Woman in Sacred History

In turning to the narrative of the Old Testament, however, we are led to feel that in setting Sarah before wives as a model of conjugal behavior, no very alarming amount of subjection or submission is implied.

The name Sarah means "princess"; and from the Bible story we infer that, crowned with the power of eminent beauty, and fully understanding the sovereignty it gave her over man, Sarah was virtually empress and mistress of the man she called "lord." She was a woman who understood herself and him, and was too wise to dispute the title when she possessed the reality of sway; and while she called Abraham "lord," it is quite apparent from certain little dramatic incidents that she expected him to use his authority in the line of her wishes.

In going back to these Old Testament stories, one feels a ceaseless admiration of the artless simplicity of the primitive period of which they are the only memorial. The dew of earth's early morning lies on it, sparkling and undried; and the men and women speak out their hearts with the simplicity of little children.

In Abraham we see the man whom God designed to be the father of a great sacerdotal nation; through whom, in the fullness of time, should come the most perfect revelation of himself to man, by Jesus Christ. In choosing the man to found such a nation, the Divine Being rejected the stormy and forcible characters which command the admiration of rude men in early ages, and chose one of gentler elements.

Abraham was distinguished for a loving heart, a tender domestic nature, great reverence, patience, and fidelity, a childlike simplicity of faith, and a dignified self-possession. Yet he was not deficient in energy or courage when the event called for them. When the warring tribes of the neighborhood had swept his kinsman, Lot, into captivity, Abraham came promptly to the rescue, and, with his three hundred trained servants, pursued, vanquished, and rescued. Though he loved not battle, when roused for a good cause he fought to some purpose.

Over the heart of such a man, a beautiful, queenly woman held despotic sway. Traveling with her into the dominions of foreign princes, he is possessed by one harassing fear. The beauty of this woman, – will it not draw the admiration of marauding powers? And shall I not be murdered, or have her torn from me? And so, twice, Abraham resorts to the stratagem of concealing their real relation, and speaking of her as his sister. The Rabbinic traditions elaborate this story with much splendor of imagery. According to them, Abraham being obliged by famine to sojourn in Egypt, rested some days by the river Nile; and as he and Sarah walked by the banks of the river, and he beheld her wonderful beauty reflected in the water, he was overwhelmed with fear lest she should be taken from him, or that he should be slain for her sake. So he persuaded her to pass as his sister; for, as he says, "she was the daughter of my father, but not of my mother." The legend goes on to say, that, as a further precaution, he had her placed in a chest to cross the frontier; and when the custom-house officers met them, he offered to pay for the box whatever they might ask, to pass it free.

"Does it contain silks?" asked the officers.

"I will pay the tenth as of silk," he replied.

"Does it contain silver?" they inquired.

"I will pay for it as silver," answered Abraham.

"Nay, then, it must contain gold."

"I will pay for it as gold."

"May be it contains most costly gems."

"I will pay for it as gems," he persisted.

In the struggle the box was broken open, and in it was seated a beautiful woman whose countenance illumined all Egypt. The news reached the ears of Pharaoh, and he sent and took her.

In comparing these Rabinnic traditions with the Bible, one is immediately struck with the difference in quality, – the dignified simplicity of the sacred narrative contrasts forcibly with the fantastic elaborations of tradition.

The Rabbinic and Alcoranic stories are valuable, however, as showing how profound an impression the personality of these characters had left on mankind. The great characters of the Biblical story, though in themselves simple, seemed, like the sun, to raise around them many-colored and vaporous clouds of myth and story. The warmth of their humanity kept them enwreathed in a changing mist of human sympathies.

The falsehoods which Abraham tells are to be estimated not by the modern, but by the ancient standard. In the earlier days of the world, when physical force ruled, when the earth was covered with warring tribes, skill in deception was counted as one of the forms of wisdom. "The crafty Ulysses" is spoken of with honor through the "Odyssey" for his skill in dissembling; and the Lacedemonian youth were punished, not for stealing or lying, but for performing these necessary operations in a bungling, unskillful manner.

