The Car That Went Abroad: Motoring Through the Golden Age

Paine Albert Bigelow

The Car That Went Abroad: Motoring Through the Golden Age

PREFACE

Fellow-wanderer:

The curtain that so long darkened many of the world's happy places is lifted at last. Quaint villages, old cities, rolling hills, and velvet valleys once more beckon to the traveler.

The chapters that follow tell the story of a small family who went gypsying through that golden age before the war when the tree-lined highways of France, the cherry-blossom roads of the Black Forest, and the high trails of Switzerland offered welcome to the motor nomad.

The impressions set down, while the colors were fresh and warm with life, are offered now to those who will give a thought to that time and perhaps go happily wandering through the new age whose dawn is here.

A. B. P.

June, 1921.

Part I

THE CAR THAT WENT ABROAD

Chapter I

DON'T HURRY THROUGH MARSEILLES

Originally I began this story with a number of instructive chapters on shipping an automobile, and I followed with certain others full of pertinent comment on ocean travel in a day when all the seas were as a great pleasure pond. They were very good chapters, and I hated to part with them, but my publisher had quite positive views on the matter. He said those chapters were about as valuable now as June leaves are in November, so I swept them aside in the same sad way that one disposes of the autumn drift and said I would start with Marseilles, where, after fourteen days of quiet sailing, we landed with our car one late August afternoon.

Most travelers pass through Marseilles hastily – too hastily, it may be, for their profit. It has taken some thousands of years to build the "Pearl of the Mediterranean," and to walk up and down the rue Cannebière and drink coffee and fancy-colored liquids at little tables on the sidewalk, interesting and delightful as that may be, is not to become acquainted with the "pearl" – not in any large sense.

We had a very good and practical reason for not hurrying through Marseilles. It would require a week or more to get our car through the customs and obtain the necessary licenses and memberships for inland travel. Meantime we would do some sight-seeing. We would begin immediately.

Besides facing the Old Port (the ancient harbor) our hotel looked on the end of the Cannebière, which starts at the Quai and extends, as the phrase goes, "as far as India," meaning that the nations of the East as well as those of the West mingle there. We understood the saying as soon as we got into the kaleidoscope. We were rather sober-hued bits ourselves, but there were plenty of the other sort. It was the end of August, and Marseilles is a semi-tropic port. There were plenty of white costumes, of both men and women, and sprinkled among them the red fezzes and embroidered coats and sashes of Algiers, Morocco, and the Farther East. And there were ladies in filmy things, with bright hats and parasols; and soldiers in uniforms of red and blue, while the wide pavements of that dazzling street were literally covered with little tables, almost to the edges. And all those gay people who were not walking up and down, chatting and laughing, were seated at the little tables with red and green and yellow drinks before them and pitchers of ice or tiny cups of coffee, and all the seated people were laughing and chattering, too, or reading papers and smoking, and nobody seemed to have a sorrow or a care in the world. It was really an inspiring sight, after the long, quiet days on the ship, and we loitered to enjoy it. It was very busy around us. Tramcars jangled, motors honked, truckmen and cabmen cracked their whips incessantly. Newswomen, their aprons full of long pockets stuffed with papers, offered us journals in phrases that I did not recognize as being in my French phonograph; cabmen hailed us in more or less English and wanted to drive us somewhere; flower sellers' booths lined both sides of a short street, and pretty girls held up nosegays for us to see. Now and then a beggar put out a hand.

The pretty drinks and certain ices we saw made us covetous for them, but we had not yet the courage to mingle with those gay people and try our new machine-made French right there before everybody. So we slipped into a dainty place – a pâtisserie boulangerie– and ordered coffee and chocolate ice cream, and after long explanations on both sides got iced coffee and hot chocolate, which was doing rather well, we thought, for the first time, and, anyhow, it was quite delicious and served by a pretty girl whose French was so limpid that one could make himself believe he understood it, because it was pure music, which is not a matter of arbitrary syllables at all.

