The Millionaire Baby

What did I propose to myself? First, to revisit Mrs. Carew and make the acquaintance of the boy Harry. I no longer doubted his being just what she called him, but she had asked me to call for this purpose and I had no excuse for declining the invitation, even if I had desired to do so. Afterward – but first let us finish with Mrs. Carew.

As she entered her reception-room that morning she looked so bright – that is, with the instinctive brightness of a naturally vivacious temperament – that I wondered if I had been mistaken in my thought that she had had no sleep all that night, simply because many of the lights in her house had not been put out till morning. But an inspection of her face revealed lines of care, which only her smile could efface, and she was not quite ready for smiles, affable and gracious as she showed herself.

Her first words, just as I expected, were:

"There is nothing in the papers about the child in the wagon."

"No; everything does not get into the papers."

"Will what we saw and what we found in the bungalow last night?"

"I hardly think so. That is our own special clue, Mrs. Carew – if it is a clue."

"You seem to regard it as such."

With a shrug I declared that we had come upon a mystery of some kind.

"But the child is not dead? That you feel demonstrated – or don't you?"

"As I said last night, I do not know what to think. Ah; is that the little boy?"

"Yes," she gaily responded, as the glad step of a child was heard descending the stairs. "Harry! come here, Harry!" she cried, with that joyous accent which a child's presence seems to call out in some women. "Here is a gentleman who would like to shake hands with you."

A sprite of a child entered; a perfect sunbeam irradiating the whole room. If, under the confidence induced by the vision I had had of him on his knees the night before, any suspicion remained in my mind of his being Gwendolen Ocumpaugh in disguise, it vanished at sight of the fearless head, lifted high in boyish freedom, and the gay swish, swish of the whip in his nervous little hand.

"Harry is playing horse," he cried, galloping toward me in what he evidently considered true jockey style.

I made a gesture and stopped him.

"How do you do, little man? What did you say your name is?"

"Harry," this very stoutly.

"Harry what? Harry Carew?"

"No, Harry; just Harry."

"And how do you like it here?"

"I like it; I like it better than my old home."

"Where was your old home?"

"I don't know. I didn't like it."

"He was with uncongenial people, and he is very sensitive," put in Mrs. Carew, softly.

"I like it here," he repeated, "and I like the big ocean. I am going on the ocean. And I like horses. Get up, Dandy!" and he cracked his whip and was off again on his imaginary trot.

I felt very foolish over the doubts I had so openly evinced. This was not only a boy to the marrow of his bones, but he was, as any eye could see, the near relative she called him. In my embarrassment I rose; at all events I soon found myself standing near the door with Mrs. Carew.

"A fine fellow!" I enthusiastically exclaimed; "and startlingly like you in expression. He is your nephew, I believe?"

"Yes," she replied, somewhat wistfully I thought.

I felt that I should apologize for – well, perhaps for the change she must have discerned in my manner.

"The likeness caused me a shock. I was not prepared for it, I suppose."

She looked at me quite wonderingly.

"I have never heard any one speak of it before. I am glad that you see it." And she seemed glad, very glad.

But I know that for some reason she was gladder yet when I turned to depart. However, she did not hasten me.

"What are you going to do next?" she inquired, as she courteously led the way through the piles of heaped-up boxes and baskets, the number of which had rather grown than diminished since my visit the evening before. "Pardon my asking."

"Resort to my last means," said I. "See and talk with Mrs. Ocumpaugh."

An instant of hesitation on her part, so short, however, that I could hardly detect it, then she declared:

"But you can not do that."

"Why not?"

"She is ill; I am sure that they will let no one approach her. One of her maids was in this morning. She did not even ask me to come over."

"I am sorry," said I, "but I shall make the effort. The illness which affects Mrs. Ocumpaugh can be best cured by the restoration of her child."

"But you have not found Gwendolen?" she replied.

"No; but I have discovered footprints on the dust of the bungalow floor, and, as you know, a bit of candy which looks as if it had been crushed in a sleeping child's hand, and I am in need of every aid possible in order to make the most of these discoveries. They may point the way to Gwendolen's present whereabouts and they may not. But they shall be given every chance."

