The Wiving of Lance Cleaverage

A curious change had come over the bride's face, yet it was calm and even fairly smiling, as she answered indifferently,

"No. I wasn't aimin' to wear 'em. I just tried them on. They' too big for me." And she closed the door and went resolutely to a chest in the corner, from which she took her heavy, country-made shoes to replace the slippers Lance's love had provided.

The Derf girl regarded her askance.

"Ain't you afeared you'll make him mad ef you take 'em off?" she asked finally. "I know he aims to have you dance befo' he's done with it, and you cain't noways dance in them thar things," looking with disfavor at the clumsy shoes.

"Callista doesn't dance, and she ain't a-goin' to," Octavia Gentry was beginning with some heat, when her daughter interrupted.

"Never mind, Mother," she said with dignity. "I ain't aimin' to dance, and I reckon you're not. Maybe Ola's mistaken in regards to Lance."

The Derf girl laughed shortly, deep in her throat. Before she could speak, the closed door jarred open, revealing Roxy Griever, with a stout switch in her hand.

"Whar's Polly," the newcomer inquired wrathfully.

"Mighty glad to see you, Sis' Roxy," cried Callista, welcoming the diversion, but looking with surprise at her sister-in-law's draggled gingham on which the night dews of Laurel Gulch lay thick, her grim visage, and her switch. "Polly – she was here a minute ago."

But Polly, wise with the wisdom of her sex, had flown to Lance, and now she hid behind him, clinging like a limpet.

"Come in, Sis' Roxy. We're proud to see you here," shouted Lance, with an impudent disregard of anything amiss, and a new householder's enthusiastic hospitality.

"Did you send me word that you was a-goin' to have me call off the dances?" the widow demanded in an awful voice.

Her scrapegrace brother laughed in her face.

"That was jest a mighty pore joke, Sis' Roxy," he explained. "We-all was goin' to play some games, and I know you' a powerful good hand to get us started. Come on; fix the boys and gals like they ought to be for that" – he hesitated a little, frowning – "that play we used to have sometimes where they all stand up in couples, and – Wait, I'll get my banjo and play a tune and you'll see what I mean."

Lance had not lived his twenty-three years with his sister Roxy to fail now in finding her weak side. She loved lights, a crowd, as he did. True, she wished to harangue the crowd, and the lights must be to reveal her, playing the pictorially pious part; yet a Virginia Reel, disguised as a game, answered well to give her executive powers scope and swing, and they were in the thick of the fun when the women came from the other room.

In the moments of her detention in that room, Ola had begun to find whether being bidden to a festivity really made one a guest. Rilly Trigg whispered apart to Callista, and looked out of the corners of her eyes at the newcomer. Lance's wife evidently reproved her for doing so, but a smile went with the words. Octavia Gentry spoke solemnly to the Derf girl, asking after the health of her parents in a tone so chilly that the outsider felt herself indefinitely accused.

"I don't keer," she muttered to herself rebelliously, "hit's Lance's house. Lance ain't a-goin to th'ow off on old friends just becaze he's wedded."

On the instant she entered the other room, and had sight of her host, flushed, laughing-eyed, his brown curls rumpled, the banjo in his lap, swaying to the rhythm of "Greenbacks," as Roxy Griever struggled to keep the boys and girls in an orderly line while she showed them how to "Shake hands acrost-like."

The dull little face lighted up. Here was something at which Ola felt she could help, a ground upon which she was equal to the best of them.

"Hit's a reel!" she exclaimed joyously. "I'll call off for ye, Lance."

As though her words had been some sort of evil incantation, the pretty group dissolved instantly. The girls fled giggling and exclaiming; the boys shouldered sheepishly away; only the Widow Griever remained to confront the spoil-sport with acid visage and swift reproof. Roxy wound up the hostilities that ensued by declaring,

"You can dance, and Brother Lance kin, ef them's yo' ruthers; but ye cain't mix me in. That thar was a game I played when I went to the old field hollerin' school. Call hit a reel ef ye want to – oh, call hit a reel – shore! But ye cain't put yo' wickedness on me."

"Yes," returned Ola hardily, "I played it at school, too. But it's the Virginia Reel, and Lance said he was goin' to have dancin' here to-night. Ain't ye. Lance? I brung my slippers."

