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The Eye of Dread
The Eye of Dreadполная версия

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The Eye of Dread

Язык: Английский
Год издания: 2017
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And now Betty’s father and mother were actually talking with Peter Junior at their very gate. Impulse would have sent her flying to meet him, but that new, self-conscious shyness stayed her feet, for he was one to be approached with reverence. He was afflicted with no romantic shyness with regard to her, however. He quite forgot her, indeed, although he did ask in a general way after the children and even mentioned Martha in particular, as, being the eldest, she was best remembered. So Betty did not see Peter Junior this time, but she stood where she could see the top of the carriage from her bedroom window, whither she had fled, and she could see the blue sleeve of his coat as he put out his arm to take her mother’s hand at parting. That was something, and she listened with beating heart for the sound of his voice. Ah, little he dreamed what a tumult he had raised in the heart of that young being whose imagination had been so stirred by all that she had read and heard of war, and the part taken in it by their own young men of Leauvite. That Peter Junior had come home brevetted a captain for his bravery crowned him with glory. All that day Betty went about with dreams in her head, and coursing through them was the voice of the wounded young soldier.

At last, with the slow march of time, came the proclamation of peace, and the nation so long held prostrate–a giant struggling against fetters of its own forging, blinded and strangling in its own blood–reared its head and cried out for the return of Hope, groping on all sides to gather the divine youth to its arms, when, as a last blow, dealt by a wanton hand, came the death of Lincoln.

Then it was that the nation recoiled and bowed itself for a time, beaten and crushed–both North and South–and vultures gathered at the seat of conflict and tore at its vitals and wrangled over the spoils. Then it was that they who had sowed discord stooped to reap the Devil’s own harvest,–a woeful, bitter, desperate time, when more enmity and deep rancor was bred and treasured up for future sorrow than during all the years of the honest and active strife of the war.

In the very beginning that first news of the firing on Fort Sumter flew through the North like a tragic cry, and men felt a sense of doom hanging over the nation. Bertrand Ballard heard it and walked sorrowfully home to his wife, and sat long with bowed head, brooding and silent. Neighbor Wilcox heard it, and, leaving his business, entered his home and called his household together with the servants and held family worship–a service which it was his custom to hold only on the Sabbath–and earnestly prayed for the salvation of the country, and that wisdom might be granted its rulers, after which he sent his oldest son to fight for the cause. Elder Craigmile heard it, and consented that his last and only son should enter the ranks and give his life, if need be, for the saving of the nation. Still, tempering all this sorrow and anxiety was the chance for action, and the hope of victory.

But now, in this later time, when the strength of the nation had been wasted, when victory itself was dark with mourning for sons slain, the loss of the one wise leader to whom all turned with uplifted hearts seemed the signal for annihilation; and then, indeed, it appeared that the prophecy of Mary Ballard’s old grandfather had been fulfilled and the curse of slavery had not only been wiped out with blood, but that the greater curse of anarchy and misrule had taken its place to still further scourge the nation.

Mary Ballard’s mother, while scarcely past her prime, was taken ill with fever and died, and immediately upon this blow to the dear old father who was not yet old enough by many years to be beyond his usefulness to those who loved and depended on him, came the tragic death of Lincoln, whom he revered and in whom all his hopes for the right adjustment of the nation’s affairs rested. Under the weight of the double calamity he gave up hope, and left the world where all looked so dark to him, almost before the touch of his wife’s hand had grown cold in his.

“Father died of a broken heart,” said Mary, and turned to her husband and children with even more intensity of devotion. “For,” she said, “after all, the only thing in life of which we can be perfectly sure is our love for each other. A grave may open at our feet anywhere at any time, and only love oversteps it.”

With such an animating spirit as this, no family can be wholly sad, and though poverty pinched them at times, and sorrow had bitterly visited them, with years and thrift things changed. Bertrand painted more pictures and sold them; the children were gay and vigorous and brought life and good times to the home, and the girls grew up to be womanly, winsome lasses, light-hearted and good to look upon.

