
Полная версия
The Day of Temptation
With her hand upon her heaving breast, as if to allay an acute pain that centred there, her white lips moved, but no sound escaped them. She listened. The servants had gone.
Carmenilla was downstairs chatting with Tristram; the house at last seemed silent and deserted, therefore Gemma, losing no time in further indecision, and holding her silken skirts tight around her so that they should not rustle, crept out on tiptoe, holding in her hand the key which Montelupo had given her. At first she proceeded slowly and noiselessly, but, fearing detection, hurried forward as she approached the door of the Ambassador’s room.
At last she gained it, breathless. With scarce a sound she placed the key in the lock, and a moment later was inside, closing the door after her.
Unhesitatingly she went straight to the table, and placed her hand upon the drawer containing the document. It was locked. Next instant her heart beat wildly as her quick eye espied the key still remaining in another drawer, and, taking it, she opened the locked drawer and stood examining the great blue official envelope in her hand.
Yes, the blue pencil mark was upon it in the form of a cross, as the Marquis had described. She had gained what she sought. Triumph was hers.
Quickly she turned to make her exit, but next second fell back with a loud wild cry of alarm.
Count Castellani had entered noiselessly, and was standing erect and motionless between her and the door.
Chapter Twenty Five
A Woman’s Diplomacy
Gemma stood immovable; a deathly pallor overspread her cheeks, her eyes fixed themselves in terror upon this tall, well-dressed man, who was her bitterest enemy. With one trembling hand she had clutched the revolving book-stand for support; the other held the envelope containing the secret document. She dared not to breathe; amazement and alarm held her dumb.
“And by what right, pray, do you enter my room?” the Ambassador inquired, after a few seconds of silence, complete and painful. His face was blanched in anger; in his dark eye was a keen glance of suspicion and hatred.
She laughed – that strange hollow laugh which her lover knew so well.
“I came to call on you,” she answered. The door was closed, and they were alone together.
“And you entered my room to pry into my private papers?” he said, his blood rising. “What’s that you have in your hand?”
She set her lips firmly. She was no longer the sweet, almost childlike girl, but a hard-faced, desperate woman.
“A paper I want,” she boldly answered, at the same moment doubling the envelope in half, and crushing it in her palm.
“Then you have at last become so bold that you actually have the audacity to enter one’s house and steal whatever you think proper?” he cried, in a towering passion. “Fortunately, I’ve returned in time to frustrate your latest bit of infernal ingenuity.”
“My action is but fair, now that we are enemies,” she answered with feigned indignation. “If you could, you’d ruin me; therefore I’m entirely at liberty to return the same compliment.”
“I thought you were already ruined,” the Count exclaimed. “Your reputation, at any rate, cannot be rendered blacker than it is.”
“That’s the truth, no doubt.” She laughed with an air of gaiety. “But one who makes secret diplomacy a profession, must care nothing for the good will of the world outside the diplomatic circle.”
“Those who make love their profession, should be constant, if they would achieve success,” he retorted bitterly.
At that moment a recollection flashed across her mind. It had slipped her memory until that instant. This man had on one occasion, in Rome, two years ago, spoken tenderly to her, and she had scorned his attentions. With a woman’s quick perception, she now saw that the fact that she had rejected him still rankled within his mind. Yet she was still young enough to be his daughter, and had always held him in dislike. He was a cold, scheming diplomatist, who would stake his very soul in order to get the better of his adversaries.
“Once you spoke of love to me,” she said, drawing herself up proudly. “Now you ruthlessly cast my past into my face. Even if I have acted as a diplomatic agent, you know well enough that all these scandalous stories about me are foul libels set about by Montelupo and yourself for political purposes.”
“Enough!” he cried, incensed at her words. “We need not discuss that now. I demand to know why I find you prying here, in my room?”
She smiled. “I came to see Carmenilla,” she answered.
“And she invited you to lunch? – you whom I have forbidden her to know!” he exclaimed, exasperated. “A woman of your stamp is no companion for my daughter.”