Roxy Griever turned and flounced out. Lance smiled indulgently at Ola. His sister's warlike demonstrations amused him mightily and put him in a good humor.

"Sure," he agreed largely. "You and me will have 'em all dancin' before we're done. I wish't we had Preacher Drumright here to pat for us."

The sedate guests, though they laughed a little, fell away from these two, leaving them standing alone in the centre of the floor, while some of the boys and girls lingered, staring and giggling, wondering what they would do or say next.

"'Pears like they ain't nobody but you and me to do the dancin'," Ola began doubtfully, "an' if you have to play – "

She broke off. In the doorway that led to the little back room appeared the solemn countenance of the Widow Griever. This worthy woman fixed a cold eye upon her brother and beckoned him silently with ghostly finger.

"I'll be back in a minute, Ola," he told his unwelcome addition to the company, the wedge he had driven into their ranks, and which seemed about to split them asunder.

CHAPTER IX.

THE INTERLOPER

LANCE found his father and Octavia Gentry awaiting him in the lean-to kitchen, Kimbro Cleaverage anxious and deprecating. Old Ajax had dodged the issue, and Sylvane was out in the other room trying to get the boys and girls to playing again. But Callista was there – not beside her mother – she stood near the door, a little pale and looking anywhere but at her bridegroom. Lance Cleaverage's eye, half scornful, swept the scattered group and read their attitude aright.

"Anything the matter with you-all?" he inquired suavely.

"Yes, they's a-plenty the matter with us, and with all decent and respectable persons here in this house gathered this night," the Widow Griever began in a high, shaking, unnatural voice.

"I reckon all that means Ola Derf, for short," cut in Lance, not choosing to be bored with a lengthy harangue.

"Yes, it does," Roxy told him. "That thar gal would never have been bidden to Miz. Gentry's house. Callisty would never have been called on to even herself with sech, long as she staid under her gran'pappy's roof. And when it comes to what it did out in 'tother room, it's more than Callisty that suffers."

"Suffers!" echoed her brother with a contemptuous grin. "Well, if that don't beat my time! I reckon Ola Derf cain't eat any of you-all. She's just a little old gal, and you're a good-sized crowd of able-bodied folks – what harm can she do you?"

"Well, Lance," began his mother-in-law, with studied moderation, though she was plainly incensed, "I do not think, hit's any way for you to do – evening Callista with such folks. She ain't used to it."

Lance looked to where Callista yet held aloof near the door, pale and silent, avoiding his eye.

"A man and his wife are one," he said, with less confidence than would have been his earlier in the day. "What's good enough for me is good enough for Callista."

He got no sign of agreement from his bride – and he had expected it.

"Son, I think you made a mistake to bid that Derf gal here," spoke old Kimbro mildly. "But don't you let her start up any foolishness, and we'll all get through without further trouble."

"Yes," broke in the Widow Griever's most rasping tones. "She called the game I was a-showin' the boys and gals a Virginia Reel, an' 'lowed she'd call off for us. Call off!" Roxy snorted. "A lot of perfessin' Christians to dance – dance to Ola Derf's callin' off!"

Once more Lance's eye swept the circle of hostile, alien faces. His sense of fair play was touched. Also, he felt himself pushed outside and set to defending his solitary camp, with the whole front of respectability arrayed against him. This, so far as the others were concerned, was the usual thing; it daunted him not at all. But when he looked to Callista, and saw that at the first call she had left him – left him alone – arrayed herself with the enemy – a new, strange, stinging pain went through his spirit. He smiled, while odd lights began to bicker in his eyes.

"O-oo-oh," he said in a soft, careless voice, "didn't you-all know that I aim to have dancin'? Why, of course I do." And he walked away with head aslant, leaving them dumb.

It was but a retort, the usual quick defiance from the Lance Cleaverage who would not be catechized, reproved; yet when he entered the outer room and found Ola drawn over at one side, unfriended, while a knot of whispering girls, quite across the floor from her, cast glances athwart shoulders in her direction, the good will of old comradeship, the anger of the host who sees his guest mistreated, pushed forward his resolution.

"I reckon I'd better be goin' home," Ola said to the pale Callista, who followed her husband from the back room. "Looks like I'm in the way here; and mebbe Lance ort not to have bid me – hit's yo' house."

