East Angels: A Novel

The beach was worth looking at; broad, smooth, gleaming, it stretched southward as far as eye could follow it; even there it did not end, it became a silver haze which mixed softly with the sea. On the land side it was bounded by the sand-cliff which formed the edge of Patricio; this little cliff, though but twelve or fourteen feet in height, was perpendicular; it cut off, therefore, the view of the flat ground above as completely as though it had been five hundred. Great pink-mouthed shells dotted the beach's white floor; at its edge myriads of minute disks of rose and pearl lay heaped amid little stones, smooth and white, all of them wet and glistening. Heaps of bleached drift-wood lay where high tides had left them. Little beach-birds ran along at the water's edge with their peculiar gait – many pauses, intermixed with half a dozen light fleet steps as though running away – the gait, if ever there was one, of invitation to pursue. There were no ships on the sea; the tracks of vessels bound for Cuba, the Windward and Leeward islands, lay out of sight from this low strand. And gentle as the water was, and soft the air, the silence and the absence of all signs of human life made it a very wild scene; wild but not savage, the soft wildness of an uninhabited southern shore. For no one lived on Patricio, save where, opposite East Angels, the old Ruiz house stood on its lapsed land – lapsed from the better tilling of the century before.

The Rev. Mr. Moore had come gambolling back, striking actively hither and thither with his net, still pursuing the same butterfly. The butterfly – at his leisure – flew inland; and then Mr. Moore gave up the chase, and joined Mrs. Harold calmly, seeming not in the least out of breath, his face, indeed, so serious that she received the impression that while his legs might have been gambolling, his thoughts had perhaps been employed with his next Sunday's sermon; he had had an introspective, mildly controversial air as he leaped.

Garcia and Winthrop walked on in advance. The beach waved in and out in long scallops, and when they had entered the second they found themselves alone, the point behind intervening between them and their companions.

"What a dreadfully lonely place this beach is, after all!" said Garda, pausing and looking southward with a half-appreciative, half-disturbed little shudder.

"Not lonely; primeval," answered Winthrop. "Don't you like it? I am sure you do; take time to think."

"Oh, I don't want any time. Yes, I like it in one way, in one way it's beautiful. One could be perfectly lazy here forever, and I should like that. As for the loneliness, I suppose we should not mind it after a while – so long as we could be together."

Before Winthrop could reply to this, "Suppose we race," she went on, looking at him with sudden animation. And she began to sway herself slightly to and fro as she walked, as though keeping time to music.

"I think you mean suppose we dance," he answered. She had soon deserted the mood that chimed in with his own; still, he had not misjudged her, she had it in her to comprehend the charm of an existence which should be primitive, far from the world, that simple free life towards which the thoughts of imaginative men turn sometimes with such inexpressible longing, but to whose attractions feminine minds in general are said to be closed. The men of imagination seldom carry, are seldom able to carry, their aspirations to a practical reality; that makes no difference in their appreciation of the woman who can comprehend the beauty of the dream. Here was a girl who, under the proper influences, would be able to take up such a life and enjoy it; the vast majority of educated women, no matter what influences they should be subjected to, would never be able to do this in the least; they would long for – silk lamp-shades and rugs.

"Racing or dancing," Garda had replied, "you would never win a prize in either; you are far too slow."

"And you too indolent," he rejoined.

He had scarcely spoken the words when she was off. Down the beach she sped, and with such unexpected swiftness that he stood gazing instead of following; the line of her flight was as straight as that of an arrow. He was surprised; he had not thought that she would take the trouble to run, he had not thought her fond of any kind of exertion. But this did not seem like exertion, she ran as easily as a slim lad runs; her figure looked very light and slender, outlined against the beach and sky. As he still stood watching her, she reached the end of the scallop, passed round its point, and disappeared.

He looked back, there was no one in sight; if he had a mind to revive his school-boy feats, he could do so without being observed. It was a beautiful day; but running might make it warmer. At thirty-five one does not run for the pure pleasure of it, as at sixteen; if one is not an acrobat, it seems a useless waste of energy. Garda was probably waiting for him beyond the next point, even her desire to surprise him would not take her farther than that; he walked onward at a good pace, but he did not run; he reached the point, turned it, and entered the next scallop. She was not there.