"Whoop! get up! get up!" broke in a childish voice from the upper landing.

"Am I not right?" I asked.

"Always; only I am sorry for Mrs. Ocumpaugh. May I tell you – " as I laid my hand upon the outer door-knob – "just how to approach her?"

"Certainly, if you will be so good."

"I would not ask for Miss Porter. Ask for Celia; she is Mrs. Ocumpaugh's special maid. Let her carry your message – if you feel that it will do any good to disturb her."

"Thank you; the recommendation is valuable. Good morning, Mrs. Carew. I may not see you again; may I wish you a safe journey?"

"Certainly; are we not almost friends?"

Why did I not make my bow and go? There was nothing more to be said – at least by me. Was I held by something in her manner? Doubtless, for while I was thus reasoning with myself she followed me out on to the porch, and with some remark as to the beauty of the morning, led me to an opening in the vines, whence a fine view could be caught of the river.

But it was not for the view she had brought me there. This was evident enough from her manner, and soon she paused in her observations on the beauties of nature, and with a strange ringing emphasis for which I was not altogether prepared, remarked with feeling:

"I may be making a mistake – I was always an unconventional woman – but I think you ought to know something of Mrs. Ocumpaugh's private history before you see her. It is not a common one – at least it has its romantic elements – and an acquaintance with some of its features is almost necessary to you if you expect to approach her on so delicate a matter with any hope of success. But perhaps you are better informed on this subject than I supposed? Detectives are a mine of secret intelligence, I am told; possibly you have already learned from some other source the story of her marriage and homecoming to Homewood and the peculiar circumstances of her early married life?"

"No," I disclaimed in great relief, and I have no doubt with unnecessary vivacity. "On the contrary, I have never heard anything said in regard to it."

"Would you like to? Men have not the curiosity of women, and I do not wish to bore you, but – I see that I shall not do that," she exclaimed. "Sit down, Mr. Trevitt; I shall not detain you long; I have not much time myself."

As she sank into a chair in saying this, I had no alternative but to follow her example. I took pains, however, to choose one which brought me into the shadow of the vines, for I felt some embarrassment at this new turn in the conversation, and was conscious that I should have more or less difficulty in hiding my only too intense interest in all that concerned the lady of whom we were speaking.

"Mrs. Ocumpaugh was a western woman," Mrs. Carew began softly; "the oldest of five daughters. There was not much money in the family, but she had beauty, a commanding, all-conquering beauty; not the beauty you see in her to-day, but that exquisite, persuasive loveliness which seizes upon the imagination as well as moves the heart. I have a picture of her at eighteen – but never mind that."

Was it affection for her friend which made Mrs. Carew's always rich voice so very mellow? I wished I knew; but I was successful, I think, in keeping that wish out of my face, and preserving my manner of the simply polite listener.

"Mr. Ocumpaugh was on a hunting trip," she proceeded, after a slight glance my way. "He had traveled the world over and seen beautiful women everywhere; but there was something in Marion Allison which he had found in no other, and at the end of their first interview he determined to make her his wife. A man of impulses, but also a man of steady resolution, Mr. Trevitt. Perhaps you know this?"

I bowed. "A strong man," I remarked.

"And a romantic one. He had this intention from the first, as I have said, but he wished to make himself sure of her heart. He knew how his advantages counted; how hard it is for a woman to disassociate the man from his belongings, and having a spirit of some daring, he resolved that this 'pearl of the west' – so I have heard him call her – should marry the man and not his money."

"Was he as wealthy then as now?"