We came out and blended with the panaroma once more. It was all so entirely French, I said; no suggestion of America anywhere. But Narcissa, aged fifteen, just then pointed to a flaming handbill over the entrance of a cinematograph show. The poster was foreign, too, in its phrasing, but the title, "L'aventures d'Arizona Bill" certainly had a flavor of home. The Joy, who was ten, was for going in and putting other things by, but we overruled her. Other signs attracted us – the window cards and announcements were easy lessons in French and always interesting.

By and by bouquets of lights breaking out along the streets reminded us that it was evening and that we were hungry. There were plenty of hotels, including our own, but the dining rooms looked big and warm and expensive and we were dusty and economical and already warm enough. We would stop at some open-air place, we said, and have something dainty and modest and not heating to the blood. We thought it would be easy to find such a place, for there were perfect seas of sidewalk tables, thronged with people, who at first glance seemed to be dining. But we discovered that they were only drinking, as before, and perhaps nibbling at little cakes or rolls. When we made timid and rudimentary inquiries of the busy waiters, they pointed toward the hotels or explained things in words so glued together we could not sort them out. How different it all was from New York, we said. Narcissa openly sighed to be back on "old rue de Broadway," where there were restaurants big and little every twenty steps.

We wandered into side streets and by and by found an open place with a tiny green inclosure, where a few people certainly seemed to be eating. We were not entirely satisfied with the look of the patrons, but they were orderly, and some of them of good appearance. The little tables had neat white cloths on them, and the glassware shone brightly in the electric glow. So we took a corner position and studied the rather elaborate and obscure bill of fare. It was written, and the few things we could decipher did not seem cheap. We had heard about food being reasonable in France, but single portions of fish or cutlets at ".45" and broiled chicken at "1.20" could hardly be called cheap in this retired and unpretentious corner. One might as well be in a better place – in New York. We wondered how these unfashionable people about us could look so contented and afford to order such liberal supplies. Then suddenly a great light came. The price amounts were not in dollars and cents, but in francs and centimes. The decimals were the same, only you divided by five to get American values. There is ever so much difference.1

The bill of fare suddenly took on a halo. It became almost unbelievable. We were tempted to go – it was too cheap to be decent. But we were weary and hungry, and we stayed. Later we were glad. We had those things which the French make so well, no matter how humble the place – "pot au feu, bouillabaisse" (the fish soup which is the pride of Marseilles – our first introduction to it), lamb chops, a crisp salad, Gruyère cheese, with a pint of red wine; and we paid – I try to blush when I tell it – a total for our four of less than five francs – that is to say, something under a dollar, including the tip, which was certainly large enough, if one could judge from the lavish acknowledgment of the busy person who served us.

We lingered while I smoked, observing some curious things. The place filled up with a democratic crowd, including, as it did, what were evidently well-to-do tradesmen and their families, clerks with their young wives or sweethearts, single derelicts of both sexes, soldiers, even workmen in blouses. Many of them seemed to be regular customers, for they greeted the waiters and chatted with them during the serving. Then we discovered a peculiar proof that these were in fact steady patrons. In the inner restaurant were rows of hooks along the walls, and at the corners some racks with other hooks. Upon these were hanging, not hats or garments, but dozens of knotted white cloths which we discovered presently to be table napkins, large white serviettes like our own. While we were trying to make out why they should be variously knotted and hung about in that way a man and woman went in and, after a brief survey of the hooks, took down two of the napkins and carried them to a table. We understood then. The bill of fare stated that napkins were charged for at the rate of five centimes (one cent) each. These were individual leaseholdings, as it were, of those who came regularly – a fine example of French economy. We did not hang up our napkins when we went away. We might not come back, and, besides, there were no empty hooks.

Chapter II

MOTORING BY TRAM

A little book says: "Thanks to a unique system of tramways, Marseilles may be visited rapidly and without fatigue." They do not know the word "trolley" in Europe, and "tramway" is not a French word, but the French have adopted it, even with its "w," a letter not in their alphabet. The Marseilles trams did seem to run everywhere, and they were cheap. Ten centimes (two cents) was the fare for each "zone" or division, and a division long enough for the average passenger. Being sight-seers, we generally paid more than once, but even so the aggregate was modest enough. The circular trip around the Corniche, or shore, road has four of these divisions, with a special rate for the trip, which is very long and very beautiful.

