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Due West: or, Round the World in Ten Months
Out of a gracefully arched window, with stucco work framing it about like curtains of crystallized lace, from whence the beauties of the harem must have often gazed upon the court below, we looked upon a setting of leafy verdure in white marble, surrounded by fountains, like an emerald set in diamonds upon a lady's hand. We looked from the boudoir of the Sultana, the Chosen of the Harem. Here were thriving orange and fig-trees mingled with glistening, dark-leaved myrtles, which were bordered by an edging of box so high and stout of limb that the main stems were more like trees than shrubs. The guide told us they were centuries old. Here were also clusters of hawthorn in blossom, and little patches of blue star-like flowers looking up from the ground like human eyes, as though having hardly the courage to assert themselves amid the more pretentious bloom. The sun lay warm and lovingly in this fragrant area of the grand old palace, and the air was very soft and sweet. It was the same scene which had gladdened witching eyes centuries ago, when the notes of the lute mingled with the careless, happy voices of the beauties of the harem.
The guide had twice to summon us before we left the spot. Then we climbed up the winding, marble steps, lighted here and there by little loop-hole windows, to a balcony that commanded a view far and near over the village-dotted plain of Granada, backed by the snowy summits of the Sierra Nevada. The city, in all its brown, turreted, and tiled confusion of buildings, lay in the foreground. The Darro and the Xenil, joined together, were seen winding their silvery way through the verdant fields, where broad patches of yellow grain added a thrifty aspect to the view. Quaint little hamlets clustered together; mulberry and olive groves, a tall hay-stack here and there, and groups of domestic cattle, enlivened the whole. It was an exceptional picture for Spain, and would convey the idea of a well-cultivated and thriving agricultural country; but it was natural irrigation, not the hand of industrious labor, which was here so agreeably represented.
One never wearied in wandering about the courts and luxurious apartments; luxurious, not because of their furniture, for there was none; but because of what they suggested, for the possibilities they presented, and the exquisite architectural workmanship displayed in each detail, and everywhere. It was like enchantment verified. Nothing seemed too extravagant to the imagination thus stimulated. If we had suddenly come upon a throng of the dark-eyed favorites of the harem diaphanously clad, on their way to the marble baths, with Nubian slaves perfuming their way by burning incense, it would not have seemed to us at all strange.
Alhambra signifies "Red Castle," and the vermilion-tinted structure, with its outlying towers, was thus appropriately named. In the days of its glory it was half palace, half fortress; indeed, a city within itself, capable of accommodating quite an army, and containing within its walls an immense cistern as a water supply, armories, store-houses, foundries, and every appliance of a large military cantonment. A considerable portion of the far-reaching walls are still extant, as well as the outlying towers; and all are remarkable for the excellent engineering skill displayed in their construction. Under good generalship, and properly manned, the place must have been impregnable to attack with such arms as were in use at the period of its completion. For a long time after the expulsion of the Moors, the Castilian monarchs made it their royal residence, and held high and regal court within its splendid walls; but they finally deserted it, and left desolate those unequaled halls and courts. The place was next infested by a lawless community of contrabandists and banditti, who made it, for a long period, their headquarters, whence to sally forth and lay the neighboring plains under contribution, on the principle that might makes right. Then came the French as conquerors, who expelled the lawless intruders, perhaps themselves quite as deserving of the title; but they did a good work by clearing what had become an Augean stable of its worst filth, and partially restoring the choicest work of the Moorish builders. To-day the Spanish government guards with jealous care a monumental treasure which cannot be equaled in historic interest elsewhere in the kingdom.
