Woman and Artist

Once a week she received, and her rooms were crowded. By her sweetness and tact, the simplicity of her manner and rare beauty of her face and figure, it had been easy to her to make the conquest of the fashionable world as, years before, she had made the conquest of the artistic one. The men were loud and untiring in their praises of her. The women, who, with the best will in the world to do so, could find no flaw in her, declared that she was "very nice." Some of them went so far as to pronounce her charming, and one or two to say that she was fit to be a duchess.

"What do you think of my new acquaintances?" asked Dora of Lorimer, after he had helped her to entertain a number of them one Thursday afternoon.

"Lady A. is pretty," he replied; "Lady B. is not bad in her own style."

"No, no; I ask you for a general opinion."

"In the lump? Well, I would give the whole batch for a new umbrella."

"You are like me," said Dora. "I would give all the trees of Hyde Park and Kensington Gardens for the few chestnuts and limes in my garden in Elm Avenue. And how stupidly they kill time, all these people! In spite of their rank and their fortune, they are bored to death. I can see it in their wrinkled foreheads and quenched, weary-looking eyes. The theatre makes them yawn, they prefer the vulgar inanities of the music-halls; they do not read; Art is nothing to them; their parties are mass meetings where one is hours on one's feet without being able to move or talk comfortably, and to get a sandwich or a glass of champagne costs the poor victims of this strange hospitality frantic struggles. When they speak of their pleasures it is with a sigh as if they were so many irksome tasks, and, the season over, they go to Homburg or elsewhere to drink the waters and get set up and patched up in readiness for the shooting and house-parties of the autumn."

"You exaggerate slightly," said Lorimer; "there are in that set plenty of very clever people with literary and artistic tastes, but I grant you that the majority lead a pitiful existence."

Dora had taken a violent dislike to society, so when Lorimer came she often revenged herself for the smiles she was obliged to dispense to her new acquaintances by running them down to her heart's content.

Philip had lately been several times to Paris without taking Dora, as he had always done formerly. He had not confided to her the object of these journeys, but had contented himself with telling her that he was going on business. He was always back again on the second or third day.

Without entering into details, he had mentioned some visits to the Russian Embassy. He had even confided to her that, in consequence of a rather lengthy correspondence between the Russian ambassador in Paris and General Ivan Sabaroff, War Minister in St. Petersburg, it was not impossible that the Czar might make overtures to him for the purchase of the shell he had invented. The French Government, he said, would not be opposed to his accepting such overtures from an ally of France.

There would be nothing very extraordinary in such a proceeding, of course. The young Czar of all the Russias and the worthy President of the Republic had given each other the kiss of brotherhood in public; Monsieur Felix Faure had returned the visit which the young Sovereign had paid him; and there had been signed at St. Petersburg that gigantic joke, that Titanic hoax which is called the Franco-Russian alliance, an alliance between the Phrygian cap and the Cossack cap, between the sons of the great Revolution and the scourgers of women, an alliance by the terms of which the blind Gallic cook undertook to pull the chestnuts out of the fire for the wily bear of the Caucasians, and gave to the rest of Europe a grotesque and amusing spectacle. The French badaud rarely misses an opportunity of making France the laughing-stock of the whole world. It is much to be regretted that the French do not read the two or three columns that are devoted to them every day by the newspapers of London, New York, and Berlin. Their follies supply these great dailies with more material for comment than they can hope to get out of all that goes on in their respective countries, and that, I say it to their credit and to be just, without bitterness, without prejudice, for France counts among her sincerest friends and admirers, in England and America, all that is most intelligent and enlightened in these two countries of light and leading. It is a cosmopolitan traveller, French-born and still French at heart, who ventures to speak thus in parenthesis. Alexis de Tocqueville might have written in the year of grace 1899 the following lines, which were penned by him in 1849: "France, the most brilliant and most dangerous nation of Europe, is destined ever to be, in turn, an object of admiration, of hatred, of terror and of pity, but of indifference, never."

