or – the stairs!" said Ashley, standing opposite to him and smiling at him.

"I won't trouble you again, Mr. Mead," Jack assured him.

"It's a case where the trouble would be a pleasure, but don't come all the same. You'd be a poor sort of man to be hanged for, you know."

Jack laughed more comfortably; he thought that he was establishing pleasant relations; but he was suddenly relegated to fright and dismay, for Ashley caught him by the shoulder and marched him quickly to the door, saying, "Now, get out." Jack glanced round in his face. "All right, I'm going, I'm going, Mr. Mead," he muttered. "Don't be angry, I'm going." He darted hastily through the door and stood for one instant at the top of the stairs, looking back over his shoulder with a scared expression. Ashley burst into a laugh and slammed the door; the next moment he heard Jack's shuffling steps going down.

"I must have looked quite melodramatic," he said as he flung himself down on his sofa. His heart was beating quick and the sweat stood on his brow. "Good God, what an ass I am!" he thought. "But I only just kept my hands off the fellow. How infernally absurd!" He got up again, relit his pipe, and mixed himself some whiskey-and-water. His self-respect demanded an immediate and resolute return to the plane of civilised life; an instinct to throw Jack Fenning downstairs, combined with a lively hope that his neck would be broken, was not civilised.

And was it grateful? His stiff smile came again as he declared that he ought to consider himself obliged to Jack and that the bank-notes were no more than a proper acknowledgment of services rendered. Jack's reappearance and Jack's news gave the fitting and necessary cap to the situation; they supplied its demands and filled up its deficiencies, they forbade any foolish attempt to idealise it, or to shut eyes to it, or to kick against the pricks. He had elected to have nothing to do with nosings; then he could not look to enjoy the fruits of nosing. The truth went deeper than that; he had been right in his calm bitter declaration that the thing of which Jack came to warn him was the most natural thing in the world. Ora, being in another world and being lonely, turned to the companionship her new world gave; like sought like. The thing, while remaining a little difficult to imagine – because alien memories crossed the mirror and blurred the image – became more and more easy to explain on the lines of logic, and to justify out of his knowledge of the world, of women and of men. It was natural, indeed he caught the word "inevitable" on the tip of his tongue. The whole affair, the entire course of events since Ora Pinsent had come on the scene, was of a piece; the same laws ruled, the same tendencies asserted themselves; against their sway and their force mere inclinations, fancies, emotions, passions – call them what you would – seemed very weak and transient, stealing their moment of noisy play, but soon shrinking away beaten before the steady permanent strength of these opponents. The problem worked out to its answer, the pieces fitted into the puzzle, until the whole scheme became plain. As Bowdon to his suitable wife, as Alice Muddock to her obvious husband, so now Ora Pinsent to the man who was so much in her life, so much with her, whose lines ran beside her lines, converging steadily to a certain point of meeting. Yes, so Ora Pinsent to Sidney Hazlewood. It would be so; memories of days in the country, of inn parlours, of sweet companionship, could not hinder the end; the laws and tendencies would have their way. The sheep had tried to make a rush, to escape to pleasant new browsing-grounds, the dog was on them in an instant and barked them back to their proper pens again.

"Only I don't seem to have a pen," said Ashley Mead.

When a thing certainly is, it is perhaps waste of time to think whether it is for the best, and what there may be to be said for and against it. But the human mind is obstinately plagued with a desire to understand and appreciate things; it likes to feel justified in taking up an amiable and acquiescent attitude towards the world in which it finds itself, it does not love to live in rebellion nor even in a sullen obedience. Therefore Ashley tried to vindicate the ways of fate and to declare that the scheme which was working itself out was very good. Even for himself probably a pen would be indicated presently, and he would walk into it. On a broader view the pen-system seemed to answer very well and to produce the sort of moderate happiness for which moderately sensible beings might reasonably look. That was the proper point of view from which to regard the matter; anything else led to an uncivilised desire to throw Jack Fenning downstairs.

