The Vagrant Duke

"Quite a bit of wood here, Mister – enough for my job," said Shad.

But after a while Peter began to make him understand and showed him what trees should be marked for cutting and why. They came to a burned patch of at least a hundred acres.

"Is there any organized system for fighting these fires?" Peter asked.

"System! Well, when there's a fire we go and try to put it out – " laughed Wells.

"How do the fires start?"

"Campers – hunters mos'ly – in the deer season. Railroads sometimes – at the upper end."

"And you keep no watch for smoke?"

"Where would we watch from?"

"Towers. They ought to be built – with telephone connection to headquarters."

"D'ye think the old man will stand for that?"

"He ought to. It's insurance."

"Oh!"

"It looks to me, Wells," said Peter after a pause, "that a good 'crown' fire and a high gale, would turn all this country to cinders – like this."

"It's never happened yet."

"It may happen. Then good-by to your jobs – and to Black Rock too perhaps."

"I guess Black Rock can stand it, if the old man can."

They walked around the charred clearing and mounted a high sand dune, from which they could see over a wide stretch of country. With a high wooden platform here the whole of the Upper Reserve could be watched. They sat for a while among the sandwort and smoked, while Peter described the work in the German forests that he had observed before the war. Shad had now reached the point of listening and asking questions as the thought was more and more borne into his mind that this new superintendent was not merely talking for talk's sake, but because he knew more about the woods than any man the native had ever talked with, and wanted Shad to know too. For Peter had an answer to all of his questions, and Shad, though envious of Peter's grammar – for he had reached an age to appreciate it – was secretly scornful of Peter's white hands and carefully tied black cravat.

This dune was at the end of the first day's "cruise" and Shad had risen preparatory to returning toward Black Rock when they both heard a sound, – away off to their right, borne down to them clearly on the breeze – the voice of a girl singing.

"Beth," said Shad with a kindling eye. And then carelessly spat, to conceal his emotions.

"What on earth can she be doing in here?" asked Peter.

"Only half a mile from the road. It's the short cut from Gaskill's."

"I see," from Peter.

"Do you reckon you can find your way back alone, Nichols?" said Shad, spitting again.

Peter grinned. "I reckon I can try," he said.

Shad pointed with his long arm in the general direction of Heaven. "That way!" he muttered and went into the scrub oak with indecent haste.

Peter sat looking with undisguised interest at the spot where he had disappeared, tracing him for a while through the moving foliage, listening to the crackling of the underbrush, as the sounds receded.

It was time to be turning homeward, but the hour was still inviting, the breeze balmy, the sun not too warm, so Peter lay back among the grasses in the sand smoking a fresh cigarette. Far overhead buzzards were wheeling. They recalled those other birds of prey that he had often watched, ready to swoop down along the lines of the almost defenseless Russians. Here all was so quiet. The world was a very beautiful place if men would only leave it so. The voice of the girl was silent now. Shad had probably joined her. Somehow, Peter hadn't been able to think of any relationship, other than the cousinly one, between Shad Wells and Beth. He had only known the girl for half an hour but as Aunt Tillie Bergen had said, her niece seemed different from the other natives that Peter had met. Her teeth were sound and white, suggesting habits of personal cleanliness; her conversation, though careless, showed at the very least, a grammar school training. And Shad – well, Shad was nothing but a "Piney."

Pity – with a voice like that – she ought to have had opportunities – this scornful little Beth. Peter closed his eyes and dozed. He expected to have no difficulty in finding his way home, for he had a pocket compass and the road could not be far distant. He liked this place. He would build a tower here, a hundred-foot tower, of timbers, and here a man should be stationed all day – to watch for wisps of smoke during the hunting season. Smoke … Tower … In a moment he snored gently.

"Halloo!" came a voice in his dream. "Halloo! Halloo!"

Peter started rubbing his eyes, aware of the smoking cigarette in the grasses beside him.

Stupid, that! To do the very thing he had been warning Shad Wells against. He smeared the smoking stub out in the sand and sat up yawning and stretching his arms.

"Halloo!" said the voice in his dream, almost at his ear. "Tryin' to set the woods afire?"

The question had the curious dropping intonation at its end. But the purport annoyed him.

Nothing that she could have said could have provoked him more! Behind her he saw the dark face of Shad Wells break into a grin.

"I fell asleep," said Peter, getting to his feet.

Beth laughed. "Lucky you weren't burnt to death. Then how would the trees get along?"

Peter's toe burrowed after the defunct cigarette.

"I know what I'm about," he muttered, aware of further loss of dignity.

"Oh, do you? Then which way were you thinkin' of goin' home?"

Peter glanced around, pointed vaguely, and Beth Cameron laughed.

