'Certainly, my boy,' said Mr. Silver. And Mrs. Silver smiled approvingly, and told Charley to run and wash himself and have tea; and Charley gave them all a bright look, and went out of the room as happy a boy as any in all London.

Then said Mr. Merrywhistle:

'Charley's a good lad.'

'He's our first and eldest,' said Mrs. Silver, bringing forward a basket filled with socks and stockings wanting repair; 'he will be a bright man.'

Mr. Merrywhistle nodded, and they talked of various subjects until the sound of children's happy voices interrupted them. 'Here are our youngsters,' he said, rubbing his hands joyously; and as he spoke a troop of children came into the room.

MRS. SILVER'S HOME

There were five of them, as follows:

The eldest, Charles, the printer's apprentice, fifteen years of age-with a good honest face and a bright manner. The picture of a happy boy.

Then Mary, fourteen years. She looked older than Charley, and, young as she was, seemed to have assumed a kind of matronship over the younger branches. That the position was a pleasing one to her and all of them was evident by the trustful looks that passed between them.

Then Richard, twelve years; with dancing eyes, open mouth, and quick, impetuous, sparkling manner-filled with electricity-never still for a moment together; hands, eyes, and every limb imbued with restlessness.

Then Rachel, eleven years; with pale face and eyes-so strangely watchful of every sound, that it might almost have been supposed she listened with them. She was blind, and unless her attention were aroused, stood like a statue waiting for the spark of life.

Lastly, Ruth. A full-faced, round-eyed child, the prettiest of the group. Slightly wilful, but of a most affectionate disposition.

Rachel inclined her head.

'There's some one here,' she said.

'Who, my dear?' asked Mrs. Silver, holding up a warning finger to Mr. Merrywhistle, so that he should not speak.

Rachel heard his light breathing.

'Mr. Merrywhistle,' she said, and went near to him. He kissed her, and she went back to her station by the side of Ruth.

They were a pleasant bunch of human flowers to gaze at, and so Mr. and Mrs. Silver and Mr. Merrywhistle thought, for their eyes glistened at the healthful sight. Ruth and Rachel stood hand in hand, and it was easily to be seen that they were necessary to each other. But pleasant as the children were to the sight, a stranger would have been struck with amazement at their unlikeness to one another. Brothers and sisters they surely could not be, although their presence there and their bearing to each other betokened no less close a relationship. They were not indeed related by blood, neither to one another, nor to Mr. and Mrs. Silver. They were Mrs. Silver's foundlings-children of her love, whom she had taken, one by one, to rear as her own, whom she had snatched from the lap of Destitution.

Her marriage was one of purest affection, but she was barren; and after a time, no children coming, she felt a want in her home. Her husband was secretary in a sound assurance office, and they possessed means to rear a family. Before their marriage, they had both dwelt in thought upon the delight and pure pleasure in store for them, and after their marriage she saw baby-faces in her dreams. She mused: 'My husband's son will be a good man, like his father, and we shall train him well, and he will be a pride to us.' And he: 'In my baby daughter I shall see my wife from her infancy, and I shall watch her grow to girlhood, to pure womanhood, and shall take delight in her, for that she is ours, the offspring of our love.' But these were dreams. No children came; and his wife still dreamt of her shadow-baby, and yearned to clasp it to her bosom. Years went on-they had married when they were young-and her yearning was unsatisfied. Pain entered into her life; a dull envy tormented her, when she thought of homes made happy by children's prattle, and her tears flowed easily at the sight of children. Her husband, engrossed all the day in the duties and anxieties of his business, had less time to brood over the deprivation, although he mourned it in his leisure hours; but she, being always at home, and having no stern labour to divert her thoughts from the sad channel in which they seemed quite naturally to run, mourned with so intense a grief, that it took possession of her soul and threatened to make her life utterly unhappy. One day he awoke to this, and quietly watched her; saw the wistful looks she cast about her, unaware that she was being observed; felt tears flowing from her eyes at night. He questioned her, and learnt that her grief and disappointment were eating into her heart; that, strive as she would, her life was unhappy in its loneliness while he was away, and that the sweetest light of home was wanting.

'I see baby-faces in my dreams,' she said to him one night, 'and hear baby-voices-so sweet, O, so sweet!' She pressed him in her arms, and laid his head upon her breast. 'And when I wake, I grieve.'