Thus Jack Fenning vanished, but in the next day or two there came the letter from Ora, the letter which was bound to come in view of the new things she had learnt. Ora was not exactly angry, but she was evidently puzzled. She gave him thanks for keeping Jack away from her, out of her sight and her knowledge. "But," she wrote, "I don't understand about afterwards; because you found out from Mr. Hazlewood things that might have made, oh, all the difference, if you'd told them to me and if you'd wanted them to. I don't understand why you didn't tell me; we could have done what's being done now and I should have got free. Didn't you want me free? I can't and won't think that you didn't really love me, that you wouldn't really have liked to have me for your own. But I don't know what else I can think. It does look like it. I wish I could see you, Ashley, because I think I might perhaps understand then why you acted as you did; I'm sure you had a reason, but I can't see what it was. When we were together, I used to know how you thought and felt about things, and so perhaps, if we were together now, you could make me understand why you treated me like this. But we're such a long way off from one another. Do you remember saying that I should begin to come back as soon as ever I went away, and that every day would bring me nearer to you again? It isn't like that; you get farther away. It's not only that I'm not with you now, but somehow it comes to seem as if I'd never been with you – not as we really were, so much together. And so I don't know any more how you feel, and I can't understand how you did nothing after what you found out from Mr. Hazlewood. Because it really would have made all the difference. I don't want to reproach you, but I just don't understand. I shall be travelling about a lot in the next few weeks and shan't have time to write many letters. Good-bye."

It was what she must think, less by far than she might seem to have excuse for saying. He had no answer to it, no answer that he could send to her, no answer that he could carry to her, without adding a sense of hurt to the bewilderment that she felt. Of course too she forgot how large a share the play and the part, with all they stood for, had had in the separation and distance between them which she deplored as so sore a barrier to understanding. She saw only that there had been means by which Jack Fenning might have been cleared out of the way, means by which he was in fact now being cleared out of the way, and that Ashley had chosen to conceal them from her and not to use them himself. Hence her puzzled pain, and her feeling that she had lost her hold on him and her knowledge of his mind. Reading the letter, he could not stifle some wonder that her failure to understand was so complete. He would not be disloyal to her; anything that was against her was wrung from him reluctantly. But had she no shrinking from what was being done, no repugnance at it, no sense that she was soiled and a sordid tinge given to her life? No, she had none of these things; she wanted to be free; he could have freed her and would not; now Sidney Hazlewood and Babba Flint were setting her at liberty. He was far off, they were near; he was puzzling, their conduct was intelligible. She felt herself growing more and more separated from him; was she not growing nearer and nearer to them? The law ruled and the tendency worked through such incidents as these; in them they sprang to light and were fully revealed, their underlying strength became momentarily open and manifest. They would go on ruling and working, using the puzzle, the wound, the resentment, the separation, the ever-growing distance, the impossibility of understanding. These things blotted out memories, so that his very face would grow blurred for her, the tones of his voice dim and strange, the touch of his lips alien and forgotten. She would be travelling a lot in the next few weeks and would not have time to write many letters. He knew, as he read, that she would write no more letters at all, that this was the last to come from her to him, the last that would recall the intimate and sweet companionship whose ending it deplored with poor pathetic bewilderment. She did not see how they came to be so far apart and to be drifting farther and farther apart; she saw only the fact. Was it any easier for him to bear because he seemed to see the reason and the necessity?

So, "Good-bye," she ended; and it was the end.

He put the letter away in the drawer whence he had taken the bank-notes for Jack Fenning, drew a chair up to the table and, sitting down, untied the red tape round a brief which lay there. He began to read but broke off when he had read a few lines and sat for a moment or two, looking straight in front of him.

"Yes," he said, "there's an end of that." And he went on with the brief. It was indeed the most natural thing in the world.

CHAPTER XXIV

"A GOOD SIGHT"

"One unbroken round of triumph from the hour we landed to the hour we left," said Babba Flint. He was off duty, had dined well, and come on to Mrs. Pocklington's rather late; although perfectly master of himself, he was not inclined at this moment to think less well of the world than it deserved.

"Including the legal proceedings?" asked Irene Bowdon, studying the figure on her French fan.

"Well, we put them through all right; pretty sharp too." Babba looked at his companion with a droll air. "Fact is," he continued, "some of us thought it as well to fix the thing while we were on the other side; complications might have arisen here, you know."

"Oh, I know what you mean. It's her own look-out; I daresay Mr. Hazlewood will make a very good husband."

"He won't make much difference except in business matters," observed Babba composedly. "We all know that well enough." Babba did not seem to deplore the state of affairs he indicated.

"Does he – the man himself?" Her curiosity was natural enough.