VIII

THE HOUSE-WARMING

Philip decided to give a house-warming party in the month of November, and to ask to a large soirée musicale all the society notabilities, in fact all London and his wife. Cards of invitation were sent to ambassadors, cabinet ministers, aristocracy, and City princes. He invited a few literary friends, but not many artists, being afraid of passing for a man who was trying to dazzle his less fortunate brothers in art by his wealth. Perhaps he also rather feared meeting them – the studio world has not a very developed bump of admiration for painters who make a rapid fortune and settle in Belgravia. Those who believed that he still painted had nicknamed him le Grantham des Salons, a not very brilliant pun upon his name which sounded rather like the two French words grand homme. Between four and five hundred people accepted invitations. The artists for the most part refused, "having a previous engagement which prevented them from accepting Mrs. Philip Grantham's kind invitation." Poor Dora seemed to see the artistic world slipping away from her, since Art itself had deserted the house. Lorimer had accepted. Thank Heaven, she would at least have one real friend at her reception. She set about doing her best to ensure the success of her party. She had a long list of the people who were coming, all well-known names. She gave carte blanche to the best impresario of London, who was entrusted with the arrangement of the musical programme. She ordered her supper from Benoist, and flowers and palms in profusion for the decoration of the house, and went to the best dressmaker in London for a gown which, when it came home, Philip pronounced simply beyond competition. Dora was a born grande dame. True, she preferred the simple intellectual life that she had led hitherto, but she was fitted to shine in the gay world. If she had been the wife of the President of the French Republic, all the Faubourg St. Germain would willingly have rendered her homage at the Elysée, and would probably have said, on returning home, "A Républicaine can be as beautiful, witty, and distinguished-looking as the most high-born Marquise, were she as noble as Charlemagne or Louis XIV."

Dora felt sure of herself, certain of doing honour to Philip, and, notwithstanding the profound sadness that reigned in her heart, she was still woman enough to rejoice in advance over the success which she anticipated. She accordingly made all her preparations to that end, and took pains to put her beauty and intelligence at her husband's service. Philip, for that matter, did things in lordly style; he had given Dora an unlimited credit, carte blanche, that is to say a blank cheque. Philip wished to have a great social success.

Without saying anything to his wife, he had sent invitations to all the principal papers, thinking that if the editors did not come they would not fail to send reporters who would write accounts of the party, the publication of which would make them known, he and Dora, in the society in which he had taken a firm resolution to shine.

The concert alone caused Dora some anxiety. She almost regretted having had music printed on her cards. Her artistic temperament had often caused her to pity from the bottom of her heart those pianists and singers, whom nobody listens to at parties, and whose first notes invariably give the signal for general conversation. She thought this unmannerly, even offensive, not only to the hosts, but to the artistes. The shopkeeper demands only the price of the goods that he sells you, and it is a matter of indifference to him whether you have your hat in your hand or on your head in his shop. The artiste is more difficult to please. He asks for the appreciation of those who pay him, and more than one celebrated star has consented to sing in drawing-rooms for hundreds of pounds, but only on the formal condition that silence would be enforced. It must be said that at these gatherings many people, who are too busy to pay one another frequent calls, are pleased to have the opportunity of meeting, the men to talk of politics and business, the women of dress, theatres, gossip, or scandals. They can so well dispense with music that many Englishwomen have the words no music printed on their invitation cards. I know one who, in order to persuade me to accept her invitation, put a postscript thus: "I shall have a Hungarian orchestra, but you won't hear it."

Dora was reassured, however, as the impresario, who was to arrange the music, knew his public. He had guaranteed her "complete satisfaction."

She thought no more about it, and awaited the day with all the serenity of a society stager who had done nothing else all her life.

IX

THE CONFESSION

Like the great Condé, on the eve of the battle of Rocroy, Dora slept peacefully and profoundly on the eve of the day that was to see her play the rôle of hostess for the first time in her new house in Belgravia.

She was careful not to tire herself during the day, in order to feel fresh and alert at half-past nine, the hour at which the guests would begin to arrive.