It was not a very long scallop, she had crossed it, probably, while he was crossing the last; he went on and entered the next. Again she was not there. But this scallop was a mile long, she had certainly not had time to cross it; where, then, could she be? There was nothing moving on the white beach, the perpendicular sand-cliff afforded no footing; he walked on, thinking that there must be some niche which he could not see from where he stood. But though he went farther than she could possibly have gone in the time she had had, he found nothing, and retraced his steps, puzzled; the firm white sand showed no trace of her little feet, even his own heavier tread was barely visible.

Not far from the entrance of the scallop across which he was now returning, there was a pile of drift-wood higher than the other chance heaps, its base having been more solidly formed by portions of an old wreck which had been washed ashore there. Upon this foundation of water-logged timbers, branches and nondescript fragments, the flotsam and jetsam of a Southern ocean, had been flung by high tides, and had caught there one upon the other, until now the jagged summit was on a level with the top of the sand cliff, though an open space, several feet in width, lay between. Could it be that Garda had climbed up this insecure heap, and then sprung across to the firm ground of Patricio beyond? It seemed impossible; and yet, unless she had an enchanted chariot to come at her call, she must have done so, for there was no other way by which she could have escaped. Winthrop now essayed to follow her. But it was not without difficulty that he succeeded in reaching the top; for it was not so much a question of strength (of which he had an abundance) as of lightness; it was not so much a question of a good hold, as of no hold at all; the very place, he said to himself, for feminine climbing, which is generally hap-hazard clutches diversified by screams. At length, not without much fear of bringing the whole pile toppling down upon himself, he reached the summit, and from an insecure foothold looked across to the firm land. Patricio at this point was covered, at a short distance back from the edge, by a grove of wild-myrtle trees. There was no path, but the grove was not dense, Garda could have passed through it anywhere; there was no sign of her visible, but he could not see far. He sprang across, and went inland through the myrtles, his course defined in a measure by the thick chaparral which bordered the grove on each side. Suddenly he heard the sound of voices, he pushed on, and came to a little open space, thickly dotted with large bright flowers. On the farther side of this space an easel had been set up, and a young man was at work sketching; behind this young man, looking over his shoulder, stood Garda.

As Winthrop came out from the myrtles, "How long you have been!" she said. Then, "Come and see this sketch," she went on immediately, her eyes returning to the picture. "I've never seen anything so pretty in my life."

As Winthrop, after a moment's survey of the scene, came towards her over the flowers, "Oh," she said, "I forget that you don't know each other. Mr. Winthrop, Mr. Lucian Spenser, civil engineer, from Washington, the District of Columbia. Mr. Spenser, Mr. Evert Winthrop – he is nothing in particular now, I believe – from the city of New York."

"It's an occupation in itself, isn't it? to be from New York," said the artist, going on with his sketching, after the little motion, half nod, half wave of the hand, with which he had acknowledged Garda's introduction. Winthrop in the mean while had neither spoken nor bowed; he had only, as slightly as possible, raised his hat.

"Why do you stop there?" said Garda. She came to him, took his arm, and led him behind the easel. "The picture – the picture's the thing to look at!"

The sketch – it was in water-colors – represented the little arena, which was in itself a brilliant picture, done by Nature's hand. It was an open oval space about fifteen feet in diameter, entirely bare of trees or bushes, and covered with low green, through which rose lightly slender leafless stalks, each holding up, several inches above the herbage, a single large bright-faced flower; the flowers did not touch each other, they were innumerable spots of gold and bright lavender, which did not blend; on three sides the thick dark chaparral, on the fourth the dark myrtles, enclosed this gayly decked nook, and seemed to have kept it safely from all the world until now. The artist was making a very good sketch, good, that is, in the manner of the new foreign school.

"Isn't it beautiful – wonderful?" insisted Garda.

"Very clever," Winthrop answered.

