The Four Corners

Her mother stopped stitching. "Poor little girl," she spoke sympathetically, "I wish you could have lessons, and that I could give you a good piano to practice on, for I do appreciate your love of music, but dear, I don't see that your efforts on that old worn-out melodeon will bring you the slightest reward; in fact, I have heard it said that it is not well to allow a child to practice on a poor instrument. Now, be reasonable, darling, and don't want impossibilities. You know mother would give you your every heart's desire if she could."

"I know," said Nan weakly as she turned again from the room. A sudden inspiration had seized her, and her heart beat very fast as she made her way back to the retreat in the pines and from there to the hollow and on to the very threshold of the house at Uplands, the old Corner place. She tried the door but it did not yield to her efforts. From window to window she went making an effort to open each. To the side door, the back door and around to the porch on the north side. There were side lights to the door here, and, shading her eyes, Nan tried to peer through into the dimness.

Nan thought she heard sounds within and felt a little scared, then all at once she saw a form in black garments flit across the hall, and with a suppressed scream she turned and fled, crashing through the weeds and underbrush, leaping across the brook and reaching her retreat frightened and wondering. There could be no mistake; some one was certainly there. Was it flesh and blood presence or some ghostly visitor? Uplands had the reputation of being haunted and Nan really believed she had seen the ghost of her great-great-grandmother.

She sat quaking and yet half trying to make up her mind to return for further investigation when a shadow fell across the spot where she sat, and, looking up, she saw a strange little lady standing before her, looking down at her wistfully. The lady was all in black and though her face was young, and her cheeks showed softly pink, her hair was very white. Nan had not seen her approach, and it appeared almost as if she had dropped from the skies. "Who are you?" inquired the little lady.

"One of the four Corners," returned Nan with a sudden smile.

"Which one?"

"Nan."

"I was sure of it. And why were you trying to get into that house?" The little lady nodded toward Uplands.

"Because it is my grandmother's and – and – " She glanced up shyly at the stranger.

"Go on, please," said the lady, taking a seat on an end of Nan's pretended piano. "Did you want anything in particular?"

There was something compelling in the lady's manner, and Nan replied, "Yes, I did. I know I really ought not to have gone, for mother doesn't like us even to cross the brook. She never actually forbids it, but she looks distressed if she finds out that any of us have been over, but I wanted awfully to see if I could get in and try to open the piano. It seems so perfectly dreadful for it to stand there month after month and year after year, no good to anybody, when I'd give my right hand to have it."

"If you gave your right hand for it," said the lady, suddenly dimpling, "you could only play bass, you know, and I don't believe you would care for that."

Nan laughed. "No, I wouldn't. I like the fine high notes, though sometimes I think the growling bass of the organ at church is beautiful. It makes me think of what it says in the Psalter: 'The noise of the seas, the noise of the waves, and the tumult of the people.'"

The lady nodded understandingly and was silently thoughtful for some moments, then she said, "This is a nice little spot." She put her hand upon Nan's improvised music-rack. "What is this for?" she asked.

Nan blushed. "It's just to hold up the music, you know. That's my piano where you are sitting."

"Goodness!" cried the lady, jumping up. "How undignified of me to sit on a piano. Please pardon me; I didn't know."

"Of course not." Nan's eyes grew starlike. It was not only very delightful but very exciting to meet one who so perfectly understood. "You see," she went on, "all I have at home is a dreadful old melodeon that skips notes and wheezes like our old Pete; he has the heaves, you know."

"Poor old Pete," said the lady, with a tender retrospective look in her eyes. "You have the melodeon, yes, and then?"

"Aunt Sarah always wants to take a nap the minute I begin to play, and to-day," her voice dropped and she went nearer to her visitor, "I had made a new tune and I did so want to write it down. I came out here first and tried it; it sounded very well, I thought, but I had written only a little of it when I had to shut the melodeon. Aunt Sarah always does have such inconvenient times for taking naps," she sighed.

"Won't you let me hear your song, or your tune?" said the lady, politely seating herself with an expectant air upon a stump further off.