"Almost. Possibly he was not quite such a power in the financial world, but he had Homewood in almost as beautiful a condition as now, though the new house was not put up till after his marriage. He courted her – not as the landscape painter of Tennyson's poem – but as a rising young business man who had made his way sufficiently to give her a good home. This home he did not have to describe, since her own imagination immediately pictured it as much below the one she lived in, as he was years younger than her hard-worked father. Delighted with this naïveté, he took pains not to disabuse her mind of the simple prospects with which she was evidently so well satisfied, and succeeded in marrying her and bringing her as far as our station below there, without her having the least suspicion of the splendor she was destined for. And now, Mr. Trevitt, picture, if you can, the scene of that first arrival. I have heard it described by him and I have heard it described by her. He was dressed plainly; so was she; and lest the surprise should come before the proper moment, he had brought her on a train little patronized by his friends. The sumptuousness of the solitary equipage standing at the depot platform must, in consequence, have struck her all the more forcibly, and when he turned and asked her if she did not admire this fine turn-out, you can imagine the lovely smile with which she acknowledged its splendor and then turned away to look up and down for the street-car she expected to take with him to their bridal home.

"He says that he caught her back with the remark that he was glad she liked it because it was hers and many more like it. But she insists that he did not say a word, only smiled in a way to make her see for whom the carriage door was being held open. Such was her entrance into wealth and love and alas! into trouble. For the latter followed hard upon the two first. Mr. Ocumpaugh's mother, who had held sway at Homewood for thirty years or more, was hard as the nether millstone. She was a Rathbone and had brought both wealth and aristocratic connections into the family. She had no sympathy for penniless beauties (she was a very plain woman herself) and made those first few years of her daughter-in-law's life as nearly miserable as any woman's can be who adores her husband. I have heard that it was a common experience for this sharp-tongued old lady to taunt her with the fact that she brought nothing into the family but herself – not even a towel; and when two years passed and no child came, the biting criticisms became so frequent that a cloud fell over the young wife's sensitive beauty, which no after happiness has ever succeeded in fully dispelling. Matters went better after Gwendolen came, but in reckoning up the possible defects in Mrs. Ocumpaugh's character you should never forget the twist that may have been given to it by that mother-in-law."

"I have heard of Madam Ocumpaugh," I remarked, rising, anxious to end an interview whose purport was more or less enigmatic to me.

"She is dead now – happily. A woman like that is accountable for much more than she herself ever realizes. But one thing she never succeeded in doing: she never shook Mr. Ocumpaugh's love for his wife or hers for him. Whether it was the result of that early romantic episode of which I have spoken, or whether their natures are peculiarly congenial, the bond between them has been one of exceptional strength and purity."

"It will be their comfort now," I remarked.

Mrs. Carew smiled, but in a dubious way that added to my perplexity and made me question more seriously than ever just what her motive had been in subjecting me to these very intimate reminiscences of one I was about to approach on an errand of whose purport she could have only a general idea.

Had she read my inmost soul? Did she wish to save her friend, or save herself, or even to save me from the result of a blind use of such tools as were the only ones afforded me? Impossible to determine. She was at this present moment, as she had always been, in fact, an unsolvable problem to me, and it was not at this hurried time and with such serious work before me that I could venture to make any attempt to understand her.

"You will let me know the outcome of your talk with Mrs. Ocumpaugh?" she cried, as I moved to the front of the porch.

It was for me to look dubious now. I could make no such promise as that.

"I will let you know the instant there is any good news," I assured her.

And with that I moved off, but not before hearing the peremptory command with which she entered the house:

"Now, Dinah, quick!"

Evidently, her preparations for departure were to be pushed.

XVII

IN THE GREEN BOUDOIR

So far in this narrative I have kept from the reader nothing but an old experience of which I was now to make use. This experience involved Mrs. Ocumpaugh, and was the cause of the confidence which I had felt from the first in my ability to carry this search through to a successful termination. I believed that in some secret but as yet undiscovered way, it offered a key to this tragedy. And I still believed this, little as I had hitherto accomplished and blind as the way continued to look before me.

Nevertheless, it was with anything but a cheerful heart that I advanced that morning through the shrubbery toward the Ocumpaugh mansion.

I dreaded the interview I had determined to seek. I was young, far too young, to grapple with the difficulties it involved; yet I saw no way of avoiding it, or of saving either Mrs. Ocumpaugh or myself from the suffering it involved.

