The Strollers

“You have joined the chariot, I hear?” said Susan.

“For the present,” he replied.

“And what parts will you play?” she continued, with smiling inquisitiveness.

“None.”

“What a pity! You would make a handsome lover.” Then she blushed. “Lud! What am I saying? Besides”–maliciously–“I believe you have eyes for some one else. But remember,”–shaking her finger and with a coquettish turn of the head–“I am an actress and therefore vain. I must have the best part in the new piece. Don’t forget that, or I’ll not travel in the same chariot with you.” And Susan disappeared.

“Ah, Kate,” she said, a moment later, “what a fine-looking young man he is!”

“Who?” drawled her sister.

“Mr. Saint-Prosper, of course.”

“He is large enough,” retorted Kate, leisurely.

“Large enough! O, Kate, what a phlegmatic creature you are!”

“Fudge!” said the other as she left the chamber.

Entering the tavern, the soldier was met by the wiry old lady who bobbed into the breakfast room and explained the kind of part that fitted her like a glove, her prejudices being strong against modern plays.

“Give me dramas like ‘Oriana,’ ‘The Rival Queens’ or Webster’s pieces,” she exclaimed, quoting with much fire for her years:

“‘We are only like dead walls or vaulted graves!’”

“And do not forget the ‘heavy’ in your piece!” called out Hawkes across the table. “Something you can dig your teeth in!”

“Nor the ‘juvenile lead,’” chimed in the Celtic Adonis.

“Adonis makes a great hit in a small part,” laughed Kate, appearing at the door. “‘My lord, the carriage is waiting!’”

“My lady, your tongue is too sharp!” exclaimed Adonis, nettled.

“And put in a love scene for Adonis and myself,” she continued, lazily floating into the room. “He is so fond of me, it would not be like acting!”

This bantering was at length interrupted by the appearance of the chariot and the property wagon at the front door, ready for the journey. The rumbling of the vehicles, the resounding hoofs and the resonant voice of the stable boy awakened the young lord of the manor in his chamber above. He stretched himself sleepily, swore and again composed himself for slumber, when the noise of a property trunk, thumping its way down the front stairs a step at a time, galvanized him into life and consciousness.

“Has the world come to an end?” he muttered. “No; I remember; it’s only the players taking their departure!”

But, although he spoke carelessly, the bumping of boxes and slamming and banging of portable goods annoyed him more than he would confess. With the “crazy-quilt”–a patch-work of heptagons of different hues and patterns–around his shoulders, clothing him with all the colors of the rainbow, he sat up in bed, wincing at each concussion.

“I might as well get up!” he exclaimed. “I’ll see her once more–the perverse beauty!” And tossing the kaleidoscopic covering viciously from him, he began to dress.

Meanwhile, as the time for their going drew near, mine host down-stairs sped the parting guest with good cheer, having fared profitably by the patronage the players had brought to the inn; but his daughter, Arabella, looked sad and pensive. How weary, flat and stale appeared her existence now! With a lump in her throat and a pang in her heart, she recklessly wiped her eyes upon the best parlor curtains, when Barnes mounted to the box, as robust a stage-driver as ever extricated a coach from a quagmire. The team, playful through long confinement, tugged at the reins, and Sandy, who was at the bits, occasionally shot through space like an erratic meteor.

The manager was flourishing his whip impatiently when Constance and Susan appeared, the former in a traveling costume of blue silk; a paletot of dark cloth, and, after the fashion of the day, a bonnet of satin and velvet. Susan was attired in a jupe sweeping and immensely full–to be in style!–and jacquette with sleeves of the pagoda form. The party seemed in high spirits, as from his dormer window Mauville, adjusting his attire, peered through the lattice over the edge of the moss-grown roof and leaf-clogged gutters and surveyed their preparations for departure. How well the rich color of her gown became the young girl! He had told himself white was her best adornment, but his opinion veered on the moment now, and he thought he had never seen her to better advantage, with the blue of her dress reappearing in the lighter shade, above the dark paletot, in the lining of the bonnet and the bow of ribbons beneath her chin.

“On my word, but she looks handsome!” muttered the patroon. “Might sit for a Gainsborough or a Reynolds! What dignity! What coldness! All except the eyes! How they can lighten! But there’s that adventurer with her,” as the figure of the soldier crossed the yard to the property wagon. “No getting rid of him until the last moment!” And he opened the shutters wider, listening and watching more closely.

