Molly Brown's Post-Graduate Days

“Aunt Mary, I am truly glad to meet you. If you could hear the blessings that are showered on your head when Molly gets a box from home, and could see how hard it is for all of those hungry girls to be polite when the time comes for snakey noodles, you would know how honored I feel that I am the first to make your acquaintance.”

“Well, honey, what makes all of you go ‘way from yo’ homes to sech outlandish places as collidges where the eatin’s is so scurse? Can’t you learn what little you don’ know right by yo’ own fi’side?”

“Maybe we could, Aunt Mary, but you see I haven’t any real fireside of my own.”

“What! did yo’ folks git burned out?”

“Oh, no; but you see my father is an engineer, and mamma travels with him, and stays wherever he stays; and, when I am not at school or college, I knock around with them. Of course, I’d like to have a home like Chatsworth, but it is lots of fun to go to new places all the time and meet all kinds of people.”

“Well, they ain’t but two kin’s, quality an’ po’ white trash, an’ I’ll be boun’ you don’t neber take up wid any ob dat kin’, so you an’ yo’ ma ‘n’ pa mought jes’ as well stay in one place.”

While the girls were up in Molly’s room, which Judy was to share, getting ready for a belated dinner, they heard the sound of a piano, cracked but sweet, like the notes of an old spinnet, then a male voice, wonderful in its power and intensity, and at the same time so sweet and full of feeling that Judy, ever emotional where art was concerned, felt her eyes filling.

“Shed no tear, oh, shed no tear!The flower will bloom another year.Weep no more! Oh, weep no more!Young buds sleep in the root’s white core.Dry your eyes, oh, dry your eyes!For I was taught in ParadiseTo ease my breast of melodies,Shed no tear.“Overhead – look overhead’Mong the blossoms white and red.Look up, look up! I flutter nowOn this flush pomegranate bough.See me! ’tis this silvery billEver cures the good man’s ill.Shed no tear, oh, shed no tear!The flower will bloom another year.Adieu, adieu – I fly. Adieu,I vanish in the heaven’s blue,Adieu, adieu!”

“Oh, Molly, Molly, who is that?” cried Judy, weeping copiously, in spite of the repeated request of the singer to “shed no tear.”

“Why, that is Crit. Isn’t his voice wonderful?”

“Do you really mean it is Mr. Rutledge? I thought he was dumb, and have been feeling so sorry for Mildred.”

“Dumb, indeed! He has the most beautiful voice in Kentucky, and can make such an eloquent speech when roused that we have been afraid he would go into politics. But, so far as passing the time of day is concerned, and the little chit-chat that fills up life, he is indeed as dumb as a fish. When he was a little boy he stammered and got into the habit of expressing his feelings in silence, and he can still do it. He had a teacher who cured him of stammering, but nothing will ever cure him of silence, unless he has something important to say, and then nothing can stop him. Mother tells of a man who stammered in talking but not in singing. One day he was passing a friend’s house, and saw that the roof was in a blaze, the inmates perfectly unconscious of the conflagration. He rushed in, tried to speak, could only stutter, and then in desperation burst into song. To the tune of ‘The Campbells Are Coming,’ he sang, ‘Your house is on fire, tra-la, tra-la!’ Kent declares that Crit proposed to Milly in song, but Milly herself is dumb about how that came about.”

“Well, anyhow, I have never heard such scintillating silence as his, and I think that Milly ought to be a very proud and happy girl.”

CHAPTER III. – WEDDING PREPARATIONS AND CONFIDENCES

The next two weeks were busy ones for all the Brown household: first and foremost, the ever-crying need of clothes to be answered; second, the old house to be put in apple-pie order; all the furniture rubbed and rubbed some more; the beautiful old floors waxed and polished until they shone and reflected the newly scrubbed white paint in a way Judy thought most romantic. (But Judy thought everything was romantic those days.) She was “itching to help,” and help she did in many ways. Molly would not let her rub furniture or wax floors, but she had the pleasure of hanging the freshly laundered curtains all over the house, and she was received with joy in the sewing room by Miss Lizzie Monday, the neighborhood seamstress. Miss Lizzie was of the opinion that the Browns thought entirely too much about food and not nearly enough about clothes. Indeed it was a failing of the mother, if failing she had, to have good food, no matter at what cost, and then, since strict economy had to be practiced somewhere, to practice it on the clothes.