In a day when it was rather a matter of course for a prince to help himself to a handsome woman wherever he could find her, and kill her husband if he made any objections, a weaker party entering the dominions of a powerful prince was under the laws of war.

In our nineteenth century we have not yet grown to such maturity as not to consider false statements and stratagem as legitimate war policy in dealing with an enemy. Abraham's ruse is not, therefore, so very far behind even the practice of modern Christians. That he should have employed the same fruitless stratagem twice, seems to show that species of infatuation on the one subject of a beloved woman, which has been the "last infirmity" of some otherwise strong and noble men, – wise everywhere else, but weak there.

The Rabbinic legends represent Sarah as being an object of ardent admiration to Pharaoh, who pressed his suit with such vehemence that she cried to God for deliverance, and told the king that she was a married woman. Then – according to this representation – he sent her away with gifts, and even extended his complacency so far as to present her with his daughter Hagar as a handmaid, – a legend savoring more of national pride than of probability.

In the few incidents related of Sarah she does not impress us as anything more than the beautiful princess of a nomadic tribe, with many virtues and the failings that usually attend beauty and power.

With all her advantages of person and station, Sarah still wanted what every woman of antiquity considered the crowning glory of womanhood. She was childless. By an expedient common in those early days, she gives her slave as second wife to her husband, whose child shall be her own. The Rabbinic tradition says that up to this time Hagar had been tenderly beloved by Sarah. The prospect, however, of being mother to the heir of the family seems to have turned the head of the handmaid, and broken the bonds of friendship between them.

In its usual naïve way, the Bible narrative represents Sarah as scolding her patient husband for the results which came from following her own advice. Thus she complains, in view of Hagar's insolence: "My wrong be upon thee. I have given my maid unto thy bosom, and when she saw that she had conceived, I was despised in her eyes. The Lord judge between thee and me."

We see here the eager, impulsive, hot-hearted woman, accustomed to indulgence, impatient of trouble, and perfectly certain that she is in the right, and that the Lord himself must think so. Abraham, as a well-bred husband, answers pacifically: "Behold, thy maid is in thy hand, to do as pleaseth thee." And so it pleased Sarah to deal so hardly with her maid that she fled to the wilderness.

Finally, the domestic broil adjusts itself. The Divine Father, who watches alike over all his creatures, sends back the impetuous slave from the wilderness, exhorted to patience, and comforted with a promise of a future for her son.

Then comes the beautiful idyl of the three angels, who announce the future birth of the long-desired heir. We could wish all our readers, who may have fallen out of the way of reading the Old Testament, to turn again to the eighteenth chapter of Genesis, and see the simple picture of those olden days. Notice the beautiful hospitality of reception. The Emir rushes himself to his herd to choose the fatted calf, and commands the princess to make ready the meal, and knead the cakes. Then comes the repast. The announcement of the promised blessing, at which Sarah laughs in incredulous surprise; the grave rebuke of the angels, and Sarah's white lie, with the angel's steady answer, – are all so many characteristic points of the story. Sarah, in all these incidents, is, with a few touches, made as real flesh and blood as any woman in the pages of Shakespeare, – not a saint, but an average mortal, with all the foibles, weaknesses, and variabilities that pertain to womanhood, and to womanhood in an early age of imperfectly developed morals.

We infer from the general drift of the story, that Sarah, like most warm-hearted and passionate women, was, in the main, a kindly, motherly creature, and that, when her maid returned and submitted, she was reconciled to her. At all events, we find that the son of the bondwoman was born and nurtured under her roof, along with her own son Isaac. It is in keeping with our conception of Sarah, that she should at times have overwhelmed Hagar with kindness, and helped her through the trials of motherhood, and petted the little Ishmael till he grew too saucy to be endured.

The Jewish mother nursed her child three years. The weaning was made a great fête, and Sarah's maternal exultation at this crisis of her life, displayed itself in festal preparations. We hear her saying: "God hath made me to laugh, so that all that hear will laugh with me. Who would have said unto Abraham that Sarah should have given children suck? for I have borne him a son in his old age."

