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The Giant's Robe
The tidings had reached Mark early that same afternoon. He was walking home through the City from some 'holiday-classes' he had been superintending at St. Peter's, when the heading 'Loss of a passenger steamer with – lives' on the contents-sheets of the evening papers caught his eye, and led him, when established with a 'Globe' in one of the Underground Railway carriages, to turn with a languid interest to the details. He started when he saw the name of the vessel, and all his indifference left him as he hurriedly read the various accounts of the disaster, and looked in vain for Vincent's name amongst the survivors.
The next day he, too, went up to the owners' offices to make inquiries, and by that time full information had come in, which left it impossible that any but those who had come ashore in the long-boat could have escaped from the ship. They had remained near the scene of the wreck for some time, but without picking up more than one or two of the crew; the rest must all have been sucked down with the ship, which sank with terrible suddenness at the last.
Vincent was certainly not amongst those in the boat, while, as appeared from the agent's list, he was evidently on board when the ship left Bombay. It was possible to hope no longer after that, and Mark left the offices with the knowledge that Holroyd and he had indeed taken their last walk together; that he would see his face and take his hand no more.
It came to him with a shock, the unavoidable shock which a man feels when he has suddenly to associate the idea of death with one with whom he has had any intimacy. He told himself he was sorry, and for a moment Vincent's fate seemed somehow to throw a sort of halo round his memory, but very soon the sorrow faded, until at last it became little more than an uneasy consciousness that he ought to be miserable and was not.
Genuine grief will no more come at command than genuine joy, and so Mark found, not without some self-reproach; he even began to read 'In Memoriam' again with the idea of making that the keynote for his emotions, but the passionate yearning of that lament was pitched too high for him, and he never finished it. He recognised that he could not think of his lost friend in the way their long intimacy seemed to demand, and solved the difficulty by not thinking of him at all, compounding for his debt of inward mourning by wearing a black tie, which, as he was fond of a touch of colour in his costume, and as the emblem in question was not strictly required of him, he looked upon as, so to speak, a fairly respectable dividend.
Caffyn heard the news with a certain satisfaction. A formidable rival had been swept out of his path, and he could speak of him now without any temptation to depreciate his merits, so much so that when he took an opportunity one day of referring to his loss, he did it so delicately that Mabel was touched, and liked him better for this indication of feeling than she had ever been able to do before.
Her own sorrow was genuine enough, requiring no artificial stimulus and no outward tokens to keep it alive, and if Vincent could have been assured of this it would have reconciled him to all else. No callousness nor forgetfulness on the part of others could have had power to wound him so long as he should live on in the memory of the girl he had loved.
But it is better far for those who are gone that they should be impervious alike to our indifference and our grief, for the truest grief will be insensibly deadened by time, and could not long console the least exacting for the ever-widening oblivion.
CHAPTER IX.
A TURNING-POINT
MARK came down to the little back parlour at Malakoff Terrace one dull January morning to find the family already assembled there, with the exception of Mrs. Ashburn, who was breakfasting in bed – an unusual indulgence for her.
'Mark,' said Trixie, as she leaned back in her chair, and put up her face for his morning greeting, 'there's a letter for you on your plate.'
It was not difficult to observe a suppressed excitement amongst all the younger members of his family concerning this letter; they had finished their breakfast and fallen into some curious speculations as to Mark's correspondent before he came in. Now three pairs of eyes were watching him as he strolled up to his seat; Mr. Ashburn alone seemed unconscious or indifferent.
Of late Mark had not had very many letters, and this particular one bore the name of 'Chilton & Fladgate' on the flap of the envelope. The Ashburns were not a literary family, but they knew this as the name of a well-known firm of publishers, and it had roused their curiosity.
Mark read the name too. For a moment it gave him a throb of excitement, the idea coming to him that, somehow, the letter concerned his own unfortunate manuscripts. It was true that he had never had any communication with this particular firm, but these wild vague impressions are often independent of actual fact; he took it up and half began to open it.
Then he remembered what it probably was, and, partly with the object of preserving Vincent's secret still as far as possible, but chiefly, it must be owned, from a malicious pleasure he took in disappointing the expectation he saw around him, put the letter still unopened in his pocket.