“Are you going to ride in the property wagon?” he heard Saint-Prosper ask.

“Yes; when I have a part to study I sometimes retire to the stage throne,” she answered lightly. “I suppose you will ride your horse?”

Of his reply the listener caught only the words, “wind-break” and “lame.” He observed the soldier assist her to the throne, and then, to Mauville’s surprise, spring into the wagon himself.

“Why, the fellow is going with them!” exclaimed the land baron. “Or, at any rate, he is going with her. What can it mean?” And hurriedly quitting his post, his toilet now being complete, he hastened to the door and quickly made his way down-stairs.

During the past week his own addresses had miscarried and his gallantry had been love’s labor lost. At first he had fancied he was making progress, but soon acknowledged to himself he had underestimated the enterprise. Play had succeeded play–he could not have told what part favored her most! Ophelia sighed and died; Susan danced on her grave between acts, according to the program, and turned tears into smiles; the farewell night had come and gone–and yet Constance had made no sign of compliance to reward the patient wooer. Now, at the sight of these preparations for departure, and the presence of the stalwart stranger in the property wagon, he experienced a sudden sensation of pique, almost akin to jealousy.

Stepping from the tavern, it was with an effort he suppressed his chagrin and vexation and assumed that air of nonchalance which became him well. Smilingly he bade Susan and the other occupants of the chariot farewell, shook Barnes by the hand, and turned to the property wagon.

“The noise of your departure awakened me,” he said to the young girl. “So I have come to claim my compensation–the pleasure of seeing you–”

“Depart!” she laughed quickly.

Momentarily disconcerted, he turned to the soldier. “You ride early.”

“As you see,” returned the other, immovably.

“A habit contracted in the army, no doubt!” retorted Mauville, recovering his easy self-possession. “Well, a bumping trunk is as efficacious as a bugle call! But au revoir, Miss Carew; for we may meet again. The world is broad–yet its highways are narrow! There is no need wishing you a pleasant journey.”

His glance rested on Saint-Prosper for a moment, but told nothing beyond the slight touch of irony in his words and then shifting to the young girl, it lingered upon each detail of costume and outline of feature. Before she could reply, Barnes cracked his whip, the horses sprang forward, and the stable boy, a confused tangle of legs and arms, was shot as from a catapult among the sweet-williams. The abrupt departure of the chariot was the cue for the property wagon, which followed with some labor and jolting, like a convoy struggling in the wake of a pretentious ship. From the door Mauville watched it until it reached a toll-gate, passed beneath the portcullis and disappeared into the broad province of the wilderness.

CHAPTER VII

SOJOURNING IN ARCADIA

Calm and still was the morning; the wandering air just stirred the pendulous branches of the elms and maples, and, in the clear atmosphere, the russet hills were sharply outlined. As they swung out into the road, with Hans, the musician, at the reins, the young girl removed her bonnet and leaned back in the chair of state, where kings had fretted and queens had lolled.

The throne, imposing on the stage, now appeared but a flimsy article of furniture, with frayed and torn upholstering, and carving which had long since lost its gilded magnificence. Seated amid the jumble of theatrical appliances and accoutrements–scenery, rolled up rug-fashion, property trunks, stage clock, lamps and draperies–she accepted the situation gracefully, even finding nothing strange in the presence of the soldier. New faces had come and gone in the company before, and, when Barnes had complacently informed her Saint-Prosper would journey with the players to New Orleans in a semi-business capacity, the arrangement appeared conformable to precedent. The manager’s satisfaction augured well for the importance of the semi-business rôle assumed by the stranger, and Barnes’ friendliness was perhaps in some degree unconsciously reflected in her manner; an attitude the soldier’s own reserve, or taciturnity, had not tended to dispel. So, his being in the property wagon seemed no more singular than Hans’ occupancy of the front seat, or if Adonis, Hawkes, or Susan had been there with her. She was accustomed to free and easy comradeship; indeed, knew no other life, and it was only assiduous attentions, like those of the land baron’s, that startled and disquieted her.

As comfortably as might be, she settled back in the capacious, threadbare throne, a slender figure in its depths–more adapted to accommodate a corpulent Henry VIII!–and smiled gaily, as the wagon, in avoiding one rut, ran into another and lurched somewhat violently. Saint-Prosper, lodged on a neighboring trunk, quickly extended a steadying hand.

“You see how precarious thrones are!” he said.