In the height of this triumph, she saw the son of the Egyptian woman mocking, and all the hot blood of the woman, mother, and princess flushed up, and she said to her husband: "Cast out this bondwoman and her son; for the son of this bondwoman shall not be heir with my son, even with Isaac."

We are told "the thing was very grievous in Abraham's sight because of his son." But a higher power confirms the hasty, instinctive impulse of the mother. The God of nations saw in each of these infant boys the seed-forms of a race with a history and destiny apart from each other, and Abraham is comforted with the thought that a fatherly watch will be kept over both.

Last of all we come to the simple and touching announcement of the death of this woman, so truly loved to the last. "And Sarah was a hundred and seven and twenty years old: these were the years of the life of Sarah. And Sarah died in Kirjath-arba; the same is Hebron in the land of Canaan; and Abraham came to mourn for Sarah, and to weep for her." It is a significant token of the magnificent physical vigor with which that early age was endowed, that now, for the first time, the stroke of death has fallen on the family of Abraham, and he is forced to seek a burial-place. Sarah, the beautiful princess, the crowned mother of a great nation, the beloved wife, is dead; and Abraham, constant lover in age as youth, lays her away with tears. To him she is ever young; for love confers on its object eternal youth.

A beautiful and peculiar passage in the history describes the particulars of the purchase of this burial-place. All that love can give to the fairest, most beautiful, and dearest is a tomb; and Abraham refuses to take as a gift from the nobles of the land so sacred a spot. It must be wholly his own, bought with his own money. The sepulchre of Machpelah, from the hour it was consecrated by the last sleep of the mother of the tribe, became the calm and sacred resting-place to which the eyes of children's children turned. So Jacob, her grandson, in his dying hour, remembered it: —

"Bury me with my fathers in the cave that is in the field of Ephron the Hittite. There they buried Abraham and Sarah his wife; there they buried Isaac and Rebekah his wife, and there I buried Leah."

Two powerful and peculiar nations still regard this sepulchre with veneration, and cherish with reverence the memory of Sarah the Princess.

HAGAR THE SLAVE

A striking pendant to the picture of Sarah the Princess is that of Hagar the Slave.

In the Bible narrative she is called simply Hagar the Egyptian; and as Abraham sojourned some time in the land of Egypt, we are to suppose that this acquisition to the family was then made. Slavery, in the early patriarchal period, had few of the horrors which beset it in more modern days. The condition of a slave more nearly resembled that of the child of the house than that of a modern servant. The slave was looked upon, in default of children, as his master's heir, as was the case with Eliezer of Damascus, the confidential servant of Abraham; the latter, when speaking to God of his childless condition says: "Lo! one born in my house is mine heir." In like manner there is a strong probability in the legend which represents Hagar as having been the confidential handmaid of Sarah, and treated by her with peculiar tenderness.

When the fear of being childless seized upon her, Sarah was willing to exalt one, who was as a second self to her, to the rank of an inferior wife, according to the customs of those early days; intending to adopt and treat as her own the child of her handmaid. But when the bondwoman found herself thus exalted, and when the crowning honor of prospective motherhood was conferred upon her, her ardent tropical blood boiled over in unseemly exultation, – "her mistress was despised in her eyes."

Probably under the flapping curtains of the pastoral tent, as under the silken hangings of palaces, there were to be found flatterers and mischief-makers ready to fill the weak, credulous ear with their suggestions. Hagar was about to become mother of the prince and heir of the tribe; her son one day should be their chief and ruler, while Sarah, childless and uncrowned, should sink to a secondary rank. Why should she obey the commands of Sarah?

Our idea of Sarah is that of a warm-hearted, generous, bountiful woman, with an intense sense of personal dignity and personal rights, – just the woman to feel herself beyond measure outraged by this unexpected result of what she must have looked upon as unexampled favor. In place of a grateful, devoted creature, identified with her interests, whose child should be to her as her own child, she finds herself confronted with an imperious rival, who lays claim to her place and position.

