The Stretton Street Affair

“I’ll try,” he said. “But I fear I shan’t succeed. Mr. Henderson, the master’s secretary, would know, of course.”

The point at issue now was whether the young American girl, who had been the millionaire’s guest at the villa, and Gabrielle Engledue were actually one and the same person. If they were, then I had made one step towards the solution of the enigma.

I confess to utter bewilderment. My brain was still confused. Sometimes my skull seemed wrapped in cotton wool. From a mere unimportant person in the world of electrical engineering I had suddenly become a man upon whom rested a great and criminal responsibility!

In that huge, garish café, with its great arc lamps glowing though night had not yet fallen, and with a noisy orchestra playing selections from the latest crazes of music from the revues in London, I sat with a perfectly open mind. I had been the victim of some extremely clever plot. But of its motive, of its ramifications, or of its conception, I had no knowledge. Even my wildest imagination was at fault.

All I knew was that the sallow-faced De Gex – the millionaire who lived up at the huge Villa Clementini – had plotted against the handsome girl, and she had died in his wife’s bedroom in Stretton Street.

“Well, Mr. Robertson, how can I find out anything more about Miss Thurston? Give me your advice.”

“I’ll try and see what I can do,” he said. “Perhaps I may be able to get a glance at the mistress’s address book. I have seen it. I’ll try.”

“Yes – do!” I said very anxiously. “It means so very much to me.”

“Why?”

I hesitated. My intention was to mislead both of my companions.

“Well,” I said with a laugh, “the fact is, I – I’m very fond of her!”

Both men exchanged glances. Then they smiled, almost imperceptibly, I know, but it struck them as humorous that I had fallen in love with the daughter of a wealthy American.

“Of course I’m not yet certain whether she is the same lady,” I went on. “She may not be. But on calm consideration I believe she is. The description you give of her is exact.”

“Well,” exclaimed the butler, “I’ll see if I can get at the address book. She keeps it in a drawer in her boudoir, which is usually locked. But sometimes she leaves it open. At any rate, I’ll see what I can do and let you know.”

I thanked him and told him that I was staying at the Savoy. Then I was compelled to discuss with the estate-agent’s clerk the pretended renting of an apartment out by the Porta Romana, which, he said, was vacant.

On the following day, in order to still sustain the deception, I went and viewed the place, and found it really quite comfortable and very reasonable. But, of course, I was compelled to express dislike of it. Whereupon my friend promised to find me another.

Day after day I waited in Florence, hoping against hope that Robertson would be able to furnish me with Miss Thurston’s address. But though I saw him several times he reported that the drawer containing the address book was still locked.

Mr. De Gex had gone to Rome, and was away for three days. The British Ambassador was giving some official function and the millionaire had been invited. Indeed, I read all about it in the Nazione.

On the fourth day he returned, for I saw him in his big yellow car driving along the Via Calzajoli. An elegant Italian, the young Marchese Cerretani, was seated at his side, and both were laughing together.

Twice I had been up to the Villa Clementini, and wandered around its high white walls which hid the beautiful gardens from the public gaze. Surely there was no fairer spot in all sunny Italy than that chosen by the rich man as his abode. To the hundreds of visitors of all nations, who came up by train to Fiesole from Florence to lunch or dine at the various pleasant little restaurants, the great imposing place was pointed out as the residence of the rich “Inglese” – the man who possessed more money than any of the most wealthy in the kingdom of Italy.

When I thought of that fateful night in Stretton Street, I waxed furious. Was it possible, that, by the possession of great riches, a man could commit crime with impunity? Perhaps what goaded me to desperation more than anything was the foul trick that had been played upon me – the administration of that drug which had caused me to lose all sense of my own being.

That subtle odour of pot-pourri had gripped me until I felt faint and inert beneath its perfume, and it often returned to me – but in fancy, of course.

In the winter sunshine I wandered about the busy, old-world streets of Florence, idling in the cafés, gazing into the many shop-windows of the dealers in faked pictures and faked antiques, while often my wandering footsteps led me into one or other of the “sights” of the city, all of which I had visited before – the National Museum at the Bargello, the Laurenziana Library, with its rows of priceless chained manuscripts, the Chiostro dello Scalzo, where Andrea del Sarto’s wonderful frescoes adorn the walls, or into the Palazzo Vecchio, or the galleries of the Pitti, or the Uffizi. I was merely killing time in the faint hope that the good-natured Robertson might get for me the information which, in the circumstances, I was naturally most eager to obtain.

In the course of my erratic wanderings through the grand old city, with its host of monuments of a glorious past, I was one morning passing the great marble-built cathedral and noticed a number of people entering. There seemed to be an unusual number of visitors, so having nothing to do I passed through the narrow door into the sombre gloom of the magnificent old place – one of the most noteworthy and most beautiful sacred buildings in the world.

At first, entering from the bright sunshine of the piazza, I could scarcely see, so dim was the huge interior, but slowly my vision, rather bad since my strange adventure, grew accustomed to the half-darkness, and I saw that upon the high altar there were many long candles burning in their brass sconces and before the high altar three priests in gorgeous vestments were kneeling.

