Sundry Accounts

That fear, along with the behavior which became from that night thenceforward part and parcel of him, made Dudley Stackpole as one set over and put apart from his fellows. Neither by daytime nor by nighttime was he thereafter to know darkness. Never again was he to see the twilight fall or face the blackness which comes before the dawning or take his rest in the cloaking, kindly void and nothingness of the midnight. Before the dusk of evening came, in midafternoon sometimes, of stormy and briefened winter days, or in the full radiance of the sun's sinking in the summertime, he was within doors lighting the lights which would keep the darkness beyond his portals and hold at bay a gathering gloom into which from window or door he would not look and dared not look.

There were trees about his house, cottonwoods and sycamores and one noble elm branching like a lyre. He chopped them all down and had the roots grubbed out. The vines which covered his porch were shorn away. To these things many were witnesses. What transformations he worked within the walls were largely known by hearsay through the medium of Aunt Kassie, the old negress who served him as cook and chambermaid and was his only house servant. To half-fearsome, half-fascinated audiences of her own color, whose members in time communicated what she told to their white employers, she related how with his own hands, bringing a crude carpentry into play, her master ripped out certain dark closets and abolished a secluded and gloomy recess beneath a hall staircase, and how privily he called in men who strung his ceilings with electric lights, although already the building was piped for gas; and how, for final touches, he placed in various parts of his bedroom tallow dips and oil lamps to be lit before twilight and to burn all night, so that though the gas sometime should fail and the electric bulbs blink out, there still would be abundant lighting about him. His became the house which harbored no single shadow save only the shadow of morbid dread which lived within its owner's bosom. An orthodox haunted house should by rights be deserted and dark. This house, haunted if ever one was, differed from the orthodox conception. It was tenanted and it shone with lights.

The man's abiding obsession – if we may call his besetment thus – changed in practically all essential regards the manners and the practices of his daily life. After the shooting he never returned to his mill. He could not bring himself to endure the ordeal of revisiting the scene of the killing. So the mill stood empty and silent, just as he left it that night when he rode to town with the sheriff, until after his brother's death; and then with all possible dispatch he sold it, its fixtures, contents and goodwill, for what the property would fetch at quick sale, and he gave up business. He had sufficient to stay him in his needs. The Stackpoles had the name of being a canny and a provident family, living quietly and saving of their substance. The homestead where he lived, which his father before him had built, was free of debt. He had funds in the bank and money out at interest. He had not been one to make close friends. Now those who had counted themselves his friends became rather his distant acquaintances, among whom he neither received nor bestowed confidences.

In the broader hours of daylight his ways were such as any man of reserved and diffident ways, having no fixed employment, might follow in a smallish community. He sat upon his porch and read in books. He worked in his flower beds. With flowers he had a cunning touch, almost like a woman's. He loved them, and they responded to his love and bloomed and bore for him. He walked downtown to the business district, always alone, a shy and unimpressive figure, and sat brooding and aloof in one of the tilted-back cane chairs under the portico of the old Richland House, facing the river. He took long solitary walks on side streets and byways; but it was noted that, reaching the farther outskirts, he invariably turned back. In all those dragging years it is doubtful if once he set foot past the corporate limits into the open country. Dun hued, unobtrusive, withdrawn, he aged slowly, almost imperceptibly. Men and women of his own generation used to say that save for the wrinkles ever multiplying in close cross-hatchings about his puckered eyes, and save for the enhancing of that dead gray pallor – the wasp's-nest overcasting of his skin – he still looked to them exactly as he had looked when he was a much younger man.

It was not so much the appearance or the customary demeanor of the recluse that made strangers turn about to stare at him as he passed, and that made them remember how he looked when he was gone from their sight. The one was commonplace enough – I mean his appearance – and his conduct, unless one knew the underlying motives, was merely that of an unobtrusive, rather melancholy seeming gentleman of quiet tastes and habits. It was the feeling and the sense of a dismal exhalation from him, an unhealthy and unnatural mental effluvium that served so indelibly to fix the bodily image of him in the brainpans of casual and uninformed passers-by. The brand of Cain was not on his brow. By every local standard of human morality it did not belong there. But built up of morbid elements within his own conscience, it looked out from his eyes and breathed out from his person.