The struggle was one that has been witnessed many a time since in families so constituted, and with such false elements. Abraham, peace-loving and quiet, stands neutral; confident, as many men are, of the general ability of the female sex, by inscrutable ways and methods of their own, to find their way out of the troubles they bring themselves into. Probably he saw wrong on both sides; yet Hagar, as the dependent, who owed all the elevation on which she prided herself to the good-will of her mistress, was certainly the more in fault of the two; and so he dismisses the subject with: "Thy maid is in thy hand; do with her as pleaseth thee."

The next we hear of the proud, hot-hearted, ungoverned slave-girl, is her flight to the wilderness in a tumult of indignation and grief, doubtless after bitter words and hard usage from the once indulgent mistress. But now comes into the history the presence of the Father God, in whose eye all human beings are equal, and who looks down on the boiling strifes and hot passions of us all below, as a mother on the quarrels of little children in the nursery. For this was the world's infancy, and each character in the drama represented a future nation for whom the All-Father was caring.

So when the violent, desolate creature had sobbed herself weary in the lonesome desert, the story says: "And the angel of the Lord found her by a fountain of water, in the way to Shur. And he said, Hagar, Sarah's maid, whence camest thou? and whither wilt thou go? And she said, I flee from the face of my mistress, Sarah."

In this calm question there is a reminder of duty violated, and in the submissive answer is an acknowledgment of that duty. The angel calls her "Sarah's maid," and she replies, "my mistress, Sarah."

"And the angel of the Lord said unto her, Return to thy mistress, and submit thyself under her hands." Then, as with awe and submission she rises to go, she is comforted with promises of gracious tenderness. The All-Father does not take part with her in her rebellious pride, nor in her haughty desire to usurp the station and honors of her mistress, and yet he has sympathy for that strong, awakening feeling of motherhood which makes the wild girl of the desert begin at once to crave station and place on earth for the son she is to bring into it. So the story goes on: "And the angel of the Lord said unto her, I will multiply thy seed exceedingly, that it shall not be numbered for multitude. And the angel of the Lord said unto her, Behold, thou art with child, and shalt bear a son, and shalt call his name Ishmael, because the Lord hath heard thy affliction. And he will be a wild man; his hand will be against every man, and every man's hand against him; and he shall dwell in the presence of all his brethren. And she called the name of the Lord that spake unto her, Thou God seest me: for she said, Have I also here looked after him that seeth me?"

This little story is so universally and beautifully significant of our every-day human experience, that it has almost the force of an allegory.

Who of us has not yielded to despairing grief, while flowing by us were unnoticed sources of consolation? The angel did not create the spring in the desert: it was there all the while, but Hagar was blinded by her tears. She was not seeking God, but he was seeking her. How often may we, all of us, in the upliftings and deliverances of our life, say as she did, "Have I here looked after him that seeth me?"

The narrative adds, "Wherefore the spring was called The Well of Him that Liveth and Seeth Me."

That spring is still flowing by our daily path.

So, quieted and subdued and comforted, Hagar returns to her mistress and her home, and we infer from the story, that, with submission on her part, kindness and bounty returned on the part of her mistress. She again becomes a member of the family. Her son is born, and grows up for twelve years under the shadow of Abraham's tent, and evidently, from the narrative, is fondly beloved by his father, and indulgently treated by his foster-mother.

In an hour of confidential nearness the Divine Father announces to Abraham that a son shall be given him by the wife of his heart.

"As for Sarah, thy wife, I will bless her, and give thee a son of her, and she shall be a mother of nations; kings of people shall be of her. Then Abraham fell upon his face and laughed, and said in his heart: Shall a child be born to him that is an hundred years old, and shall Sarah, that is ninety years old, bear?" Yet, in this moment of triumphant joy, his heart yearns after Ishmael; "And Abraham said unto God: O that Ishmael might live before thee!" And the Divine answer is: "As for Ishmael, I have heard thee. Behold, I have blessed him, and will make him fruitful, and will multiply him exceedingly; twelve princes shall he beget, and I will make him a great nation."