"I guess you'd land in Egg Harbor, or thereabouts."

Her laugh was infectious and Peter at last echoed it.

"You's better be goin' along with us. Shad asked me to come and get you, didn't you, Shad?"

Peter glanced at the woodsman's black scowl and grinned, recalling his desertion and precipitate disappearance into the bushes.

"I'm sure I'm very much obliged to you both," said Peter diplomatically. "But I think I can find my way in."

"Not if you start for Hammonton or Absecon, you can't. I've known people to spend the night in the woods a quarter of a mile from home."

"I shouldn't mind that."

"But Shad would. He'd feel a great responsibility if you didn't turn up for the ghost-hunt. Wouldn't you, Shad?"

Shad wagged his head indeterminately, and spat. "Come on," he said sullenly, and turned, leading the way out to the northward, followed by Beth with an inviting smile. She still wore her denim overalls which were much too long for her and her dusty brown boots seemed like a child's. Between moments of avoiding roots and branches, Peter watched her strong young figure as it followed their leader. Yesterday, he had thought her small; to-day she seemed to have increased in stature – so uncertain is the masculine judgment upon any aspect of a woman. But his notions in regard to her grace and loveliness were only confirmed. There was no concealing them under her absurd garments. Her flanks were long and lithe, like a boy's, but there was something feminine in the way she moved, a combination of ease and strength made manifest, which could only come of well-made limbs carefully jointed. Every little while she flashed a glance over her shoulder at him, exchanging a word, even politely holding back a branch until he caught it, or else when he was least expecting it, letting it fly into his face. From time to time Shad Wells would turn to look at them and Peter could see that he wasn't as happy as he might have been. But Beth was very much enjoying herself.

They had emerged at last into the road and walked toward Black Rock, Beth in the center and Peter and Shad on either side.

"I've been thinkin' about what you said yesterday," said Beth to Peter.

"About – ?"

"Singin' like an angel in Heaven," she said promptly aware of Shad's bridling glance.

"Oh, well," repeated Peter, "you do – you know."

"It was very nice of you – and you a musician."

"Musician!" growled Shad. "He ain't a musician."

"Oh, yes, he is, and he says I've a voice like an angel. You never said that, Shad Wells."

"No. Nor I won't," he snapped surlily.

Peter would have been more amused if he hadn't thought that Shad Wells was unhappy.

He needed the man's allegiance and he had no wish to make an enemy of him.

"Musician!" Shad growled. "Then it was you the men heard last night."

"I found a piano in the cabin. I was trying it," said Peter. Shad said nothing in reply but he put every shade of scorn into the way in which he spat into the road.

"A piano – !" Beth gasped. "Where? What cabin?"

"The playhouse – where I live," said Peter politely.

"Oh."

There was a silence on the part of both of his companions, awkwardly long.

So Peter made an effort to relieve the tension, commenting on the new arrivals at Black Rock House.

At the mention of Peggy's name Beth showed fresh excitement.

"Miss McGuire! Here? When – ?"

"This morning. Do you know her?"

"No. But I've seen her. I think she's just lovely."

"Why?"

"She wears such beautiful clothes and – and hats and veils."

Peter laughed. "And that's your definition of loveliness."

"Why, yes," she said in wonder. "Last year all the girls were copyin' her, puttin' little puffs of hair over their ears – I tried it, but it looked funny. Is she going to be here long? Has she got a 'beau' with her? She always had. It's a wonder she doesn't run over somebody, the way she drives."

"She nearly got me this mornin'," growled Shad.

"I wish she would – if you're going to look like a meat-ax, Shad Wells."

There was no reconciling them now, and when Beth's home was reached, all three of them went different ways. What a rogue she was! And poor Shad Wells who was to have taken Peter at a gobble, seemed a very poor sort of a creature in Beth's hands.

She amused Peter greatly, but she annoyed him a little too, ruffled up the shreds of his princely dignity, not yet entirely inured to the trials of social regeneration. And Shad's blind adoration was merely a vehicle for her amusement. It would have been very much better if she hadn't used Peter's compliment as a bait for Shad. Peter had come to the point of liking the rough foreman even if he was a new kind of human animal from anything in Peter's experience.

And so was Beth. A new kind of animal – something between a harrier and a skylark, but wholesome and human too, a denim dryad, the spirit of health, joy and beauty, a creature good to look at, in spite of her envy of the fashionable Miss Peggy McGuire with her modish hats, cerise veils and ear puffs, her red roadsters and her beaux. Poverty sat well upon Beth and the frank blue eyes and resolute chin gave notice that whatever was to happen to her future she was honorable and unafraid.