So year by year, until the tally of the years rolled up to more than thirty, he went his lone unhappy way. He was in the life of the town, to an extent, but not of it. Always, though, it was the daylit life of the town which knew him. Excepting once only. Of this exceptional instance a story was so often repeated that in time it became permanently embalmed in the unwritten history of the place.

On a summer's afternoon, sultry and close, the heavens suddenly went all black, and quick gusts smote the earth with threats of a great windstorm. The sun vanished magically; a close thick gloaming fell out of the clouds. It was as though nightfall had descended hours before its ordained time. At the city power house the city electrician turned on the street lights. As the first great fat drops of rain fell, splashing in the dust like veritable clots, citizens scurrying indoors and citizens seeing to flapping awnings and slamming window blinds halted where they were to peer through the murk at the sight of Mr. Dudley Stackpole fleeing to the shelter of home like a man hunted by a terrible pursuer. But with all his desperate need for haste he ran no straightaway course. The manner of his flight was what gave added strangeness to the spectacle of him. He would dart headlong, on a sharp oblique from the right-hand corner of a street intersection to a point midway of the block – or square, to give it its local name – then go slanting back again to the right-hand corner of the next street crossing, so that his path was in the pattern of one acutely slanted zigzag after another. He was keeping, as well as he could, within the circles of radiance thrown out by the municipal arc lights as he made for his house, there in his bedchamber to fortify himself about, like one beset and besieged, with the ample and protecting rays of all the methods of artificial illumination at his command – with incandescent bulbs thrown on by switches, with the flare of lighted gas jets, with the tallow dip's slim digit of flame, and with the kerosene's wick three-finger breadth of greasy brilliance. As he fumbled, in a very panic and spasm of fear, with the latchets of his front gate Squire Jonas' wife heard him screaming to Aunt Kassie, his servant, to turn on the lights – all of them.

That once was all, though – the only time he found the dark taking him unawares and threatening to envelop him in thirty years and more than thirty. Then a time came when in a hospital in Oklahoma an elderly man named A. Hamilton Bledsoe lay on his deathbed and on the day before he died told the physician who attended him and the clergyman who had called to pray for him that he had a confession to make. He desired that it be taken down by a stenographer just as he uttered it, and transcribed; then he would sign it as his solemn dying declaration, and when he had died they were to send the signed copy back to the town from whence he had in the year 1889 moved West, and there it was to be published broadcast. All of which, in due course of time and in accordance with the signatory's wishes, was done.

With the beginning of the statement as it appeared in the Daily Evening News, as with Editor Tompkins' introductory paragraphs preceding it, we need have no interest. That which really matters began two-thirds of the way down the first column and ran as follows:

"How I came to know there was likely to be trouble that evening at the big-riffle crossing was this way" – it is the dying Bledsoe, of course, who is being quoted. "The man they sent to the mill with the message did a lot of loose talking on his way back after he gave in the message, and in this roundabout way the word got to me at my house on the Eden's Swamp road soon after dinnertime. Now I had always got along fine with both of the Stackpoles, and had only friendly feelings toward them; but maybe there's some people still alive back there in that county who can remember what the reason was why I should naturally hate and despise both the Tatums, and especially this Jess Tatum, him being if anything the more low-down one of the two, although the youngest. At this late day I don't aim to drag the name of anyone else into this, especially a woman's name, and her now dead and gone and in her grave; but I will just say that if ever a man had a just cause for craving to see Jess Tatum stretched out in his blood it was me. At the same time I will state that it was not good judgment for a man who expected to go on living to start out after one of the Tatums without he kept on till he had cleaned up the both of them, and maybe some of their cousins as well. I will not admit that I acted cowardly, but I will state that I used my best judgment.

