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The Infidel: A Story of the Great Revival
The Infidel: A Story of the Great Revivalполная версия

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The Infidel: A Story of the Great Revival

Язык: Английский
Год издания: 2017
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"We shall be late. Good-night."

His heart was beating furiously. On the threshold of his door he had half a mind to excuse himself to Antonia, and to go back. He felt as if the devil was tugging him into some dark labyrinth of doom. This man believed in the devil as firmly as he believed in God – believed in an actual omnipresent Satan, ubiquitous, ever on the watch to decoy sinners, ever eager to people hell with renegades from Christ. And he felt, with a thrill of agony, that he was in the devil's clutch to-night. Satan was spreading his choicest lure to catch the sinner's soul – a woman's ineffable beauty.

She was alone, and welcomed him with her sweetest smile.

"I am turning my back on Handel's new oratorio to hear your Mr. Whitefield," she said, as they shook hands; "but now the hour is approaching I feel as eager as if I were going to see a new Romeo as seducing as Spranger Barry."

"Ah, madam, dared I hope that Whitefield's eloquence could change this frivolous humour to a beginning of belief! Could your stubborn mind once bend itself to understand the mysteries of God's redeeming grace you would not long remain in darkness. Could but one ray of Divine truth stream in upon your soul, like the shaft of sunshine through Newton's shutter, you would soon be drowned in light, dazzled by the prismatic glory of the Heavenly Sun."

"And blinded, as I doubt you are, sir. I will not impose upon you. I do not go to Kennington to be assured of free grace, or to be convinced of sin; but first to keep a promise to the dead, and next to follow the fashion, which is to hear and criticize Mr. Whitefield. Some of my friends swear he is a finer orator than Mr. Pitt."

After this they remained silent for the greater part of the way, Antonia watching the road, where the houses were set back behind long gardens, and where the countrified inns had ample space in front for a horse-trough and rustic tables and benches, with here and there a row of fine elms. That sense of space and air which is so sadly wanting now in the mighty wilderness of brick and stone gave a rural charm to the suburbs when George II. was king. Ten minutes' walk took a man from town to country, from streets and alleys to meadow and cornfield, hedgerow and thicket. The perfume of summer flowers was in the air through which they drove, and the village that hemmed the fatal common, so recently a scene of ignominious death, was as rustic as a hamlet in Buckinghamshire.

The crowd had gathered thickly, and had spread itself over the greater part of the common when Lady Kilrush's chariot drew up on the outskirts of the assembly. Stobart alighted and went to reconnoitre. A platform had been erected about six feet from the ground, and on this there had been placed a row of chairs, and a table for the preacher, with a brass lantern standing on each side of the large quarto Bible. Whitefield was there, with one of his helpers, a member of Parliament, his devoted adherent, and two ladies, one of whom was the Countess of Yarmouth's daughter, Lady Chesterfield, dowered with the blood of the Guelfs, and a fine fortune from the royal coffers, Whitefield's most illustrious convert, and a shining light in Lady Huntingdon's saintly circle.

Stobart was on terms of friendship with the orator, and had no difficulty in obtaining a seat for Lady Kilrush. Indeed, her ladyship's name would have obtained the favour as easily had she sent it by her footman, for George Whitefield loved to melt patrician hearts, and draw tears from proud eyes. Enthusiast as he was, there is a something in his familiar letters which suggests that aristocratic converts counted double. They were the écarté kings, the trump-aces in the game he played against Satan.

Stobart brought Antonia through the crowd, and placed her in a chair at the end of the platform, farthest from the preacher, lest the thunder of his tremendous voice should sound too close to her ear.

There was a chair to spare for himself, and he took his seat at her side, in the silence of that vast audience, waiting for the giving out of the hymn with which these open-air services usually began.

Never before had Antonia seen so vast an assemblage hushed in a serious expectancy, with faces all turned to one point, that central spot above the heads of the crowd where the lanterns made an atmosphere of faint yellow light around George Whitefield's black figure standing beside the table, with one hand resting upon an open Bible, and the other uplifted to command silence and attention.