But if there was something very winning about her, there was something pathetic too. Her beauty was so unconscious of her ridiculous clothing, and yet Peter had come to think of it as a part of her, wondering indeed what she would look like in feminine apparel, in which he could not imagine her, for the other girls of Black Rock had not so far blessed his vision. Aunt Tillie Bergen had told him, over his late breakfast, of the difficulties that she and Beth had had to keep their little place going and how Beth, after being laid off for the summer at the factory, had insisted upon working in the Gaskill's vineyard to help out with the household. There ought to be something for Beth Cameron, better than this – something less difficult – more ennobling.

Thinking of these things Peter made his way back to the cabin. Nothing of a disturbing nature had happened around Black Rock House, except the arrival of the remainder of McGuire's unwelcome house party, which had taken to wandering aimlessly through the woods, much to the disgust of Jesse Brown, who, lost in the choice between "dudes" and desperadoes, had given up any attempt to follow Peter's careful injunctions in regard to McGuire. It was still early and the supper hour was seven, so Peter unpacked his small trunk which had arrived in his absence and then, carefully shutting door and windows, sat at the piano and played quietly at first, a "Reverie" of Tschaikowsky, a "Berceuse" of César Cui, the "Valse Triste" of Jean Sibelius and then forgetting himself – launched forth into Chopin's C Minor Étude. His fingers were stiff for lack of practice and the piano was far from perfect, but in twenty minutes he had forgotten the present, lost in memories. He had played this for Anastasie Galitzin. He saw the glint of the shaded piano lamp upon her golden head, recalled her favorite perfume… Silver nights upon the castle terrace… Golden walks through the autumn forest…

Suddenly a bell rang loudly at Peter's side, it seemed. Then while he wondered, it rang again. Of course – the telephone. He found the instrument in the corner and put the receiver to his ear. It was McGuire's voice.

"That you, Nichols?" it asked in an agitated staccato.

"Yes, sir."

"Well, it's getting dark, what have you done about to-night?"

"Same as last night," said Peter smiling, "only more careful."

"Well, I want things changed," the gruff voice rose. "The whole d – n house is open. I can't shut it with these people here. Your men will have to move in closer – but keep under cover. Can you arrange it?"

"Yes, I think so."

"I'll want you here – with me – you understand. You were coming to supper?"

"Yes, sir."

"Well – er – I've told my daughter and so – would you mind putting on a dress suit – ? Er – if you have one – a Tuxedo will do."

"Yes, sir," said Peter. "That's all right."

"Oh – er – thanks. You'll be up soon?"

"Yes."

"Good-by."

With a grin, Peter hung up the receiver, recalling the soiled, perspiring, unquiet figure of his employer last night. But it seemed as though McGuire were almost as much in awe of his daughter as of the danger that threatened, for, in the McGuire household, Miss Peggy, it appeared, was paramount.

Peter's bathroom was Cedar Creek. In his robe, he ran down the dusky path for a quick plunge. Then, refreshed and invigorated, he lighted his lamp and dressed leisurely. He had come to his cravat, to which he was wont to pay more than a casual attention, when he was aware of a feeling of discomfort – of unease. In the mirror something moved, a shadow, at the corner of the window. He waited a moment, still fingering his cravat, and then sure that his eyes had made no mistake, turned quickly and, revolver in hand, rushed outside. Just as he did so a man with a startled face disappeared around the corner of the cabin. Peter rushed after him, shouting and turned the edge just in time to see his shape leap into the bushes.

"Who goes there?" shouted Peter crisply. "Halt, or I'll fire."

But the only reply was a furious crashing in the undergrowth. Peter fired twice at the sound, then followed in, still calling.

No sound. Under the conditions a chase was hopeless, so Peter paused listening. And then after a few moments a more distant crackling advised him that his visitor had gotten well away. And so after a while he returned to the cabin and with his weapon beside him finished his interrupted toilet.

But his brows were in a tangle. The mystery surrounding him seemed suddenly to have deepened. For the face that he had seen at the window was that of the stranger who had stared at him so curiously – the man of the soft hat and dark mustache – who had seemed so startled at seeing him in the Pennsylvania Station when he was leaving New York.

CHAPTER VI

THE HOUSE OF TERROR

Who – what was this stranger who seemed so interested in his whereabouts? Peter was sure that he had made no mistake. It was an unusual face, swarthy, with high cheek bones, dark eyes, a short nose with prominent nostrils. Perhaps it would not have been so firmly impressed on his memory except for the curious look of startled recognition that Peter had surprised on it at the station in New York. This had puzzled him for some moments in the train but had been speedily lost in the interest of his journey. The man had followed him to Black Rock. But why? What did he want of Peter and why should he skulk around the cabin and risk the danger of Peter's bullets? It seemed obvious that he was here for some dishonest purpose, but what dishonest purpose could have any interest in Peter? If robbery, why hadn't the man chosen the time while Peter was away in the woods? Peter grinned to himself. If the man had any private sources of information as to Peter's personal assets, he would have known that they consisted of a two-dollar watch and a small sum in money. If the dishonest purpose were murder or injury, why hadn't he attacked Peter while he was bathing, naked and quite defenseless, in the creek?