We took the Corniche trip toward evening for the sake of the sunset. The tram starts at the rue de Rome and winds through the city first, across shaded courts, along streets of varying widths (some of them so old and ever so foreign, but always clean), past beautiful public buildings always with deep open spaces or broad streets in front of them, for the French do not hide their fine public architectures and monuments, but plant them as a landscape gardener plants his trellises and trees. Then all at once we were at the shore – the Mediterranean no longer blue, but crimson and gold with evening, the sun still drifting, as it seemed, among the harbor islands – the towers of Château d'If outlined on the sky. On one side the sea, breaking against the rocks and beaches, washing into little sheltered bays – on the other the abrupt or terraced cliff, with fair villas set in gardens of palm and mimosa and the rose trees of the south. Here and there among the villas were palace-like hotels, with wide balconies that overlooked the sea, and down along the shore were tea houses and restaurants where one could sit at little tables on pretty terraces just above the water's edge.

So we left the tram at the end of a zone and made our way down to one of those places, and sat in a little garden and had fish, freshly caught, and a cutlet, and some ripe grapes, and such things; and we watched the sun set, and stayed until the dark came and the Corniche shore turned into a necklace of twinkling lights. Then the tram carried us still farther, and back into the city at last, by way of the Prado, a broad residential avenue, with trees rising dark on either side.

At the end of a week in Marseilles we had learned a number of things – made some observations – drawn some conclusions. It is a very old city – old when the Greeks settled there twenty-five hundred years ago – but it has been ravaged and rebuilt too often through the ages for any of its original antiquity to remain. Some of the buildings have stood five or six hundred years, perhaps, and are quaint and interesting, with their queer roofs and moldering walls which have known siege and battle and have seen men in gaudy trappings and armor go clanking by, stopping to let their horses drink at the scarred fountains where to-day women wash their vegetables and their clothing. We were glad to have looked on those ancient relics, for they, too, would soon be gone. The spirit of great building and progress is abroad in Marseilles – the old clusters of houses will come down – the hoary fountains worn smooth by the hands of women and the noses of thirsty beasts will be replaced by new ones – fine and beautiful, for the French build always for art, let the race for commercial supremacy be ever so swift. Fifty or one hundred years from now it will be as hard to find one of these landmarks as it is to-day relics of the Greek and Roman times, and of the latter we found none at all. Tradition has it that Lazarus and his family came to Marseilles after his resuscitation, but the house he occupied is not shown. Indeed, there is probably not a thing above ground that Lucian the Greek saw when he lived here in the second century.

The harbor he sailed into remains. Its borders have changed, but it is the same inclosed port that sheltered those early galleys and triremes of commerce and of war. We looked down upon it from our balcony, and sometimes in the dim morning, or in the first dusk of evening when its sails were idle and its docks deserted, it seemed still to have something of the past about it, something that was not quite reality. Certain of its craft were old in fashion and quaint in form, and if even one trireme had lain at anchor there, or had come drifting in, we might easily have fancied this to be the port that somewhere is said to harbor the missing ships.

It is a busy place by day. Its quays are full of trucks and trams and teams, and a great traffic going on. Lucian would hardly recognize any of it at all. The noise would appall him, the smoking steamers would terrify him, the transbordeur– an aërial bridge suspended between two Eiffel towers, with a hanging car that travels back and forth like a cash railway – would set him praying to the gods. Possibly the fishwives, sorting out sea food and bait under little awnings, might strike him as more or less familiar. At least he would recognize their occupation. They were strung along the east quay, and I had never dreamed that the sea contained so many strange things to eat as they carried in stock. They had oysters and clams, and several varieties of mussels, and some things that looked like tide-worn lumps of terra cotta, and other things that resembled nothing else under heaven, so that words have not been invented to describe them.