"Therefore and accordingly, no sooner did I hear the news about the dare which the Tatums had sent to the Stackpoles than I said to myself that it looked like here was my fitting chance to even up my grudge with Jess Tatum and yet at the same time not run the prospect of being known to be mixed up in the matter and maybe getting arrested, or waylaid afterwards by members of the Tatum family or things of such a nature. Likewise I figured that with a general amount of shooting going on, as seemed likely to be the case, one shot more or less would not be noticed, especially as I aimed to keep out of sight at all times and do my work from under safe cover, which it all of it turned out practically exactly as I had expected. So I took a rifle which I owned and which I was a good shot with and I privately went down through the bottoms and came out on the creek bank in the deep cut right behind Stackpole Brothers' gristmill. I should say offhand this was then about three o'clock in the evening. I was ahead of time, but I wished to be there and get everything fixed up the way I had mapped it out in my mind, without being hurried or rushed.

"The back door of the mill was not locked, and I got in without being seen, and I went upstairs to the loft over the mill and I went to a window just above the front door, which was where they hoisted up grain when brought in wagons, and I propped the wooden shutter of the window open a little ways. But I only propped it open about two or three inches; just enough for me to see out of it up the road good. And I made me a kind of pallet out of meal sacks and I laid down there and I waited. I knew the mill had shut down for the week, and I didn't figure on any of the hands being round the mill or anybody finding out I was up there. So I waited, not hearing anybody stirring about downstairs at all, until just about three minutes past six, when all of a sudden came the first shot.

"What threw me off was expecting the Tatums to come afoot from up the road, but when they did come it was in a wagon from down the main Blandsville pike clear round in the other direction. So at this first shot I swung and peeped out and I seen Harve Tatum down in the dust seemingly right under the wheels of his wagon, and I seen Jess Tatum jump out from behind the wagon and shoot, and I seen Dudley Stackpole come out of the mill door right directly under me and start shooting back at him. There was no sign of his brother Jeffrey. I did not know then that Jeffrey was home sick in bed.

"Being thrown off the way I had been, it took me maybe one or two seconds to draw myself around and get the barrel of my rifle swung round to where I wanted it, and while I was doing this the shooting was going on. All in a flash it had come to me that it would be fairer than ever for me to take part in this thing, because in the first place the Tatums would be two against one if Harve should get back upon his feet and get into the fight; and in the second place Dudley Stackpole didn't know the first thing about shooting a pistol. Why, all in that same second, while I was righting myself and getting the bead onto Jess Tatum's breast, I seen his first shot – Stackpole's, I mean – kick up the dust not twenty feet in front of him and less than halfway to where Tatum was. I was as cool as I am now, and I seen this quite plain.

"So with that, just as Stackpole fired wild again, I let Jess Tatum have it right through the chest, and as I did so I knew from the way he acted that he was done and through. He let loose of his pistol and acted like he was going to fall, and then he sort of rallied up and did a strange thing. He ran straight on ahead toward the mill, with his neck craned back and him running on tiptoe; and he ran this way quite a little ways before he dropped flat, face down. Somebody else, seeing him do that, might have thought he had the idea to tear into Dudley Stackpole with his bare hands, but I had done enough shooting at wild game in my time to know that he was acting like a partridge sometimes does, or a wild duck when it is shot through the heart or in the head; only in such a case a bird flies straight up in the air. Towering is what you call it when done by a partridge. I do not know what you would call it when done by a man.