“Yet you once told me that you loved me, and I might, if I had felt so inclined, have now been the Countess Castellani, and done the honours of this Embassy. Ah, my dear Conte,” she went on, “you are a noted diplomatist, and no doubt as wary and cunning as most of your confrères. But you forget that every woman is by birth a diplomatist, and that in politics I have had a wide and, perhaps, unique experience.”
“You possess the ingenuity and daring of the very devil himself,” he blurted forth. “Show me that paper.”
“No,” she answered firmly. “It is in my possession – and I keep it.”
“You’ve stolen it!” he cried, advancing towards her determinedly. “Give it to me this instant.”
“I shall not.”
From where he stood his eyes wandered to the table, and he noticed that one of the drawers stood open. Within her hand, he saw the envelope was a blue one, secured by seals. In an instant he dashed towards the drawer, rummaged its contents, and finding the document missing, cried —
“Your infernal impertinence is really astounding. You enter my house, commit a theft, and when charged with it refuse to give up the stolen property. If you don’t return it to me at once, I’ll call in the police, and have you arrested.”
“Really?” she exclaimed with a sarcastic laugh which caused his cheeks to become flushed by anger. “I think after so many years of diplomacy, you ought to be aware that such a course is impossible. If you were a young attaché just fresh from Rome, my dear Count, you might be pardoned for not knowing that here, in this Embassy, I am on Italian soil, and, being an Italian subject, the London police are unable to arrest me.”
“But they could outside – in the Square.”
“Certainly. But if I choose to remain here – what then?”
“Remain here! You speak like an imbecile. Come, give me back that envelope.”
“Never!” she replied, still holding it firmly in her small hand, and regarding him in defiance.
Castellani knew well the contents of that envelope, and was aware that Gemma must have been employed by those implicated by the proofs it contained. For months he had held this in his possession as a weapon to use as a last resource, and the manner in which she had entered his room and filched it from the drawer made it plain to him that those to whom he was now opposed were prepared to go any length to gain their own ends. But he likewise knew Gemma well, and was aware that as a secret agent of the Ministry she was without equal – fearless, resourceful, and versed in every art of deception. He had met her often in society in Rome and Florence two years ago, been struck by her marvellous beauty as others had been, and had offered her marriage. In a word, he had made a fool of himself.
The revelations contained in that envelope she held were sufficient to cause the present Government to be hounded from its office and fat emoluments, and possibly force a criminal prosecution against certain ministers for misappropriating the public funds, therefore he was determined to regain it at all hazards and use it for his own advancement. He had, only a month ago, been promised by his party the Ministry of Foreign Affairs in the next Government, and this single document would place him in high office in Rome.
“If you defy me,” he said after a pause, his menacing gaze fixed upon that of the pretty, fragile woman, “I must be ungallant enough to wrench it from you.”
“I scarcely think you’ll do that,” she answered. “If you did, we could never come to terms.”
“Come to terms?” he echoed resentfully. “I don’t understand. I’ve no intention of coming to any arrangement with you.”
He was standing before her in the centre of the room, but she watched his every movement narrowly. She saw that he was desperate, and intended to regain possession of the envelope.
“Once again I ask you to give me that paper you have stolen,” he said in a voice that quivered with rage.
“I have already replied, Count Castellani,” she responded, “and I wish you good-afternoon.” Then with her skirts rustling, she bowed and swept past him towards the door.
“No!” he cried, springing forward and arresting her progress in a moment of fury. “You shall not escape like that. Give me the paper, or – or by Heaven, I’ll – ”
“Well?” she cried, turning upon him with flashing eyes. “What will you do?”
He drew back abashed.
“I apologise, Contessa,” he said quickly. “But give me back that paper. Remember that you’ve committed a barefaced, unpardonable theft.”
“And you, as Ambassador of Italy, utter barefaced lies every day,” she retorted.
“Diplomacy is the art of lying artistically,” he answered. “It is impossible to achieve success in diplomacy without resorting to realistic perversions of the truth. Every diplomatist must be a born liar – but he need not be a thief.”
“Some are,” she retorted. “You are one.”
His face went purple in anger.
“I – a thief?” he blurted forth. “Have you taken leave of your senses, woman?”