The artist laughed. "You hate the manner," he said. "Many people do; I think I hate it a little myself, now and then." And he began to sing softly to himself as he worked:

"'Oh, de sun shines bright in my ole Kentucky home,  ’Tis summah, de darkies are gay – '"

"'Twas his singing, you know, that attracted my attention," said Garda to Winthrop, under cover of the song. She did not seem to be explaining so much as repeating a narrative that pleased herself. "I had climbed up here to hide myself from you, when I heard singing; I followed the sound, and – here he was!"

"You have met him before, of course?" was Winthrop's reply.

"Never in the world – that is the beauty of it; it's so delightful to meet people you have never met before. And then to find him here in the woods, where I didn't expect to see anybody, save perhaps you, later, coming slowly along. And isn't it nice, too, that we shall have a new person to add to our excursions, and parties! For they were getting to be a little dull, – don't you think so? always the same people. He is a cousin of Mr. Moore's," she added, "or rather his mother was; he has just been telling me about it." She did not bring out this last fact as though it were the most important. Important? – the only important point was that she should be pleased. She had kept Winthrop's arm during this time; now she relinquished it, and turned back to the easel.

"'De corn-tops ripe, an' de meddars all abloom,      In my ole Kentucky home far away,'"

sang the stranger; and this time he let out his voice, and sang aloud. It was a very good voice. But Winthrop did not admire it.

"The others have probably no idea what has become of us," he said to Garda; "shall we go and look for them?"

"Yes," answered Garda; "of course they must be wondering. You go; I will wait here; go and bring Mr. Moore to see his cousin."

"It will be quite easy for Mr. – for this gentleman – "

"Spenser," said the artist, good-humoredly, as he painted on.

" – to see Mr. Moore at any time in Gracias," continued Winthrop, without accepting the name. For the life of him he could not put full confidence in this impromptu relationship which Garda had discovered, any more than he could in this, as one might say, impromptu man, whom she had also unearthed, miles from any inhabited point, on a wild shore. If the stranger were indeed a cousin of the Rev. Mr. Moore's, why had he not made himself known to him before this? He must have come through Gracias; Gracias was not so large a place that there could have been any difficulty in finding the rector of St. Philip and St. James'; nor was it so busy a place that one could have been pressed for time there.

"The truth is," answered Spenser, after he had completed a bit of work which seemed much to his mind – "the truth is," he repeated, looking at it critically, with his head on one side, "that I have, so far at least, rather shirked my good cousin; I am ashamed to say it, but it is true. You see, I only faintly remember him; but he will very clearly remember me, he will have reminiscences; he will be sure to tell me that he knew me when I was a dear little baby! Now I maintain that no man can really welcome that statement, it betokens recollections into which he cannot possibly enter; all he can do is to smirk inanely, and say that he fears he must have been a bad little boy."

"I know Mr. Moore will say it," said Garda, gleefully; "I know he will! Do go and call him," she said to Winthrop; "he will walk down to Jupiter Inlet if you don't stop him."

But Winthrop stood his ground; Mr. Moore's cousin or not Mr. Moore's cousin, he did not intend to leave Garda Thorne alone again with this chance, this particularly chance acquaintance. True, this was a very remote place, to which city rules did not apply; but the very seclusion had been like a wall, probably the girl had never made a chance acquaintance in all her life before.

"I will go myself, then," said Garda, seeing that he did not move. She did not seem annoyed, she was, in truth, very seldom ill-tempered. On the present occasion Winthrop might have been better pleased if she had showed some little signs of irritation; for she was simply not thinking of him at all, she was thinking only of Mr. Moore's cousin.

She crossed the flower-decked space quickly, and entered the myrtle grove; Winthrop followed her. When they reached the verge, "There they are," she said, looking southward.

"I don't know how I am to get you down," said Winthrop. "You could jump across from the drift-wood, but you cannot jump back upon it; it's not steady."

"I don't want to go down," said Garda. "They must come up." And she called, in a long note, "Mar – garet!" "Mar – garet!"

Mrs. Harold heard her and turned.

"There! I've called her Margaret to her face!" exclaimed the girl.

"To her back, you mean."