"So then I closed the window shutter and I waited for quite a little while to make sure everything was all right for me, and then I hid my rifle under the meal sacks, where it stayed until I got it privately two days later; and then I slipped downstairs and went out by the back door and came round in front, running and breathing hard as though I had just heard the shooting whilst up in the swamp. By that time there were several others had arrived, and there was also a negro woman crying round and carrying on and saying she seen Jess Tatum fire the first shot and seen Dudley Stackpole shoot back and seen Tatum fall. But she could not say for sure how many shots there were fired in all. So I saw that everything was all right so far as I was concerned, and that nobody, not even Stackpole, suspicioned but that he himself had killed Jess Tatum; and as I knew he would have no trouble with the law to amount to anything on account of it, I felt that there was no need for me to worry, and I did not – not worry then nor later. But for some time past I had been figuring on moving out here on account of this new country opening up. So I hurried up things, and inside of a week I had sold out my place and had shipped my household plunder on ahead; and I moved out here with my family, which they have all died off since, leaving only me. And now I am about to die, and so I wish to make this statement before I do so.

"But if they had thought to cut into Jess Tatum's body after he was dead, or to probe for the bullet in him, they would have known that it was not Dudley Stackpole who really shot him, but somebody else; and then I suppose suspicion might have fell upon me, although I doubt it. Because they would have found that the bullet which killed him was fired out of a forty-five-seventy shell, and Dudley Stackpole had done all of the shooting he done with a thirty-eight caliber pistol, which would throw a different-sized bullet. But they never thought to do so."

Question by the physician, Doctor Davis: "You mean to say that no autopsy was performed upon the body of the deceased?"

Answer by Bledsoe: "If you mean by performing an autopsy that they probed into him or cut in to find the bullet I will answer no, sir, they did not. They did not seem to think to do so, because it seemed to everybody such a plain open-and-shut case that Dudley Stackpole had killed him."

Question by the Reverend Mr. Hewlitt: "I take it that you are making this confession of your own free will and in order to clear the name of an innocent party from blame and to purge your own soul?"

Answer: "In reply to that I will say yes and no. If Dudley Stackpole is still alive, which I doubt, he is by now getting to be an old man; but if alive yet I would like for him to know that he did not fire the shot which killed Jess Tatum on that occasion. He was not a bloodthirsty man, and doubtless the matter may have preyed upon his mind. So on the bare chance of him being still alive is why I make this dying statement to you gentlemen in the presence of witnesses. But I am not ashamed, and never was, at having done what I did do. I killed Jess Tatum with my own hands, and I have never regretted it. I would not regard killing him as a crime any more than you gentlemen here would regard it as a crime killing a rattlesnake or a moccasin snake. Only, until now, I did not think it advisable for me to admit it; which, on Dudley Stackpole's account solely, is the only reason why I am now making this statement."

And so on and so forth for the better part of a second column, with a brief summary in Editor Tompkins' best style – which was a very dramatic and moving style indeed – of the circumstances, as recalled by old residents, of the ancient tragedy, and a short sketch of the deceased Bledsoe, the facts regarding him being drawn from the same veracious sources; and at the end of the article was a somewhat guarded but altogether sympathetic reference to the distressful recollections borne for so long and so patiently by an esteemed townsman, with a concluding paragraph to the effect that though the gentleman in question had declined to make a public statement touching on the remarkable disclosures now added thus strangely as a final chapter to the annals of an event long since occurred, the writer felt no hesitancy in saying that appreciating, as they must, the motives which prompted him to silence, his fellow citizens would one and all join the editor of the Daily Evening News in congratulating him upon the lifting of this cloud from his life.

"I only wish I had the language to express the way that old man looked when I showed him the galley proofs of Bledsoe's confession," said Editor Tompkins to a little interested group gathered in his sanctum after the paper was on the streets that evening. "If I had such a power I'd have this Frenchman Balzac backed clear off the boards when it came to describing things. Gentlemen, let me tell you – I've been in this business all my life, and I've seen lots of things, but I never saw anything that was the beat of this thing.

"Just as soon as this statement came to me in the mails this morning from that place out in Oklahoma I rushed it into type, and I had a set of galley proofs pulled and I stuck 'em in my pocket and I put out for the Stackpole place out on Clay Street. I didn't want to trust either of the reporters with this job. They're both good, smart, likely boys; but, at that, they're only boys, and I didn't know how they'd go at this thing; and, anyway, it looked like it was my job.

