The Paliser case

The door of the room opened. It opened slowly, noiselessly, obviously. With exasperating precautions Mrs. Austen entered. The taste of bénédictine was still in her mouth and, savouring it, she whispered:

"Are you asleep?"

"No."

"Will you eat anything?"

"No."

"Are you able to talk?"

Margaret turned. She could talk, but to what end and to whom? Certainly not to her mother, who possessed in its perfection, the household art of misinterpreting everything. Margaret had tried to love her. But perhaps any affection is a habit when it does not happen to be an instinct. The habit had never been formed, the instinct had been repressed. Always her mother had treated her with that indulgence which is as empty as an unfilled grate. There was no heat there. You could not warm your heart at it. But a child must love some one. Margaret had begun by loving her mother. That is the way with children. They begin by loving their parents. Later they judge them. Sometimes, though not always, they forgive. One should not judge anybody. Margaret knew that, but she was a human being. She thought her mother a worldly woman. The fact that she was false as Judas was not apparent to this girl whose knowledge of Iscariotism was as hearsay as her knowledge of gorillas.

Now, as she turned in her bed, it was in defence against intrusion. Deference to her mother she had always observed. But she could not admit her to the privacy of her thoughts and, in turning her face to the wall, she told herself that she would not be cross-questioned.

Mrs. Austen had no intention of putting her daughter in the confessional. Anything of the kind would have bored her. Besides, what she thought was unimportant. It was what she did or might do that mattered.

Vacating the door she approached the bed. "Are you feeling any better?"

Margaret was feeling, if possible, worse. But she never complained, or, if she had to complain, then the complaint was solely by way of explanation. She turned again.

"For if you are," Mrs. Austen continued, "I ought to say something."

Margaret put a hand to her forehead.

But Mrs. Austen persisted. "It is important."

Margaret's eyes were open. She closed them and said: "Yes, mother, what is it?"

Through the door came light from the hall. Mrs. Austen looked about. Nearby was a chair on which was one of those garments, made of franfreluches, which the French call a Jump-from-bed. Removing it, she sat down.

"It is too bad. I know you don't feel like discussing affairs of State, but it is Luxemburg all over again. If I were alone concerned, I am sure I would capitulate. But where the State is concerned, and by that I mean you, I am like the little grand-duchess – pretty child, from her pictures, didn't you think? – and I must resist the invader. It is true, I don't know exactly what the grand-duchess did do, though they said she sat in a motor on a bridge and flourished a revolver. But you never can tell. I daresay she and her maids of honour hid in a cellar. Perhaps we may have to."

Margaret lowered her hand. "Mother, what are you talking about?"

"Your young man, of course. What else? A half-hour ago, he was roaring and stamping about and calling me a liar. If it had not been for my dead body, he would have rushed in here and killed you. My dead body, or what I told him about passing over it, was the revolver that I flourished. He has gone, but he swore he would return. Now, unless you rally to the colours, we will have to hide in the cellar, or rather, as we haven't any, in the pantry. Don't you think you could eat a bit of sweetbread, or perhaps some almond pudding?"

Again Margaret put her hand to her forehead. "Don't say that, mother. Keith did not call you a liar and it is not like him to roar and stamp about."

"My dear, I don't wonder you don't believe me. He went on like a madman. He could not get over the fact that his dollymop was one too many for you. He seemed to think that it was none of your business."

"Don't."

"My dear Margaret, you must do me the justice to admit that I stood up for him. I said he was an attractive young man. So he is. But that is just it. Attractive young men are most unreliable and reliable young men are most unattractive. At your age, I used to like them fair and false. That was your father's fault. He perverted me. He was so domestic!"

It was an old wound that Mrs. Austen touched then and under it Margaret winced. "The poor dear! He was a saint and you know it."

"Know it! I should say I did. I know too that he made me hate saints. But you love them and thought you had one, instead of which you got a devil. Your luck is far better than mine. If you take my advice, you will hang on to him like grim death. It is not too late. To-morrow he will be here, thundering at the gates."

Dimly at the moment the girl's creed turned a ray on her. She lifted her head.

"He will not thunder at the gates and he is not what you say. But perhaps I am. I may have done worse than he has and what he has done is my punishment."