Enough of the war and the evils thereof has been said and written and sung. Animosity is dead, and brotherhood and mutual service between the two opposing factions of one great family have taken the place of strife. Useless now to say what might have been, or how otherwise that terrible time of devastation and sorrow could have been avoided. Enough to know that at last as a nation, whole and undivided, we may pull together in the tremendous force of our united strength, and that now we may take up the “White Man’s Burden” and bear it to its magnificent conclusion to the service of all mankind and the glory of God.

CHAPTER VII

A NEW ERA BEGINS

Bertrand Ballard’s studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship. They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard’s ears than this same happy laughter. Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

First he had gone to Scotland to visit his mother’s aunts. There he found the two dear old ladies, sweetly observant of him, willing to tell him much of his mother, who had been scarcely younger than the youngest of them, but discreetly reticent about his father. From this he gathered that for some reason his father was under a cloud. Yet he did not shrink from trying to learn from them all they knew about him, and for what reason they spoke as if to even mention his name was an indiscretion. It was really little they knew, only that he had gravely displeased their nephew, Peter Craigmile, who had brought Richard up, and who was his mother’s twin brother.

“But why did Uncle Peter have to bring me up? You say he quarreled with my father?”

“Weel, ye see, ye’r mither was dead.” It was Aunt Ellen, the elder by twenty years, who told him most about it, she who spoke with the broadest Scotch.

“Was my father a bad man, that Uncle ‘Elder’ disliked him so?”

“Weel now, I’d no say that; he was far from that to be right fair to them both–for ye see–ye’r mither would never have loved him if he’d been that–but he–he was an Irishman, and ye’r Uncle Peter could never thole an Irishman, and he–he–fair stole ye’r mither from us a’–an–” she hesitated to continue, then blurted out the real horror. “Your Uncle Peter kenned he had ance been in the theayter, a sort o’ an actor body an’ he couldna thole that.”

But little was to be gained with all his questioning, and what he could learn seemed no more than that his father had done what any man might be expected to do if some one stood between him and the girl he loved; so Richard felt that there must be something unknown to any one but his uncle that had turned them all against his father. Why had his father never appeared to claim his son? Why had he left his boy to be reared by a man who hated the boy’s father? It was a strange thing to do, and it must be that his father was dead.

At this time Richard was filled with ambitions,–fired by his early companionship with Bertrand Ballard,–and thought he would go to France and become an artist;–to France, the Mecca of Bertrand’s dreams–he desired of all things to go there for study. But of all this he said nothing to any one, for where was the money? He would never ask his uncle for it, and now that he had learned that he had been all his young life really a dependent on the bounty of his Uncle Peter, he could no longer accept his help. He would hereafter make his own way, asking no favors.

The old aunts guessed at his predicament, and offered to give him for his mother’s sake enough to carry him through the first year, but he would not allow them to take from their income to pay his bills. No, he would take his way back to America, and find a place for himself in the new world; seek some active, stirring work, and save money, and sometime–sometime he would do the things his heart loved. He often thought of Betty, the little Betty who used to run to meet him and say such quaint things; some day he would go to her and take her with him. He would work first and do something worthy of so choice a little mortal.

Thus dreaming, after the manner of youth, he went to Ireland, to his father’s boyhood home. He found only distant relatives there, and learned that his father had disposed of all he ever owned of Irish soil to an Englishman. A cousin much older than himself owned and still lived on the estate that had been his grandfather Kildene’s, and Richard was welcomed and treated with openhearted hospitality. But there, also, little was known of his father, only that the peasants on the estate remembered him lovingly as a free-hearted gentleman.

Even that little was a relief to Richard’s sore heart. Yes, his father must be dead. He was sorry. He was a lonely man, and to have a relative who was his very own, as near as a father, would be a great deal. His cousin, Peter Junior, was good as a friend, but from now on they must take paths that diverged, and that old intimacy must naturally change. His sweet Aunt Hester he loved, and she would fill the mother’s place if she could, but it was not to be. It would mean help from his Uncle Peter, and that would mean taking a place in his uncle’s bank, which had already been offered him, but which he did not want, which he would not accept if he did want it.