For a mistress of a house, for a novice especially, a reception of this kind is a severe trial. She stands four mortal hours at the entrance of the drawing-room, all the while on the qui-vive. She would like to possess a hundred pairs of eyes instead of one, to assure herself that everything is going as smoothly as she could wish, for the least little contretemps will spoil the party. Out of four hundred people who accept an invitation, two hundred come to criticise – some the music, others the supper, others the wines, others the dresses. If there is the slightest hitch in the proceedings, there are whispered comments on it. If the music is bad, people drown it with their voices; if the supper is of doubtful quality, they go early; if the servants do not number the hats carefully, the men, on leaving, choose the best that come to their notice; if the hostess is embarrassed, they smile. If the women meet people whom they have ceased to know, they look bored. The most thankless task in the world is giving a large "At home." I know many women who, after giving such parties, have to go to bed for a couple of days.

Dora dined lightly at seven o'clock, and, after giving her last instructions, went to dress. At nine o'clock she was ready. Her white dress of exquisite material, trimmed with old lace and silver embroidery, suited her to perfection, and set off every line of her supple figure. She seemed to be moulded in it. She wore a rivière of diamonds and emeralds, and three magnificent diamond stars were fastened on her bodice. Philip had given her these diamonds, to console her for the portrait that he had not had the courage to finish. She would have infinitely preferred the portrait, but she accepted the jewels willingly, and, thanking her husband prettily, she said to herself, "When the shell bursts, its pieces will be useful. I shall at any rate have a couple of thousand pounds with which to face the situation." She wore no ornament in her hair, which seemed to be proud of being entrusted alone with the task of showing off her beautiful pure Madonna-like face. Never had a lovelier head, framed in luxuriant tresses, been placed more proudly on classical shoulders. Her beauty was dazzling.

She went into the drawing-room to give a last glance at the decorations. Everything looked perfect.

Notwithstanding the air of calm and simple dignity that she wore, like all who have the knowledge of their own worth and who know their triumph is assured, those who had examined Dora's expression attentively would have discovered a new anxiety depicted on her countenance, perhaps nothing very important, but nevertheless an annoyance at the least.

General Ivan Sabaroff, Russian War Minister, was in London. Philip had invited him to Dora's party, and he had accepted. Philip told his wife this at dinner.

Dora sat down in the drawing-room with a cloud on her brow.

"Sabaroff!" she said to herself, "General Sabaroff! What if it be the Colonel Sabaroff that I met eight years ago at Monte Carlo? He was already much talked about. To-day he is the Russian Minister of War – it is quite possible, even probable; but then? See the man again! Oh no, never! And yet, I shall be obliged to receive him – I shall warn Philip that he had a detestable reputation with women, and if that does not suffice, well – I will tell Philip everything. And why shouldn't I? The confession will not be very painful, and I have often been on the point of making it. I have made up my mind – I will not, and I cannot meet this man. I will be polite to him to-night, but very distant; of course, I know what is expected of me as hostess. After that I hope there will be an end of it."

This resolution seemed to clear away the clouds from her face. She smiled eagerly at her husband when he came gaily into the drawing-room.

"Everything is ready and admirably arranged," said Philip. "The drawing-room is decorated with such taste! Ah, my dearest, it is easy to see you have had a hand in the arrangements. I recognise your touch in a thousand little details. Your party will be a huge success – the rooms will look splendid, the music will be excellent, the supper first-rate, and we shall have a regular crowd of celebrities and pretty women – it will be a triumph! And you, darling – how beautiful you look to-night! that gown suits you to perfection. I wish I was going to have you all to myself."

"How absurd! nothing would have been easier, if you had only expressed the wish," said she, a little piqued.

There are many men who are on the point of falling in love with their wives when they see them near to making the conquest of a crowd of outsiders.

"And those diamonds," continued he, "how splendid they look on you! You were built to wear a diadem, that's your style. At last you are playing your proper rôle, and I am proud to see you doing the honours of a house that is worthy of you. When I come to think of it, fortune has been very kind to me."