From the preacher's platform, almost to the edge of the common the crowd extended, black and dense, a company gathered from all over London, and compounded of classes so various that almost every Metropolitan type might be found there, from the Churchman of highest dignity, come to criticize and condemn, to the street-hawker, the professional mendicant, come to taste an excitement scarcely inferior to gin.

Whitefield's helper gave out the number of the hymn, and recited the first two lines in slow and distinct tones. Then, with a burst of sound loud as the stormy breakers rolling over a rock-bound beach, there rose the voices of a multitude that none could number, harsh and sweet, loud and low, soprano and contralto, bass and tenor, mingled in one vast chorus of praise. The effect was stupendous, and Antonia felt a catching of her breath, that was almost a sob. Did those words mean nothing, after all? Was that cry of a believing throng only empty air?

A short extempore prayer followed from the helper. George Whitefield's voice had not yet been heard. The influence of his presence was enough, and it may have been that his dramatic instinct led him to keep himself in reserve till that moment of hush and expectancy in which he pronounced the first words of his text.

He stood there, supreme in a force that is rare in the history of mankind, the force that rules multitudes. 'Twas no commanding grace of person that impressed this prodigious assembly. He stood there, the central point in that tremendous throng, a very common figure, short, fat, in a black gown with huge sleeves, and a ridiculous white wig, features without beauty or grandeur, eyes with a decided squint; and that vast concourse thrilled at his presence, as at a messenger from the throne of God. This was the heaven-born orator, the man who at two-and-twenty years of age had held assembled thousands spell-bound by his eloquence, the man gifted with a voice of surpassing beauty, and with a dramatic genius which enabled him to clothe abstract ideas with flesh and blood, and make them live and move before his awestruck hearers.

It was this dramatic genius that made Whitefield supreme over the masses. Those of his admirers who had leisure to read and weigh his published sermons might discover that he had no message to deliver, that those trumpet tones were but reverberations in the air, that of all who flocked to hear the famous preacher, none ever carried home a convincing and practicable scheme of religious life; yet none could doubt the power of the man to stir the feelings, to excite, awaken and alarm the ignorant and unenlightened, to melt and to startle even his superiors in education and refinement. None could deny that the man who began life as a pot-boy in a Gloucester tavern was the greatest preacher of his time.

Antonia watched and listened with a keen interest, enduring the heated atmosphere of the crowd as best she might. She had thrown off her mantle, and the starlight shone upon the marble of her throat and the diamond heart that fastened her gauze kerchief. One large ruby set in the midst of the diamonds enhanced their whiteness; and it seemed to Stobart as he looked at her that the vivid crimson spot symbolized his own heart's blood, always bleeding for her, drop by drop. Absorbed by her interest in the preacher, she was unconscious of those eyes that gazed at her with an unspeakable love, knew not that for this man it was happiness only to sit by her side, to watch every change in the lovely face, every grace of the perfect form, oblivious of the crowd, the orator, of everything upon earth except her.

To-night Whitefield was in one of his gloomy moods, the preacher of unmitigated Calvinism. It may be that his late quarrel with the Bishop of Bangor, and the persecution he had suffered at his West End chapel had soured him, and that he was unconsciously influenced by the hardness of a world in which a mighty hunter of souls was the mark for narrow-minded opposition and vulgar ridicule. His purpose to-night seemed rather to appal than to convince, to instil despair rather than hope.

His text from the Epistle of St. Jude was pronounced in solemn tones that reached wide across that closely packed mass of humanity —

"For there are certain men crept in unawares, who were before of old ordained to this condemnation, ungodly men, turning the grace of our God into lasciviousness, and denying the only Lord God, and our Lord Jesus Christ… Clouds they are without water, carried about of winds; trees whose fruit withereth, without fruit, twice dead, plucked up by the roots; raging waves of the sea, foaming out their own shame; wandering stars, to whom is reserved the blackness of darkness for ever."

In an oration that lasted nearly two hours the preacher rang the changes on these tremendous words. Through every phase of sin, through every stage of the downward journey, his imagination followed the sinner, "of old ordained" to perish everlastingly. His vivid words described a soul inevitably lost; and again and again the melancholy music of those phrases, "raging waves of the sea, foaming out their own shame; wandering stars; clouds without water," rang out over the awe-stricken throng, moved by this picture of an imagined doom, with an emotion scarcely less intense than the thrill of agony that ran through the crowd at Tyburn when the doomed sinner swung into Eternity.