So, after a long and happy visit at his cousin Kildene’s, in Ireland, he at last left for America again, and plunged into a new, interesting, and vigorous life, one that suited well his energetic nature. He found work on the great railway that was being built across the plains to the Pacific Coast. He started as an engineer’s assistant, but soon his talent for managing men caused his employers to put him in charge of gangs of workmen who were often difficult and lawless. He did not object; indeed he liked the new job better than that he began with. He was more interested in men than materials.

The life was hard and rough, but he came to love it. He loved the wide, sweeping prairies, and, later on, the desert. He liked to lie out under the stars,–often when the men slept under tents,–his gun at his side and his thoughts back on the river bluffs at Leauvite. He did a lot of dreaming and thinking, and he never forgot Betty. He thought of her as still a child, although he was expecting her to grow up and be ready for him when he should return to her. He had a vague sort of feeling that all was understood between them, and that she was quietly becoming womanly, and waiting for him.

Peter Junior might have found other friends in Leauvite had he sought them out, but he did not care for them. His nature called for what he found in Bertrand’s studio, and he followed the desire of his heart regardless of anything else, spending all the time he could reasonably filch from his home. And what wonder! Richard would have done the same and was even then envying Peter the opportunity, as Peter well knew from his cousin’s letters. There was no place in the village so fascinating and delightful as this little country home on its outskirts, no conversation more hopeful and helpful than Bertrand’s, and no welcome sweeter or kinder than Mary Ballard’s.

One day, after Richard had gone out on the plains with the engineers of the projected road, Peter lay stretched on a long divan in the studio, his head supported by his hand as he half reclined on his elbow, and his one crutch–he had long since discarded the other–within reach of his arm. His violin also lay within reach, for he had been playing there by himself, as Bertrand had gone on one of his rare visits to the city a hundred miles away.

Betty Ballard had heard the wail of his violin from the garden, where she had been gathering pears. That was how she knew where to find him when she quickly appeared before him, rosy and flushed from her run to the house and up the long flight of stairs.

As Peter lay there, he was gazing at the half-finished copy he had been making of the head of an old man, for Peter had decided, since in all probability he would be good for no active work such as Richard had taken up, that he too would become an artist, like Bertrand Ballard. To have followed his cousin would have delighted his heart, for he had all the Scotchman’s love of adventure, but, since that was impossible, nothing was more alluring than the thought of fame and success as an artist. He would not tie himself to Leauvite to get it. He would go to Paris, and there he would do the things Bertrand had been prevented from doing. Poor Bertrand! How he would have loved the chance Peter Junior was planning for himself as he lay there dreaming and studying the half-finished copy.

Suddenly he beheld Betty, standing directly in front of the work, extending to him a folded bit of paper. “Here’s a note from your father,” she cried.

Looking upon her thus, with eyes that had been filled with the aged, rugged face on the canvas, Betty appealed to Peter as a lovely vision. He had never noticed before, in just this way, her curious charm, but these months of companionship and study with Bertrand had taught him to see beauty understandingly, and now, as she stood panting a little, with breath coming through parted lips and hair flying almost in the wild way of her childhood, Peter saw, as if it were a revelation, that she was lovely. He raised himself slowly and reached for the note without taking his eyes from her face.

He did not open the letter, but continued to look in her eyes, at which she turned about half shyly. “I heard your violin; that’s how I knew you were up here. Oh! Have you been painting on it again?”

“On my violin? No, I’ve been playing on it.”

“No! Painting on the picture of your old man. I think you have it too drawn out and thin. He’s too hollow there under the cheek bone.”

“Is he, Miss Critic? Well, thank your stars you’re not.”

“I know. I’m too fat.” She rubbed her cheek until it was redder than ever.

“What are you painting your cheeks for? There’s color enough on them as they are.”

She made a little mouth at him. “I could paint your old man as well as that, I know.”

“I know you could. You could paint him far better than that.”

She laughed, quickly repentant. “I didn’t say that to be horrid. I only said it for fun. I couldn’t.”