Nan's cheeks grew redder. She did not like to seem ungracious to this stranger who showed such an unusual interest in her performances and yet her only audience heretofore had been the creatures of the field and the air. "No one has ever heard it but the crows," she said hesitatingly, then impulsively: "You won't laugh?"

"Indeed no, of course not," returned the lady with some real indignation at such a suspicion.

Nan sat still long enough to screw up her courage to the active point, and then drawing from her blouse a bit of paper, she seated herself before her log-piano and began her song. The lady, with cheek in hand, leaned forward and listened intently. Once there was a slight flicker of amusement in her eyes, but for the most part her face was tenderly serious. At the close of the song she said gently: "Thank you, dear. I think that is a very sweet little air for one so young as you to think of. May I see?" She extended her hand for Nan's half-written song. "How will you finish it?" she asked.

"I don't know. I'll have to wait till Aunt Sarah goes out or goes away. I hope I shall not forget it before then. I'll sing it over every day and then maybe I won't forget."

The lady looked at her thoughtfully for a minute. "Can you keep a secret?" she asked suddenly.

"Oh, yes. Why, nobody, not even Mary Lee, has an idea about this." She waved her hand to include her music-room retreat.

"Then promise not to tell a soul."

"I promise." Nan's eyes grew eager.

"I am your fairy godmother, and if you will meet me under the sunset tree to-morrow morning at ten o'clock, I will conduct you to a place where you can finish your song undisturbed, for I guarantee Aunt Sarah will not be caught napping within hearing of you and the melodeon."

"Oh, how perfectly delicious," cried Nan, her imagination all afire. "I'd love that. Where is the sunset tree? It is such a lovely name for it."

The lady pointed to a huge oak just across the brook. "It is called that because one can see the sunset so finely from there. Have you never been up to look at the sun go down behind the hills? There is one little notch between the mountains over there and at a certain season of the year the sun drops right down into it."

"I have never seen it," said Nan, regretfully. "I wonder why no one ever told me about it. I think sunset tree is such a lovely name and it is just the spot for a trysting place. It would be a lovely secret, but I never had a real important one from mother before. I shall have to tell her about going up there; not right away, but some day. It always comes out sooner or later and I would rather tell just mother, if you don't mind."

"So you may. I'm glad you feel that way about it. Little girls should never have secrets they cannot tell their mothers. In three days you may tell her, if you think it would be right to keep silence that long."

"Oh, that will not be very long. I could keep the secret longer if you said so."

"That will be long enough. Now, shut your eyes while you count one hundred slowly or the queen of the fairies will not let me appear again. The spell will be broken if you so much as peep, or if you do not count aloud."

Nan closed her eyes very tight and began to count. She gave a little interrupting gasp as she felt a light kiss on her cheek, but she kept steadily on till she had reached the desired number. Then she opened her eyes and looked around. There was no one in sight. The afternoon sun was sinking behind the trees, and the cows were returning home along the county road. With the weight of such a secret as she had never before carried, Nan ran home in a happy tumult of excited expectation. At the back of the house she came upon Mary Lee and Phil still absorbed in their polywogs.

"Come see," cried Mary Lee, "they are too funny for anything, Nan. They are the interestingest things I ever saw."

Nan went up to look. "What is so wonderful about polywogs?" she asked.

"You'd think yourself wonderful," said Phil indignantly, "if you could change yourself from a swimming beast into a hopping one and be as awfully amphibious as they are."

Nan laughed and drew her finger slowly through the water in the cask. "They aren't half so wonderful as fairies," she said. "They can change themselves into all sorts of things."

"Oh, pshaw! Everybody knows that there are no real fairies. These can really change before your very eyes; we've watched them from day to day, haven't we, Mary Lee?"

"Yes, we have," was the answer. "Nan always likes foolish make-believe things, but we like the real ones."

"Fairy godmothers are real," Nan answered back over her shoulder as she left the pair discussing the proper treatment of their present pets. They paid no attention to her speech and she laughed to herself, exulting in her secret. Before she reached the house she heard a wail from the direction of the orchard, and perceived Jean sitting on the ground under a tree. As Nan approached, she whimpered softly.

"What's the matter, kitten?" asked Nan.