In the great cavernous place, with its choir beneath the dome, I heard low prayers in Latin. Men and women who passed me bowed and crossed themselves while many knelt.

The glorious cathedral of Santa Maria del Fiore, so called from the Lily which figures in the Arms of Florence – hence “the Lily City” – had always an attraction for me, as it has for every visitor to the ancient Tuscan capital. The stained glass of Ghiberti, the wonderful mosaics of Gaddo Gaddi, the frescoes of angels by Santi di Tito, and the beautiful pictures by the great mediæval masters, all are marvellous, and worth crossing the world to see.

From before the altar a long spiral mist of incense was rising, and about me as I stood in the centre of the enormous interior, many visitors were passing out from the dim religious gloom into the light of the open doorway.

Suddenly my eyes caught sight of a countenance.

I held my breath, standing rooted to the spot. What I saw staggered belief. Was it only a chimera of my unbalanced imagination – or was it actual fact?

For a few seconds I remained undecided. Then, aghast and amazed, I became convinced that it was a stern reality.

The mystery of the affair at Stretton Street became in that single moment a problem even more than ever bewildering.

CHAPTER THE SIXTH

ANOTHER PUZZLE

Kneeling before Donatello’s magnificent picture of the Virgin over one of the side altars, her outline dimly illuminated by the light of many candles, was a slim, dark-haired young woman in deep mourning. Her head was bowed in an attitude of great devotion, but a few moments later, when she raised her face, I stood rooted to the spot.

The countenance was that of the dead girl Gabrielle Engledue!

An involuntary exclamation left my lips, and a woman standing near me heard me, and wondered.

Kneeling beside the girl in black was a thin-faced, black-haired Italian of about forty-five. He was somewhat handsome, though a sinister expression played about his lips.

I watched the pair for several minutes, wondering whether in my brain, unbalanced as it had been, the scene was a mere chimera on my part and that, after all, the girl only slightly resembled the victim at Stretton Street.

The latter I had not seen in life, and death always alters the features. Nevertheless, the sudden encounter was most startling, and from where I stood behind a great marble column I watched them.

At last both rose and crossing themselves piously, walked slowly to the door. I followed them. It surely could not be that the girl whose death certificate I had forged, and whose body had been reduced to ashes, was actually alive and well! I recollected that sum of five thousand pounds, and the strange adventures which had befallen me after I had accepted the bribe to pose as a doctor, and certify that death had been due to natural causes.

Outside in the bright sunlight of the Piazza, I obtained a full view of her. Her rather shabby black was evidently of good material, but her face struck me as distinctly strange. The expression in her dark luminous eyes was fixed, as though she were fascinated and utterly unconscious of all about her. She walked mechanically, without interest, and utterly heedless of where she went. Her companion’s hand was upon her arm as she crossed to the Via Calzajoli, and I wondered if she were blind.

I had never before seen such a blank, hopeless expression in a woman’s eyes.

The man, on the contrary, was shrewd and alert. His close-set eyes shot shrewd glances from beneath black bushy eyebrows with a keen, penetrating gaze, as though nothing escaped him. He seemed to be trying to hurry her, in fear of being recognized. He had not noticed me, hence in the bustle of the busy street I managed to get up close behind them, when of a sudden, I heard her exclaim:

“Not so fast! Really I can’t walk so fast!”

She spoke in English!

Her companion, uncouth and heedless, still had his hand upon her arm, hurrying her along without slackening his pace. She seemed like a girl in a dream. Truly, she was very handsome, a strange tragic figure amid all the hubbub of Florence, the old-world city of noise and of narrow streets, where Counts and contadini rub shoulders, and the tradesmen are ever on the look out to profit – if only a few soldi – upon the innocent foreigner.

Firenze la Bella – or Florence as the average Englishman knows it – is surely a city of strange people and of strange moods. By the discordant clanging of its church bells the laughter-loving Florentines are moved to gaiety, or to piety, and by the daily articles in the local journals, the Nazione or the Fieramosca, they can be incited to riot or violence. The Tuscans, fine aristocratic nobles with ten centuries of lineage behind them, and splendid peasants with all their glorious traditions of feudal servitude under the “nobile,” are, after all, like children, with a simplicity that is astounding, combined with a cunning that is amazing.

Along the Via Calzajoli I followed the pair in breathless eagerness. At that hour of the morning the central thoroughfare is always crowded by business men, cooks out shopping, and open-mouthed forestieri– the foreigners who come, guide-book in hand, to gaze at and admire the thousand wonderful monuments of the ancient city of Medici. The girl’s face certainly resembled very closely that of the dead girl Gabrielle Engledue. The countenance I had seen at Stretton Street was white and lifeless, while that of the girl was fresh and rosy. Nevertheless, that blank expression upon her face, and the fact that her companion had linked his arm in hers, both pointed to the fact that either her vision was dim, or her great dark eyes were actually sightless. The man was fairly well dressed, but the girl was very shabby. Her rusty black, her cheap stockings, her down-at-heel shoes, and her faded hat combined to present a picture of poverty. Indeed, the very fact of the neglect of her dress was increasing evidence that her vision was dim, for surely she would not go forth with the rent in the elbow of her blouse. Did she know that it was torn?