Miss Lizzie had once been present when they were packing a box to send to Molly at Wellington, and had sadly remarked: “In these hard times, with the price of food what it is, poor little raggedy Molly could have had an entire new outfit from the contents of that box.” Mrs. Brown had indignantly denied that she was spending any money at all on the box, but the fact remained in Miss Lizzie’s mind that the food in the delightful box, so eagerly looked for by the hungry college girls, represented so much money that had much better be put on Molly’s outside than her inside.

“Not that much of it goes on her own inside. I know Molly too well, bless her heart. Can’t I just see her handing out that good old ham and hickory-nut cake and Rosemary pickle to those Yankees? And they, raised on pale, pink, ready-cooked ham and doughnuts and corner grocery dill pickles, don’t know what they are getting. Molly, in her same old blue that I have made over twice for her! – and that ham would have bought the stuff for a new one (not that I would have had it anything but blue). The half gallon of Rosemary pickle would have trimmed it nicely, and the hickory-nut cake would have made her at least two new shirtwaists, and the express on the box would more than pay me for making the things.”

Judy loved to hear Miss Lizzie talk, and used to encourage her to praise her friend, while she sat helping to whip lace or planning the bridesmaids’ dresses for Molly and Sue. These dresses were flowered French organdies. Molly’s was covered with a feathery blue flower, that never was on land or sea, but it was the right color, which was the important thing; and Sue’s bore the same design in pink. The bride’s dress, a lovely simple gown of the finest Paris muslin, was all done and pressed and neatly folded in a box by the careful Miss Lizzie, with one of her own sandy hairs secretly sewed in the hem, which is supposed to bring good luck, and a “soon husband” to the owner of the hair.

There was some doubt and much talk about how the bridal party was to enter the parlor and where the minister was to stand. The parlor at Chatsworth was not very suitable for an effective wedding, as it was in the wing of the house and opened only into the hall, giving, when all was considered, not much room for the growing list of guests. Although it was a very large room, having only one entrance made it rather awkward. It was only a few days before the wedding and this important subject was still under discussion.

“I can count at least ninety-eight persons who are sure to come,” said Mrs. Brown, “all of them kin or close friends, and how they are to get in this room and leave an aisle for the wedding party, goodness only knows; and if the hall and porch are full, it will be very uncomfortable.”

Judy and Kent were pretending to be the bride and groom, grave Sue was the minister, John and Paul, flower girls, and Molly, boss. Mildred and Crittenden were not allowed to practice for their own wedding, as Miss Lizzie said it was bad luck, and Miss Lizzie was authority on all such subjects. So the two most interested were seated at the piano, pretending to be the musicians doing “Chopsticks” to wedding march time.

“Crit, I believe you will have to give Milly up. There is no way to have a decently stylish wedding in this joint,” said Paul. “Let’s stop the festive preparations and all of us go to Jeffersonville. It would make a grand story for my paper.”

Judy had been very quiet for some minutes and her face wore what Molly called her “flashed upon that inward eye” expression. Suddenly she cried, “I have it. Come on and let’s get married out of doors.” She seized Kent by the hand and dragged him out on the lawn, the rest following in a daze.

“Look at that natural place to be married in: the guests under the trees; room for everybody; a living altar of shrubs and flowers at the end of the tan-bark walk; minister entering from the grass walk on one side and Mr. Rutledge with his best man from the other; down the steps Mildred on Ernest’s arm, followed by Molly and Sue. Can’t you see them coming up the tan-bark walk? Just at sunset, the people in their light festive clothes, your mother beautiful in her black crêpe de Chine, with Paul and John and Kent standing by her making a dark note near the bride? Oh, why, oh, why did they not have holly-hocks up this garden walk instead of by the chicken yard fence? It would have made the color scheme simply perfect.”

Judy paused for breath. She had carried the crowd by her eloquence, and so perfectly had she visualized the whole thing that each one was able to see what she meant, and absolute and unanimous approval was given the scheme. Kent, with his artistic eye, was in for it heart and soul, and began to plan Japanese lanterns to be lit after the ceremony in the rustic summer-house beyond, where supper was to be served, observing that their color might somewhat take the place of the holly-hocks that were in the wrong place.

