The Destroying Angel

"I didn't know I knew her – by that name," said Whitaker lamely.

At the entrance to the alley Max paused to listen to the uproar within his well-beloved theatre.

"I'd give five thousand gold dollars if I hadn't met you this afternoon!" he groaned.

"It's too late, now," Whitaker mentioned the obvious. "But if I'd understood, I promise you I wouldn't have come – at least to sit where she could see me."

He began gently to urge Max toward Broadway, but the manager hung back like a sulky child.

"Hell!" he grumbled. "I always knew that woman was a Jonah!"

"You were calling her your mascot two hours ago."

"She'll be the death of me, yet," the little man insisted gloomily. He stopped short, jerking his arm free. "Look here, I'm not going. What's the use? We'd only row. And I've got my work cut out for me back there" – with a jerk of his head toward the theatre.

Whitaker hesitated, then without regret decided to lose him. It would be as well to get over the impending interview without a third factor.

"Very well," he said, beckoning a taxicab in to the curb. "What's the address?"

Max gave it sullenly.

"So long," he added morosely as Whitaker opened the cab door; "sorry I ever laid eyes on you."

Whitaker hesitated. "How about that supper?" he inquired. "Is it still on?"

"How in blazes do I know? Come round to the Beaux Arts and find out for yourself – same's I'll have to."

"All right," said Whitaker doubtfully. He nodded to the chauffeur, and jumped into the cab. As they swung away he received a parting impression of Max, his pose modelled on the popular conception of Napoleon at Waterloo: hands clasped behind his back, hair in disorder, chin on his chest, a puzzled frown shadowing his face as he stared sombrely after his departing guest.

Whitaker settled back and, oblivious to the lights of Broadway streaming past, tried to think – tried with indifferent success to prepare himself against the unhappy conference he had to anticipate. It suddenly presented itself to his reason, with shocking force, that his attitude must be humbly and wholly apologetic. It was a singular case: he had come home to find his wife on the point of marrying another man – and she was the one entitled to feel aggrieved! Strange twist of the eternal triangle!..

He tried desperately, and with equal futility, to frame some excuse for his fault.

Far too soon the machine swerved into Fifty-seventh Street, slipped halfway down the block, described a wide arc to the northern curb and pulled up, trembling, before a modest modern residence between Sixth and Seventh avenues.

Reluctantly Whitaker got out and, on suspicion, told the chauffeur to wait. Then, with all the alacrity of a condemned man ascending the scaffold, he ran up the steps to the front door.

A man-servant answered his ring without undue delay.

Was Miss Law at home? He would see.

This indicated that she was at home. Whitaker tendered a card with his surname pencilled after that of Mr. Hugh Morten in engraved script. He was suffered to enter and wait in the hallway.

He stared round him with pardonable wonder. If this were truly the home of Mary Ladislas Whitaker – her property – he had builded far better than he could possibly have foreseen with that investment of five hundred dollars six years since. But who, remembering the tortured, half-starved child of the Commercial House, could have prefigured the Sara Law of to-day – the woman who, before his eyes, within that hour, had burst through the counterfeit of herself of yesterday like some splendid creature emerging from its chrysalis?

Soft, shaded lights, rare furnishings, the rich yet delicate atmosphere of exquisite taste, the hush and orderly perfection of a home made and maintained with consummate art: these furnished him with dim, provoking intimations of an individuality to which he was a stranger – less than a stranger – nothing…

The man-servant brought his dignity down-stairs again.

Would Mr. Whitaker be pleased to wait in the drawing-room?

Mr. Whitaker surrendered top-coat and hat and was shown into the designated apartment. Almost immediately he became aware of feminine footsteps on the staircase – tapping heels, the faint murmuring of skirts. He faced the doorway, indefinably thrilled, the blood quickening in throat and temples.

To his intense disappointment there entered to him a woman impossible to confuse with her whom he sought: a lady well past middle-age, with the dignity and poise consistent with her years, her manifest breeding and her iron-gray hair.

"Mr. Whitaker?"

He bowed, conscious that he was being narrowly scrutinized, nicely weighed in the scales of a judgment prejudiced, if at all, not in his favor.