The bride looked from her bridegroom to the brown girl strangely. In her own fashion, she was as unwilling to be outdone as Lance himself. "This here is Lance's house," she said coldly. "He bids them that he chooses to it. But I reckon he don't aim to have any dancin'."

Roxy Griever paused in the doorway and peered in.

"I reckon the trouble is that none of the folks here know how to dance," Ola was saying doubtfully. "Let's you and me show 'em, Lance. Come on."

Wildly, the sister cast about her for aid. Old Ajax regarded the scene with the same covert enjoyment he had given another domestic embroglio. Her father had slipped through a back door under pretense of seeing to the horse. Her glance fell on Flenton Hands. This was the man for her need.

Earlier in the evening, when Flenton made his appearance in Lance Cleaverage's house, accompanying his sisters, Octavia had murmured, "Well, I vow! Ef I'd 'a' been him, ox chains and plow lines couldn't have drug me here, after what was said an' done last night." Even Roxana had wondered at the cold obtuseness that could prompt the acceptance on Flent's part of that general invitation Lance had flung back over his shoulder to the deserted wedding guests, and looked in vain to see what it was that Hands expected to gain by his attitude. There was some whispering and staring among the other guests, but Flenton Hands was admitted to be "quare," and his connection with the Settlement offered a ready means of accounting for his not doing things like other people. Now the Widow Griever felt that Providence – it is wonderful how people of her sort find Providence ever retained on their own side of the case – had dictated the attendance of this exemplary and godly person, second only in authority concerning church matters to Brother Drumright. She hastily dragged him aside, pouring out the whole matter, in voluble, hissing whispers, with many backward jerks of the head or thumb toward where Ola and Lance, in the midst of a group of boys and girls, still laughed and joked.

"I don't know as I ort to mix into this here business," Hands began cautiously – the man was not altogether a fool. "The way things has turned out, looks like I ain't got no call to interfere."

"'Course you have," Roxy Griever told him. "Preacher Drumright ain't here – ef he was, I'd not even have to name it to him; he'd walk right up to Lance Cleaverage in a minute – spite o' the way Lance done him last night – an' tell him what he ort an' ort not to do. An' yo' the next after Preacher Drumright. Go 'long, Flenton. Speak to him. Mr. Gentry won't, an' Poppy's done left to git out of hit. Poppy never would do what he ort where Lance was consarned. He wouldn't give that boy discipline when he could have kivvered him with one hand – an' now look at the fruits of it!"

Thus urged, Flenton made a somewhat laborious progress toward the middle of the room. Deep in that curious, indirect, unsound nature of his was the hankering to brave Lance Cleaverage in his own house, to insult and overcome him there before Callista; but the pluck required to undertake the enterprise was not altogether moral courage; in spite of the laws of hospitality, there might be some physical demand in the matter, and this Flenton was scarcely prepared to answer.

He halted long at his host's shoulder, seeking an opportunity to enter the conversation. Ola paid no attention to him; Callista stood a little apart from the two, looking down, playing with a fold of her skirt. Finally, most of the people in the room noted something strained and peculiar in the situation of affairs, and began to stare and listen. Flenton cleared his throat.

"Brother Cleaverage," he essayed in a rather husky voice.

Lance wheeled upon him with eyes alight. Thrusting his hands far down in his pockets, he stared at Flenton Hands from head to foot. Then his glance traveled to the widow behind Flenton's shoulder.

"We-e-ell, well," he drawled, with a lazy laugh in his voice, "have you and Sis' Roxy made a match of it? That's the only way you'll ever get to be kin to me, and name me brother, Flenton Hands."

Roxy's long drab face crimsoned darkly, and she fluttered in wild embarrassment. Hands laughed gratingly, but there was no amusement in the sound.

"No," he returned in his best pulpit manner – he was sometimes called upon to officiate at small gatherings when the preacher could not be present – "no, yo' worthy sister an' me hain't had our minds on any such. But we have been talking of a ser'ous matter, Brother Cleaverage."

The form of address slipped out inadvertently, and Hands looked uncomfortable. Lance shook his head.

"I ain't yo' brother," he demurred, with exaggerated patience. "You' gettin' the families all mixed up. Hit was Callista I married."

The boys and girls listening were convulsed with silent mirth. Rilly Trigg snickered aloud, and little Polly ventured to follow along the same line. Flenton's pale face reddened faintly.