It was very little but it was too much. Mrs. Austen, in spite of her facile digestion, gagged at it.

"If that is theosophy, I will believe it when I am old, fat and a Hun."

Margaret sank back. "But I am sorry you have been annoyed. It won't happen again. I will write to him."

Later, she did write.

Forgive me, dear Keith, if I cause you pain, but I feel that I am not suited to you. Forgive me therefore for not recognising it sooner. I have thought it all over and, though it wrings my heart to say it, I cannot see you again. Forgive me and forget.

Margaret.

XII

Hell was supposed to be very hot, very red, full of pugnacious demons. Educated people do not believe in it any more. It is curious how ignorant educated people have become. Hell is an actual plane, less vivid than was formerly imagined, not hot but cold, grey rather than red, but amply provided with demons, with the devils of self-accusation, with the fiends of insoluble queries. Very real and very actual, it is surprising how many educated people are there. The oddity of that is increased by the fact that they regard it as a private establishment. They regard their hell as unique. Perhaps the idea flatters them. Yet sooner or later everybody enters it. Hell may seem private. It is universal.

Headlong into it, Margaret's letter precipitated Lennox. Being a man, he struggled up. But not out. In hell there are no signposts. It takes time to find one's way. It takes more, it takes resignation. When both have been acquired, the walls part of themselves. The aspect of life has altered, but you are free.

Lennox, in struggling up, encountered the demons of enigmatic riddles. Each word of Margaret's letter they converted into a Why? They thrust it at him, demanding an answer. But the answer her heart alone possessed. That heart had been his. It was his no longer. The heart that she had given him, she had taken away. Nothing could be simpler and nothing more mysterious. The mystification was complete, but not the suffering. Suffering is never complete. However deep the hell, there is always a deeper one.

From the letter he looked at the walls. They were dumb. There was no answer for the demons there, not anywhere, perhaps, except among werewolves, basilisks and Mrs. Austens. These monsters did not occur to him. The monstrous letter sufficed. But Margaret was still too near, her vows were too recent for him to credit it, and the fact that he could not disclosed itself in those words which all have uttered, all at least before whom the inexplicable has sprung.

"It is impossible!"

Yet there it was. Yet there too was something else. But what? At once he was back again in the issueless circle of infernal questions.

The day before he had known that something was amiss. The attitude of Mrs. Austen had been too assured, too venomous, too smiling, for him to doubt it. But though he did not doubt that, not for a second did he doubt Margaret either. Always aware of the woman's hostility, he had been equally aware that it could not influence the girl. Not for a moment therefore had he accepted the statement that the engagement was broken. At the time he had thought that when next he had a word with Margaret it would all be explained. But all what? His life was as clean as his face. It was not that then. On the other hand he was not rich. By the same token, Margaret's only idea of money was to help others with it. It was not that then either. Nor was it that she had not loved him. She had loved him. He could have sworn it and not out of vanity, for he had none, but because never could she have promised herself to him if she had not. None the less, she could not see him again. She had thought it over. She was not suited to him. He was told to forget her. Why?

That Why, repeating itself, forced him deeper into the circles of which hell is made.

But even in hell despair is brief. Unless it consume you utterly, and it would not be hell if it did, it goads. It compels you to seek an issue. Apart from time, which is very slow, and resignation, which is never prompt, there is another portal.

A poet, who discovered it, scrawled on it: "Lascia la donna e studia la matematica" – a cryptogram which subsequent pilgrims variously deciphered. To some, it spelled Thought; to others, Action. Action is thought put in motion.

Lennox, to whom time was too dilatory and resignation too remote, happened on the device which he translated after his manner.

But however you construe the hierograph, the door must be demolished before you get out. Across the door is written: Hope. It is a very hard door to crack. When you succeed you are covered with splinters. They cling to you and pierce you. Joiners, carpenters, pilgrims, poets and fiends have a name for them. They call the splinters Regrets. Though you have escaped, they accompany you. Hell encircles you still.

It was on the day following the conversation with Mrs. Austen that Lennox received Margaret's letter. In his dark rooms it was waiting. A moment previous he had intended to go to her. He had it all planned. Mrs. Austen could say what she liked; the physician might interfere; he would submit to no one. He proposed to see her, to adjust it, to swing up and out from the circles which already were closing about him.