“Just where did you want the holly-hocks, Miss Judy? We might do better another year if we knew just what your orders were.”

“On both sides of the tan-bark walk, just beyond the intersection of the grass walk. Can’t you see how fine and stately they would look, and what a wonderful mass of color?”

“Right, as usual. What an architect you would make! That power of ‘seein’ things’ is what an architect needs above everything. Any one can learn to make it, but it is the one who sees it who is the great man or woman, as in the present case.”

Things had been humming so since Molly’s return that she had had no time for the confidential talk with her mother that both were hungering for. The Browns always had much company, but at this season there seemed to be no end to the comings and goings of guests, principally comings: many parting calls being paid to Mildred by old and young; Molly’s friends hastening to greet her after the eight months’ absence at college; a steady following of young men calling on Sue, in spite of her suspected preference for Cyrus Clay, the nephew of Aunt Sarah Clay’s deceased husband, and the one Aunt Mary objected to because of his living up such a muddy lane. Presents were pouring in for the bride; notes had to be answered; trains to be met; express packages to be fetched from the station; and poor little Mrs. Woodsmall kept in a state of constant misery over the Parcel Post business Bud was doing, and she with “never a chanst to take so much as a peep.”

Molly, ever mindful of others, hitched up President one off day and drove over to the postoffice and got the poor thing. Then she let her see every single present; and feel the weight of every bit of silver; and hunt for the price mark on the bottom of the cut-glass; read all the cards; and even go into the sewing-room where Miss Lizzie Monday proudly showed her the clothes, and let her take a good look at the wedding dress all folded up in its box. But when Mrs. Woodsmall began to pick at the hem where her sharp eyes discovered an end of the stiff sandy hair, sewed in to bring a “soon husband,” Miss Lizzie snapped on the top and told her sharply to stop rumpling up Miss Milly’s dress.

The night after Judy had solved the problem of where the wedding was to be, Molly felt that she must have her talk with her mother. Judy was tired and a little distrait, visualizing again no doubt; seeing the wedding in her mind’s eye; regretting the holly-hocks; wondering if she really did have the power that Kent attributed to her, that of a creative artist. If she did have it, what should she do about it? Was it not up to her to make something of herself if she had such a gift? Was she willing to work, as work she would have to, if she really expected to do something? At the back of it all was the thought, “Would Kent like her so much if she should turn out to be a woman with a purpose?” Judy was obliged to confess to herself as she dozed off that what Kent Brown thought of her made a good deal of difference to her, more than she had thought that any man’s opinion could make.

Molly waited until she thought Judy was asleep and then crept softly downstairs to her mother’s room. Mrs. Brown was awake and glad indeed to see her “old red head,” as she sometimes lovingly called Molly, coming to have a good talk. It is funny what a difference it makes who calls one a red head. Now that horrid girl at college, Adele Windsor, had enraged Molly into forgetting what Aunt Mary called her “raisin’” by calling her a red head, and yet when mother called her the same thing it sounded like sweet music in her ears.

Mother had some things to tell Molly, too. She did not altogether approve of John’s inamorata, the girl visiting Aunt Clay. It was a case of Dr. Fell with her.

“I do not love thee, Dr. Fell.The reason why I cannot tell;But this I know, and know full well,I do not love thee, Dr. Fell.”

Then she did think if Sue intended to marry Cyrus Clay she should not lead on the other two young men, who seemed quite serious in their attentions. She hated to say anything, because Sue was so dignified.

“Now if it were you or Mildred, I would speak out, but you know Sue always did scare me a little, Molly.”

And Molly and her mother giggled like school girls over this confession. Sue was very handsome and lovely and good, but she was certainly a little superior, and Mrs. Brown found that, if she had any talking over of things to do, she wanted either Molly or Mildred, who were “not too pure or good for human nature’s daily food.”

Molly was eager to know what her mother thought of Judy, and was delighted at her frank liking for her friend. Then Molly had to tell her mother of her hopes and ambitions; of her triumphs and disappointments at college; and of her growing friendship for Jimmy Lufton, the clever young journalist from New York who was trying to persuade Molly to go into newspaper work; of his liking for her that she did not want to ripen into anything more serious, but his last letters were certainly growing more and more fervent.