Just as we were passing the ancient church of Or San Michele, with its wonderful armorial bearings by Luca della Robbia, an old man with long white hair and beard, whom I took to be one of the mangy painters who copy the masterpieces in the Uffizi or the Pitti, passed by, and raising his hat, wished the pair: “Buon giorno!”

The girl’s companion returned the salute with a slight expression of annoyance, perhaps at being recognized, but the girl took no notice, and did not acknowledge him.

The man uttered some words in the girl’s ear, and then hurried her on more quickly, at the same time glancing furtively around. It was quite plain that he had no wish to be seen there, hence my curiosity became increased.

Every moment I, however, feared that he might realize I was following them; but I did not mean that they should escape me.

In the Piazza della Signorina they halted opposite that great old prison-like building, the Palazzo Vecchio, where several people were awaiting an omnibus, and as they stood there the girl, who bore such a striking resemblance to the dead niece of the millionaire, stared straight before her, taking no notice of anything about her, a strange, statuesque, pathetic figure, inert and entirely guided by the ferret-eyed man at her side.

I was compelled to draw back and watch them from a distance, hoping that I might be successful in following them to their destination. It certainly was strange that the girl who was so much like Gabrielle Engledue should be there in Florence, within a mile or two of De Gex’s villa!

As I watched, yet another person – a well-dressed woman of about forty – recognizing the girl’s companion, smiled as she passed, while he, on his part, raised his hat. The woman who had passed struck me as being either English or American, for there are many English-speaking residents in Florence. For a second I debated within myself, and then a moment later I followed her until she turned a corner in the Via di Porta Rossa. Then I hurried, and overtaking her politely raised my hat.

“I trust you will pardon me, Madame,” I exclaimed in English, as she started and looked at me askance. “I presume you are either English or American?”

“I am American,” she replied with a pronounced drawl.

“Please forgive my inquisitiveness, but I seek your aid in a little matter which is of greatest consequence to me,” I went on. “A moment ago, as you crossed the Piazza, you encountered an Italian gentleman and a girl. Could you tell me the gentleman’s name?”

“What, the person I bowed to a moment ago?” she exclaimed. “Oh! that’s Doctor Moroni.”

Moroni! I recollected the name. He was one of the mourners!

“And the girl?” I asked.

“Ah! I do not know. I saw her out with an old woman the other day. But I have no idea who she is.”

“Is Doctor Moroni a doctor of medicine?” I inquired.

“Yes. The people at the pension of the Lung Arno where I live, always call him in. I was ill six months ago, and he attended me. He lives in the Via Cavezzo, near the Porta Romona – number six, I believe.”

“I am sure I am extremely obliged to you,” I replied very gratefully. “I have a very strong reason for asking these questions – reasons which concern the young lady,” I added.

The American woman smiled, and then, reiterating my thanks, I raised my hat and left her.

At least I had discovered the identity of the girl’s companion. He was a doctor, hence it was most probable that she was under his charge. Nevertheless, it was strange that he should take her to the Duomo and pray at her side. Doctors do not usually act in that manner with their patients.

When I returned to the Piazza the pair were nowhere to be seen, therefore I strolled to the nearest café, and sat down with a cigarette to think out the remarkable affair.

One or two features of the problem now became more than ever puzzling. First, in view of the fact that I had seen Gabrielle Engledue lying dead and had, for a bribe of five thousand pounds, signed a death certificate purporting to be from Doctor Gordon Garfield, of Queen Anne Street, Cavendish Square, it seemed beyond credence that the girl who had died and been cremated should be led about the streets of Florence by this Italian, Doctor Moroni. Oswald De Gex’s denials were, in themselves, only thin, and yet they were all very clever and carefully prepared. The story of how his wife had left his little son in Westbourne Grove to be discovered by the police was no doubt well thought out. De Gex and his wife were actually on most affectionate terms, hence the tale he had told had been purposely concocted, in order to mislead me. Besides, his pretence that the dead girl had been his niece was, of course, a similarly concocted story to mislead me, and also to discredit me if perchance I made any unwelcome inquiries.

That I had been half asphyxiated and then drugged until my mental balance had been upset, was quite plain. And it was equally plain that De Gex did not intend that I should be capable of making inquiries concerning the events of that memorable November night. When I had been thrown out of the motor-car on that French highway, near St. Malo, the bank-notes had been purposely left in my pocket. I had already copied the numbers, and had called upon the millionaire’s bankers in Pall Mall, but there was no record that any of them had been issued to him. That payment had evidently been very well concealed.

On every hand it appeared quite plain that I had been the victim of some strange and remarkable conspiracy, the motive of which was entirely obscure. Surely I must have been watched, and my habits noted. De Gex had known that I frequently passed his door on my way to visit my uncle, and further, he must have known that I should pass on that fateful night in November when Horton was sent out to entice me within.

But the chief point of that complex puzzle was the fact that there, in Florence, within a mile or two of the millionaire’s almost regal residence, I had encountered a living girl who, in every feature, was the exact counterpart of the poor girl whose death and cremation stood recorded in the official registry at Somerset House!

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