“There isn’t room for it to more than totter,” she replied lightly, removing her bonnet and lazily swinging it from the arm of the chair.

“Then it’s safer than real thrones,” he answered, watching the swaying bonnet, or perhaps, contrasting the muscular, bronzed hand he had placed on the chair with the smooth, white one which held the blue ribbons; a small, though firm, hand to grapple with the minotaur, Life!

She slowly wound the ribbons around her fingers.

“Oh, you mean France,” she said, and he looked away with sudden disquietude. “Poor monarchs! Their road is rougher than this one.”

“Rougher truly!”

“You love France?” she asked suddenly, after studying, with secret, sidelong glances his reserved, impenetrable face.

His gaze returned to her–to the bonnet now resting in her lap–to the hand beside it.

“It is my native land,” he replied.

“Then why did you leave it–in its trouble?” she asked impulsively.

“Why?” he repeated, regarding her keenly; but in a moment he added: “For several reasons. I returned from Africa, from serving under Bugeaud, to find the red flag waving in Paris; the king fled!”

“Oh,” she said, quickly, “a king should–”

“What?” he asked, as she paused.

“I was going to say it was better to die like a king than–”

“Than live an outcast!” he concluded for her, a shadow on his brow.

She nodded. “At any rate, that is the way they always do in the plays,” she added brightly. “But you were saying you found your real king fled?”

His heavy brows contracted, though he answered readily enough: “Yes, the king had fled. A kinsman in whose house I had been reared then bade me head a movement for the restoration of the royal fugitive. For what object? The regency was doomed. The king, a May-fly!”

“And so you refused?”

“We quarreled; he swore like a Gascon. His little puppet should yet sit in the chair where Louis XIV had lorded it! I, who owed my commission to his noble name, was a republican, a deserter! The best way out of the difficulty was out of the country. First it was England, then it was here. To-morrow–where?” he added, in a lower tone, half to himself.

“Where?” she repeated, lightly. “That is our case, too.”

He looked at her with sudden interest. “Yours is an eventful life, Miss Carew.”

“I have never known any other,” she said, simply, adding after a pause: “My earliest recollections are associated with my mother and the stage. As a child I watched her from the wings. I remember a grand voice and majestic presence. When the audience broke into applause, my heart throbbed with pride.”

But as her thoughts reverted to times past, the touch of melancholy, invoked by the memory of her mother, was gradually dispelled, as fancy conjured other scenes, and a flickering smile hovered over the lips whose parting displaced that graver mood.

“Once or twice I played with her, too,” she added. “I thought it nice to be one of the little princes in Richard III and wear white satin clothes. One night after the play an old gentleman took me on his knee and said: I had to come, my child, and see if the wicked old uncle hadn’t really smothered you!’ When he had gone, my mother told me he was Mr. Washington Irving. I thought him very kind, for he brought me a bag of bonbons from the coffee-room.”

“It’s the first time I ever heard of a great critic laden with sweetmeats!” said the soldier. “And were you not flattered by his honeyed regard?”

“Oh, yes; I devoured it and wanted more,” she laughed.

Hans’ flourishing whip put an end to further conversation. “Der stage goach!” he said, turning a lumpish countenance upon them and pointing down the road.

Approaching at a lively gait was one of the coaches of the regular line, a vehicle of ancient type, hung on bands of leather and curtained with painted canvas, not unlike the typical French diligence, except for its absence of springs. The stage was spattered with mud from roof to wheel-tire, but as the mire was not fresh and the road fair, the presumption followed that custom and practice precluded the cleaning of the coach. The passengers, among whom were several ladies, wearing coquettish bonnets with ribbons or beau-catchers attached, were too weary even to view with wonder the odd-looking theatrical caravan. Only the driver, a diminutive person with puckered face the color of dried apples, so venerable as to be known as Old Hundred, seemed as spry and cheery as when he started.

“Morning,” he said, briskly, drawing in his horses. “Come back, have ye, with yer troupe? What’s the neuws from Alban-y?”

“Nothing, except Texas has been admitted as a State,” answered Barnes.

“Sho! We air coming on!” commented the Methuselah of the road.

“Coming on!” groaned a voice in the vehicle, and the florid face of an English traveler appeared at the door. “I say, do you call this ‘coming on!’ I’m nearly gone, don’t you know!”

“Hi!–ge’ long!–steady there!” And Old Hundred again whipped up his team, precipitating a lady into the lap of the gentleman who was “nearly gone,” and well-nigh completing his annihilation.