“Not entirely. I believe I have some remaining,” she replied. “I again repeat that you, the Count Castellani, His Majesty’s Ambassador, are a mean, despicable thief, whom the Tribunal at Rome would sentence to seven years’ imprisonment if they became acquainted with the facts.”
“Enough! Not another word, woman!” he cried in a towering passion. Then, grasping her arms, he, after a short desperate struggle, succeeded in wrenching from her the envelope for which she had risked so much. “Now you may go,” he said, as she stood flushed, panting, and breathless before him, her hair a trifle disarranged, the lace upon one of her cuffs torn and hanging. “If you don’t leave at once, I’ll ring and have you turned out.”
“I shall go when you give me back that paper,” she answered, facing him.
“You’ll never have it.”
“Then, listen,” she went on calmly, taking a few hasty steps towards where he was standing astride before the fire. “The worth of that document is to you considerable, I know, but there are others to whom its value is even greater. Just now I charged you with theft, and you feigned to have forgotten. Well, I will recall a fact or two to your memory. A year ago, at Como, there was an inquiry into certain scandals connected with the Bank of Naples.” Then she paused. The Ambassador’s face had instantly blanched. “Ah!” she went on, “I see that event has not quite slipped your memory. Well, as the result of that inquiry, in which certain statesmen were implicated, two well-known public men received sentences of ten years’ imprisonment, and others ranging from two to five years. But, at that inquiry, it was shown that a certain cheque was missing, and it was further proved that this cheque had been drawn for half a million francs. To whom that sum passed remained a mystery.”
“Well?” His Excellency gasped, still pale, glaring at her as if she were some object supernatural. All his self-possession had left him.
“The fact is a mystery no longer.”
“Why?”
“Because the identical cheque has been recovered and bears your endorsement,” she answered, in a slow, distinct voice.
“Who has recovered it?” he demanded quickly. “Who has it?”
She smiled triumphantly. This elegant man who but a moment ago had talked boldly, as became the Ambassador of Italy, was now cringing before her seeking information. His cool demeanour had altogether forsaken him.
“I have that cheque,” she said, her clear, unwavering eyes fixed upon his.
In an instant Castellani perceived that he was in the power of this pretty woman he had denounced and condemned. He knew well, too, that she was not the gay, abandoned woman that La Funaro was popularly supposed to be.
“Reflect for a single moment,” she continued ruthlessly. “What would be the result of the production of that missing draft about which so much has been written in the newspapers?”
The Ambassador bit his lip. Never in the whole course of his long and varied diplomatic career had he been so ingeniously checkmated by a woman. The estimate he had formed of her long ago was entirely correct. She possessed really remarkable talents.
“The result would certainly be rather annoying,” he observed, making a sorry attempt to smile.
“It would throw a very fierce light upon the ways and means of the party of thieves and adventurers who are endeavouring to grab Italy and grow fat upon its Treasury,” she exclaimed. “The situation at Rome has, I understand, changed considerably within the past week or so. The public mind is feeling the influence of unfavourable winds. Well, it is possible before long that this missing cheque will have to be produced.”
“Which will mean my ruin!” he blurted forth. “You know that well. If that cheque ever gets into the hands of the present Government, I shall be recalled and tried in a criminal court as a common thief.”
“That’s exactly what I said not long ago. You then declared that you had never touched a soldo of other persons’ money,” she observed, standing with her hand resting upon the writing-table, a slim, graceful figure in her dark stuff dress.
“No, Gemma, no!” he exclaimed earnestly. “You can’t mean to expose this. I – I don’t believe you have the cheque, after all. How did you learn my secret?”
“It is my duty to become acquainted with the secrets of those in opposition to the Government,” she answered simply. “Remember what you have said of me since we have been together in this room. Of a woman of my evil reputation, what can you expect but exposure?”
“You have resolved upon a vendetta?” he cried in a tone of genuine alarm.
“I have resolved to treat you fairly,” she replied, so calm that not a muscle of her face moved. “In return for that envelope and its contents which you’ve snatched from me, I will give you back your cheque.”
“When?” he cried eagerly.
“Now – at this moment.”
“You have it here?”
“Yes,” she replied. “Give me that envelope at once, and let us end this conversation. It is painful tome to speak like this to one who once offered to make me his wife.”