"Jack was pretending I was a calf," said Jean, mournfully, "and she hobbled me to the tree so I couldn't get to my mother, and now she's gone off and I can't get the rope untied."

"Poor little calf, and the cows all coming home, too. Never mind, I'll untie you. Where is Jack?"

"She was going for her cows, but I reckon she's done forgot it."

"Don't say done forgot; that sounds like Mitty and Unc' Landy."

Jean hung her head. She was used to these chidings from her eldest sister. She had a curious babyish way of speaking, not being easily able to make the sounds of th or qu. "I know it isn't crite right," she said, "but I forget sometimes."

Nan put her arms around her. "Of course you do. We all forget some things sometimes. Come with me and let us hunt up Jack. I'll venture to say she's in some mischief."

She was not far wrong in her conjectures, for after a half hour's diligent searching, Jack was found. She had discovered a can of white paint, supplied by Aunt Sarah for the betterment of the front fence which Landy had proudly commenced to adorn with a shining coat of whiteness. He had been called away when he had made but little progress and Jack had taken up the job with great glee. She was in the height of her enjoyment, daubing on great masses of white which dribbled down the palings wastefully. The child herself was smeared from hair ribbon to shoe-strings and was a sight to behold.

"Jack Corner!" exclaimed Nan. "You dreadful child! Just look at you, and, oh, dear, how you are wasting paint. It won't begin to be enough to finish the fence the way you have been using it. Unc' Landy will give you Jesse."

"Some one's always giving me Jesse," complained Jack. "You all keep saying Unc' Landy has so much to do and I am only helping him."

"Pretty help, using up the paint and ruining your clothes. March yourself straight into the house, miss." Nan took hold of Jack's shoulder which was twitched away, and with a vicious fling of the dripping brush directly at Nan, Jack turned and fled.

"She is the most trying child," said Nan, deftly dodging the brush, though not without receiving some drops upon her frock. "I declare, there isn't a day when she doesn't do something dreadful."

"She just fought she was helping," put in Jean, always ready to defend her twin by imputing worthy motives to her performances.

"Maybe she did, but it's pretty poor help," said Nan, stooping to pick a plantain leaf with which to wipe off the worst spots from her skirt. "Aunt Sarah was so good as to buy the paint. I know she went without something to do it, and now for Jack to do her so mean as to play this scurvy trick is too bad. I'm all done out with Jack. It's lucky we found her when we did or there wouldn't have been even as much paint as there is. I must go tell Unc' Landy at once. Maybe he can scrape off some of this before it dries. Help indeed! It gives him double work." Her last words were spoken to thin air, for Jean had hurried off to comfort Jack and Nan was left to break the news to Unc' Landy.

CHAPTER III

NAN'S SECRET

When Nan opened her eyes the next morning it was with a consciousness that something pleasantly exciting was to happen, and she lost no time in hurrying down-stairs and, after breakfast, in getting through her prescribed duties with more than usual haste. Her mother smiled to see that she was so eager and businesslike and that her moodiness of the day before had departed, while Aunt Sarah said: "I hope your fancy will not lead you to try the tune the old cow died of to-day, Nannie."

Nan smiled but made no reply. What matter if Aunt Sarah did cast slurs upon her musical attempts? There were persons in the world who took them seriously, and she felt a thrill of satisfaction as she thought of the soft white hair and blue eyes of her fairy godmother.

It was with some difficulty that she was able to reach the sunset tree without being seen. Jack, in penitential mood, and Jean looking for sympathy, followed her everywhere, and it was not till she had robbed a rose bush of its red berry-like seeds and had constructed a wonderful set of dishes, a lamp, and a whole family of people from the berries, that the reward of her ingenuity came to her in the delight of the children over these novel toys and in their content with a corner of the porch for a playroom. After seeing them well established, Nan set off.

"I've dusted the living-room, made my bed, picked up after Jack, and I believe that is all," she told herself. "There's Phil coming, I am thankful to say, so Mary Lee will not tag me." She paid no heed to the question, "Where are you going?" which Mary Lee called after her, but kept on till the barn hid her from sight. She hoped she had not kept her friend waiting and that she would not become impatient and leave, for it was after ten. But as she came up to the tree she saw the sombre little figure sitting quietly there. "I was so afraid you couldn't wait," said Nan breathlessly. "The children were so tiresome and wanted all sorts of things done for them so I couldn't get away before."