'Dear love,' he said, all the tenderness of his nature going out in his words, 'God wills it so.'

'I know, I know, my love,' she answered, her tears still flowing.

'How can I fill up the void in her life?' he thought, and gave expression to his thought.

Then she reproached herself, and asked his forgiveness, and cried, in remorse, 'How could she, how could she grieve him with her sorrow?'

'I have a right to it,' he answered. 'It is not all yours, my dear. Promise me, you in whom all my life's cares and joys are bound, never to conceal another of your griefs from me.'

She promised, and was somewhat comforted. This was within a couple of months of Christmas. A few nights before Christmas, as he was walking home, having been detained later than usual at his office, he came upon a throng of people talking eagerly with one another, and crowding round something that was hidden from his sight. It was bitterly cold, and the snow lay deep. He knew that nothing of less import than a human cause could have drawn that concourse together, and could have kept them bound together on such a night, and while the snow was falling heavily. He pushed his way through the crowd to the front, and saw a policeman gazing stupidly upon two forms lying on the ground. One was a man-dead; the other a baby-alive in the dead man's arms. He had them-the living and the dead-conveyed to the station-house; inquiries were set afoot; an inquest was held. Nothing was learnt of the man; no one knew anything of him; no one remembered having ever seen him before; and the mystery of his life was sealed by his death. He told his wife the sad story, and kept her informed of the progress, or rather the non-progress, of the inquiry. The man was buried, and was forgotten by all but the Silvers. Only one person attended the parish funeral as mourner, and that was Mr. Silver, who was urged to the act by a feeling of humanity.

'The poor baby? said Mrs. Silver, when he came from the funeral-'what will become of it?'

In the middle of the night she told her husband that she had dreamt of the baby. 'It stretched out its little arms to me.'

Her husband made no reply; but a few nights afterwards, having arranged with the parish authorities, he brought home the child, and placed it in his wife's arms. Her heart warmed to it immediately. A new delight took possession of her; the maternal instinct, though not fully satisfied, was brought into play. During the evening she said, 'How many helpless orphans are there round about us, and we are childless!' And then again, looking up tenderly from the babe in her lap to her husband's face, 'Perhaps this is the reason why God has given us no children.'

From this incident sprang the idea of helping the helpless; and year after year an orphan child was adopted, until they had six, when their means were lessened, and they found they could take no more. Then Mr. Merrywhistle stepped in, and gave sufficient to lift another babe from Desolation's lap. This last was twin-sister to Blade-o'-Grass, and they named her Ruth. From this brief record we pass to the present evening, when all the children are assembled in Mrs. Silver's house in Buttercup-square.

Some little time is spent in merry chat-much questioning of the children by Mr. Merrywhistle, who is a great favourite with them, and to whom such moments as these are the sweetest in his life. Charley tells over again the stirring incidents of the day, and they nod their heads, and laugh, and clap their hands, and cluster round him. Charley is their king.

'Come, children, sit down,' presently says Mr. Silver.

They sit round the table, Charley at the head, next to Mrs. Silver; then come Ruth and Rachel, with hands clasped beneath the tablecloth; then Mary and Richard. Mr. Silver produces a book; they hold their breaths. The blind girl knows that the book is on the table, and her fingers tighten upon Ruth's, and all her ears are in her eyes. It is a study to watch the varying shades of expression upon her face. As Mr. Silver opens the book you might hear a pin drop. Ruth nestles closer to Rachel, and Charley rises in his excitement. Mr. Merrywhistle sits in the armchair, and as he looks round upon the happy group, is as happy as the happiest among them. It is the custom every evening (unless pressing duties intervene) to read a chapter of a good work of fiction, and the reading-hour is looked forward to with eager delight by all the children. Last week they finished the Vicar of Wakefield, and this week they are introduced to the tender romance of Paul and Virginia. The selection of proper books is a grave task, and is always left to Mrs. Silver, who sometimes herself reads aloud.

'Where did we leave off last night, children?' asks Mr. Silver.

'Where Madame de la Tour receives a letter from her aunt,' answers Mary.

'Yes, from her spiteful old aunt,' adds Richard, 'and where Paul stamps his feet and wants to know who it is that has made Virginia's mother unhappy.'