"I am Mrs. Secretan, a friend of Miss Law's. She has asked me to say that she begs to be excused, at least for to-night. She has suffered a severe shock and is able to see nobody."

"I understand – and I'm sorry," said Whitaker, swallowing his chagrin.

"And I am further instructed to ask if you will be good enough to leave your address."

"Certainly: I'm stopping at the Ritz-Carlton; but" – he demurred – "I should like to leave a note, if I may – ?"

Mrs. Secretan nodded an assent. "You will find materials in the desk there," she added, indicating an escritoire.

Thanking her, Whitaker sat down, and, after some hesitation, wrote a few lines:

"Please don't think I mean to cause you the slightest inconvenience or distress. I shall be glad to further your wishes in any way you may care to designate. Please believe in my sincere regret…"

Signing and folding this, he rose and delivered it to Mrs. Secretan.

"Thank you," he said with a ceremonious bow.

The customary civilities were scrupulously observed.

He found himself in the street, with his trouble for all reward for his pains. He wondered what to do, where to go, next. There was in his mind a nagging thought that he ought to do something or other, somehow or other, to find Drummond and make him understand that he, Whitaker, had no desire or inclination to stand in his light; only, let the thing be consummated decently, as privately as possible, with due deference to the law…

The driver of the taxicab was holding the door for him, head bent to catch the address of the next stop. But his fare lingered still in doubt.

Dimly he became aware of the violent bawlings of a brace of news-vendors who were ramping through the street, one on either sidewalk. Beyond two words which seemed to be intended for "extra" and "tragedy" their cries were as inarticulate as they were deafening.

At the spur of a vague impulse, bred of an incredulous wonder if the papers were already noising abroad the news of the fiasco at the Theatre Max, Whitaker stopped one of the men and purchased a paper. It was delivered into his hands roughly folded so that a section of the front page which blazed with crimson ink was uppermost – and indicated, moreover, by a ridiculously dirty thumb.

"Ther'y'are, sir. 'Orrible moider… Thanky…"

The man galloped on, howling. But Whitaker stood with his gaze riveted in horror. The news item so pointedly offered to his attention was clearly legible in the light of the cab lamps.

LATEST EXTRATRAGIC SUICIDE IN HARLEM RIVER

Stopping his automobile in the middle of Washington Bridge at 7.30 P.M., Carter S. Drummond, the lawyer and fiancé of Sara Law the actress, threw himself to his death in the Harlem River. The body has not as yet been recovered.

VIII

A HISTORY

Whitaker returned at once to the Theatre Max, but only to find the front of the house dark, Forty-sixth Street gradually reassuming its normal nocturnal aspect.

At the stage-door he discovered that no one knew what had become of the manager. He might possibly be at home… It appeared that Max occupied exclusive quarters especially designed for him in the theatre building itself: an amiable idiosyncrasy not wholly lacking in advertising value, if one chose to consider it in that light.

His body-servant, a prematurely sour Japanese, suggested grudgingly that his employer might not improbably be found at Rector's or Louis Martin's. But he wasn't; not by Whitaker, at least.

Eventually the latter realized that it wasn't absolutely essential to his peace of mind or material welfare to find Max that night. He had been, as a matter of fact, seeking him in thoughtless humour – moved solely by the gregarious instinct in man, which made him want to discuss the amazing events of the evening with the one who, next to himself and Sara Law, was most vitally concerned with them.

He consulted a telephone book without finding that Drummond had any private residence connection, and then tried at random one of the clubs of which they had been members in common in the days when Hugh Whitaker was a human entity in the knowledge of the town. Here he had better luck – luck, that is, in as far as it put an end to his wanderings for the night; he found a clerk who remembered his face without remembering his name, and who, consequently, was not unwilling to talk. Drummond, it seemed, had lived at the club; he had dined alone, that evening, in his room; had ordered his motor car from the adjacent garage for seven o'clock; and had left at about that hour with a small hand-bag and no companion. Nothing further was known of his actions save the police report. The car had been found stationary on Washington Bridge, and deserted, Drummond's motor coat and cap on the driver's seat. Bystanders averred that a man had been seen to leave the car and precipitate himself from the bridge to the stream below. The body was still unrecovered. The club had notified by telegraph a brother in San Francisco, the only member of Drummond's family of whom it had any record. Friends, fellow-members of the club, were looking after things – doing all that could and properly ought to be done under the circumstances.