"I know mighty well-an'-good you ain't brother of mine, Lance Cleaverage," he said doggedly. "Ef you was, I'd – I'd – "

"Say it," prompted Lance, standing at ease and surveying his adversary with amusement. "Speak out what's in you. You got me right here in my own house where I'd be ashamed to give you yo' dues. Now's the time to free yo' mind. I ain't fit to have Callista, is that it? She could a' done better – that's what you want to tell me, ain't it?"

There was a perfect chorus of approving giggles at this, extending even to the male portion of the company. The tinge of color left Flenton's sallow cheeks, and they were paler than usual; but he hung to his purpose.

"I've been axed by them that thinks you ought to be dealt with, to reason with you." He finally got well under way. "Callista Gentry belongs to a perfessin' family – she's all but a church member. You fussed with the preacher last night and tuck her away from in front of him, an' married her before a ongodly Justice of the Peace, an' now you air makin' motions like you was a-goin' to dance here in her house. Yo' sister said that yo' father wouldn't do nothin', and she axed me would I name these things out to you; and I said I would. Thar. I've spoke as I was axed. Looks like the man that's got Callista Gentry could afford to behave hisself."

With each new accusation, Lance's lids had dropped a bit lower over the bright eyes, till now a mere line of fire showed between the lashes, and followed the movement of Flenton's heavily-swung shoulders, as he emphasized his words with uncouth shruggings. Yet when all was said, only the conclusion seemed to stay in Lance's mind. He was asked to do and be much because he had Callista. But what of the bride? Was not something due from Callista because she had him?

"'Pears to me like you're in a mighty curious place, Flenton Hands," he began in a silky, musing voice. "Ef you was wedded to anybody – jest anybody – I'd shorely keep out o' your way and let you alone. Is this yo' business? Have I asked yo' ruthers? Has Callista? I got just the one word to say to you – an' it can't be said here in my house. But it shall be spoken when and where we meet next – you mind that!"

A sudden, tense hush fell on the room. Did this mean the declaration of war which amounts to a one-man feud in the mountains, and which finally reaches the point where it is kill or be killed on sight? Flenton dropped back with a blanched, twisted countenance. He had not bargained for so much.

The young host looked around. His company had separated itself swiftly into sheep and goats, the elders and the primmer portion of the young people whispering together apart, while the bolder youthful spirits gathered in a ring about himself and Ola Derf. One of these, Rilly Trigg perhaps, took up the banjo and commenced laboriously to pick chords on it.

"Now, if Callisty could only dance, we'd shore see fun," Ola Derf suggested.

Lance looked to where his bride stood, aloof, mute, with bitten lip, listening to what her mother whispered in her ear. Yes, he was alone once more; she was with the enemy. His glance took the girl in from head to foot. He saw that she had removed his first gift, the slippers.

"Callista can dance about as much as you can play, Rill," he said mockingly.

The bride lowered white lids over scornful eyes and turned her back. Rilly laid down the banjo. A couple of the boys began to pat.

"Come on, Lance," whispered Ola defiantly. "I dare ye to dance. I bet yo' scared to."

A dare – it was Lance Cleaverage's boast that he would never take a dare from the Lord Almighty. He flung himself lightly into position. "Pat for us. Buck, cain't you?" he suggested half derisively. Then, with a swift, graceful bending of the lithe body, he saluted his partner and began.

The Derf girl was a muscular little creature; she moved with the tirelessness of a swaying branch in the wind; and Lance himself was a wonder, when he felt like dancing. The circle of young people mended itself and grew closer. The two in the middle of the floor advanced toward each other, caught hands, whirled, retreated, and improvised steps to the time of Fuson's spatting palms.

It was a pretty enough sight, and innocent, except for what had gone before. Roxy Griever had retired in some disarray, upon Lance's sarcastic coupling of her name with that of Flenton Hands. Now, coming into the room with the supposition in her mind that everything was settled in a proper way, she caught sight of the two and stiffened into rigidity. For a moment she stared; then, as the full meaning of the scene burst upon her, she made three long steps to where the youthful Polly stood, taking in everything with big, enjoying eyes, seized her by the scant, soiled homespun frock, and hauled her backward from the room, Polly clawing, scrabbling, hanging to the door frame as she was snatched through.