“Don’t flirt, little girl, don’t flirt. It would not be my Molly if she deceived any one. Have all the fun you can and as many friends as possible and enjoy life while you are young. You are sure to be popular with every one, men and women, boys and girls, but don’t be a coquette.”

“Mother, I don’t mean to be ever, and really and truly I have done nothing to mislead Mr. Lufton, and maybe I am mistaken and conceited about his feeling for me, and I truly hope I am. I have never done anything but be my natural self with him.”

Mrs. Brown smiled, well knowing that just being her natural self was where Molly did the damage, if damage had been done.

“Mother, there is something else.” Mrs. Brown knew there was, and was patiently waiting. “You know Professor Green? Well, I gave him your invitation to come to Kentucky.”

“And what did he say?”

“He said, ‘Thank you.’”

“Is he coming?”

“I don’t know.” Molly found talking to her mother about Professor Green more difficult than she had imagined it would be. “When you wrote me two years ago that some eccentric person had bought the orchard and I could finish my college course, I told Professor Green about it, and also told him I should like to meet the old man who had saved me from premature school-teaching. And when he asked me what I’d do if I should happen to meet him, I told him I would give him a good hug.” Molly faltered. “Well, mother, when I told him good-by and gave him your invitation, I went back and – I just gave him a good hug.”

Mrs. Brown sat up so vigorously that Molly, sitting by her side, was almost jolted off the bed.

“Why, Molly Brown! And what did Professor Green do?”

“He? Oh, he took it very philosophically and bowed his head ’til the storm was over.”

Mrs. Brown gave a gasp of relief.

“He must be a good old gentleman, indeed. About how old is he, Molly?”

“The girls say every day of thirty-two.”

“Why, the poor old thing! Do you think he could take the trip out here to Kentucky all by himself?”

“Mother, please don’t tease. There is something else. Jimmy Lufton wrote a little note which I found in the bottom of the basket of fruit he had put on the train for us. It was wrapped around a lemon and said, ‘Here is a lemon you can hand me if, when I come to Kentucky this summer, you don’t want me to stay.’”

“Oh! The plot thickens! So he is coming, too.”

“Yes, but he lives in Lexington, and is coming out to see his family, anyhow.”

“Well, Molly, darling, you must go to bed now, but before you go tell me one thing: do you want Professor Green to come to Chatsworth?”

“Yes, mother, I think I do,” and giving her mother a hug that made that lady gasp again and say, “Molly, what a hugger you are,” she flew from the room and raced upstairs two steps at a time.

CHAPTER IV. – BURGLARS

Judy was sitting up in bed, the moon lighting her enough for Molly to see a wild, startled look on her face.

“Molly, Molly, I hear something!”

“You hear me making more noise than I have any business to at this time o’ night. I have been having a good old talk with muddy.”

“Oh, no, it wasn’t that. I knew you were downstairs. I haven’t been truly asleep. I was ’possuming.’ It is out by the chicken yard, and I am so afraid it is burglars after the pullets Aunt Mary told me she was saving for chicken salad for the wedding supper. Lewis was to kill them to-morrow.”

Judy had entered so intensely into the Browns’ household affairs that Molly herself was no more interested in the festive preparations than was her guest. Molly drew cautiously to the window and peeped out; she beckoned Judy, and the excited girls saw a sight to freeze the marrow in their chicken-salad-loving bones: the thief had a wheelbarrow, and some great gunny sacks over his arm, and was in the act of boldly opening the chicken-yard gate.

“If we call he will get away, and how else can we let the boys know? The wretch may have those sacks full of chickens even now,” moaned Molly.

There was a three-room cottage or “office,” as they called it, on the side of the house next the garden where all of the young men slept in summer. The girls feared that, in trying to let them know of the burglar, if they went out of the front door they would startle Mrs. Brown. And if they should try to go out the back door, in getting to the cottage they would have to run across a broad streak of moonlight in plain view of the thief, and thus give him ample time to get away with his booty before they could arouse the boys.

“Why shouldn’t we take the matter in our own hands and make him drop his sacks and run?” said Molly. “I am not afraid, are you?”

“Me afraid? Bless your soul, no. I am only afraid he will get off with the chickens,” replied the intrepid Judy. “I have my little revolver in the tray of my trunk, the one papa gave me when we were camping in Arizona. I can load it in a jiffy. But what weapon will you take?”