In less time than when a friendly sail is lost in the mist, Old Hundred’s bulky land-wherry passed from view, and the soldier again turned to his companion. But she was now intent on some part in a play which she was quietly studying and he contented himself with lighting that staple luxury of the early commonwealth, a Virginia stogie, observing her from time to time over the glowing end. With the book upon her knee, her head downcast and partly turned from him, he could, nevertheless, through the mazy convolutions and dreamy spirals of the Indian weed, detect the changing emotions which swept over her, as in fancy she assumed a rôle in the drama. Now the faintest shadow of a smile, coming and going; again beneath the curve of her long lashes, a softer gleaming in the dark eyes, adding new charm to the pale, proud face. Around them nature seemed fraught with forgetfulness; the Libyan peace that knows not where or wherefore. Rocked in the cradle of ruts and furrows, Hans, portly as a carboy, half-dozed on the front seat.

Shortly before noon they approached an ancient hostelry, set well back from the road. To the manager’s dismay, however, the door was locked and boards were nailed across the windows. Even the water pail, hospitably placed for man or beast, had been removed from its customary proximity to the wooden pump. Abandoned to decay, the tenantless inn was but another evidence of traffic diverted from the old stage roads by the Erie Canal Company. Cold was the fireplace before which had once rested the sheep-skin slippers for the guests; empty was the larder where at this season was wont to be game in abundance, sweet corn, luscious melons–the trophies of the hunt, the fruits of the field; missing the neat, compact little keg whose spigot had run with consolation for the wanderer!

Confronted by the deserted house, where they had expected convivial cheer, there was no alternative but to proceed, and their journey was resumed with some discomfiture to the occupants of the coach which now labored like a portly Spanish galleon, struck by a squall. They had advanced in this manner for some distance through furrow and groove, when the vehicle gave a sharper lurch down a deeper rut; a crash was followed by cries of affright and the chariot abruptly settled on one side. Barnes held the plunging horses in control, while the gentlemen scrambled to the ground and assisted the ladies to dismount.

“Any one hurt?” asked the manager from his box.

“No damage done–except to the coach,” said Hawkes.

By this time the horses had become quiet and Barnes, now that the passengers were rescued, like a good skipper, left the quarter deck.

“We couldn’t have chosen a better place for our lunch,” he remarked philosophically. “How fortunate we should have broken down where we did!”

“Very fortunate!” echoed the old lady ironically.

The accident had happened upon a slight plateau, of which they accordingly took possession, tethering the horses to graze. From the branches overhead the squirrels surveyed them as if asking what manner of people were these, and the busy woodpecker ceased his drumming, cocking his head inquisitively at the intruders; then shyly drew away, mounting spirally the trunk of the tree to the hole, chiseled by his strong beak for a nest. As Barnes gazed around upon the pleasing prospect, he straightway became the duke in the comedy of the forest.

“Ha, my brothers in exile,” he exclaimed, “are not these woods more free from peril than the envious court?”

“All it wants,” said the tragedian, hungrily, “is mutton, greens and a foaming pot.”

“I can’t promise the foaming pot,” answered the manager. “But, at least, we have a well-filled hamper.”

Soon the coffee was simmering and such viands as they had brought with them–for Barnes was a far-sighted and provident manager–were spread out in tempting profusion. Near them a swift-flowing stream chattered about the stones like one of nature’s busiest gossips; it whispered to the flowers, murmured to the rushes and was voluble to the overhanging branch that dragged upon the surface of the water. The flowers on its brim nodded, the rushes waved and the branch bent as if in assent to the mad gossip of the blithesome brook. And it seemed as though all this animated conversation was caused by the encampment of the band of players by the wayside.

The repast finished, they turned their attention to the injured chariot, but fortunately the damage was not beyond repair, and Barnes, actor, manager, bill-poster, license-procurer, added to his already extensive repertoire the part of joiner and wheelwright. The skilled artisans in coachmaking and coach-repairing might not have regarded the manager as a master-workman, but the fractured parts were finally set after a fashion. By that time, however, the sun had sunk to rest upon a pillow of clouds; the squirrels, law-abiding citizens, had sought their homes; the woodpecker had vanished in his snug chamber, and only forest dwellers of nocturnal habits were now abroad, their name legion like the gad-abouts of a populous city.