"There's plenty of time," replied her friend. "Sit down and cool off; you've come too fast in the hot sun. Tell me about the children."

"Jean is a dear, and Jack can be perfectly fascinating when she chooses. They are the twins, you know. Jack's name is Jacqueline. Aunt Sarah says she was mixed together with more original sin than any of us, and if there hadn't been a lot of angel used in her make up she doesn't know what would become of her. She is simply dear this morning, but yesterday afternoon!" And Nan gave an account of Jack's muddle with the paint.

Her companion laughed. "She must keep you in hot water," she said. "Tell me about Mary Lee."

"Oh, do you know there is a Mary Lee?" said Nan in surprise. "But of course everybody knows us. She is named for our mother, and I am named for papa's sister Nancy Weston who died. We called Jack and Jean after papa. His name was John and Jean is the French for John, only we give it the Scotch pronunciation. Papa was always called Jack and so Jacqueline is called that."

"Yes, I know – I mean I see," returned her companion. "Come, now, shall we go on? Are you ready to be conducted to the place of your desires? You must go blindfolded."

"How lovely! That makes it so deliciously mysterious. I hope I shall not fall and bump my nose."

"I'll take care that you do not. Let me tie this ever your eyes." She drew a soft silken scarf from a bag she held, and made it fast over Nan's eyes. "Can you see?" she asked.

"No, indeed, I can't. Not the leastest little bit."

"Now give me your hands. There, I'll put them around my waist and you will walk just behind me."

Their way was made very cautiously and slowly and at last Nan set foot upon a board floor. "Now I can lead you," said her guide. "One step up, please."

Nan was led along the floor for some distance making one sharp turn, and then was gently forced to a seat. "There," said her guide. "Sit here perfectly still till you hear a bell ring; then you may untie your scarf, but you must not leave the room till I come for you."

Nan sat very still. Presently she heard a light footstep cross the floor, then a door closed and after a few minutes a bell in the distance tinkled softly. Up went her hands and the scarf was withdrawn in a jiffy. She found herself sitting before an open piano. On each side of her were set lighted candles in tall brass candlesticks. Into the room no gleam of daylight made its way. In the shadowy corners were sheeted chairs and sofas and on the wall were covered pictures. Nan recognized the place at once. It was the drawing-room of her grandmother's house and over the mantel must be the very portrait she had once gazed upon with such delight. Now it was screened from view. "I just wonder who in the world she is," exclaimed Nan thinking of her guide. "I'd like to know how she got in here and all about it. Perhaps she is some of our kinsfolk who has come down here to look after something for grandmother. I'm going to ask her."

Having made this decision, she turned her attention to the piano. In spite of long disuse it gave forth mellow and delightful tones as she touched it softly. It seemed very big and important after the little melodeon, but soon the girl gained confidence and became absorbed in writing down her little song which she did note by note, calling each aloud. "I am not sure that it is just right," she said as she concluded her task, "but it is as right as I can make it."

She arose from her seat and tiptoed around the room, lifting the covers from the shrouded furniture and getting glimpses of dim brocade and silky plush. Then she went back to the piano. All was so still in the house that Nan felt the absolute freedom of one without an audience. She touched the keys gently at first, but, gaining confidence and inspiration, went on playing by ear snatches of this and that, becoming perfectly absorbed in the happiness of making melody.

She was so carried away by her performance that she neither saw nor heard the door open and was not aware of any one's presence till a soft voice said: "I declare, the blessed child really has talent."

"Oh!" Nan sprang to her feet. "Were you listening?"

"I have been for a short time only. How did you get along with your song?"

"Pretty well. I don't know whether it is exactly right. I don't know much about time, and sharps and flats."

"May I see? Perhaps I can help you."