Visiting the Court of the Lions on the last day of our stay at Granada, watching its beautiful shadows, columns, and fret-work, with its mammoth vase of Oriental alabaster fed by water brought from the mountains through the old Moorish aqueduct, it seemed as if so much of tangible poetry could nowhere else be found. Over a hundred light and graceful columns of marble surround this one court, supporting arches of perfect loveliness, and a Moorish arcade of aerial lightness and beauty. The rich stucco and the arabesque decorations of the inner walls and ceilings, finished in gold and blue, the original colors still there after centuries of exposure, together form perhaps the gem of the Alhambra. Yet one hesitates to pronounce any one hall, chamber, or court as excelling another where all are so transcendently beautiful. The characteristic embodiment of the architecture seemed to be its perfect harmony throughout. There are no jarring elements, no false notes, in the marvelous anthem which it articulates. It does not impress one as representing power or grandeur, but rather sensuousness and human love. The inspiration it imparts to the thoughtful beholder is less of awe than of tenderness, and exquisite poetical delight, causing one, as he gazes upon its accumulated loveliness, almost to tremble with excess of gratification.
Many of the outlying towers of the main structure, now partly isolated by the crumbling of the connecting walls and passages, are well worth attention. We visited them with great satisfaction, but they have been too often described to require special mention here. The guide related a legend connected with one of them which was new to us. It related to that known as La Cautiva, the inner walls of which are famous for their Moorish tracery. Here, it seems, a lovely Christian maiden was imprisoned, whom Yousuf I., then reigning monarch, desired to add to his harem. In vain were her pleadings, and her assurance that she was the affianced bride of a noble knight. The king still importuned the maiden, though fruitlessly. She would not for one moment listen to his suit. Finally, pressed to the last extreme of resistance, she sought protection in death, and threw herself from the lofty battlements of the tower upon the jagged rocks at its base. Here her mangled body was found by her knightly lover, who had come, but too late, with a band of daring followers, to rescue his beloved. His revenge was swift and terrible. In the little mosque hard by Yousuf I. paid the penalty for his persecution of the gentle maiden, for there he was killed by the disconsolate knight while he was kneeling in prayer.
Crossing the glen beyond the tower of La Cautiva and ascending the hill beyond we came upon what is called the Generalife, the summer palace of the Alhambra, with which, in the olden time, it was connected by an underground passage, which is still traceable though filled in by decay and débris. This structure has been scarcely less noted than the main edifice, but one is rather disappointed at its simplicity and want of finish as compared with the Alhambra itself. The view from it is so fine that one feels amply repaid for the visit, though probably but a very small portion of the original structure remains, since it is now nothing more or less than a moderate-sized white villa, located in a wilderness of laurel, myrtle, and cypresses. Through its court-yards and gardens rushes a branch of the gold-bearing river, the Darro, spending itself in scores of fountains, tiny falls, cascades, and lakes. The grounds are full of venerable cypresses of great age and beauty, the only ones we had seen in Spain except in the English burial-ground at Malaga. Nor had we observed any elms except those of the grove planted by Wellington.
The gardens of the Generalife form its principal attraction, and the number of exotic trees and plants gathered here is remarkable. The place is now owned and cared for by the Genoese family of Grimaldi, who keep a few people on the premises to protect the property and cultivate the gardens. We were told the owner had never visited Granada. Passing through a small rear door of the Generalife, the guide conducted us by a steep path to what is called the Moor's Seat, the apex of the neighboring heights, and between which and the mountain range of snow-clad peaks lies the heavily-wooded valley of the Darro on one side, and on the other the wide-spread vega of Granada. The view includes some fifteen villages, dotting plains more fertile than any other we had seen in the country. The atmosphere was clear, rendering the comprehensive view very fine, taking in as its foreground both the Alhambra and the Generalife. The visit to the Moor's Seat was not hurried. Time was taken to impress the outspread picture it afforded lastingly on the memory, for we could not reasonably expect to ever behold it again.
After coming down we reviewed the picture gallery of the Generalife, though hardly a "gallery," made up as it is of a series of daubs representing the kings and queens of Spain, with other members of the royal family, of some possible historic interest, but otherwise not worth the canvas on which they are painted. The guide was well supplied with legends about the Generalife as to the Sultana Zoraya and her guilty Abencerrage lover, and so forth; but we had listened to one about the tower not far away, and had so much occupation for the eyes that the ears were permitted to rest. All show places, and especially royal palaces, have their romantic legends: what would guides and guide-books otherwise amount to? But without exception let it be understood, these stories are a tissue of nonsense, founded on a modicum of truth. Take as a fair example the universally accepted Byronic legends of the Bridge of Sighs at Venice, which Mr. Howells so quietly but thoroughly explodes by adducing the simplest historical facts.