Mrs. Carew had advised that I should first see the girl called Celia. But Mrs. Carew knew nothing of the real situation. I did not wish to see any girl. I felt that no such intermediary would answer in a case like this. Nor did I choose to trust Miss Porter. Yet to Miss Porter alone could I appeal.

The sight of a doctor's gig standing at the side door gave me my first shock. Mrs. Ocumpaugh was ill, then, really ill. Yet if I came to make her better? I stood irresolute till I saw the doctor come out; then I walked boldly up and asked for Miss Porter.

Just what Mrs. Carew had advised me not to do.

Miss Porter came. She recognized me, but only to express her sorrow that Mrs. Ocumpaugh was totally unfit to see any one to-day.

"Not if he brings news?"

"News?"

"I have news, but of a delicate nature. I should like the privilege of imparting the same to Mrs. Ocumpaugh herself."

"Impossible."

"Excuse me, if I urge it."

"She can not see you. The doctor who has just gone says that at all hazards she must be kept quiet to-day. Won't Mr. Atwater do? Is it – is it good news?"

"That, Mrs. Ocumpaugh alone can say."

"See Mr. Atwater; I will call him."

"I have nothing to say to him."

"But – "

"Let me advise you. Leave it to Mrs. Ocumpaugh. Take this paper up to her – it is only a sketch – and inform her that the person who drew it has something of importance to say either to her or to Mr. Atwater, and let her decide which it shall be. You may, if you wish, mention my name."

"I do not understand."

"You hold my credentials," I said and smiled.

She glanced at the paper I had placed in her hand. It was a folded one, fastened something like an envelope.

"I can not conceive, – " she began.

I did not scruple to interrupt her.

"Mrs. Ocumpaugh has a right to the privilege of seeing what I have sketched there," I said with what impressiveness I could, though my heart was heavy with doubt. "Will you believe that what I ask is for the best and take this envelope to her? It may mean the ultimate restoration of her child."

"This paper?"

"Yes, Miss Porter."

She did not try to hide her incredulity.

"I do not see how a picture – yet you seem very much in earnest – and I know she has confidence in you, she and Mr. Ocumpaugh, too. I will take it to her if you can assure me that good will come of it and no more false hopes to destroy the little courage she has left."

"I can not promise that. I believe that she will wish to receive me and hear all I have to say after seeing what that envelope contains. That is as far as I can honestly go."

"It does not satisfy me. If it were not for the nearness of Mr. Ocumpaugh's return, I would have nothing to do with it. He must hear at Sandy Hook that some definite news has been received of his child."

"You are right, Miss Porter, he must."

"He idolized Gwendolen. He is a man of strong feelings; very passionate and much given to follow the impulse of the moment. If his suspense is not ended at the earliest possible instant, the results may be such as I dare not contemplate."

"I know it; that is why I have pushed matters to this point. You will carry that up to her?"

"Yes; and if – "

"No ifs. Lay it before her where she sits and come away. But not beyond call. You are a good woman – I see it in your face – do not watch her as she unfolds this paper. Persons of her temperament do not like to have their emotions observed, and this will cause her emotion. That can not be helped, Miss Porter. Sincerely and honestly I tell you that it is impossible for her best friends to keep her from suffering now; they can only strive to keep that suffering from becoming permanent."

"It is a hard task you have set me," complained the poor woman; "but I will do what I can. Anything must be better for Mrs. Ocumpaugh than the suspense she is now laboring under."

"Remember," I enjoined, with the full force of my secret anxiety, "that no eye but hers must fall upon this drawing. Not that it would convey meaning to anybody but herself, but because it is her affair and her affair only, and you are the woman to respect another person's affairs."

She gave me a final scrutinizing look and left the room.

"God grant that I have made no mistake!" was the inward prayer with which I saw her depart.

My fervency was sincere. I was myself frightened at what I had done.

And what had I done? Sent her a sketch drawn by myself of Doctor Pool and of his office. If it recalled to her, as I felt it must, the remembrance of a certain memorable visit she had once paid there, she would receive me.

When Miss Porter reëntered some fifteen minutes later, I saw that my hazardous attempt had been successful.

"Come," said she; but with no cheerful alacrity, rather with an air of gloom.