Nan timidly held out her little awkwardly written tune and the lady scanned it carefully. "You haven't your sharps and naturals just right," she remarked. "You see this is the sign of a natural," and taking Nan's pencil she made the necessary corrections, then sitting down to the piano she played the simple air through and afterward went off into a dreamy waltz while Nan listened spellbound.

"Please tell me who you are," the child cried when the music ceased.

"I did tell you. I am your fairy godmother. You may leave out the fairy if you like, for I am quite substantial."

"Are you kin to – to grandmother? Did she send you?"

"She did not send me and has no idea I am here."

Nan stared. "I know, of course, just where I am," she said. "This is Grandmother Corner's house. I saw into this very room once and I saw that," she indicated the portrait. "I just saw it for a minute and I do so want to see it real good. Could I?" she asked, wistfully.

"Why do you want to see it?" asked her companion.

"Because I love it. Oh, I know, I know," she went on hastily. "Landy has told me."

"Has told you what?"

"I can't tell you unless you are kinsfolk."

"You can tell me anything because there is nothing I don't know about this house and those who used to live here."

"Oh, then, you know how cruel my grandmother was to papa, and how she couldn't bear his marrying mother."

"It wasn't because it was herself," put in the other eagerly. "There was no objection to Mary personally, but she hated to give him up to any one. She would have felt the same way if he had wanted to marry a princess. She never did get over the fact of sharing him with some one else; she never will."

"I didn't know all that, but I knew about the bitter words and how they have been haunting her, and I feel so very sorry for her. I know it would break my mother's heart to lose one of us," said Nan, "and if she had been cross to us and anything had happened that we were hurt meantime she would never forgive herself. Why, when Jack has been her naughtiest, mother never misses kissing her good-night. Last night Jack had to be put right to bed for punishment and before I went to sleep I heard mother in the nursery and Jack was crying, then when mother came to kiss me good-night I saw she had been crying, too. She is such a dear mother."

"She must be," said the little lady, her voice a-tremble, "and you are right to feel sorry for your grandmother. She needs all your love and sympathy."

"I wonder if I shall ever see her," said Nan wistfully.

"I hope so. I think so."

"And may I see the picture?"

"It is too high to reach, I am afraid."

"Oh, but I can get a pole or something and lift up the cover," said Nan, quick to see a way.

"Run, then, and find one."

Nan disappeared and soon returned with an ancient broom, the handle of which was used to lift the cover sufficiently so that by the dim light of the candles, which her friend held high, Nan beheld the portrait again.

"Thank you, so much," she said gratefully. "I am very glad you are kin of ours, even if I don't know who you are. I love you and I am going to try to love my grandmother."

The little lady suddenly put her arms around her and held her close. "You are a dear, dear child, and I love you, too," she said. "Some day you shall see me again. Kiss me, Nancy."

Nan held up her sweet red mouth to receive the warm kiss. "I shall be seeing your grandmother before long," said her friend, holding the girl's hands and looking tenderly at her.

"But she is in Europe."

"And are there no steamers that cross the ocean?"

"Are you going there, then?"

"That is my intention."

"Then, are you going to tell her about me? Will she care to know?" Nan paused before she said hesitatingly, "Would it make her very mad if I sent a kiss to her?"

"Dear child, no. It would make her very glad, and would help to ease her sad heart, I am sure."

"Then I'll do it. Take this, please." Nan pressed a hearty kiss on the lady's lips. "Then," she added: "I must tell mother, you know."

"Of course. You may tell her day after to-morrow that you met your godmother."

"My fairy godmother."

"As you like. Now you must run along. Good-bye till we meet again. One more kiss, Nannie, for your Aunt Helen."

"Oh, yes, I always forget her. I was so little when I last saw her, you know. But I'll send her a kiss if you want me to. Good-bye, dear fairy godmother. Ask the queen of the fairies to send you this way soon again."

The candle-lighted room, the little white-haired figure, the shrouded portrait all seemed unreal as Nan stepped out again into the bright sunlight. She longed to tell her mother all about it, but she reflected that the secret was not all her own and determined to be silent till the time was up. Only one question did she ask and the answer almost made her betray herself. "Mother," she said when her mother came to say good-night, "who was my godmother?"

"Your Aunt Helen," was the reply.