On leaving Mrs. Austen he had gone to dinner. He could not eat. He had gone to bed. He could not sleep. In the morning his face was flushed. Always fit, hard as nails, these phenomena perplexed. Yet he knew it was not illness that produced them. What he did not know was that poison had. The poison was anger, an unphilosophic emotion which disturbs the circulation, the stomach and social intercourse. He could have wrung Mrs. Austen's neck.

In that murderous mood he went to Wall Street and in that mood returned. Already hell was gaping. Headlong into it the letter threw him. Being a man he sought and found the door, smashed it and passed out. Not at once however. It took him many a sleepless hour before he deciphered the device Lascia la donna. Leave the lady? Certainly. Since she so wished, what else in decency could he do? Go and badger her with complaints and questions? Not he. But how do you translate: Studia la matematica? The dictionary that is in every man, who is a man, told him. Then he knew. Meanwhile the flush in departing left him grey.

In every affection there is the germ of hate. Margaret, confronted by the unawaited, hated Lennox. Lennox, confronted by the inexplicable, hated Margaret. Hatred is love turned inside out. Love is perhaps a fermentation of the molecules of the imagination. In that case so also is hate. Of all things mystery disturbs the imagination most. Margaret could not understand how Lennox could have acted as he had. Lennox could not understand how Margaret could act as she did. Dual misunderstanding, in which the imagination fermented. Hence the hate. Yet each, in hating, loved the other. Each felt the splinters which, as Browning somewhere noted, kept fresh and fine. Only a touch and the splinters would have joined.

Mrs. Austen, for all her horrible shrewdness, could not have prevented that. But pride, that gives so many of us a fall, was more potent than she. Margaret, insulted, could but turn away. Lennox, dismissed, could but let her go.

Any emotion is unbecoming. Pride is merely ridiculous. It resides in the youthful-minded, however old. In residing in these young people, it resisted the touch that would have combined them and, through its opposition, made one of them ill and the other grey. To be proud! How splendid it seems and how stupid it is. Hell is paved with just such imbecilities.

It is said of Dante that children peered at him and whispered: "That man has been in hell."

None of the children that clubmen are, pointed at Lennox, though two of them whispered. The others did not know, not yet at least. But Verelst knew and Jones guessed. The guess was due to the romantic profession that endows a novelist with the wonderful faculty of putting two and two together.

Hitherto, that is since the engagement was announced and, for that matter, long previously, Lennox had passed the evening in Park Avenue. Where else would he have passed it? After the rupture he sat about and read all the papers. When a man is down and out that is just what he does do, though not necessarily in the Athenæum Club.

Jones, noticing it, rapidly divined the reason which Verelst confirmed.

"Yes, her mother told me."

It was in a club window, of an afternoon. Before them was Fifth Avenue which, in the Aprils of not so long ago, used to be a horse-show of fair faces, ravishing hats, discreet liveries, folded arms and yards of yodeling brass.

Verelst, eyeing the usurping motors, added: "It is because of some girl I believe, or rather I don't believe it."

Jones sat back. Instantly the motors were replaced by the picture of a girl whose face was noble and reserved. He had seen the face at the Bazaar. He had seen Lennox talking to it. Afterward Lennox had told him that the girl was Portuguese. The picture was attractive but unconvincing. In agreement with Verelst he was about to say so. But behind him he heard a voice that he knew and he switched and said:

"What a remarkable country Portugal is! Born dumb, she spoke twice: once when she gave Asia to Europe, again when she presented the Lusiades to the world. Her history is resumed in two miracles, a discovery and a masterpiece. But when the Cape of Good Hope was succeeded by Camoens, once more she relapsed into a silence that was broken only when she shouted her defiance at the Huns."

Now though that voice was addressing them. Both turned and Lennox asked: "What are you talking about – war?"

"Sit down," said Verelst, who gave him a hand.