On seeing Dora quite unmoved, he added —

"Really, one would think, to look at you, that all this does not stir you to the least enthusiasm: it's curious! sometimes I can't quite make you out. I am nearly beside myself with delight. Now, listen a moment," said he, taking her hand. "I am negotiating with Russia. If they take my invention, as I have every hope that they will, my ambition will be satisfied, my wildest dreams realised. I shall be rich. You know we are not really rich. It costs a perfect fortune to keep this house going. Ah, but only let General Sabaroff approve of my shell, and, dearest, – we are all right."

He rubbed his hands with joy.

"Philip," said Dora, "I want to speak to you about this General Sabaroff."

"Yes, yes," said Philip, without heeding her; "I want you to charm him. You must make a conquest of him. Bring all your diplomacy to bear. He has an immense influence at the Russian Court, and is, I hear, the favourite Minister of the Czar. Being Minister of War, he is the master, the autocrat of his department. And, darling, I count on you to help me. I repeat to you, everything depends on him."

"Money again, Philip, always money," replied Dora. "Are you not rich enough yet? If we have not the income to keep a house like this, why do we live in it? Why should we live beyond our means? I don't think it is right, Philip. What has become of those happy days when we loved each other so much, and when you thought only of your art? Ah, give me back my dear studio."

"I am not rich enough yet," said Philip, "but I am perhaps on the road that leads to fortune."

"You were rich before, and on the road to fame. I loved an artist and I adored his art."

"Oh, deuce take art and artists," cried Philip, getting angry.

"Philip, how can you? If you only knew how it pains me to hear you speak like that."

"Well, my dear Dora," said Philip, "there are times at which I can scarcely keep my patience with you – you don't interest yourself in me as you used to do."

"Is it really you who dare speak to me in that way?" exclaimed Dora indignantly. "Is it you who accuse me of not being the same, you who consecrated your life to art and to my happiness, and who to-day think of nothing but making money, like the first City man in the street? There are times when I long to go and earn my own living with my brush. The only thing that holds me back is Eva – you too, perhaps, for I am certain that one of these days you will cry 'Help!' and I shall have to rescue you from drowning."

"You are ungrateful, Dora. It is for you that I work."

"For me? But can't you see I loathe the life I lead? For me? When the thirst for wealth gets hold of a man, he has always the same excuse – it is not for himself. It is even the eternal parrot-cry of the miser; if he holds fast to his money, it is for the children; and under this pretext he renders his wife, his children, and everyone around him as miserable as he is himself."

"Night and day," said Philip, "I have worked, and God is my witness that in working all my thoughts were for you. Now that I am almost at the goal, you turn against me – you refuse to give a smile to the man who can realise all my hopes."

"Ah, why do you choose that one?" said Dora, frowning.

"What a funny remark!" said Philip. "Just as if he was my choice."

Then, looking at Dora, who seemed agitated, he added —

"What do you mean?"

"I have been told that General Sabaroff is a libertine, a roué of the worst type, and you know what a detestation I have of such men."

"Let him be what he likes; what on earth does it matter to me?" exclaimed Philip. "Really, Dora, you can help me with a few smiles; ask him to come and see you on one of your Thursdays, without compromising yourself, and without your virtue running any danger. It ought to be easy enough for a woman to protect her virtue against a man – in a drawing-room," added Philip, with a slightly mocking air which intensely displeased Dora.

"Yes, much easier than protecting one's reputation against women. I hope you will not insist. I shall receive the General politely, that goes without saying, but I shall certainly not ask him to come and see me on the days I receive or the days on which I do not receive."

Philip and Dora looked at each other for a few seconds. They seemed both very determined.

"And suppose I insist," said Philip, who was the first to break the silence, "and, what is more, suppose I expect you to do what I wish?"

"In that case," said Dora, "since there is no other way of obtaining your indulgence, stay a moment and listen to me."