Whitaker walked back to his hotel. There was no other place to go: no place, that is, that wooed his humour in that hour. He could call to mind, of course, names of friends and acquaintances of the old days to whom there was no reason why he shouldn't turn, now that he had elected to rediscover himself to the world; but there was none of them all that he really wanted to see before he had regained complete control of his emotions.

He was, indeed, profoundly shocked. He held himself measurably responsible for Drummond's act of desperation. If he had not wilfully sought to evade the burden of his duty to Mary Ladislas, when he found that he was to live rather than die – if he had been honest and generous instead of allowing himself to drift into cowardly defalcation to her trust – Drummond, doubtless, would still be alive. Or even if, having chosen the recreant way, he had had the strength to stick to it, to stay buried…

Next to poor Peter Stark, whom his heart mourned without ceasing, he had cared most for Drummond of all the men he had known and liked in the old life. Now … he felt alone and very lonely, sick of heart and forlorn. There was, of course, Lynch, his partner in the Antipodes; Whitaker was fond of Lynch, but not with the affection that a generous-spirited youth had accorded Peter Stark and Drummond – a blind and unreasoning affection that asked no questions and made nothing of faults. The capacity for such sentiment was dead in him, as dead as Peter Stark, as dead as Drummond…

It was nearly midnight, but the hour found Whitaker in no humour for bed or the emptiness of his room. He strolled into the lounge, sat down at a detached table in a corner, and ordered something to drink. There were not many others in the room, but still enough to mitigate to some extent his temporary horror of utter loneliness.

He felt painfully the heaviness of his debt to the woman he had married. He who had promised her new life and the rich fulfilment thereof had accomplished only its waste and desolation. He had thrust upon her the chance to find happiness, and as rudely had snatched it away from her. Nor could he imagine any way in which he might be able to expiate his breach of trust – his sins of omission and commission, alike deadly and unpardonable!

Unless … He caught eagerly at the thought: he might "die" again – go away once more, and forever; bury himself deep beyond the groping tentacles of civilization; disappear finally, notifying her of his intention, so that she might seek legal freedom from his name. It only needed Max's silence, which could unquestionably be secured, to insure her against the least breath of scandal, the faintest whisper of gossip… Not that Max really knew anything; but the name of Whitaker, as identified with Hugh Morten, might better be permitted to pass unechoed into oblivion…

And with this very thought in mind he became aware of the echo of that name in his hearing.

A page, bearing something on a salver, ambled through the lounge, now and again opening his mouth to bleat, dispassionately: "Mista Whitaker, Mista Whitaker!"

The owner of that name experienced a flush of exasperation. What right had the management to cause him to be advertised in every public room of the establishment?.. But the next instant his resentment evaporated, when he remembered that he remained Mr. Hugh Morten in the managerial comprehension.

He lifted a finger; the boy swerved toward him, tendered a blue envelope, accepted a gratuity and departed.

It was a cable message: very probably an answer to his to Grace Pettit. Whitaker tore the envelope and unfolded the enclosure, glancing first at the signature to verify his surmise. As he did so, he heard his name a second time.

"Pardon me; this is Mr. Whitaker?"

A man stood beside the little table – one whom Whitaker had indifferently noticed on entering as an equally lonely lounger at another table.

Though he frowned involuntarily with annoyance, he couldn't well deny his identity.

"Yes," he said shortly, looking the man up and down with a captious eye.

Yet it was hard to find much fault with this invader of his preoccupation. He had the poise and the dress of a gentleman: dignity without aggressiveness, completeness without ostentation. He had a spare, not ungraceful body, a plain, dark face, a humorous mouth, steady eyes: a man easily forgotten or overlooked unless he willed it otherwise.

"My name is Ember," he said quietly. "If you'll permit me – my card." He offered a slip of pasteboard engraved with the name of Martin Ember. "And I'll sit down, because I want to talk to you for a few minutes."

Accordingly he sat down. Whitaker glanced at the card, and questioningly back at Mr. Ember's face.

"I don't know you, but … What are we to talk about, please?"

The man smiled, not unpleasingly.