Jones gave him another. "What else is there to talk about? It will be talked of forever. So will that scrofulous Kaiser. Unfortunately he knows it and that pleases him. Last year or the year before he called for the death and destruction of all who opposed him. With singular modesty he added: 'God who speaks through my mouth so orders!' Loti claims that what spoke through him was a hyena. Loti is lacking in literary sobriety. When a hyena has eaten he is at peace with the world. But when was bestiality ever filled? It is insatiable and so is this thug whom God, at most, may have permitted to look in the mirror without vomiting. Meanwhile we stand by. A generation ago we fought for Cuba. What is Hecuba to us in comparison to the Anima Mundi?"

Verelst turned on the novelist. "And what is literary sobriety? You are hurling words in massed formation."

Jones smiled at him. "Where is my harp?"

"You mean your megaphone," Lennox put in. "You are always rehearsing copy. One of these days I may give you some."

"From the front?" Jones asked.

"Yes, though I don't see how you knew. The President has asked for war. Why aren't we up and at 'em? If Congress hems and haws over it much longer, I'll get my gun and join the Foreign Legion."

Jones nodded. He had guessed that also and he said: "Wait and join the legions here. At present, the country is alarmingly apathetic. The man in the subway is muddled. The call to arms does not stir him. The issues, clear enough to us, seem to him mixed as macaroni. He does not understand a war that is three thousand miles away. But in a year, every man in the country – a country that has never been beaten! – will be in it body and soul. Undividedly, shoulder to shoulder, we will be in it as we have never been in anything before."

The novelist touched a bell. "Lennox, have a Bronx. Verelst, what will you take? I'll wager a pippin that war is declared to-morrow."

"Done," said Verelst – who lost it.

XIII

The two hundred and fifty – less ten per cent – which an imaginary Mrs. Beamish had paid for the pleasure of not hearing Cassy sing, transported the girl who was not given to transports. These subsiding, she viewed the matter from its business aspect. She needed a frock, a wrap, a hat, gloves, shoes and certain things that are nowhere visible except in advertisements, shop-windows and extreme privacy. Also, her hair required tralalaing. Meanwhile, first and foremost, Lennox must be paid. The subsidy was not too much by a penny. These considerations occupied but an instant.

"When is it?" she asked the Tamburini, who, a moment before, had dumbfounded her with the money.

"When is what?" inquired the ex-star who already had forgotten Mrs. Beamish.

"Why, the concert!"

Carlotta Tamburini was dressed like a fat idol, in silk and false pearls. There the idolatry ceased. In her hand was an umbrella and on her head a hat of rose-leaves which a black topknot surmounted. About her shoulders was a feather boa. It seemed a bit mangy. Seated on Cassy's bed she looked at a window that gave on a wall. Cassy was standing. Behind Cassy was a door which the extinguished light had closed. Beyond, in the living-room, was the marquis. Anything that he did not hear would not hurt him.

"Oh, she'll let us know."

"What sort of a catamount is she?"

At that the former prima donna's imagination balked. But she got something out. "Nice enough. What do you care?"

"I hate all those snobs."

"So do I," said the Tamburini, who worshipped the breed even when non-existent. "But don't go and include him. If it hadn't been for him – "

"Was he with her?"

"You ought to have heard the way he went on about you. She said: 'Why, Monty, I do believe you'd like to marry her.'"

Cassy's mouth twitched as she munched it. "She presumed to say that! She's an insolent beast."

"He shut her up, I can tell you. He said if he got on his knees, you wouldn't dust your feet on him."

"That jackanapes! I should say not!"

"You might say worse. Take the Metro. You're spat on if you're down and spat at if you're up. A dog's own life." Lifting her voice, the fat woman sang: "Croyez-moi car j'ai passé par la."

"What has that to do with it?"

Nothing whatever, the Tamburini truthfully reflected but omitted to say so. Paliser, in producing Mrs. Beamish, had also produced the programme. With both was a cheque. With the cheque was the assurance of another and a bigger one. She had only to earn it. To earn it she had only to follow the programme. The poor soul was trying to. The job was not easy. Cassy was skittish. A pull on the rein and she would kick the apple-cart over.

Femininely she discounted it all. Cassy was not worth the time, the trouble, particularly the careful handling. There were girls in plenty, quite as good-looking, who, without stopping to count two, or even one, would jump at it. But there you were! Paliser did not want partridges that flew broiled into his mouth. A true sportsman, he liked to snare the bird. The feminine in her understood that also. Besides it was all grist for her mill. But the grist was uphill, and if the noble marquis got so much as an inkling of it, he was just the sort of damn fool to whip out his sword-cane and run her through. The honour of the Casa-Evora, what? Yet, being on the job, she buckled to it.