"Lord love you, yes, Lady Bowdon. It's not like the other affair, you see. That wasn't business; this is." He eyed Irene's face, which was rather troubled. "Best thing, after all," he added.

"I suppose so," said Irene, looking up with a faint smile.

"Oh, mind you, I'm sorry in a way. But if you won't pay the price, you don't acquire the article, that's all. I did it for Hazlewood, I'd have done it for Mead. But if you don't like being in large letters in the bills and the headlines, and being cross-examined yourself, and having her cross-examined, and having everybody – "

"In short, if you don't like going through the mud – "

"You've got to stay on the near side of the ditch. Precisely."

Irene sighed. Babba fixed his eye-glass and took a view of the room.

"I'm not Mead's sort," he continued, his eye roving round the while, "but I know how it struck him. Well, it didn't strike Sidney that way and I suppose it didn't strike her. Therefore – " He broke off, conceiving that his meaning was clear enough. "She's coming here to-night," he went on a moment later.

"And he's here."

"Situation!" murmured Babba, spreading his hands out.

"Oh dear no," said Irene scornfully. "We don't go in for situations in society, Mr. Flint. Isn't that Alice Muddock over there?"

"It is; and Jewett with her. Still no situation?" He smiled and twisted the glass more firmly in his eye. As he spoke Ashley Mead came up to Alice and Bertie, shook hands with both, talked to them for a moment and then passed on, leaving them alone together. Alice looked after him for an instant with a faint smile and then turned her face towards her companion again.

"Your husband here?" asked Babba of Lady Bowdon.

"Yes, my husband's here," answered Irene. She nearly said, "My husband's here too," but such emphatic strokes were not needed to define a situation to Babba's professional eye. "He's somewhere in the crowd," she added.

"That's all right," said Babba, whether mirthfully or merely cheerfully Irene could not determine. Her next question seemed to rise to her lips inevitably:

"And what's become of Mr. Fenning?"

"Nobody knows and nobody cares," said Babba. "He doesn't count any longer, you see, Lady Bowdon. We've marked Jack Fenning off. Bless you, I believe Miss Pinsent's forgotten he ever existed!"

"She seems good at forgetting."

"What? Oh, yes, uncommon," agreed Babba rather absently; a pretty girl had chanced to pass by at the minute.

Irene was inclined to laugh. With all his eye for the situation Babba reduced it to absolutely nothing but a situation, a group, a tableau, a pose of figures at which you stopped to look for a moment and passed on, saying that it was very effective, that it carried such and such an impression, and would hold the house for this or that number of seconds. It was no use for life to ask Babba to take it with the tragic seriousness which Irene had at her disposal.

"I wonder if she'll have forgotten me," she said.

"She always remembers when she sees you again," Babba assured her.

"Ought that to be a comfort to me?"

"Well, it would be good enough for me," said Babba, and he began to hum a tune softly. "After a year, you know, it's something," he broke off to add.

"Have you really been away a year?"

"Every hour of it, without including the time I was seasick," said Babba with a retrospective shudder. "Ah, here she comes!" he went on, and explained the satisfaction which rang in his tones by saying, "I see her most days, but she's always a good sight, you know."

As Irene watched Ora Pinsent pass up the room responding gaily to a hundred greetings, it occurred to her that Babba's was perhaps the truest point of view from which to regard her old acquaintance, her friend and enemy. In personal intercourse Ora might be unsatisfactory; perhaps it was not well to let her become too much to you; it was no doubt imprudent to rely on becoming or remaining very much to her. But considered as a "good sight," as an embellishment of the room she was in, of the society that knew and the world that held her, as an increase of beauty on the earth, as a fountain of gaiety, both as a mirror to picture and as a magnet to draw forth fine emotions and great passions, she seemed to justify herself. This was not to call her "nice" in Lady Muddock's sense; but it was really the way to take her, the only way in which she would fit into Irene's conception of an ordered universe. Ashley Mead had not, it seemed, been content to take her like that. Was the man who walked a few yards behind her, with his tired smile and his deep wrinkle, his carefully arranged effective hair, and his fifty years under decent control – was her new husband content to take her like that and to accept for himself the accidental character which she had the knack of imparting to her domestic relations? He was more respectable and more presentable than Jack Fenning. Jack Fenning counted for nothing now; in truth did Mr. Hazlewood count for much more? Except, of course, as Babba had observed, in business matters.