A 'Hush-sh-sh!' runs round the table; and Mr. Silver commences the beautiful chapter where Virginia gives food to the poor slave woman, and induces her master to pardon her. With what eagerness do the children listen to how Paul and Virginia are lost in the woods! They gather cresses with the young lovers, and they help Paul set fire to the palm-tree, and they see the Three Peaks in the distance. Then they come to the famous part where Paul and Virginia stand by the banks of a river, the waters of which roll foaming over a bed of rocks. 'The noise of the water frightened Virginia, and she durst not wade through the stream; Paul therefore took her up in his arms, and went thus loaded over the slippery rocks, which formed the bed of the river, careless of the tumultuous noise of its waters.' [Thinks Richard, 'O, how I wish that I were Paul, carrying Virginia over the river!'] '"Do not be afraid," cried Paul to Virginia; "I feel very strong with you. If the inhabitant of the Black River had refused you the pardon of his slave, I would have fought with him."' ['And so would I,' thinks Richard, clenching his fists.] Night comes, and the lovers are almost despairing. Profound silence reigns in the awful solitudes. Will they escape? Can they escape? Paul climbs to the top of a tree, and cries, 'Come, come to the help of Virginia!' But only the echoes answer him, and the faint sound of 'Virginia, Virginia!' wanders through the forest. Despairing, they try to comfort each other, and seek for solace in prayer. Hark! they hear the barking of a dog. 'Surely,' says Virginia, 'it is Fidèle, our own dog. Yes, I know his voice. Are we, then, so near home? At the foot of our own mountain?' So they are rescued, and this night's reading ends happily. The delight of the children, the intense interest with which they hang upon every word, cannot be described. Their attention is so thoroughly engrossed, that the figures of the young lovers might be living and moving before them. When Mr. Silver shuts the book, a sigh comes from the youthful audience. A pause ensues, and then the children talk unreservedly about the story, and what the end will be-all but Ruth, who is too young yet to form opinions. It is of course this and of course that with them all, and not one of them guesses the truth, or has any idea of the tragic ending of the story.

'Charley,' says little Ruth, 'you are like Paul.'

They all clap their hands in acquiescence.

'But where's my Virginia?' asks Charley.

'I'll be Virginia,' cries Ruth somewhat precociously; 'and you can carry me about where you like.'

They all laugh at this, and Ruth is quite proud, believing that she has distinguished herself. It is strange to hear the blind girl say, 'I can see Paul with Virginia in his arms.' And no doubt she can, better than the others who are blessed with sight. The three grown-up persons listen and talk among themselves, and now and then join in the conversation. The clock strikes-nine. It is a cuckoo-clock, and the children listen to the measured 'Cuckoo! Cuck-oo!' until the soulless bird, having, with an egregious excess of vanity, asserted itself nine times as the great 'I am' of all the birds in town or country, retires into its nest, and sleeps for an hour. Then a chapter from the Bible and prayers, and in the prayers a few words to the memory of two-a brother and a sister-who have gone from among them. For last year they were seven; now they are five. Their faces grow sad as the memory of their dear brother and sister comes upon them in their prayers, and 'Poor Archie!' 'Poor Lizzie!' hang upon their lips. The night's pleasures and duties being ended, the three youngest children go to bed, the last kind nod and smile being given to Ruth, sister to poor Blade-o'-Grass, who lingers a moment behind the others, and with her arm round Rachel's neck, cries 'Cuck-oo! Cuck-oo!' as her final good-night. But the proud bird in the clock takes no notice, and preserves a disdainful silence, although Ruth, as her custom is, waits a moment or two, and listens for the reply that does not come. Charley and Mary stop up an hour later than the others, reading; but before that hour expires, Mr. Merrywhistle bids his friends good-night, and retires.

MR. MERRYWHISTLE MEETS THE QUEER LITTLE OLD MAN

But not to his bed. He was restless, and, the night being a fine one, he strolled out of Buttercup-square into the quiet streets. It was a favourite custom of his to walk along the streets of a night with no companions but his thoughts. Almost invariably he chose the quiet streets, for there are streets in London-north and south and east and west-which never sleep; streets which are healthy with traffic in the day, and diseased with traffic in the night.