“There!” exclaimed the manager, surveying his handiwork. “The ’bus is ready! But there is little use going on to-night. I am not sure of the road and here is a likely spot to pass the night.”

“Likely to be devoured by wild beasts,” said Kate, with a shudder.

“I am sure I see two glistening eyes!” exclaimed Susan.

“Fudge!” observed the elastic old lady. “That’s the first time you have been afraid of two-glistening eyes.”

“There’s a vast difference between wolves and men,” murmured Susan.

“I’m not so sure of that,” returned the aged cynic.

But as the light of day was withdrawn a great fire sprang up, illumining the immediate foreground. The flames were cheering, drawing the party more closely together. Even Hawkes partly discarded his tragedy face; the old lady threw a bundle of fifty odd years from her shoulders as easily as a wood-carrier would cast aside his miserable stack of fagots, while Barnes forgot his troubles in narrating the harrowing experience of a company which had penetrated the west at a period antedating the settlement of the Michigan and Ohio boundary dispute.

The soldier alone was silent, curiously watching the play of light and shade on the faces of the strollers, his gaze resting longest, perhaps, on the features of the young girl. Leaning against an ancient oak, so old the heart of it was gone and it towered but a mighty shell, the slender figure of the actress was clearly outlined, but against that dark and roughly-furrowed background she seemed too slight and delicate to buffet with storms and hardships. That day’s experience was a forerunner of the unexpected in this wandering life, but another time the mishap might not be turned to diversion. The coach would not always traverse sunny byways; the dry leaf floating from the majestic arm of the oak, the sound of an acorn as it struck the earth presaged days less halcyon to come.

“How do you enjoy being a stroller?” asked a voice, interrupting the soldier’s reverie. “It has its bitters and its sweets, hasn’t it? Especially its sweets!” Susan added, glancing meaningly at the young girl. “But after all, it doesn’t much matter what happens to you if you are in good company.” The semi-gloom permitted her to gaze steadfastly into his eyes. He ignored the opportunity for a compliment, and Susan stifled a little yawn, real or imaginary.

“Positively one could die of ennui in this wilderness,” she continued. “Do you know you are a welcome addition to our band? But you will have to make yourself very agreeable. I suppose”–archly–“you were very agreeable in the property wagon?”

“Miss Carew had a part to study,” he returned, coldly.

“A part to study!” In mock consternation. “How I hate studying parts! They say what you wouldn’t, and don’t say what you would! But I’m off to bed,” rising impatiently. “I’m getting sleepy!”

“Sleepy!” echoed Barnes. “Take your choice! The Hotel du Omnibus”–indicating the chariot–“or the Villa Italienne?”–with a gesture toward a tent made of the drop curtain upon the walls of which was the picture of an Italian scene.

“The chariot for me,” answered Susan. “It is more high and dry and does not suggest spiders and other crawling things.”

“Good-night, then, and remember a good conscience makes a hard bed soft.”

“Then I shall sleep on down. I haven’t had a chance”–with a sigh–“to damage my conscience lately. But when I strike civilization again”–and Susan shook her head eloquently to conclude her sentence. “Oh, yes; if beds depend on conscience, boughs would be feathers for me to-night.” With which half-laughing, half-defiant conclusion, Susan tripped to the chariot, pausing a moment, however, to cast a reproachful glance over her shoulder at Saint-Prosper before vanishing in the cavernous depths of the vehicle of the muses.

Her departure was the signal for the dispersing of the party to their respective couches. Now the fire sank lower, the stars came out brighter and the moon arose and traveled majestically up the heavens, taking a brief but comprehensive survey of the habitations of mortals, and then, as if satisfied with her scrutiny, sailed back to the horizon and dropped out of sight.

CHAPTER VIII

FLIPPING THE SHILLING

Shortly after the departure of the strolling players from the tavern, Mauville summoned his servant and ordered his equipage. While waiting he strode impatiently to and fro in the dining-room, which, dismantled of the stage, by very contrast to the temporary temple of art, turned his thoughts to the players. The barrenness of the room smote him acutely with the memory of those performances, and he laughed ironically to himself that he should thus revert to them. But as he scoffed inwardly, his eyes gleamed with vivacity, and the sensations with which he had viewed the young girl night after night were reawakened. What was one woman lost to him, his egotism whispered; he had parted from many, as a gourmand leaves one meal for another. Yes; but she had not been his, insinuated vanity; another had whipped her off before his eyes.