Then they had oursins. I don't know whether an oursin is a bivalve or not. It does not look like one. The word "oursin" means hedgehog, but this oursin looked a great deal more like an old, black, sea-soaked chestnut bur – that is, before they opened it. When the oursin is split open —

But I cannot describe an opened oursin and preserve the proprieties. It is too – physiological. And the Marseillais eat those things – eat them raw! Narcissa and I, who had rather more limb and wind than the others, wandered along the quay a good deal, and often stood spellbound watching this performance. Once we saw two women having some of them for early breakfast with a bottle of wine – fancy!

By the way, we finally discovered the restaurants in Marseilles. At first we thought that the Marseillais never ate in public, but only drank. This was premature. There are restaurant districts. The rue Colbert is one of them. The quay is another, and of the restaurants in that precinct there is one that no traveler should miss. It is Pascal's, established a hundred years ago, and descended from father to son to the present moment. Pascal's is famous for its fish, and especially for its bouillabaisse. If I were to be in Marseilles only a brief time, I might be willing to miss the Palais Longchamps or a cathedral or two, but not Pascal's and bouillabaisse. It is a glorified fish chowder. I will say no more than that, for I should only dull its bloom. I started to write a poem on it. It began:

Oh, bouillabaisse, I sing thy praise.

But Narcissa said that the rhyme was bad, and I gave it up. Besides, I remembered that Thackeray had written a poem on the same subject.

One must go early to get a seat at Pascal's. There are rooms and rooms, and waiters hurrying about, and you must give your order, or point at the bill of fare, without much delay. Sea food is the thing, and it comes hot and delicious, and at the end you can have melon – from paradise, I suppose, for it is pure nectar – a kind of liquid cantaloupe such as I have seen nowhere else in this world.2 You have wine if you want it, at a franc a bottle, and when you are through you have spent about half a dollar for everything and feel that life is a song and the future made of peace. There came moments after we found Pascal's when, like the lotus eaters, we felt moved to say: "We will roam no more. This at last is the port where dreams come true."

Our motor clearance required a full ten days, but we did not regret the time. We made some further trips by tram, and one by water – to Château d'If, on the little ferry that runs every hour or so to that historic island fortress. To many persons Château d'If is a semi-mythical island prison from which, in Dumas' novel, Edmond Dantes escapes to become the Count of Monte Cristo, with fabulous wealth and an avenging sword. But it is real enough; a prison fortress which crowns a barren rock, twenty minutes from the harbor entrance, in plain view from the Corniche road. François I laid its corner stone in 1524 and construction continued during the next seventy years. It is a place of grim, stubby towers, with an inner court opening to the cells – two ranges of them, one above the other. The furniture of the court is a stone stairway and a well.

Château d'If is about as solid and enduring as the rock it stands on, and it is not the kind of place one would expect to go away from alive, if he were invited there for permanent residence. There appears to be no record of any escapes except that of Edmond Dantes, which is in a novel. When prisoners left that island it was by consent of the authorities. I am not saying that Dumas invented his story. In fact, I insist on believing it. I am only saying that it was a remarkable exception to the general habit of the guests in Château d'If. Of course it happened, for we saw cell B where Dantes was confined, a rayless place; also cell A adjoining, where the Abbé Faria was, and even the hole between, through which the Abbé counseled Dantes and confided the secret of the treasure that would make Dantes the master of the world. All of the cells have tablets at their entrances bearing the names of their most notable occupants, and that of Edmond Dantes is prominently displayed. It was good enough evidence for us.

Those cells are on the lower level, and are merely black, damp holes, without windows, and with no floors except the unleveled surface of the rock. Prisoners were expected to die there and they generally did it with little delay. One Bernadot, a rich Marseilles merchant, starved himself, and so found release at the end of the twelfth day; but another, a sailor named Jean Paul, survived in that horrible darkness for thirty-one years. His crime was striking his commander. Many of the offenses were even more trifling; the mere utterance of a word offensive to some one in power was enough to secure lodging in Château d'If. It was even dangerous to have a pretty daughter or wife that a person of influence coveted. Château d'If had an open door for husbands and fathers not inclined to be reasonable in such matters.