His Excellency frowned, meditating deeply. He saw that La Funaro had entrapped him so cleverly that there was no loophole for escape. She was remorseless and unrelenting as far as political affairs went, and he knew that if he had decided to hand the draft to the authorities, the result must prove utterly disastrous. Not only would he be ruined, but his party who sought office would be held up to public opprobrium and hopelessly wrecked.
“That paper is a purely private one,” he said. “I cannot allow you to take it, Gemma.”
“You prefer exposure, then?” she inquired, slightly inclining her head. “The Ministry of Justice are exceedingly anxious to recover that cheque, I assure you. Probably they will compel you to disgorge the substantial sum you received from the national funds when you endorsed the draft.”
He paused again, his eyes fixed upon the carpet.
“I’m not anxious for any revelations,” he answered in a sudden tone of confidence. “But your price is too high. The document which you so nearly secured is to me worth double that which you offer.”
“Very well,” she said, shrugging her shoulders impatiently. “If that’s your decision, I am content.” He was silent. His head was bent upon his breast, h’s arms were folded.
“Let me see this cheque of yours,” he exclaimed at last in a dry, dubious tone.
She unbuttoned the breast of her dress, tore away the switches of the lining, and took out a small envelope, from which she drew a large, green-coloured draft. Then, turning it over, she exhibited his own angular signature upon its back. Afterwards, she replaced it in its envelope, and then said —
“Shall we make the exchange? Or are you still prepared to face exposure? It will not be pleasant for poor Carmenilla if her father is sent to prison for embezzlement.”
“Yes, for Carmenilla?” the Ambassador gasped next instant. “For Carmenilla’s sake I will deal with you, and make the exchange. You are a truly wonderful woman, Gemma; the most shrewd, the most cunning, and” – he paused – “and the most beautiful in all the world.”
“Your compliments are best unuttered, my dear Count,” she replied, the muscles of her face unrelaxed. “Remember, like yourself, I’m a diplomatist, and it is scarcely necessary for us to bestow praises upon each other – is it? Give me the envelope.”
Slowly he walked over to the table and took the document from the drawer wherein he had placed it. For a moment he hesitated with it still in his hand. By giving it to her he was throwing down his arms; he was relinquishing the only weapon he held against his enemies in Rome.
But in her white hand he saw the piece of green incriminating paper which was such incontestable proof of his roguery and dishonesty in the past. The sight of it caused him serious misgivings. Once that were destroyed he need not fear any other proof that could be brought against him. He had a reputation for probity, and at all hazards must retain it. This last reflection decided him.
He crossed to where Gemma stood, and handing her the sealed envelope with the blue cross upon it, received the cancelled cheque in exchange.
His brow was heavy, and he sighed as, at the window, he examined it to reassure himself there was no mistake. Then, returning to the fire, he lit it at one corner, and in silence held it between his fingers until the flames had consumed it, leaving only a small piece of curling crackling tinder.
Chapter Twenty Six
The Palazza Funaro
Days had lengthened into weeks, and it was already the end of February. In Florence, as in London, February is not the most enjoyable time of the year, and those who travel south to the Winter City expecting the sunshine and warmth of the Riviera are usually sadly disappointed. At the end of March Florence becomes pleasant, and remains so till the end of May; while in autumn, when the mosquitoes cease to trouble, the sun has lost its power, and the Lungarno is cool, it is also a delightful place of residence. But February afternoons beside the Arno are very often as dark, as dreary, and as yellow as beside the Thames; and as Gemma sat after luncheon in her cosy room, the smallest in the great old palazzo in the Borgo d’Albizzi which bore her name, she shuddered and drew a silken shawl about her shoulders. It was one of the show-places of Florence; one of those ponderous, prison-like buildings built of huge blocks of brown stone, time-worn, having weathered the storms of five centuries, and notable as containing a magnificent collection of works of art. Its mediaeval exterior, a relic of ancient Florence, was gloomy and forbidding enough, with its barred windows, over-hanging roof, strange lanterns of wonderfully worked iron, and great iron rings to which men tied their horses in days bygone. Once beyond the great courtyard, however, it was indeed a gorgeous palace. The Funaros had always been wealthy and powerful in the Lily City, and had through ages collected within their palace quantities of antiquities and costly objects. Every room was beautifully decorated, some with wonderful frescoes by Andrea del Sarto, whose work in the outer court of the Annunziata is ever admired by sight-seers of every nationality, while the paintings were by Ciro Ferri, Giovanni da Bologna, Filippo Lippi, Botticelli, and Fra Bartolommeo, together with some frescoes in grisaille with rich ornamentation by Del Sarto’s pupil Franciabigio, and hosts of other priceless works.