"I never did it before. But I was sure to do it some time; we always call her Margaret when we talk about her, mamma and I; and we talk about her by the hour."

"Mr. Moore and I together can perhaps get you down," said Winthrop, trying the edge of the sand-cliff to see if a niche could be trodden out.

"How odd you are – when I tell you I'm not going down! The others are to come up. Mr. Moore will be enchanted to see his cousin; I am sure I was – though he isn't mine."

Winthrop asked himself whether he should take this opportunity to give this beautiful Florida girl a first lesson in worldly wisdom. Then he reflected that what he had admired the most in her had been her frank naturalness, the freedom with which she had followed her impulses, without pausing to think whither they might lead her. So far, her impulses had all been child-like, charming. As regarded this present one, though it was child-like also, he would have liked, with it, a little more discrimination; but discrimination is eminently a trait developed by time, and time, of course, had not yet had a chance to do much for Edgarda Thorne.

He decided to leave her to herself, and to return for the moment to his old position (from which he had rather departed of late), the position of looking on, without comment, to see what she would do or say next. What she did was simple enough. She directed, with much merriment, the efforts of the Rev. Mr. Moore, as in response to her request he climbed up the jagged pile of drift-wood first, in order to show Mrs. Harold the best footholds, his butterfly pole much in his way, but not relinquished; for had not that butterfly flown inland? When he was safely landed on Patricio, Margaret Harold followed him. Winthrop, in spite of the difficulties of descent, wished to come down and assist her; but this she would not allow, and assistance, indeed, was plainly worse than useless in such a place. Nor did she betray any need of it; she climbed with an ease which showed a light foot and accurate balance, and was soon standing by Garda's side.

When they reached the little flower cove it immediately became apparent that the mother of this singing, painting stranger had really been (she had been dead many years) a cousin of Middleton Moore's, Winthrop himself, unless he was prepared to believe in an amount of plotting for which there seemed no sufficient motive, being forced to acknowledge the truth of the story. The conversation between the clergyman and Spenser went on with much animation. Mr. Moore was greatly interested, he was even excited; and they talked of many things. At last he said, with feeling, "I remember you so well, Lucian, as a baby; I was in the same house with you once for a whole week when you were just able to walk alone."

"Ah, yes! I am afraid I was rather a bad little boy," Spenser answered.

"You were rather – rather animated," the clergyman admitted, mildly.

Garda, who, as usual, had her arm in Margaret's, leaned her head on Margaret's shoulder and gave way to soft laughter.

Middleton Moore talked, enjoying his adventure greatly. But though he talked, he did not question, he was too complete a southerner for that; he leaned on his butterfly pole, and regarded Lucian with the utmost friendliness, not thinking, apparently, of the fact that he had come upon this interesting young relative quite by chance, and that this same young relative must have passed through Gracias (if indeed he were not staying there) without paying him a visit, though he knew that his cousin was rector of St. Philip and St. James'; he had confessed as much. Lucian, who had left his easel, now moved towards it again, and stood scanning his work with the painter's suddenly absorbed gaze – as though he had forgotten, for the moment, everything else in the world but that; then he sat down, as if unable to resist it, and began to add a touch or two, while (with his disengaged faculties) he was good enough to give to his cousin, of his own accord, a brief account of himself in the present, as well as the past. It seemed that he was by profession a civil engineer (as he had already told Garda), and that the party of which he was chief were engaged in surveying for a proposed railway, which would reach Gracias-á-Dios (he thought) in about seventy-five years. However, that was nothing to him; there was undoubtedly a company (they had got an English lord in it), and he, Lucian, was willing to survey for them, if it amused them to have surveying done; that part of the scheme, at least, was paid for. His party were now some distance north of Gracias, they had reached one of the swamps; it had occurred to him that it was a good time to take a day or two, and come down and see the little old town on the coast; and as he was a dabbler in water-colors, he had not been able to resist doing some of the little "bits" he had found under his hand. "I was coming to see you, sir, to-morrow," he concluded. "The truth is, I had only these rough clothes with me; I have sent back for more."

"To the swamp?" said Garda.