'Why don't you open it?' asked Trixie impatiently, who was cherishing the hope that some magnificent literary success had come at last to her favourite brother.
'Manners,' explained Mark, laconically.
'Nonsense,' said Trixie, 'you don't treat us with such ceremony as all that.'
'Not lately,' said Mark; 'that's how it is – it's bad for a family to get lax in these little matters of mutual courtesy. I'm going to see if I can't raise your tone – this is the beginning.'
'I'm sure we're very much obliged to you,' from Martha; 'I'm quite satisfied with my own tone, it's quite high enough for me, thank you.'
'Yes, I forgot,' said Mark, 'I've heard it very high indeed sometimes. I wronged you, Martha. Still, you know, we might (all except you, Martha) be more polite to one another without causing ourselves any internal injury, mightn't we?'
'Well, Mark,' said Trixie, 'all you have to do is to ask our leave to open the letter, if you're really so particular.'
'Is that in the Etiquette Book?' inquired Mark.
'Don't be ridiculous – why don't you ask our leave?'
'I suppose because I want to eat my breakfast – nothing is so prejudicial, my love, to the furtherance of the digestive process as the habit of reading at meals, any medical man will tell you that.'
'Perhaps,' suggested Martha, 'Mark has excellent reasons for preferring to read his letter alone.'
'Do you know, Martha,' said Mark, 'I really think there's something in that?'
'So do I,' said Martha, 'more than you would care for us to know, evidently; but don't be afraid, Mark, whether it's a bill, or a love-letter, or another publisher's rejection; we don't want to know your secrets – do we, Cuthbert?'
'Very amiable of you to say so,' said Mark. 'Then I shan't annoy you if I keep my letter to myself, shall I? Because I rather thought of doing it.'
'Eh? doing what? What is Mark saying about a letter?' broke in Mr. Ashburn. He had a way of striking suddenly like this into conversations.
'Somebody has written me a letter, father,' said Mark; 'I was telling Martha I thought I should read it – presently.'
But even when he was alone he felt in no hurry to possess himself of the contents. 'I expect it's the usual thing,' he thought. 'Poor Vincent is out of all that now. Let's see how they let him down!' and he read: —
'Dear Sir, – We have read the romance entitled "Glamour" which you have done us the honour to forward some time since. It is a work which appears to us to possess decided originality and merit, and which may be received with marked favour by the public, while it can hardly fail in any case to obtain a reception which will probably encourage its author to further efforts. Of course, there is a certain risk attending its reception which renders it impossible for us to offer such terms for a first book as may be legitimately demanded hereafter for a second production by the same pen. We will give you …' (and here followed the terms, which struck Mark as fairly liberal for a first book by an unknown author). 'Should you accept our offer, will you do us the favour to call upon us here at your earliest convenience, when all preliminary matters can be discussed.
'We are, &c.,
'Chilton & Fladgate.'
Mark ran hurriedly through this letter with a feeling, first of incredulous wonder, then of angry protest against the bull-headed manner in which Fortune had dealt out this favour.
Vincent had been saved the dreary delays, the disappointments and discouragements, which are the lot of most first books; he had won a hearing at once – and where was the use of it? no praise or fame among men could reach him now.
If he had been alive, Mark thought bitterly; if a letter like this would have rescued him from all he detested, and thrown open to him the one career for which he had any ambition, he might have waited for it long and vainly enough. But he began by being indifferent, and, if Fortune had required any other inducement to shower her gifts on him, his death had supplied it.
He chafed over this as he went up to the City, for there was another holiday-class that day at St. Peter's; he thought of it at intervals during the morning, and always resentfully. What increased his irritation above everything was the fact that the publishers evidently regarded him as the author of the book, and he would have the distasteful task put upon him of enlightening them.
When the day's duties were over he found himself putting on his hat and coat in company with the Rev. Mr. Shelford, who was also in charge of one of the classes formed for the relief of parents and the performance of holiday work, and the two walked out together; Mark intending to call at once and explain his position to Messrs. Chilton & Fladgate.
'What are you going to do with yourself, Ashburn, now?' said Mr. Shelford in his abrupt way as they went along. 'Going to be a schoolmaster and live on the crambe repetita all your life, hey?'