It was a magnificent residence. There were half a dozen other palaces in the same thoroughfare, including the Altoviti, the Albizzi, and the Pazzi, but this was the finest of them all. When Gemma had inherited it she had at once furnished half a dozen rooms in modern style. The place was so enormous that she always felt lost in it, and seldom strayed beyond these rooms which overlooked the great paved courtyard with its ancient wall and curious sculptures chipped and weather-worn. The great gloomy silent rooms, with their bare oaken floors, mouldering tapestries, and time-blackened pictures, were to her grim and ghostly, as, indeed, they were to any but an art enthusiast or a lover of the antique. But the Contessa Funaro lived essentially in the present, and always declared herself more in love with cleanliness than antiquarian dirt. She had no taste for the relics of the past, and affected none. If English or American tourists found anything in the collections to admire, they were at liberty to do so on presenting their card to the liveried hall-porter. At the door the man had a box, and the money placed therein was sent regularly each quarter to the Maternity Hospital.
She spent little time in her grim, silent home; for truth to tell, its magnificence irritated her, and its extent always filled her with a sense of loneliness. The housekeeper, an elderly gentlewoman who had been a friend of her dead mother’s, was very deaf, and never amusing; therefore, after a fortnight or so, she was generally ready to exchange the Funaro Palace for the Hotel Cavour at Milan, the Minerva at Rome, or the hospitality of some country villa. Hotels, or even small houses, were not so grim and prison-like as her own great palazzo, the very walls of which seemed to breathe mutely of the past – of those troublous times when the clank of armour echoed in the long stone corridors, and the clink of spurs sounded in the courtyard below where now the only invaders were the pigeons.
The furniture of the small elegant room in which she sat was entirely modern, upholstered in pale-blue silk, with her monogram in gold thread; the carpets were thick, the great high Florentine stove threw forth a welcome warmth, and the grey light which filtered through the curtains was just sufficient to allow her to read. She was lying back in her long chair in a lazy, negligent attitude, her fair hair a trifle disordered by contact with the cushion behind her head; and one of her little slippers having fallen off, her small foot in its neat black silk stocking peeped out beneath her skirt. On the table at her elbow were two or three unopened letters, while in a vase stood a fine bouquet of flowers, a tribute from her deaf housekeeper.
Since the day she had parted from Count Castellani in the hall of the Embassy in Grosvenor Square she had travelled a good deal. She had been down to Rome, had had an interview with the Marquis Montelupo, and a week ago had unexpectedly arrived at the palazzo. As she had anticipated, when she broke her journey at Turin, on her way from London to Rome, and signed her name in the visitors’ book at the hotel, a police official called early on the following morning to inform her that she must consider herself under arrest. But the words scribbled by Montelupo upon his visiting-card had acted like magic, and, having taken the card to the Questura, the detective returned all bows and apologies, and she was allowed to proceed on her journey.
Nearly nine months had elapsed since she last set foot within her great old palazzo, and as she sat that afternoon she allowed her book to fall upon her lap and her eyes to slowly wander around the pretty room. She glanced at the window where the rain was being driven upon the tiny panes by the boisterous wind, and again she shuddered.
With an air of weariness she raised her hand and pushed the mass of fair hair off her brow, as if its weight oppressed her, sighing heavily. The events of the past month had been many and strange. In Rome she had found herself beset by a hundred pitfalls, but she had kept faith with the Marquis, and the terms she had made with him were such as to give her complete satisfaction. A crisis, however, was, she knew, imminent; a crisis in which she would be compelled to play a leading part. But to do so would require all her ingenuity, all her woman’s wit, all her courage, all her skill at deception.