"He was sitting on his porch reading, just a little old gray shell of a man, all hunched up, and I walked up to him and I says: 'You'll pardon me, Mr. Stackpole, but I've come to ask you a question and then to show you something. Did you,' I says, 'ever know a man named A. Hamilton Bledsoe?'

"He sort of winced. He got up and made as if to go into the house without answering me. I suppose it'd been so long since he had anybody calling on him he hardly knew how to act. And then that question coming out of a clear sky, as you might say, and rousing up bitter memories – not probably that his bitter memories needed any rousing, being always with him, anyway – may have jolted him pretty hard. But if he aimed to go inside he changed his mind when he got to the door. He turned round and came back.

"'Yes,' he says, as though the words were being dragged out of him against his will, 'I did once know a man of that name. He was commonly called Ham Bledsoe. He lived near where' – he checked himself up, here – 'he lived,' he says, 'in this county at one time. I knew him then.'

"'That being so,' I says, 'I judge the proper thing to do is to ask you to read these galley proofs,' and I handed them over and he read them through without a word. Without a word, mind you, and yet if he'd spoken a volume he couldn't have told me any clearer what was passing through his mind when he came to the main facts than the way he did tell me just by the look that came into his face. Gentlemen, when you sit and watch a man sixty-odd years old being born again; when you see hope and life come back to him all in a minute; when you see his soul being remade in a flash, you'll find you can't describe it afterwards, but you're never going to forget it. And another thing you'll find is that there is nothing for you to say to him, nothing that you can say, nor nothing that you want to say.

"I did manage, when he was through, to ask him whether or not he wished to make a statement. That was all from me, mind you, and yet I'd gone out there with the idea in my head of getting material for a long newsy piece out of him – what we call in this business heart-interest stuff. All he said, though, as he handed me back the slips was, 'No, sir; but I thank you – from the bottom of my heart I thank you.' And then he shook hands with me – shook hands with me like a man who'd forgotten almost how 'twas done – and he walked in his house and shut the door behind him, and I came on away feeling exactly as though I had seen a funeral turned into a resurrection."

Editor Tompkins thought he had that day written the final chapter, but he hadn't. The final chapter he was to write the next day, following hard upon a dénouement which to Mr. Tompkins, he with his own eyes having seen what he had seen, was so profound a puzzle that ever thereafter he mentally catalogued it under one of his favorite headlining phrases: "Deplorable Affair Shrouded in Mystery."

Let us go back a few hours. For a fact, Mr. Tompkins had been witness to a spirit's resurrection. It was as he had borne testimony – a life had been reborn before his eyes. Even so, he, the sole spectator to and chronicler of the glory of it, could not know the depth and the sweep and the swing of the great heartening swell of joyous relief which uplifted Dudley Stackpole at the reading of the dead Bledsoe's words. None save Dudley Stackpole himself was ever to have a true appreciation of the utter sweetness of that cleansing flood, nor he for long.

As he closed his door upon the editor, plans, aspirations, ambitions already were flowing to his brain, borne there upon that ground swell of sudden happiness. Into the back spaces of his mind long-buried desires went riding like chips upon a torrent. The substance of his patiently endured self-martyrdom was lifted all in a second, and with it the shadow of it. He would be thenceforth as other men, living as they lived, taking, as they did, an active share and hand in communal life. He was getting old. The good news had come late, but not too late. That day would mark the total disappearance of the morbid lonely recluse and the rejuvenation of the normal-thinking, normal-habited citizen. That very day he would make a beginning of the new order of things.

And that very day he did; at least he tried. He put on his hat and he took his cane in his hand and as he started down the street he sought to put smartness and springiness into his gait. If the attempt was a sorry failure he, for one, did not appreciate the completeness of the failure. He meant, anyhow, that his step no longer should be purposeless and mechanical; that his walk should hereafter have intent in it. And as he came down the porch steps he looked about him, not dully, with sick and uninforming eyes, but with a livened interest in all familiar homely things.