'I don't know,' said Mark sullenly; 'very likely.'
'Take my advice (I'm old enough to offer it unasked); give yourself a chance while you can of a future which won't cramp and sour and wear you as this will. If you feel any interest in the boys – '
'Which I don't,' put in Mark.
'Exactly, which you don't – but if you did – I remember I did once, in some of 'em, and helped 'em on, and spoke to the headmaster about 'em, and so on. Well, they'll pass out of your class and look another way when they meet you afterwards. As for the dullards, they'll be always with you, like the poor, down at the bottom like a sediment, sir, and much too heavy to stir up! I can't manage 'em now, and my temper gets the better of me, God forgive me for it, and I say things I'm sorry for and that don't do me or them any good, and they laugh at me. But I've got my parish to look after; it's not a large one, but it acts as an antidote. You're not even in orders, so there's no help for you that way; and the day will come when the strain gets too much for you, and you'll throw the whole thing up in disgust, and find yourself forced to go through the same thing somewhere else, or begin the world in some other capacity. Choose some line in which hard work and endurance for years will bring you in a more substantial reward than that.'
'Well,' said Mark, for whom this gloomy view of his prospects reflected his own forebodings, 'I am reading for the Bar. I went up for my call-examination the other day.'
'Ah, is that so? I'm glad to hear of it; a fine profession, sir; constant variety and excitement – for the pleader, that is to say' (Mr. Shelford shared the lay impression that pleading was a form of passionate appeal to judge and jurymen), 'and of course you would plead in court. The law has some handsome prizes in its disposal, too. But you should have an attorney or two to push you on, they say. Perhaps you can count on that?'
'I wish I could,' said Mark, 'but the fact is my ambition doesn't lie in a legal direction at all. I don't care very much about the Bar.'
'Do you care very much about anything? Does your ambition lie anywhere?'
'Not now; it did once – literature, you know; but that's all over.'
'I remember, to be sure. They rejected that Christmas piece of yours, didn't they? Well, if you've no genuine talent for it, the sooner you find it out the better for you. If you feel you've something inside of you that must out in chapters and volumes, it generally comes, and all the discouragement in the world won't keep it down. It's like those stories of demoniacal possession in the "Anatomy" – you know your Burton, I daresay? Some of the possessed brought "globes of hair" and "such-like baggage" out of themselves, but others "stones with inscriptions." If the demon gets too strong for you, try and produce a stone with a good readable inscription on it – not three globes of hair for the circulating libraries.'
'We shall see,' said Mark laughing. 'I must leave you here. I have an appointment with Chilton & Fladgate just by.'
'Ay, ay,' said the old gentleman, wagging his head; 'publishers, aren't they? Don't tell me your ambition's dead if it's taken you as far as that. But I won't ask any more questions. I shall hope to be able to congratulate you shortly. I won't keep you away from your publishers any longer.'
'They are not my publishers yet,' said Mark; 'they have made me some proposals, but I have not accepted them at present.'
He knew what a false impression this would leave with his companion, bare statement of fact as it was, but he made it deliberately, feeling almost as much flattered by the unconscious increase of consideration in the other's voice and manner as if there had been the slightest foundation for it.
They said good-bye, and the old clergyman went on and was swallowed up in the crowd, thinking as he went, 'Publishing, eh? a good firm, too. I don't think he could afford to do it at his own expense. Perhaps there's more ballast in him after all than I gave him credit for. I can't help liking the young fellow somehow, too. I should like to see him make a good start.'
Mark, having sent up his name by one of the clerks behind the imposing mahogany counters, was shown through various swinging glass doors into a waiting-room, where the magazines and books symmetrically arranged on the table gave a certain flavour of dentistry to the place.
Mark turned them over with a quite unreasonable nervousness, but the fact was he shrank from what he considered the humiliation of explaining that he was a mere agent; it occurred to him for the first time, too, that Holroyd's death might possibly complicate matters, and he felt a vague anger against his dead friend for leaving him in such a position.