“And I know you could.” He rose and stood without his crutch, looking down on her. “And you’re not ‘too long drawn out,’ are you? See? You only come up to–about–here on me.” He measured with his hand a little below his chin.

“I don’t care. You’re not so awfully tall.”

“Very well, have it so. That only makes you the shorter.”

“I tell you I don’t care. You’d better stop staring at me, if I’m so little, and read your letter. The man’s waiting for it. That’s why I ran all the way up here.” By this it may be seen that Betty had lost all her awe of the young soldier. Maybe it left her when he doffed his uniform. “Here’s your crutch. Doesn’t it hurt you to stand alone?” She reached him the despised prop.

“Hurt me to stand alone? No! I’m not a baby. Do you think I’m likely to grow up bow-legged?” he thundered, taking it from her hand without a thank you, and glaring down on her humorously. “You’re a bit cruel to remind me of it. I’m going to walk with a cane hereafter, and next thing you know you’ll see me stalking around without either.”

“Why, Peter Junior! I’d be so proud of that crutch I wouldn’t leave it off for anything! I’d always limp a little, even if I didn’t use it. Cruel? I was complimenting you.”

“Complimenting me? How?”

“By reminding you that you had been brave–and had been a soldier–and had been wounded for your country–and had been promoted–and–”

But Peter drowned her voice with uproarious laughter, and suddenly surprised himself as well as her by slipping his arm around her waist and stopping her lips with a kiss.

Betty was surprised but not shocked. She knew of no reason why Peter should not kiss her even though it was not his custom to treat her thus. In Betty’s home, demonstrative expressions of affection were as natural as sunlight, and why should not Peter like her? Therefore it was Peter who was shocked, and embarrassed her with his sudden apology.

“I don’t care if you did kiss me. You’re just like my big brother–the same as Richard is–and he often used to kiss me.” She was trying to set Peter at his ease. “And, anyway, I like you. Why, I supposed of course you liked me–only naturally not as much as I liked you.”

“Oh, more! Much more!” he stammered tremblingly. He knew in his heart that there was a subtle difference, and that what he felt was not what she meant when she said, “I like you.” “I’m sure it is I who like you the most.”

“Oh, no, it isn’t! Why, you never even used to see me. And I–I used to gaze on you–and be so romantic! It was Richard who always saw me and played with me. He used to toss me up, and I would run away down the road to meet him. I wonder when he’s coming back! I wish he’d come. Why don’t you read your father’s letter? The man’s waiting, you know.”

“Ah, yes. And I suppose Dad’s waiting, too. I wonder why he wrote me when he can see me every day!”

“Well, read it. Don’t stand there looking at it and staring at me. Do you know how you look? You look as if it were a message from the king, saying: ‘You are remanded to the tower, and are to have your head struck off at sundown.’ That’s the way they did things in the olden days.” She turned to go.

“Stay here until I see if you are right.” He dropped on the divan and made room for her at his side.

“All right! That’s what I wanted to do, but I thought it wouldn’t be polite to be curious.”

“But you wouldn’t be polite anyway, you know, so you might as well stay. M-m-m. I’m remanded to the tower, sure enough. Father wants me to meet him in the director’s room as soon as banking hours are over. Fine old Dad! He wouldn’t think of infringing on banking hours for any private reasons unless the sky were falling, and even then he would save the bank papers first. See here–Betty–er–never mind. I’ll tell you another time.”

“Please tell me now! What is it? Something dreadful, Peter Junior?”

“I wasn’t thinking about this; it–it’s something else–”

“About what?”

“About you.”

“Oh, then it is no consequence. I want to hear what’s in the letter. Why did you tell me to stay if you weren’t going to tell me what’s in it?”

“Nothing. We have had a little difference of opinion, my father and I, and he evidently wants to settle it out of hand his way, by summoning me in this official manner to appear before him at the bank.”

“I know. He thinks you are idling away your time here trying to paint pictures, and he wishes to make a respectable banker of you.” She reached over and began picking the strings of his violin.

“You musn’t finger the strings of a violin that way.”