Between the Alhambra and the Generalife, but not in a direct line, were located the headquarters of the gypsies of Spain, some four or five thousand of whom live in the rock caves adjoining the city, where the valley of the Darro affords a warm, sunny shelter. Holes excavated in the sloping mountain side form the homes of this singular and strongly individualized people, where they have had a recognized habitation for centuries. They are just the same renegade race that are found in other parts of Europe and the British Isles: picturesque in their rags, lawless in the extreme, and living almost entirely in the open air. In the faces of the men, who are as coarse and uncultured as men can possibly be, there was expressed much of the same savage instinct that marked the features of those captured tigers exhibited at Jeypore. They are lazy and reckless, but fiery if roused to anger. Terrible domestic tragedies sometimes occur among them, as the guide explained to us. They observe certain principles of what has been termed "wild justice," having their king or queen as the case may be, and to such self-elected control only do they yield obedience. The men, like the women, affect gaudy colors, and both toss their loose, ragged garments about them after a graceful style all their own. The bronzed features, profuse black hair, and very dark eyes of these gypsies, often render them strikingly handsome; and when this dangerous heritage falls to the share of the young women, it often leads to experiences too tragic to record. Many of the men wear embroidered velvet jackets, with hanging silver buttons, like a Basque postilion, and add a scarlet sash about the waist, the legs being bound up in sheep's skins with fancy-colored ribbons, and the feet covered with crude sandals, – altogether quite a theatrical costume.
Gypsies worship high colors and cheap jewelry, and would spend their last farthing for either, though the question of whence the next meal was to come from might be an unsolved problem. They roam idly about the grounds of the Alhambra, but are not permitted to enter its walls, and no exterior picture of the structure would be true which did not introduce one or more of them in the foreground. Strangers generally visit their quarters in the valley, and for their entertainment they dance, tell fortunes, play tricks, and, if possible, steal from them. Indeed it is hardly safe, without an experienced guide, to go among them. Their domestic life is represented to be of so objectionable a character that it will not bear discussing. Gypsies will not work unless driven to do so by absolute want, but necessity sometimes compels them; and so occasionally they may be found manipulating the waters of the swift-running Darro for gold, which is often found in paying quantities. There is a local jeweler within the precincts of the Alhambra who makes the gold from this stream into mementos, which are a favorite investment with visitors, in the form of pins and brooches. The river Darro rises in a rocky gorge of the neighboring mountains, and comes tumbling down the valley within a stone's-throw of the gypsies' cave-dwellings, thence flows through the town, and is joined by the Xenil on the plain of Granada.
Close by the Alhambra, indeed almost within the walls, we visited the delightful villa of Madame Calderon de la Barca, who was once a resident of Boston, and who was well known and highly esteemed by our best people. This fine estate was presented to her, for valuable services, by the Spanish government. It is remarkable for its spacious and beautifully arranged grounds, combining ornamentation and usefulness in a striking degree, and extending over some twenty acres of ground. Here are vineyards, fruit orchards, choice flower gardens, trees of various tropical species, among which we saw dates, cocoanuts, and figs, in thrifty condition, besides orchards of pears, plums, peaches, and apricots. Miniature waterfalls, lakes, and rivers, shaded walks, aviaries, and many other attractions showed a lavish expenditure in beautifying the place. The villa itself was closed, Madame Calderon being absent in England. At the keeper's lodge we found a Spanish family who carried on a large dairy, the cattle on the estate being of the choicest breed, and their management a favorite idea with the mistress of the estate. Butter of good quality is scarce in Spain. That which was here produced found a ready market at the Washington Irving Hotel.