The clerk returned with a message that Mr. Fladgate would be happy to see Mark at once, and so he followed upstairs and along passages with glimpses through open doors of rooms full of clerks and desks, until they came to a certain room into which Mark was shown – a small room with a considerable litter of large wicker trays filled with proofs, packets and rolls of manuscripts of all sizes, and piles of books and periodicals, in the midst of which Mr. Fladgate was sitting with his back to the light, which was admitted through windows of ground-glass.
He rose and came forward to meet Mark, and Mark saw a little reddish-haired and whiskered man, with quick eyes, and a curious perpendicular fold in the forehead above a short, blunt nose, a mobile mouth, and a pleasantly impulsive manner.
'How do you do, Mr. Beauchamp?' he said heartily, using the nom de plume with an air of implied compliment; 'and so you've made up your mind to entrust yourself to us, have you? That's right. I don't think you'll find any reason to regret it, I don't indeed.'
Mark said he was sure of that.
'Well, now, as to the book,' continued Mr. Fladgate; 'I've had the pleasure of looking through it myself, as well as Mr. Blackshaw, our reader, and I must tell you that I agree with him in considering that you have written a very remarkable book. As we told you, you know, it may or may not prove a pecuniary success, but, however that may be, my opinion of it will remain the same; it ought, in my judgment, to ensure you a certain standing at once – at once.'
Mark heard this with a pang of jealousy. Long before, he had dreamed of just such an interview, in which he should be addressed in some such manner – his dream was being fulfilled now with relentless mockery!
'But there is a risk,' said Mr. Fladgate, 'a decided risk, which brings me to the subject of terms. Are you satisfied with the offer we made to you? You see that a first book – '
'Excuse me for one moment,' said Mark desperately, 'I'm afraid you imagine that – that I wrote the book?'
'That certainly was my impression,' said Mr. Fladgate, with a humorous light in his eye; 'the only address on the manuscript was yours, and I came to the not unnatural conclusion that Mr. Ashburn and Mr. Beauchamp were one and the same. Am I to understand that is not the case?'
'The book,' said Mark – what it cost him to say this, – 'the book was written by a friend of mine, who went abroad some time ago.'
'Indeed? Well, we should prefer to treat with him in person, of course, if possible.'
'It isn't possible,' said Mark, 'my friend was lost at sea, but he asked me to represent him in this matter, and I believe I know his wishes.'
'I've no doubt of it; but you see, Mr. – Mr. Ashburn, this must be considered a little. I suppose you have some authority from him in writing, to satisfy us (merely as a matter of business) that we are dealing with the right person?'
'I have not indeed,' said Mark, 'my friend was very anxious to retain his incognito.'
'He must have been – very much so,' said Mr. Fladgate, coughing; 'well, perhaps you can bring me some writing of his to that effect? You may have it among your papers, eh?'
'No,' said Mark, 'my friend did not think it necessary to give me one – he was anxious to – '
'Oh, quite so – then you can procure me a line or two perhaps?'
'I told you that my friend was dead,' said Mark a little impatiently.
'Ah, so you did, to be sure, I forgot. I thought – but no matter. Well, Mr. Ashburn, if you can't say anything more than this – anything, you understand, which puts you in a position to treat with us, I'm afraid – I'm afraid I must ask time to think over this. If your friend is really dead, I suppose your authority is determined. Perhaps, however, his – ahem – anxiety to preserve his incognito has led him to allow this rumour of his death to be circulated?'
'I don't think that is likely,' said Mark, wondering at an undercurrent of meaning in the publisher's tone, a meaning which had nothing sinister in it, and yet seemed urging him to contradict himself for some reason.
'That is your last word, then?' said Mr. Fladgate, and there was a sharp inflection as of disappointment and irritation in his voice, and the fold in his forehead deepened.
'It must be,' said Mark, rising, 'I have kept you too long already.'
'If you really must go,' said Mr. Fladgate, not using the words in their conventional sense of polite dismissal. 'But, Mr. Ashburn, are you quite sure that this interview might not be saved from coming to nothing, as it seems about to do? Might not a word or two from you set things right again? I don't wish to force you to tell me anything you would rather keep concealed – but really, this story you tell about a Mr. Vincent Beauchamp who is dead only ties our hands, you understand – ties our hands!'