There seemed to be definite answers to all of these questions, but none to the fact of the man's presence, to the fact of his look of recognition, or to the fact of his wish to be unobserved. Was he a part of the same conspiracy which threatened McGuire? Or was this a little private conspiracy arranged for Peter alone? And if so, why? So far as Peter knew he hadn't an enemy in America, and even if he had made one, it was hardly conceivable that any one should go to such lengths to approach an issue and then deliberately avoid it.

But there seemed no doubt that something was up and that, later, more would be heard from this curious incident. It seemed equally certain that had the stranger meant to shoot Peter he could easily have done so in perfect safety to himself through the window, while Peter was fastening his cravat. Reloading his revolver and slipping it into his pocket, Peter locked the cabin carefully, and after listening to the sounds of the woods for awhile, made his way up the path to Black Rock House.

He had decided to say nothing about the incident which, so far as he could see, concerned only himself, and so when the men on guard questioned him about the shots that they had heard he told them that he had been firing at a mark. This was quite true, even if the mark had been invisible. Shad Wells was off duty until midnight so Peter went the rounds, calling the men to the guardhouse and telling them of the change in the orders. They were to wait until the company upon the portico went indoors and then, with Jesse in command, they were to take new stations in trees and clumps of bushes which Peter designated much nearer the house. The men eyed his dinner jacket with some curiosity and not a little awe, and Peter informed them that it was the old man's order and that he, Peter, was going to keep watch from inside the house, but that a blast from a whistle would fetch him out. He also warned them that it was McGuire's wish that none of the visitors should be aware of the watchmen and that therefore there should be no false alarms.

Curiously enough Peter found McGuire in a state very nearly bordering on calm. He had had a drink. He had not heard the shots Peter had fired nor apparently had any of the regular occupants of the house. The visitors had possibly disregarded them. From the pantry came a sound with which Peter was familiar, for Stryker was shaking the cocktails. And when the ladies came downstairs the two men on the portico came in and Peter was presented to the others of the party, Miss Delaplane, Mr. Gittings and Mr. Mordaunt. The daughter of the house examined Peter's clothing and then, having apparently revised her estimate of him, became almost cordial, bidding him sit next Miss Delaplane at table.

Mildred Delaplane was tall, handsome, dark and aquiline, and made a foil for Peggy's blond prettiness. Peter thought her a step above Peggy in the cultural sense, and only learned afterward that as she was not very well off, Peggy was using her as a rung in the social ladder. Mordaunt, Peter didn't fancy, but Gittings, who was jovial and bald, managed to inject some life into the party, which, despite the effect of the cocktails, seemed rather weary and listless.

McGuire sat rigidly at the head of the table, forcing smiles and glancing uneasily at doors and windows. Peter was worried too, not as to himself, but as to any possible connection that there might be between the man with the dark mustache and the affairs of Jonathan McGuire. Mildred Delaplane, who had traveled in Europe in antebellum days, found much that was interesting in Peter's fragmentary reminiscences. She knew music too, and in an unguarded moment Peter admitted that he had studied. It was difficult to lie to women, he had found.

And so, after dinner, that information having transpired, he was immediately led to the piano-stool by his hostess, who was frequently biased in her social judgments by Mildred Delaplane. Peter played Cyril Scott's "Song from the East," and then, sure of Miss Delaplane's interest, an Étude of Scriabine, an old favorite of his which seemed to express the mood of the moment.

And all the while he was aware of Jonathan McGuire, seated squarely in the middle of the sofa which commanded all the windows and doors, with one hand at his pocket, scowling and alert by turns, for, though the night had fallen slowly, it was now pitch black outside. Peter knew that McGuire was thinking he hadn't hired his superintendent as a musician to entertain his daughter's guests, but that he was powerless to interfere. Nor did he wish to excite the reprobation of his daughter by going up and locking himself in his room. Peggy, having finished her cigarette with Freddy on the portico, had come in again and was now leaning over the piano, her gaze fixed, like Mildred's, upon Peter's mobile fingers.

"You're really too wonderful a superintendent to be quite true," said Peggy when Peter had finished. "But do give us a 'rag.'"

Peter shook his head. "I'm sorry, but I can't do ragtime."

"Quit your kidding! I want to dance."

"I'm not – er – kidding," said Peter, laughing. "I can't play it at all – not at all."

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