"To the swamp – precisely; I keep them there very carefully in a dry canoe."

"You must not only come and see us, Lucian, you must come and stay with us," said the clergyman, cordially; "Penelope will hear of nothing else," he added, bending in his near-sighted way to look at the picture, and putting his nose close to Lucian's pinks and blues. "Isn't it rather – rather bright?" he asked, blinking a little as he drew back. Mr. Moore's idea of a picture was a landscape with a hill in the background, a brook and willows in front, a church spire peeping out somewhere in the middle distance, and a cow or two at the brook's edge, all painted in a dark, melancholy – what he himself would have called a chaste – green, even the cow partaking in some degree of that decorous hue.

"It's not brighter than the reality, is it?" said Lucian.

"I – don't – know," answered Mr. Moore, straightening himself, and looking about him as if to observe the reality, which he evidently was now noting for the first time. "You have put in a butterfly," he added, returning to his inspection; "that is – if it isn't a bird? There are no butterflies here now; has there been one here?"

"There should have been; it's the very place for them," Lucian declared.

"I don't think, Lucian, that there's any certainty about that; I myself have often searched for them in places where it seemed to me they should be; they are never there."

Garda again gave way to merriment, hiding it and her face on Margaret's shoulder.

"Hasn't your sky rather too vivid a blue, Lucian?" Mr. Moore went on, his face again close to the picture.

"Well, sir, that's as we see it; I see that color in the sky, you know."

"How can you see it if it is not there?" demanded his relative, with his temperate dwelling upon his point. And he transferred his gaze from the sketch to the young man.

"But it is there for me. It's the old question of the two kinds of truth."

"There are not two kinds, I think, Lucian," responded the clergyman, and this time he spoke with decision.

"There are two ways of seeing it, then. We state or believe a thing as we see it, and we do not all see alike; you see the hues of a sunset in one way, Turner saw them in another; he painted certain skies, and people said there were no such skies; but Turner saw them."

"The fault was still there, Lucian; it was in his vision."

"Or take another instance," continued Spenser. "A man has a wife whom he loves. She has grown old and faded, there is no trace of beauty left; but he still sees her as she was; to him she does not merely seem beautiful, she is beautiful."

The eyes of Garda and Margaret met, one of those rapid exchanges of a mutual comprehension which are always passing between women unless they happen to be open enemies; even then they are sometimes forced to suspend hostilities long enough for one of these quick passwords of intelligence; – men are so slow! The mutual thought of the two women now was – Mrs. Penelope. Certainly she was old and faded, and very certainly also her husband regarded her as much of a Venus as it was proper for a clerical household to possess. Their entertainment continued as they saw that the clergyman made no personal application of Spenser's comparison, but merely considered the illustration rather an immoral one.

As if to change the subject, this good man now demanded, in his equable, unresonant voice, "How do you return to Gracias, Lucian?"

"There's a contraband with a dug-out waiting for me over on the Espiritu side," answered Spenser; "I walked across."

"Ah! we are sailing," remarked the clergyman, in a gently superior tone; little as he himself enjoyed maritime excursions, he felt that this was the proper tone to take in the presence of his host, the owner of the Emperadora. "We shall reach home, probably, much earlier than you will," he went on, looking off at the chaparral with an abstracted air.

Winthrop, smiling at this innocent little manœuvre, invited Spenser to return to Gracias with them; he could send one of his men across to tell the contraband of the change of plan. Spenser accepted the offer promptly. He packed his scattered belongings into small compass, and slung them across his shoulder; his easel, under his manipulation, became a stout walking-stick.

"That is a very convenient arrangement," said the clergyman.

"Yes; I am rather proud of it. I invented it myself."

"Ah, that's your father in you," said Mr. Moore, unconsciously betraying something that was almost disapproval; "your father was a northern man. But your mother, Lucian, was a thorough southerner; she had no taste for invention."

"She wouldn't have had it even if she had been a northern woman, I fancy," responded Spenser; "women are not inventors. I don't mind saying it before Mrs. Harold and Miss Thorne, because they haven't the air of wishing to be; it's a particular sort of air, you know."