It was with the picture of Judas, his final example of sin and death, that the preacher closed his discourse.

"Let those who tell you there is no such thing as predestination turn their eyes upon Judas," he said, his voice falling to that grave note which preluded terror. "Let them consider the arch-apostate, the son of perdition. Oh, my brethren, had ever mortal man such opportunities of salvation as Judas had? Have the angels who stand about the throne of God, His worshippers and subordinates, half such privileges as Judas had? To be the friend and companion of his Saviour, in daily and familiar association with the Redeemer of souls; to walk by His side through the fields of Palestine; to sit at meat with Him; to be with Him in sadness and in joy, in prayer and praise; to journey over the wild sea with Him, and behold His power to still the tempest; to be His bosom friend; to live on an equality with God! Think of him, oh, you sinners who have never seen your Saviour's face, think of Judas! Think of those three years of sweet converse! Think of that Divine condescension which received sinful man in the brotherhood of friendship! Think of those journeys by the Lake of Gennesaret, those pilgrimages of prayer and praise, the daily, the hourly companionship with Divinity, the affectionate familiarity with Ineffable Wisdom!

"And, O God, great God of sinners, to think what came of such unutterable privileges! The disciple, the companion, bartered all that glory and delight, flung away those inestimable joys for a handful of silver. Which of you dare disbelieve in predestined damnation when he contemplates this hideous fall, when he sees the chosen brother of Jesus sink to the base huckstering of a Jonathan Wild, one of the sacred twelve reduced to the level of informers and thief-catchers, trucking his soul's salvation against thirty pieces of silver?

"'Twas the inexorable destiny of the foredoomed sinner, the appointed end to which those footsteps beside the lake, those footsteps across the mountain, those footsteps through the temple, and in the market-place, fast or slow, were always moving. God had sentenced this man to the most awful doom the mind can conceive, created to betray, the foredoomed destroyer of his Saviour. Who can question that he was marked for hell? How else account for such a fall? I despise that shallow reasoner who will tell you that the fall of Judas was a gradual descent, beginning in avarice, ending in murder. I laugh at that fond theorizer who will tell you that Judas was an ambitious dreamer, longing to behold the Kingdom of Christ triumphant on earth, and thinking to realize that dazzling dream by bringing about the conflict between his Master and earthly authority. I laugh at him who tells me that Judas expected to see the power of the Synagogue and the Forum shrivel like a burning scroll before the face of the Messiah; and that it was on the failure of that hope he rushed to the Field of Blood.

"No, dear sinners, a thousand and a thousand times no! Over that guilty head the fiat of the Eternal had gone forth, 'This is the son of perdition, this is he who shall betray the Son of God.'"

Then, after a long pause, sinking his mighty voice almost to a whisper, the preacher asked —

"Is there any son of perdition here to-night? Is there one among you whose stubborn heart answers not to his Saviour's call – a wretch in love with vice, who would rather have sensual pleasures on earth than everlasting bliss in heaven – a modern Judas who sells his Redeemer's love for thirty pieces of the devil's money, thirty profligate raptures, thirty vicious indulgences, thirty debauches in filthy taverns, thirty nights of riot and wantonness among gamesters and loose women?

"If there be any such, cast him from you. However near, however dear – father, brother, husband, son, flesh of your flesh and bone of your bone. Cast him out; oh, you who value your eternal happiness! You cannot mistake the mark of the lost soul. The son of perdition bears a brand of sin that no eye can fail to recognize. 'Tis Satan's broad-arrow, and stamps the wretch foredoomed to hell. You who would taste the joys of heaven, hold no fellowship with such on earth."

The great throng heard those concluding phrases in a profound silence. The heavy stillness of a sultry night, the muffled roll of distant thunder, the fitful lightning, now faint, now vivid, that flashed across the scene, intensified the dramatic effect of the sermon, and the crowds that had gathered noisily with much talk and some jeering, dwindled and melted away subdued and thoughtful.