But now comes the hour long waited for, of Sarah's triumph, – the fulfillment of the desires of her life. A generous heart would have sympathized in her triumph. A mother who had known the blessedness of motherhood would have rejoiced when the mistress who had done so much for her was made so joyful. If her own son be not the heir in succession, yet an assured future is promised to him. But the dark woman and her wild son are of untamable elements. They can no more become one in spirit with the patriarchal family, than oil can mix with water. When the weaning feast is made, and all surround the little Isaac, when the mother's heart overflows with joy, she sees the graceless Ishmael mocking; and instantly, with a woman's lightning prescience, she perceives the dangers, the impossibilities of longer keeping these aliens under the same roof, – the feuds, the jealousies, the fierce quarrels of the future.

"Cast out this bondwoman and her son," she says, with the air of one accustomed to command and decide; "for the son of this bondwoman shall not be heir with my son, even with Isaac."

It appears that Abraham had set his heart on the boy, and had hoped to be able to keep both in one family, and divide his inheritance between them; but it was otherwise decreed. "And God said to Abraham, Let it not be grievous in thy sight, because of the lad and because of thy bondwoman: in all that Sarah hath said unto thee, hearken unto her voice; for in Isaac shall thy seed be called. And also of the son of the bondwoman will I make a nation, because he is thy seed. And Abraham arose up early, and took bread and a bottle of water and gave it to Hagar, putting it on her shoulder, and sent her away with the child; and she departed and wandered in the wilderness of Beersheba." Probably she was on the road towards Egypt. "And the water was all spent in the bottle, and she cast the child under one of the shrubs; and she went away and sat her down over against him a good way off, as it were a bow-shot, for she said, Let me not see the death of the child; and she lifted up her voice and wept."

Poor, fiery, impatient creature! – moaning like a wounded leopardess, – apparently with no heart to remember the kindly Power that once before helped her in her sorrows; but the story goes on: "And God heard the voice of the lad; and the angel of the Lord called to Hagar out of heaven, and said unto her, What aileth thee, Hagar? Fear not, for God hath heard the voice of the lad where he is. Arise, lift up the lad, and hold him in thy hand; for I will make of him a great nation. And God opened her eyes, and she saw a well of water; and she went and filled the bottle with water and gave the lad drink. And God was with the lad, and he grew, and dwelt in the wilderness and became an archer. And he dwelt in the wilderness of Paran; and his mother took him a wife out of the land of Egypt."

In all this story, nothing impresses us so much as the absence of all modern technical or theological ideas respecting the God who is represented here as sowing the seed of nations with a wise foresight of the future. As a skillful husbandman, bent on perfecting a certain seed, separates it from all others, and grows it by itself, so the Bible tells us that God selected a certain stock to be trained and cultivated into the sacerdotal race, through which should come his choicest revelations to man. Of this race in its final outcome and perfected flowering was to spring forth Jesus, spoken of as the Branch of this sacred tree. For the formation of this race, we see a constant choice of the gentler and quieter elements of blood and character, and the persistent rejection of that which is wild, fierce, and ungovernable. Yet it is with no fond partiality for the one, or antipathy to the other, that the Father of both thus decides. The thoughtful, patient, meditative Isaac is chosen; the wild, hot-blooded, impetuous Ishmael is rejected, – not as in themselves better or worse, but as in relation to their adaptation to a great purpose of future good to mankind. The ear of the All-Father is as near to the cry of the passionate, hot-tempered slave, and the moans of the wild, untamable boy, as to those of the patriarch. We are told that God was with Ishmael in his wild growth as a hunter in the desert, – his protector from harm, the guardian of his growing family, according to the promise made to Abraham.

When the aged patriarch is gathered to his fathers at the age of a hundred and seventy-five years, it is recorded: "And Abraham gave up the ghost in a good old age, an old man and full of years; and his sons, Isaac and Ishmael, buried him in the cave of Machpelah, in the field that Abraham purchased of the sons of Heth; there was Abraham buried, and Sarah his wife."

The subsequent history of the nation which Ishmael founded, shows that the promises of God were faithfully kept.

The Arab race has ever been a strongly marked people. They have been worshipers of the one God, and, at one time, under the califs, rose to a superiority in art, science, and literature beyond that of so-called Christian nations.