"Mrs. Whitaker," he said.

Whitaker stared, frowned, and jumped at a conclusion.

"You represent Mrs. Whitaker?"

Mr. Ember shook his head. "I'm no lawyer, thank God! But I happen to know a good deal it would be to your advantage to know; so I've taken this liberty."

"Mrs. Whitaker didn't send you to me? Then how – ? What the deuce – !"

"I happened to have a seat near your box at the theatre to-night," Mr. Ember explained coolly. "From – what I saw there, I inferred that you must be – yourself. Afterwards I got hold of Max, confirmed my suspicion, and extracted your address from him."

"I see," said Whitaker, slowly – not comprehending the main issue at all. "But I'm not known here by the name of Whitaker."

"So I discovered," said Ember, with his quiet, engaging smile. "If I hadn't remembered that you sometimes registered as Hugh Morten – as, for instance, at the Commercial House six years ago – "

"You were there!"

"A considerable time after the event – yes." The man nodded, his eyes glimmering.

Whitaker shot a quick glance round the room, and was relieved to find they were not within earshot of any of the other occupied tables.

"Who the devil are you?" he demanded bluntly.

"I was," said the other slowly, "once, a private detective. Now – I'm a person of no particular employment, of independent means, with a penchant – you're at liberty to assume – for poking my nose into other people's business."

"Oh…"

A word, "blackmail," leapt into Whitaker's consciousness, and served to harden the hostility in his attitude.

"Mrs. George Pettit once employed me to find her sister, Miss Mary Ladislas, who had run away with a chauffeur named Morton," pursued the man, evenly. "That was about the time – shortly after – the death of Thurlow Ladislas; say, two months after the so-called elopement."

"Just a minute," said Whitaker suddenly – "by your leave – "

Ember bowed gravely. For a thought longer Whitaker's gaze bored into his eyes in vain effort to fathom what was going on behind them, the animus undiscovered by his words; then, remembering, he looked down at the cable message in his hand.

"Martin Ember (it ran) private agency 1435 Broadway Grace Pettit."

Whitaker folded the paper and put it away in a pocket.

"Go on, please," he said quietly.

"In those days," Mr. Ember resumed, "I did such things indifferently well. I had little trouble in following the runaways from Southampton to Greenport. There they parted. The girl crossed to the Connecticut shore, while the man went back to New York with the automobile. He turned the machine in at the Ladislas garage, by the way, and promptly fell into the hands of the police. He was wanted for theft in a former position, was arrested, convicted and sent to Sing Sing; where he presently died, I'm glad to say… I thought this information might interest you."

Whitaker nodded grimly.

"Can I order you something to drink?"

"No, thank you – and I'm already smoking." Mr. Ember dropped the ash from a cigar. "On the Connecticut side (because it was my business to find out things) I discovered that Miss Ladislas had registered at the Commercial House as Mrs. Morton. She was there, alone, under that name, for nearly a week before you registered as Hugh Morten, and in the space of a few hours married her, under your true name, and shipped her off to New York."

"Right," Whitaker agreed steadily. "And then – ?"

"I traced her to the Hotel Belmont, where she stopped overnight, then lost her completely; and so reported to Mrs. Pettit. I must mention here, in confidence, in order that you may understand my subsequent action, that my bill for the investigation was never paid. Mr. Pettit was not in very comfortable circumstances at the time… No matter. I didn't press him, and later was glad of it, for it left me a free agent – under no obligation to make further report."

"I don't understand you."

"In a moment… I came into a little money about that time, and gave up my business: gave it up, that is, as far as placing myself at the service of the public was concerned. I retained my devouring curiosity about things that didn't concern me personally, although they were often matters of extreme interest to the general public. In other words, I continued to employ my time professionally, but only for my private amusement or in the interests of my friends… After some time Mr. Drummond sought me out and begged me to renew my search for Mrs. Whitaker; you were dead, he told me; she was due to come into your estate – a comfortable living for an independent woman."

"And you found her and told Drummond – ?"

Whitaker leaned over the table, studying the man's face with intense interest.

"No – and yes. I found Mrs. Whitaker. I didn't report to Drummond."

"But why – in Heaven's name?"