"Poppy," shrilled the widow, in the direction of peaceful old Kimbro, using the tone of one who cries fire, "you kin stay ef yo're a mind – an' Sylvane can do the same. The best men I ever knowed – 'ceptin' preachers – has a hankerin' for sin. Ma'y-Ann-Marth', she's asleep, an' what she don't see cain't hurt her. But as for me, I'm a-goin' to take this here child home where she won't have the likes of that to look at. I feel jest as if it was some ketchin' disease, and the fu'ther you git away from it, the safer you air."

The last of these words trailed back from the dark, into which the Widow Griever and her small, reluctant charge were rapidly receding.

Kimbro and his son remained, intending to remonstrate with Lance when he should have finished his dancing. Octavia Gentry came and made hasty farewells, hoping thus to stop the performance. Callista stood looking quietly past the dancers to some air-drawn point on the wall, and her expression of quiet composure was held by all observers to be remarkable.

"Oh, no, Mother," she said quietly. "You and Gran'pappy are never goin' out of my house before you have eat. Come taste the coffee for me and see have I got it about right. When I was gettin' my supper for to-night, I found out that there was many a thing you hadn't learned me at home; so you'll have to show me now."

With a dignity irreproachable, apparently quite oblivious to the dancers, the patting, the laughing, shouting onlookers, Callista smilingly marshalled her forces and put forward her really excellent supper. Here her pride matched Lance's – and overmatched it. He might dance, he might fling the doing of it in her face and the faces of her kindred; she would show herself unmoved, and mistress of any situation which he could contrive.

And the supper was a strong argument. People in all walks of life love to eat; those who danced and those who held dancing sinful, were alike in their appreciation of good victual. It was only a few moments before this counter movement broke up the saltations in the front room and the infare appeared, from an observer's point of view, a great success, as the happy, laughing crowd circled about the long tables, those who had joined to forward the dance coming out looking half sheepish, altogether apologetic and conciliatory.

"I'm mighty sorry Sis' Roxy had to go home," Callista said composedly, as she served her father-in-law with a steaming cup of coffee. "I'm goin' to make a little packet of this here cake and the preserves Mammy brought over, and send them by you. I want her to taste them."

The host was the gayest of the gay. But unobserved, his eye often followed the movements of the bride, and dwelt with a warm glow upon the graceful form in its womanly attitude of serving her guests. She had fairly beaten him on his own ground. A secret pride in her, that she could do it, swelled his breast and ran tingling along his veins.

So much for the company at large, for what Callista would have called "the speech of people." When the last guest was gone the bride faced the bridegroom alone in the house which had seemed to her so fine. Cold, expectant of some apology, offended, bewildered, yet ready to be placated.

Lance offered no excuses, but plenty of kisses, praise, and an ardor that, while it did not convince, melted and subdued her. The breach was covered temporarily, rather than healed.

CHAPTER X.

POVERTY PRIDE

IT was inevitable that Callista should find promptly how impossible is the attitude of scornful miss to the married wife, particularly when her husband's daily labor must provide the house whose keeping depends upon herself. Lance, too, though he continued to give no evidence whatever of penitence, was full of the masterful tenderness whose touch had brought his bride to his arms. The girl was not of a jealous temper; she was not deeply offended at the reckless behavior which had disturbed the infare, any more than she had been at his conduct on the wedding evening. Indeed, there was that in Callista Cleaverage which could take pride in being wife to the man who, challenged, would fling a laughing defiance in the face of all his world. It remained for a very practical question – what might almost be termed an economic one – to wear hard on the bond between them.

They had married all in haste while September was still green over the land. The commodious new cabin at the head of Lance's Laurel was well plenished and its food supplies sufficient during the first few weeks of life there; in fact. Lance gave without question whatever Callista asked of him – a thing unheard of in their world – and Callista's ideas of asking were not small nor was she timid about putting them into practice. The pair of haggards might have seemed, to the casual onlooker, safely settled to calm domestic happiness.

Day by day the gold and blue of September inclined toward the October purple and scarlet. The air was invigorated by frost. The forest green, reflected in creek-pools, was full of russet and olive, against whose shadowy background here and there a gum or sourwood, earliest to turn of all the trees, blazed like a deep red plume. Occasional banners of crimson began to show in the maples and plum colored boughs in sweet-gums. The perfect days of all the year were come.