In strolling about the town many spacious squares were seen, old palaces, houses in ruins, and deserted convents, all in apparent keeping with the general aspect of this faded and fading old city. We were taken by our intelligent guide to several notable localities, and among them to the humble dwelling-house where the ex-empress Eugénie was born, and where her childhood was passed. A conspicuous tablet set in the façade of the house makes formal mention of the circumstance, observing which it was natural to recall, in one comprehensive thought, the strange, romantic, and tragic story of the now childless mother and unhonored widow of Chiselhurst. There would have been no Franco-Prussian War but for her reckless machinations; the Prince Imperial would not, in consequence of reverses thereby induced, have gone to Zululand to throw away his life; the map of Europe would not have been changed by the division of Alsace-Lorraine; and there would probably have been no Republic in France to-day.
There are some very odd and very ancient stone fountains in the city, supported by grotesque animals and impossible fishes, erected far back in the regal days of Ferdinand and Isabella. The sort of fancy which could have induced these unartistic designs it is difficult to conceive of; they only require a dragon's head on a human body to make them quite Chinese. The little, narrow, winding streets recalled the older portions of Genoa and Marseilles; yet people live in them, do business there, go shopping, and generally transact the usual affairs of town life, though the space between the buildings which line these passages is not sufficient to allow two donkeys to pass each other with loads on their backs. Now one comes upon a broken stone bridge spanning the Darro on a single broad arch of great sweep, under which the noisy river rushes tumultuously down hill, and wonders how long the toppling houses, which overhang the rapids, will maintain their equilibrium. The ruthless finger of Time seems to have touched everything, neglect being only too manifest everywhere; and yet no façade is so crumbled as not to sustain a flower-bedecked balcony. If the houses are inhabited, they bristle all over their whitewashed fronts with clusters of green and blossoming flowers, strongly relieved by the snowy background. The cloth doors of the Catholic churches swing invitingly at the touch, and over the door you are informed in good plain Spanish that plenary indulgences are retailed within. Shovel-hatted priests in goodly numbers dodge out and in, but there seem to be few customers from among the people. Persons, whom by their dress and appearance one would suppose to be in comfortable circumstances, come boldly up to tourists and ask for a few cents, seeming to have no feelings of pride or delicacy. Travelers are looked upon as fair game in Spain; and still one is rather nonplused to be importuned for coppers by well-dressed strangers, and is apt to conclude that sturdy beggars can bear stout denials. Now we come upon the ruins of a square stone tower, which anciently formed a portion of the public baths; and here an old Arabian gate, arch and battlement still standing. Near the Alameda another is seen, and gardens, once connected by a subterranean passage with the distant Alhambra, away on the hill. Here an arch and there a crumbling column, all souvenirs of the exiled Moor.
We visited the Royal Chapel which adjoins the Cathedral, where the magnificent tomb of Ferdinand and Isabella is the chief object of interest. The effigies of the two lie side by side, hewn from the marble in life-like proportions, and rest upon a lofty sarcophagus in front of the great altar. Close by these is a similar tomb in white marble, representing, in the same position and style, Joanna and her husband, Philip of Burgundy. In the vault below were seen the four coffins containing the several bodies of the royal dead, the leaden covering to one of which had been pried off by French bayonets in search of treasures supposed to have been buried with the body. But this sacrilegious injury to the casket has been carefully repaired. Close at hand, in a corner of this vault, was seen the metallic coffin which contains the remains of Prince Miguel of Portugal, – the little fellow who was thrown from his pony while riding in the streets of Granada and killed. Had this boy lived to grow to man's estate, he would doubtless have united and reigned over both Spain and Portugal. The cathedral, which adjoins the chapel, is one of the glories of Spain, so to speak, and is a very grand and noble structure, full of superb workmanship, art treasures in oil paintings, and sculpture; among which are examples from Alonzo Cano and Torrigiano. The architectural effect of the interior is harmonious and beautiful, and was the work, or rather design, of Diego de Siloe, whose father was a famous sculptor, and, if we mistake not, was the author of that marvelous alabaster tomb at the convent of Miraflores, in Burgos. This cathedral was finished three hundred and sixty odd years ago, a year after the death of Ferdinand, who survived Isabella some twelve years.