Philip looked at the clock.

"There is plenty of time," continued Dora, "we have nearly half an hour before anyone will come. My dear Philip, I have every reason to believe that this General Sabaroff is no stranger to me. Perhaps I should have told you this before, but when I have been on the point of doing so, I always said to myself, 'What is the use?' and I really did not see the need of it. This is the incident in two words. When I was nineteen, just out of the schoolroom, my aunt took me to winter in the Riviera. Among the many people we met there was a Colonel Sabaroff, a man of about thirty-five. From the first he paid me marked attention, and at the end of two months he made me an offer of marriage. He was handsome, clever, say fascinating if you like, had the reputation of being a brilliant officer, and was much sought after in society. I, a mere child, could not but feel flattered at his choice of me. What my answer might have been – I had asked for a week to consider it – I can scarcely tell, although my heart, I can say in all sincerity, was not touched. A bal masqué was to be held that week and my aunt had subscribed to it, but she disliked public balls, and it had been decided that we were not to go, especially as she thought it hardly proper for two women alone to be present at such a ball. You know, my aunt was then still young and pretty. However, my uncle, arriving from England on the day of the ball, persuaded her to let him take me, for he guessed at my eagerness to go, and he assured her that if he came with me, the strictest British propriety would be satisfied. When we reached the ball, it was already late. After making a tour of the rooms, we sat down in a dimly lit conservatory, and I was just going to tell him of the offer of marriage I had received, when I started at hearing Colonel Sabaroff's voice in low but fierce altercation with that of a woman. Both were masked, and the language they spoke in was French, which was unintelligible to my uncle. Signing to him to keep silence, I listened intently. My own future was decided in those few minutes. But what need I tell you more except that I, a girl ignorant of all the world's falseness and ugly coarseness, sat dumfounded, petrified, as the history of a vulgar liaison was unfolded to my young ears, and the man who had asked for my hand and heart flung off a wretched woman who, to her own undoing, had given herself to him a year before."

"What did you do?" asked Philip.

"I sat spellbound as long as their conversation lasted; but when they rose and passed in front of us, I removed my mask, looked the man straight in the face, and, in as steady a voice as I could command, asked my uncle to take me home."

"Did you see any more of him after that?"

"No – the next day, at my request, we left Monte Carlo. During several months I received letters from him, all of which I tore up without reading, and soon, thank God, I ceased to know whether he existed or not."

"Perhaps it is he who sends the pansies," said Philip.

"Don't talk nonsense," replied Dora.

"But General Sabaroff may not be the man at all."

"I feel sure he must be," said Dora. "The description I have been giving of him corresponds perfectly. Philip, if it should be so, you won't throw me into the society of this man, will you? You won't ask me to make him welcome here?"

A servant came into the room to say that the decorations in the dining-room were finished, and to ask whether Dora would go and give a look to them before the florist left the house.

"Very well," said she to the servant, "I will go."

And, smiling at Philip, she said to him —

"It is understood, then, – you will not insist any more, Philip."

"Curious tricks Fate plays us all!" exclaimed Philip when Dora had gone. "One would think the devil had a hand in it."

It was half-past nine; nobody was likely to come before ten o'clock. He went downstairs to the library and asked for a glass of fine champagne and seltzer water. He was pained to see Dora lose her gaiety. To give him his due, his one hope was to soon see his ambitious dreams realised, to consecrate anew his whole existence to his wife. He hated himself for being unable to do so at once. But he had gone too far to retrace his steps. He seemed to be carried along by an irresistible current. In his heart of hearts he felt poignantly how much he was in the wrong, but he could not bring himself to break off yet and give up his darling hopes. His behaviour had assumed a disgraceful aspect to his eyes, although he dared not own it to himself. Often and often he longed to go and throw himself at Dora's feet. He had not the moral courage necessary to take a decision on which the whole happiness of his wife depended. Every feeling of delicacy and generosity in his composition revolted within him, for he adored her. He fought hard, but each time he returned to the attack he was vanquished.