'If so,' said Mark, uncomfortably, 'I can only say I am very sorry for it – I don't see how I can help it.'
He was beginning to feel that this business of Holroyd's had given him quite trouble enough.
'Now, Mr. Ashburn, as I said before, I should be the last man to press you – but really, you know, really– this is a trifle absurd! I think you might be a little more frank with me, I do indeed. There is no reason why you should not trust me!'
Was this man tempting him, thought Mark. Could he be so anxious to bring out this book that he was actually trying to induce him to fabricate some story which would get over the difficulties that had arisen?
As a mere matter of fact, it may be almost unnecessary to mention that no such idea had occurred to worthy Mr. Fladgate, who, though he certainly was anxious to secure the book if he could, by any legitimate means, was anything but a publishing Mephistopheles. He had an object, however, in making this last appeal for confidence, as will appear immediately; but, innocent as it was, Mark's imagination conjured up a bland demon tempting him to some act of unspeakable perfidy; he trembled – but not with horror. 'What do you mean?' he stammered.
Mr. Fladgate gave a glance of keen amusement at the pale troubled face of the young man before him. 'What do I mean?' he repeated. 'Come, I've known sensitive women try to conceal their identity, and even their sex, from their own publishers; I've known men even persuade themselves they didn't care for notoriety – but such a determined instance of what I must take leave to call the literary ostrich I don't think I ever did meet before! I never met a writer so desperately anxious to remain unknown that he would rather take his manuscript back than risk his secret with his own publisher. But don't you see that you have raised (I don't use the term in the least offensively) the mask, so to speak – you should have sent somebody else here to-day if you wished to keep me in the dark. I've not been in business all these years, Mr. Ashburn, without gaining a little experience. I think, I do think, I am able to know an author when I see him – we are all liable to error, but I am very much mistaken if this Mr. Vincent Beauchamp (who was so unfortunately lost at sea) is not to be recovered alive by a little judicious dredging. Do think if you can't produce him; come, he's not in very deep water – bring him up, Mr. Ashburn, bring him up!'
'You make this very difficult for me,' said Mark, in a low voice; he knew now how greatly he had misjudged the man, who had spoken with such an innocent, amiable pride in his own surprising discernment; he also felt how easy and how safe it would be to take advantage of this misunderstanding, and what a new future it might open to him – but he was struggling still against the temptation so unconsciously held out to him.
'I might retort that, I think. Now, be reasonable, Mr. Ashburn. I assure you the writer, whoever he may be, has no cause to be ashamed of the book – the time will come when he will probably be willing enough to own it. Still, if he wishes to keep his real name secret, I tell him, through you, that he may surely be content to trust that to us. We have kept such secrets before – not very long, to be sure, as a general rule; but then that was because the authors usually relieved us from the trouble – the veil was never lifted by us.'
'I think you said,' began Mark, as if thinking aloud, 'that other works by – by the same author would be sure of acceptance?'
'I should be very glad to have an opportunity, in time, of producing another book by Mr. Vincent Beauchamp – but Mr. Beauchamp, as you explained, is unhappily no more. Perhaps these are earlier manuscripts of his?'
Mark had been seized with the desire of making one more attempt, in spite of his promise to his uncle, to launch those unhappy paper ships of his – 'Sweet Bells Jangled' and 'One Fair Daughter.' For an instant it occurred to him that he might answer this last question in the affirmative; he had little doubt that if he did his books would meet with a very different reception from that of Messrs. Leadbitter and Gandy; still, that would only benefit Holroyd – not himself, and then he recollected, only just in time, that the difference in handwriting (which was very considerable) would betray him. He looked confused and said nothing.
Mr. Fladgate's patience began to tire. 'We don't seem to be making any way, do we?' he said, with rather affected pleasantry. 'I'm afraid I must ask you to come to a decision on this without any more delay. Here is the manuscript you sent us. If the real author is dead we are compelled to return it with much regret. If you can tell me anything which does away with the difficulty, this is the time to tell it. Of course you will do exactly as you please, but after what you have chosen to tell us we can hardly see our way, as I said, to treat with you without some further explanation. Come, Mr. Ashburn, am I to have it or not?'