Like many other of Whitefield's sermons which moved multitudes, there was little left after the last resonance of the mighty voice had sunk into silence. But the immediate effect of his oration was tremendous. Garrick had said that he would give a hundred pounds if he could say "Oh!" like Whitefield; and what Garrick could not do must have been something of exceptional power.

Antonia had given her whole mind to the preacher; yet for her his sermon was but a dramatic effort, and she went back to her coach full of wonder at that vast influence which a fine voice and a cultivated elocution had exercised over the multitude in England and America.

Upon George Stobart the preacher's influence was stronger.

"The man makes me believe against my own reason," he said, "which has ever striven against the idea of a fatal necessity. Come, Lady Kilrush, confess that his eloquence moved you."

"I confess as much with all my heart; and I am very glad to have heard him. He is a finer actor – an unconscious actor, of course – than Garrick; at least, he has a greater power to appal an ignorant crowd."

"I see you are as stubborn as ever."

"My mind is not a weather-cock, to be driven by changing winds. I doubt Mr. Whitefield may do good by such a discourse as we have heard to-night. He may scare feeble sinners, and teach them to believe that, weak and wicked as they are, God has marked them for salvation. But what of the sinner deeply sunk in guilt – will not he see only the hopelessness of any struggle to escape from Satan? 'So be it,' he will cry; 'if I am the son of perdition, let me drown my soul in sin, and forget the injustice of God.'"

George Stobart's only answer was a despairing sigh. "Let me drown my soul in sin, and forget God." Those awful words too well depicted the condition of his own mind to-night, sitting by her side in the roomy chariot, apart from her, with his face turned to the open window, his eyes looking into the summer stillness, unseeing, his heart beating with the fierce throb of passion held in check.

Was not Whitefield right, after all? Were there not men whose names were written in the Book of Doom, wretches not born to be judged, but judged before they were born? To-night that religion of despair seemed to him the only possible creed. He had looked back and remembered the sins of his youth – his life at Eton – his life in the Army. And he had believed the stain of those sins washed away in one ineffable hour of spiritual anguish and spiritual joy, the conviction of sin followed by the assurance of free grace. He had believed his past life annihilated, and himself made a new creature, pure as Adam before the fall. And in the years that had followed that day of grace he had walked with head erect, and eyes looking up to heaven, strong in his belief in Christ, but strongest in his reliance upon his own good works.

O God, what availed his labour in the service of humanity, his sacrifice of worldly gain, his preaching, his prayers, his faithful study of God's word? A wave of passion surged across his soul, and all of good that there had been in him was swept away. The original man, foredoomed to evil, appeared again. A soul drowned in sin! Her words, so carelessly spoken, had denounced him.

The silence lasted long, and they were nearing the lights of London when Antonia spoke.

"You are very silent, Mr. Stobart," she said; "I hope you have not any trouble on your mind to-night."

"No, no."

"Then 'tis that hideous doctrine troubles you."

"Perhaps. What if it be the only true key to God's mysteries? Yes, I believe there are souls given over to Satan."

"Oh, if you believe in Satan you can believe anything."

"Can you look round the world you live in and doubt the Power of Evil?"

"Of the evil within us, no. 'Tis in ourselves, in our own hearts and minds the devil lives. We have to fight him there. Oh, I believe in that devil, the devil of many names. Envy, hatred, malice, jealousy, vanity, self-love, discontent. I know the fiend under most of his aliases. But our part is to be stronger than our own evil inclinations. I am not afraid of the devil."

"He speaks for you in that arrogant speech, and his name is pride."

"Well, perhaps I spoke with too much assurance; but I believe pride is a virtue in women, as courage is in men. Or, perhaps, pride in women is only courage by another name."

He did not reply for some moments; and then an irrepressible impulse made him touch on a perilous subject.

"Have you changed your mind about Lord Dunkeld?"

"As how, sir?" she asked, with a chilling air.

"Have you resolved to accept him as a husband? Surely you could not be for ever adamant against so noble a suitor."

"You are vastly impertinent, to repeat a question that I answered some time ago. No, sir, I shall never accept Lord Dunkeld, nor any other suitor – had he the highest rank in the kingdom."

"You must have some strong reason."