Ember smiled sombrely at the drooping ash of his cigar. "There were several reasons. In the first place I didn't have to: I had asked no retainer from Drummond, and I rendered no bill: what I had found out was mine, to keep or to sell, as I chose. I chose not to sell because – well, because Mrs. Whitaker begged me not to."

"Ah!" Whitaker breathed, sitting back. "Why?"

"This was all of a year, I think, after your marriage. Mrs. Whitaker had tasted the sweets of independence and – got the habit. She had adopted a profession looked upon with abhorrence by her family; she was succeeding in it; I may say her work was foreshadowing that extraordinary power which made her the Sara Law whom you saw to-night. If she came forward as the widow of Hugh Whitaker, it meant renunciation of the stage; it meant painful scenes with her family if she refused to abandon her profession; it meant the loss of liberty, of freedom of action and development, which was hers in her decent obscurity. She was already successful in a small way, had little need of the money she would get as claimant of your estate. She enlisted my sympathy, and – I held my tongue."

"That was decent of you."

The man bowed a quiet acknowledgment. "I thought you'd think so… There was a third reason."

He paused, until Whitaker encouraged him with a "Yes – ?"

"Mr. Whitaker" – the query came point-blank – "do you love your wife?"

Whitaker caught his breath. "What right – !" he began, and checked abruptly. The blood darkened his lean cheeks.

"Mrs. Whitaker gave me to understand that you didn't. It wasn't hard to perceive, everything considered, that your motive was pure chivalry – Quixotism. I should like to go to my grave with anything half as honourable and unselfish to my credit."

"I beg your pardon," Whitaker muttered thickly.

"You don't, then?"

"Love her? No."

There was a slight pause. Then, "I do," said this extraordinary man, meeting Whitaker's gaze openly. "I do," he repeated, flushing in his turn, "but … hopelessly… However, that was the third reason," he pursued in a more level voice – "I thought you ought to know about it – that induced me to keep Sara Law's secret… I loved her from the day I found her. She has never looked twice at me… But that's why I never lost interest."

"You mean," Whitaker took him up diffidently – "you continued to – ah – ?"

"Court her – as we say? No." Ember's shoulders, lifting, emphasized the disclaimer. "I'm no fool: I mean I'm able to recognize a hopeless case when it's as intimate to me as mine was – and is. Doubtless Mrs. Whitaker understands – if she hasn't forgotten me by this time – but, if so, wholly through intuition. I have had the sense not to invite the thunderbolt. I've sat quietly in the background, watching her work out her destiny – feeling a good deal like a god in the machine. She doesn't know it, unless Max told her against my wish; but it was I who induced him to take her from the ranks of a provincial stock company and bring her before the public, four years ago, as Joan Thursday. Since then her destiny has been rather too big a thing for me to tamper with; but I've watched and wondered, sensing forces at work about her of which even she was unsuspicious."

"What in blazes do you mean?" Whitaker demanded, mystified.

"Did it strike you to wonder at the extraordinary mob her farewell performance attracted to-night – the rabble that packed the street, though quite hopeless of even seeing the inside of the theatre?"

"Why – yes. It struck me as rather unusual. But then, Max had done nothing but tell me of her tremendous popularity."

"That alone, great as it is, wouldn't have brought so many people together to stare at the outside of a theatre. The magnet was something stronger – the morbid curiosity of New York. Those people were waiting, thrilled with expectancy, on tiptoe for – what do you think?"

"I shall think you mad in another moment, if you don't explain yourself," Whitaker told him candidly.

Ember's smile flashed and vanished. "They were waiting for the sensation that presently came to them: the report of Drummond's death."

"What the devil – !"

"Patience!.. It had been discounted: if something of the sort hadn't happened, New York would have gone to bed disappointed. The reason? This is the third time it has happened – the same thing, practically: Sara Law on the verge of leaving the stage to marry, a fatal accident intervening. Did Max by any chance mention the nickname New York has bestowed on Sara Law?"

"Nickname? No!"

"They call her 'The Destroying Angel.'"

"What damnable rot!"

"Yes; but what damnable coincidence. Three men loved her – and one by one they died. And now the fourth. Do you wonder…?"

"Oh, but – 'The Destroying Angel' – !" Whitaker cried indignantly. "How can they blame her?"