The second-story prisons are larger and lighter, but hardly less interesting. In No. 5 Count Mirabeau lodged for nearly a year, by suggestion of his father, who did not approve of his son's wild ways and thought Château d'If would tame him. But Mirabeau put in his time writing an essay on despotism and planning revolution. Later, one of the neighboring apartments, No. 7, a large one, became the seat of the tribunal révolutionnaire which condemned there sixty-six to the guillotine.

Many notables were sent to Château d'If on the charge of disloyalty to the sovereign. In one of the larger cells two brothers were imprisoned for having shared the exile of one Chevalier Glendèves who was obliged to flee from France because he refused to go down on his knees to Louis XIV. Royalty itself has enjoyed the hospitality of Château d'If. Louis Philippe of Orléans occupied the same large apartment later, which is really quite a grand one for a prison, with a fireplace and space to move about. Another commodious room on this floor was for a time the home of the mysterious Man of the Iron Mask.

These are but a few – one can only touch on the more interesting names. "Dead after ten years of captivity "; "Dead after sixteen years of captivity"; such memoranda close many of the records. Some of the prisoners were released at last, racked with disease and enfeebled in mind. Some went forth to the block, perhaps willingly enough. It is not a place in which one wishes to linger. You walk a little way into the blackest of the dungeons, stumbling over the rocks of the damp, unleveled floor, and hurry out. You hesitate a moment in the larger, lighter cells and try to picture a king there, and the Iron Mask; you try to imagine the weird figure of Mirabeau raging and writing, and then, a step away, the grim tribunal sorting from the nobility of France material for the guillotine. It is the kind of thing you cannot make seem real. You can see a picture, but it is always away somewhere – never quite there, in the very place.

Outside it was sunny, the sea blue, the cliffs high and sharp, with water always breaking and foaming at their feet. The Joy insisted on being shown the exact place where Dantes was flung over, but I was afraid to try to find it. I was afraid that there would be no place where he could be flung into the water without hitting the sharp rocks below, and that would end the story before he got the treasure. I said it was probably on the other side of the island, and besides it was getting late. We sailed home in the evening light, this time into the ancient harbor, and landed about where Lucian used to land, I should think, such a long time ago.

It was our last night in Marseilles. We had been there a full ten days, altogether, and time had not hung upon our hands. We would still have lingered, but there was no longer an excuse. Even the car could not furnish one. Released from its prison, refreshed with a few liters of gasoline —essence, they call it – and awakened with a gentle hitch or two of the crank, it began its sweet old murmur, just as if it had not been across some thousands of miles of tossing water. Then, the clutch released, it slipped noiselessly out of the docks, through the narrow streets, to a garage, where it acquired its new numbers and a bath, and maybe a French lesson or two, so that to-morrow it might carry us farther into France.

Chapter III

ACROSS THE CRAU

There are at least two ways to leave Marseilles for the open plain of the Provence, and we had hardly started before I wished I had chosen the other one. We were climbing the rue de la République, or one of its connections, when we met, coming down on the wrong side of the tram line, one of the heaviest vehicles in France, loaded with iron castings. It was a fairly crowded street, too, and I hesitated a moment too long in deciding to switch to the wrong side, myself, and so sneak around the obstruction. In that moment the monstrous thing decided to cross to its own side of the road, which seemed to solve the problem. I brought the car to a standstill to wait.

But that was another mistake; I should have backed. The obstruction refused to cross the tram track. Evidently the rails were slippery and when the enormous wheels met the iron they slipped – slipped toward us – ponderously, slowly, as inevitable as doomsday. I was willing to back then, but when I shifted the lever I forgot something else and our engine stopped. There was not enough gravity to carry us back without it; neither was there room, or time, to crank.3 So there we were, with that mountain closing in upon us like a wall of Poe's collapsing room.