“Why not? I want to see if I can pick out ‘The Star Spangled Banner’ on it. I can on the flute, father’s old one; he lets me.”

“Because you’ll get them oily.”

She spread out her two firm little hands. “My fingers aren’t greasy!” she cried indignantly; “that’s pear juice on them.”

Peter Junior’s gravity turned to laughter. “Well, I don’t want pear juice on my strings. Wait, you rogue, I’m going to kiss you again.”

“No, you’re not, you old hobble-de-hoy. You can’t catch me.” When she was halfway down the stairs, she called back, “The man’s waiting.”

“Coward! Coward!” he called after her, “to run away from a poor old cripple and then call him names.” He thrust the letter into his pocket, and seizing his crutch began deliberately and carefully to descend the stairs, with grave, set face, not unlike his father’s.

“Catch, Peter Junior,” called Betty from the top of the pear tree as he passed down the garden path, and tossed him a pear which he caught, then another and another. “There! No, don’t eat them now. Put them in your desk, and next month they’ll be just as sweet!”

“Will they? Just like you? I’ll be even with you yet–when I catch you.”

“You’ll get pear juice on your strings. There are lots of nice girls in the village for you to kiss. They’ll do just as well as me.”

“Good girl. Good grammar. Good-by.” He waved his hand toward Betty, and turned to the waiting servant. “You go on and tell the Elder I’m coming right along,” he said, and hopped off down the road. It was only lately he had begun to take long walks or hops like this, with but one crutch, but he was growing frantic to be fairly on his two feet again. The doctor had told him he never would be, but he set his square chin, and decided that the doctor was wrong. More than ever to-day, with the new touch of little pear-stained fingers on his heart, he wanted to walk off like other men.

Now he tried to use his lame leg as much as possible. If only he might throw away the crutch and walk with a cane, it would be something gained. With one hand in his pocket he crushed his father’s letter into a small wad, then tossed it in the air and caught it awhile, then put it back in his pocket and hobbled on.

The atmosphere had the smoky appearance of the fall, and the sweet haze of Indian summer lay over the landscape, the horizon only faintly outlined through it. Peter Junior sniffed the air. He wondered if the forests in the north were afire. Golden maple leaves danced along on the path before him, whirled hither and thither by the light breeze, and the wild asters and goldenrod powdered his dark trousers with pollen as he brushed them in passing. All the world was lovely, and he appreciated it as he had never been able to do before. Bertrand’s influence had permeated his thoughts and widened thus his reach of happiness.

He entered the bank just at the closing hour, and the staid, faithful old clerks nodded to him as he passed through to the inner room, where he found his father awaiting him. He dropped wearily into a swivel chair before the great table and placed his crutch at his feet; wiping the perspiration from his forehead, he leaned forward, and rested his elbows on the table.

The young man’s wan look, for the walk had taxed his strength, reminded his father of the day he had brought the boy home wounded, and his face relaxed.

“You are tired, my son.”

“Oh, no. Not very. I have been more so.” Peter Junior smiled a disarming smile as he looked in his father’s face. “I’ve tramped many a mile on two sound feet when they were so numb from sheer weariness that I could not feel them or know what they were doing. What did you want to say to me, father?”

“Well, my son, we have different opinions, as you know, regarding your future.”

“I know, indeed.”

“And a father’s counsel is not to be lightly disposed of.”

“I have no intention of doing so, father.”

“No, no. But wait. You have been loitering the day at Mr. Ballard’s? Yes.”

“I have nothing else to do, father,–and–” Peter Junior’s smile again came to the rescue. “It isn’t as though I were in doubtful company–I–there are worse places here in the village where I might–where idle men waste their time.”

“Ah, yes. But they are not for you–not for you, my son.” The Elder smiled in his turn, and lifted his brows, then drew them down and looked keenly at his son. The afternoon sunlight streamed through the high western window and fell on the older man’s face, bringing it into strong relief against the dark oak paneling behind him, and as Peter Junior looked on his father he received his second revelation that day. He had not known before what a strong, fine old face his father’s was, and for the second time he surprised himself, when he cried out:–

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