In the sacristy we were shown portraits of Philip and Joanna, and, in one of the chapels, admirable pictures of Ferdinand and Isabella. The relics in the sacristy are of special interest. Here we saw the golden crown of Isabella, and, above all in interest, the precious box of pure gold from which she sold her jewels, to purchase an outfit to enable Columbus to sail on his first voyage to the new world. The box is exquisitely engraved, and has a few precious stones inlaid upon it: we see no such engraving nowadays. It was very heavy, as pure ore always is, and was some twelve inches long, half as wide, and about five inches in depth. It was impossible not to feel a thrill of emotion upon taking in one's hand this sacred relic. We were also shown the state sword of Ferdinand, and the royal sceptre carried by Isabella. Everything relating to this "queen of earthly queens" is of vital interest, and especially so to Americans. It was she whom Bacon described as "an honor to her sex and the corner-stone of the greatness of Spain." We were reminded, while looking upon these precious objects belonging to the king and queen, of the Bridge of Pinos, which was pointed out to us on the previous day as the spot from whence Columbus, quite discouraged and brokenhearted, was recalled by Isabella, after having been denied and dismissed, as both supposed, for the last time. It was at this bridge that the messenger of the relenting queen overtook the great Pilot, and brought him back to arrange the expedition which resulted in the discovery of America. We had previously seen in the Alhambra the Hall of the Ambassadors, where the queen gave audience to Columbus, and now the jewel-box served more strongly to emphasize the historical association.
A visit in the environs of the city to a place bearing the Moorish name of Hinadamar should not be forgotten, nor should any traveler who finds himself in Granada neglect to go there. Here we were shown through the convent known as the Cartuja, which has been virtually abandoned since monastic rule in Spain was deposed. It is now in charge of civil officers of the government, and one service is held each week in the chapel. It is really wonderful in the minuteness and splendid finish of its ornamentation. Here is seen an endless amount of jasper, marble, ivory, ebony, and tortoise-shell, in the form of carved and inlaid work, curious beyond description. Most of theses ornamentations, as well as the paintings, were the work of brothers of the order, who must have spent half a life-time in their consummation. The cloisters are surrounded by a wretched series of life-size paintings in fresco of the mystic type, also the work of brothers attached to the convent, representing Carthusians tormented by the English in the time of Henry VIII. But here and there was seen the work of an artistic hand shining out conspicuously above its surroundings. Apparently hanging high up on the bare wall of the sacristy is a large wooden cross, of such statuesque effect, so perfectly foreshortened and shaded, that it was difficult to believe it to be a painting, however carefully examined from the floor. The old sacristan told us that it was painted by a brother of the order named Juan Sanchez Cotan, who certainly had a painter's genius and a master's skill with the brush. Alonzo Cano has here one or two remarkable statuettes in marble, though we think of him rather as a painter than a sculptor. Some of the large pieces of variegated marble which form the base work, fonts, and tables of the chapel, are beautiful examples of the natural stone as quarried in the neighboring mountains. Indeed, larger, or finer agates cannot be found in Europe than those which ornament the Cartuja. In the natural veins of the large marbles the guide takes pleasure in suggesting likenesses to various objects, which, when once mentioned, easily form themselves to the imagination, as a wayward fancy sometimes depicts forms in the fleeting clouds at twilight.
There is a dearth of song-birds in Granada. We heard of, but not from, the nightingales in the sacred precincts of the Alhambra. Perhaps it was not the favored season, however, for this purpose. The people themselves are naturally musical and music-loving. Even the street-cries uttered by youthful and middle-aged vendors are rendered in such harmonious notes as to strike the ear agreeably. This was noticed in Malaga, and also claimed our attention here. On the road one not infrequently meets some roughly-dressed muleteer at the head of his string of heavily-laden animals, caroling forth luscious notes in a fine tenor voice which a Brignoli might envy. A taste for music is born in the people, few of whom are too poor to own and play upon a guitar or some musical instrument. The only difference between Spain and Italy in this respect is that here one does not recognize the music, while in Italy we usually hear the strains of some familiar opera.