"Was – was Mrs. Ocumpaugh very much disturbed by what she saw?"

"I fear so. She was half-asleep when I went in, dreaming as it seemed, and pleasantly. It was cruel to disturb her; indeed I had not the heart, so I just laid the folded paper near her hand and waited, but not too near, not within sight of her face. A few minutes later – interminable minutes to me – I heard the paper rattle, but I did not move. I was where she could see me, so she knew that she was not alone and presently I caught the sound of a strange noise from her lips, then a low cry, then the quick inquiry in sharper and more peremptory tones than I had ever before heard from her, 'Where did this come from? Who has dared to send me this?' I advanced quickly. I told her about you and your desire to see her; how you had asked me to bring her up this little sketch so that she would know that you had real business with her; that I regretted troubling her when she felt so weak, but that you promised revelations or some such thing – at which I thought she grew very pale. Are you quite convinced that you have news of sufficient importance to warrant the expectations you have raised in her?"

"Let me see her," I prayed.

She made a sign and we both left the room.

Mrs. Ocumpaugh awaited me in her own boudoir on the second floor. As we went up the main staircase I was afforded short glimpses of room after room of varying richness and beauty, among them, one so dainty and delicate in its coloring that I presumed to ask if it were that of the missing child.

Miss Porter's look as she shook her head roused my curiosity.

"I should be glad to see her room," I said.

She stopped, seemed to consider the matter for a moment, then advanced quickly and, beckoning me to follow, led me to a certain door which she quietly opened. One look, and my astonishment became apparent. The room before me, while large and sunny, was as simple, I had almost said as bare, as my sister's at home. No luxurious furnishings here, no draperies of silk and damask, no half-lights drawing richness from stained glass, no gleam of silver or sparkle of glass on bedecked dresser or carved mantel. Not even the tinted muslins I had seen in some nurseries; but a plain set of furniture on a plain carpet with but one object of real adornment within the four walls. That was a picture of the Madonna opposite the bed, and that was beautiful. But the frame was of the cheapest – a simple band of oak.

Catching Miss Porter's eye as we quietly withdrew, I ventured to ask whose taste this was.

The answer was short and had a decided ring of disapproval in it.

"Her mother's. Mrs. Ocumpaugh believes in simple surroundings for children."

"Yet she dressed Gwendolen like a princess."

"Yes, for the world's eye. But in her own room she wore gingham aprons which effectually covered up her ribbons and laces."

The motive for all this was in a way evident to me, but somehow what I had just seen did not add to my courage for the coming interview.

We stopped at the remotest door of this long hall. As Miss Porter opened it I summoned up all my nerve, and the next moment found myself standing in the presence of the imposing figure of Mrs. Ocumpaugh drawn up in the embrasure of a large window overlooking the Hudson. It was the same window, doubtless, in which she had stood for two nights and a day watching for some sign from the boats engaged in dragging the river-bed. Her back was to me and she seemed to find it difficult to break away from her fixed attitude; for several minutes elapsed before she turned slowly about and showed me her face.

When she did, I stood appalled. Not a vestige of color was to be seen on cheek, lip or brow. She was the beautiful Mrs. Ocumpaugh still, but the heart which had sent the hues of life to her features, was beating slow – slow – and the effect was heartbreaking to one who had seen her in her prime and the full glory of her beauty as wife and mother.

"Pardon," I faltered out, bowing my head as if before some powerful rebuke, though her lips were silent and her eyes pleading rather than accusing. Truly, I had ventured far in daring to recall to this woman an hour which at this miserable time she probably would give her very life to forget. "Pardon," I repeated, with even a more humble intonation than before, for she did not speak and I hardly knew how to begin the conversation. Still she said nothing, and at last I found myself forced to break the unbearable silence by some definite remark.

"I have presumed," I therefore continued, advancing but a step toward her who made no advance at all, "to send you a hurried sketch of one who says he knows you, that you might be sure I was not one of the many eager but irresponsible men who offer help in your great trouble without understanding your history or that of the little one to whose seemingly unaccountable disappearance all are seeking a clue."