"What will you get, dearie?"

Cassy sat down. Her previous ruminations returned. Escorting them was a vision of a baronial castle. In the hall, a guest-book in which you wrote your name. A squad of lackeys that showed you into a suite of salons. Rugs on which there was peace; sofas on which there was ease; étagères on which there were reveries. Nothing else. No cupboards hung with confections. No models sailing in and out. Nothing so commercial as anything for sale. Nothing but patrician repose and the châtelaine – a duchess disguised as a dressmaker – who might, or might not, ask you upstairs.

In war time at that! Though, it is true, Congress had only just declared it.

But, Cassy reflected, two hundred and fifty, with Lennox deducted and less ten per cent, would not take her as far as the drawbridge. The fleeting vision of the castle passed, replaced by the bargain seductions of department-stores.

Fingering the money, she said: "Where does this person live? She ought to send a taxi."

"Certamente," replied the fat woman, lapsing, as she occasionally did lapse, into the easy Italian of the lyric stage. "She certainly will."

Cassy jumped up. "Well, then, you come along while I take a look about. Afterward we will have lunch. I'll eat, you can watch me and I'll tell you how it tastes. There's the telephone!"

Cassy opened the door, went out into the narrow and shadowy hall and took the receiver.

"Yes? Oh! None the better for the asking. To-night? Impossible. To-morrow? Perhaps. Good-bye."

"Who was that?" the noble marquis called from the room beyond.

"An imbecile who wants me to dine and go to the opera."

"Not that Paliser?"

Cassy, poking her head in at him, threw him a kiss and returned to the Tamburini with whom, a little later, she was praying among the worshippers that thread the sacred and silent way where Broadway and Sixth Avenue meet.

In an adjacent basilica, the atmosphere charged with pious emanations, with envy, malice, greed and all other charitableness, choked the girl. But at last the holy rites were ended. To the voluntary of $109.99, she passed into the peace of Herald Square where the ex-diva swayed, stopped and holding her umbrella as one holds a guitar, looked hopelessly and helplessly about.

"You're not preparing to serenade the Elevated?" Cassy bawled in her ear.

In the slam-bang of trains and the metallic howls of surface cars that herded and volplaned about them, the fat lady, now apparently gone mad, was gesticulating insanely. Yet she was but indicating, or trying to indicate, the relative refuge of a side street in which there was a cook-shop.

Then, presently, after all the dangers that may be avoided in remaining at home, and supplied with such delights as clam fritters offer, she savorously remarked: "I hope I am not going to be sick."

The charm of scented streets, the sedatives of shopping, the joy of lightsome fritters, these things, combined with the job, the unearned cheque and the fear of losing both, made her ghastly.

Cassy, devoid of pity, said: "Have some beer."

The Tamburini gulped. "I couldn't talk to you this morning and I've got to. It's for your own good, dearie; it is, so help me! Supposing he is a jackanapes. What do you want? A prize-fighter? Take it from me, whether he is one or the other, in no time it will be quite the same."

Cassy's lips curled. "Croyez-moi car j'ai passé par la." But, in mocking the woman, she frowned. "What business is it of yours?"

The fallen star gulped again. Conscious that she had struck the wrong note, she struck another. "Your papa is no better, is he? Between you and me and the bedpost, I doubt if he ever will be. I doubt if he plays again. You'll have to look after him. How're you going to? You can't expect to sing every night to the tune of two hundred and fifty. Not with war marching in on us. Not with everybody hard up."

Cassy had been about to order a chocolate éclair. The new note stayed her. But though new, it was not novel. She had heard it before. It rang true. Absently she shoved at her plate.

In theory she knew her way about. The migratory systems of domestic experience said nothing to her, nor, thus far, had the charts of matrimony either. In the sphere of life to which a walk-up leads, the charts were dotted with but the postman and the corner druggist. Men and plenty of them she had met, but they too said nothing and not at all because they were dumb, but because, as the phrase is, they did not talk her language. But for every exception there is perhaps a rule. The one man who did speak her language, had held his tongue.