"I have my reason, an all-sufficient reason; and now, sir, no more, I beg you. Indeed, I wonder that you can distress me by renewing this argument."

"Oh, madam, if you but knew the motive of my impertinence, the anguish of heart that speaks in those words! I would have you happily mated, Antonia. I —I– who adore you. Yes, though my jealous soul could scarce contemplate the image of your husband without the murderer's impulse – though to think of you belonging to another would be a torment worse than hell-fire. Could you know how I have wrestled with Satan; how when I urged you to marry Dunkeld every word I spoke was like a knife driven through my heart; how I longed to fling myself at your feet, to tell you, as I tell you now, at the peril of my salvation, that I love you, with all the strength of my soul, my soul drowned in sin, the unpardonable sin of loving you, the sin for which I must lose heaven and reckon with Satan, my darling sin, the sin unto death, never to be repented of."

He was on his knees, and his arms were about her, drawing her averted face towards his own with a wild violence, till her brow touched his, and his lips were pressed against her burning cheek. She felt the passion of his kiss, and his tears upon her face, before she wrenched herself from his arms, and dashed down the glass in front of her.

"Stop!" she called out to the postillions.

Startled at her authoritative cry, they pulled up their horses suddenly, with a loud clattering on the stones, a hundred yards from the bridge.

"You devil!" she said to Stobart, between her set teeth. "You that I took for a saint! I will not breathe the same air with you."

The carriage had hardly stopped when she opened the door and sprang out, not waiting for her footman to let down the steps. He had been asleep in the rumble, and only alighted a moment before his mistress.

She walked towards the bridge in a tumult of agitation, Stobart at her side, while her carriage and horses stood still, and her servants waited for orders, wondering at this strange caprice of their lady's.

"Hypocrite! hypocrite!" she repeated. "You – the Christian, the preacher who calls sinners to repentance; the man who sacrificed fortune to marry the girl he loved."

"I knew not what love meant."

"You chose a simple girl for your wife, and tired of her; pretended friendship for me, and under that mask of friendship nursed your profligate dreams; and now you dare insult me with your unholy love."

"I should not have so dared, madam – indeed, I believe I might have conquered my passion – so far as to remain for ever silent – if – if your own words – "

"My words? When have I ever spoken a word that could warrant such an affront?"

"When I advised you to accept Dunkeld – you refused with such impassioned vehemence – you confessed you had a reason."

"And you thought 'twas because I loved another woman's husband – that 'twas your saintly self I cared for? No, sir, 'twas because I swore to Kilrush on his death-bed that I would never belong to another, that our union, of but one tragical hour, should be all I would ever know of wedlock. I belong to him now as I belonged to him then. I love his memory now as I loved him then. That, sir, was my reason. Are you not ashamed of your fatuous self-esteem, which took it for a confession of love? Love for you, the Methodist preacher, the man of God!"

"Yes, I am ashamed – I am drinking the cup of shame."

"You have tricked me, sir. You have deceived me very cruelly. I trusted you – I thought that I had a friend – one man in the world who treated me like a woman of sense – who dared to disapprove, where all the world basely flattered me. And you are the worst of all – the snake in the grass. But do you think I fear you? I had a better man than you at my feet – the man I loved – my first love – a man with sovereign power over the hearts of women. Do you think I fear you? No, sir, 'twas then the tempter tried me. If there is a devil who assails women, I met him then, and vanquished him."

She trembled from head to foot in the excess of her feeling. She was leaning against the balustrade in one of the semicircular recesses on the bridge. He was sitting at the furthest end of the stone bench, his elbows on his knees, his face hidden.

"You have made me hate myself," he said. "'Tis useless to ask you to forgive me; but you can forget that so base a worm crawls upon this earth. That will cost you but a slight effort."

"Yes, I will try to forget you; and to forget how much I valued your friendship, or the friendship of the honourable man I took you for."

"I was that man, madam. Our friendship did not begin in treachery. I was your true and honourable friend – till – till the devil saw me in my foolish pride, my arrogant confidence in good works."

"Well, sir, 'tis a dream ended," she said, in those grave contralto tones that had ever been like music in his ear – the lower key to which her voice dropped when she was deeply moved; "and from to-night be good enough to remember that we are strangers."

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