Mr. Merrywhistle walked along and mused, in no unhappy frame of mind. A visit to the Silvers always soothed and comforted him; and on this occasion the sweet face of Mrs. Silver, and the happy faces and voices of the children, rested upon him like a peaceful cloud. So engrossed was he, that he did not heed the pattering of a small urchin at his side, and it was many moments before he awoke from his walking dream, and became conscious of the importunate intruder.

'If you please, sir!' said the small urchin, for the twentieth time, in a voice of weak pleading.

Mr. Merrywhistle looked down, and saw a face that he fancied he had seen before. But the memory of the happy group in Buttercup-square still lingered upon him. What he really saw as he looked down was a little boy without a cap, large-eyed, white-faced, and bare-footed. No other than Tom Beadle in fact, making hay, or trying to make it, not while the sun, but while the moon shone.

'If you please, sir!' repeated the boy, 'will you give me a copper to buy a bit o' bread?'

Then the dawn of faint suspicion loomed upon Mr. Merrywhistle. He placed his hand lightly upon Tom Beadle's shoulder, and said in a troubled voice, 'My boy, haven't I seen you before to-day?'

'No, sir,' boldly answered Tom Beadle, having no suspicion of the truth; for when the shilling was slipped into his hand, his eyes were towards the ground, and he did not see Mr. Merrywhistle's face.

'Were you not on the Royal Exchange with a little girl, and didn't I give you a-a shilling?'

For a moment Tom Beadle winced, and he had it in his mind to twist his shoulder from Mr. Merrywhistle's grasp and run away. For a moment only: natural cunning and his inclination kept him where he was. To tell the honest truth, a lie was a sweet morsel to Tom Beadle, and he absolutely gloried in 'taking people in.' So, on this occasion, he sent one sharp glance at Mr. Merrywhistle-which, rapid as it was, had all the effect of a sun-picture upon him-and whined piteously, 'Me 'ave a shillin' guv to me! Never 'ad sich a bit o' luck in all my born days. It was some other boy, sir, some cove who didn't want it. They allus gits the luck of it. And as for a little gal and the Royal Igschange, I wish I may die if I've been near the place for a week!'

'And you are hungry?' questioned Mr. Merrywhistle, fighting with his doubts.

''Aven't 'ad a ounce o' bread in my mouth this blessed day;' and two large tears gathered in Tom Beadle's eyes. He took care that Mr. Merrywhistle should see them.

Mr. Merrywhistle sighed, and with a feeling of positive pain gave twopence to Tom Beadle, who slipped his shoulder from Mr. Merrywhistle's hand with the facility of an eel, and scudded away in an exultant frame of mind.

Mr. Merrywhistle walked a few steps, hesitated, and then turned in the direction that Tom Beadle had taken.

'Now, I wonder,' he thought, 'whether the collector was right this morning, and whether I have been assisting in making criminals today.'

Truly this proved to be a night of coincidences to Mr. Merrywhistle; for he had not walked a mile before he came upon the queer little old man, whom he had met on the Royal Exchange. The old fellow was leaning against a lamp-post, smoking a pipe, and seemed to be as much at home in the wide street as he would have been in his own parlour. He looked surly and ill-grained, and his eyebrows were very precipitous. His mild eye was towards Mr. Merrywhistle, as that gentleman approached him, and when Mr. Merrywhistle slowly passed him, his fierce eye came in view and lighted upon the stroller. Before he had left the old man three yards behind him, Mr. Merrywhistle fancied he heard a chuckle. He would have dearly liked to turn back and accost the old man, but a feeling of awkwardness was upon him, and he could not muster sufficient courage. Chance, however, brought about an interview. Not far from him was a building that might have been a palace, it was so grand and light. It was a triumph of architecture, with its beautiful pillars, and its elaborate stonework. Great windows, higher than a man's height, gilt framed, and blazing with a light that threw everything around them in the shade, tempted the passer-by to stop and admire. There were three pictures in the windows, and these pictures were so cunningly surrounded by jets of light, that they could not fail to attract the eye. Awful satires were these pictures. Two of them represented the figure of a man under different aspects. On the left, this man was represented with a miserably-attenuated face, every line in which expressed woe and destitution; his clothes were so ragged that his flesh peeped through; his cheeks were thin, his lips were drawn in, his eyes were sunken; his lean hands seemed to tremble beneath a weight of misery: at the foot of this picture was an inscription, to the effect that it was the portrait of a man who did not drink So-and-so's gin and So-and-so's stout, both of which life's elixirs were to be obtained within. On the right, this same man was represented with full-fleshed face, with jovial eyes, with handsome mouth and teeth, with plump cheeks, with fat hands-his clothes and everything about him betokening worldly prosperity and happiness: at the foot of this picture was an inscription, to the effect that it was the portrait of the same man who (having, it is to be presumed, seen the error of his ways) did drink So-and-so's gin and So-and-so's stout. A glance inside this palace, crowded with Misery, would have been sufficient to show what a bitter satire these pictures were. But the centre picture, in addition to being a bitter satire, was awfully suggestive. It was this:

Whether to the artist or to the manufacturer was due the credit of ingeniously parading 'Old Tom' in a coffin, cannot (through the ignorance of the writer) here be recorded. But there it shone-an ominous advertisement. As Mr. Merrywhistle halted for a moment before these pictures, there issued from the Laboratory of Crime and Disease a man and a woman: he, blotched and bloated; she, worn-eyed and weary-both of them in rags. The woman, clinging to his arm, was begging him to come home-for his sake; for hers; for the children's; for God's! With his disengaged hand he struck at her, and she fell to the ground, bleeding. She rose, however, and wiped her face with her apron, and implored him again and again to come home-and again he struck at her: this time with cruel effect, for she lay in the dust, helpless for a while. A crowd gathered quickly, and a hubbub ensued. In the midst of the Babel of voices, Mr. Merrywhistle, looking down saw the strange old man standing by his side. The same surly, sneering expression was on the old man's countenance, and Mr. Merrywhistle felt half inclined to quarrel with him for it. But before he had time to speak, the old man took the pipe out of his mouth, and pointing the stem in the direction of the chief actors in the scene, said, 'I knew them two when they was youngsters.'

'Indeed,' replied Mr. Merrywhistle, interested immediately, and delighted at the opportunity of opening up the conversation.

'She was a han'some gal; you'd scarce believe it to look at her now. She 'ad eyes like sloes; though whether sloes is bird, beast, or fish, I couldn't tell ye, but I've heard the sayin' a 'undred times. Anyways, she 'ad bright black eyes, and was a good gal too; but she fell in love'-(in a tone of intense scorn) – with that feller, and married him, the fool!'

'What has brought them to this?'

'Gin!' said the old man, expelling the word as if it were a bullet, and bringing his fierce eye to bear with all its force upon Mr. Merrywhistle.

Short as was the time occupied by this dialogue, it was long enough to put an end to the scene before them. The woman was raised to her feet by other women, many of whom urged her to 'Give him in charge, the brute!' but she shook her head, and staggered away in pain. Very quickly after her disappearance the crowd dissolved, by far the greater part of it finding its way through the swing-doors of the gin-palace, to talk of the event over So-and-so's gin and So-and-so's stout. Not that there was anything new or novel in the occurrence. It was but a scene in a drama of real life that had been played many hundred times in that locality. Presently the street was quite clear, and Mr. Merrywhistle and the old man were standing side by side, alone. A handy lamp-post served as a resting-place for the old man, who continued to smoke his pipe, and to chuckle between whiles, as if he knew that Mr. Merrywhistle wanted to get up a conversation, and did not know how to commence. As he saw that the old man was determined not to assist him, and as every moment added to the awkwardness of the situation, Mr. Merrywhistle made a desperate plunge.

'When I was on the Royal Exchange to-day-' he commenced.

The old man took his pipe out of his mouth, and expelled a cloud and a chuckle at the same moment.

'I thought you was a-comin' to that,' he said. 'You owe me a bob.'

'What for?'

'I made a bet with you-to myself-that the first thing you'd speak about was the Royal Exchange. I bet you a bob-to myself-and I won it.'

Without hesitation Mr. Merrywhistle took a shilling from his pocket, and offered it to the old man, who eyed it with his fierce eye for a moment, doubtingly and with curiosity, and then calmly took possession of it, and put it in his waistcoat-pocket.

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