“I don’t see anything but my tennis racket. I’ll take that and some balls, too, in case I have to hit at long range. There is really no danger for us, as a chicken thief has never been known to go armed with anything more dangerous than a bag.”

They slipped on their raincoats, as they were darker than their kimonos, and crept softly down the back stairs, out on the back porch, and down the steps into the yard, keeping close in the shadow of the house until they came to an althea hedge. Skirting this, still in the shadow, they got near enough to the chicken-yard gate to have a good look at the burglar. That burly ruffian, instead of bagging the pullets that were peacefully roosting in a dog-wood tree, totally unconscious that they were sleeping the last sleep of the condemned, had taken a spade from his wheelbarrow, carefully spread out his gunny sacks and was digging with great care around the holly-hocks, digging so deep and so far from the roots that he soon got up a great sod without injuring the plants. This he placed with great care in the barrow, and as he stepped into the broad moonlight the girls recognized Kent. They clutched each other and were silent, except for a little choking noise from Judy which might easily have come from one of the condemned, having premonitory dreams of the morrow.

Kent worked on until his wheelbarrow was full of the lovely flowers. Then he stuck in the spade and trundled it away toward the garden, the girls silently following, still keeping as well in the shadow as was possible, and holding tight to their weapons, although they no longer had any use for them. On reaching the garden, they realized that Kent must have been working many hours. He had already moved dozens of the stately plants, and they now stood in the garden where they belonged, no doubt glad of the transplanting from their former homely surroundings. So deeply and well had Kent dug that they were uninjured by the move, and he completed the job by dousing them plentifully with water from a great tub that he had filled at the cistern.

The effect was wonderful, as Judy had known that it would be, but her surprise and pleasure that Kent should be so anxious to gratify her every wish was great. She felt her cheeks glowing with excitement and her heart pit-a-patting as it would not have done, even had Kent proved to be the chicken thief they had imagined him to be.

That young man finished his job, cleaned his spade, shook out the gunny sacks, raked the débris from the walk, and then, giving a tired yawn and stretching himself until he looked even taller than the six feet one he measured in his stocking feet, he said out loud in a perfectly conversational tone:

“Now, Miss Judy, you may have the master mind that can imagine things and see beforehand how they are going to look, but I’ll have you know it takes work to create and drudgery to accomplish; and only by the sweat of the brow can we ‘give to airy nothing a local habitation and a name.’ You and Molly can step out of the bushes and view the landscape.”

“Oh, Kent, did you know we were there all the time?”

“Certainly, little Sister, from the time Miss Judy went like a chicken with the gapes, I have known you were with me; but you seemed to be having such a good time I hated to break it up. You might have stepped in and helped a fellow, though.”

“Oh, we were doing the head work,” retaliated Judy.

Kent laughed, and then he had to tease them about their adventure and their weapons, especially Molly’s racket and balls.

“We had better crawl into the hay now, however. It is getting mighty late at night, or, rather, mighty early in the morning, and where will our beauty be if we don’t get to sleep? I’ll see you to the back door.”

“You needn’t,” said Molly. “You must be dead tired, and here is the office door open for you. There is no use in your coming any farther. We can slip around the front way and be in the house in no time.”

“Well, good morning. I am dead tired, and such brave ladies as you are need no escort. Better luck to you next time you go burglar hunting.”

It was a wonderful night, or rather morning, as Kent had indicated. The moon hung low on the horizon ready for bed, as an example to all up-late young ladies. The stars, with their rival retiring, were doing their best to get in a little shine before daylight. Everything was very still. The tree frogs and crickets and Katy-dids had suddenly ceased their incessant noise. There was a feel in the air that meant dawn.

What was it that greeted the ears of the tired Kent? Old tennis player that he was, it sounded to him like the twang of a racket in the hands of a determined server who means to drive a ball that the champion himself could not return. Then came the dull thud of the ball, a groan, a scream; then the sharp crack of a pistol, more screams from inside the house; lights, doors opening, all the household awake, and Paul and John and Crit, who had spent the night at Chatsworth, tumbling out of the office almost before Kent could get around the house. There he found Judy fallen in a little heap on the grass, and Molly carefully and coolly aiming a second tennis ball, this time at a real burglar.