The Underdogs, a Story of the Mexican Revolution

Titel: The Underdogs, a Story of the Mexican Revolution

von Scott Hemphill, L. M. Montgomery, L. Frank Baum, John Milton, René Descartes, Baroness Emmuska Orczy Orczy, Karl Marx, Friedrich Engels, Edgar Rice Burroughs, Unknown, Norman F. Joly, Norman Coombs, David Slowinski, Mark Twain, Henry David Thoreau, Stephen Crane, John Goodwin, Nathaniel Hawthorne, Winn Schwartau, Odd De Presno, Sir Walter Scott, Jules Verne, Mary Wollstonecraft Shelley, United States. Central Intelligence Agency, United States, Canada, Willa Sibert Cather, Anthony Hope, Edwin Abbott Abbott, Charles Dickens, Frederick Douglass, William Shakespeare, Bruce Sterling, Franklin Delano Roosevelt, Jane Austen, Thomas Hardy, Sir Arthur Conan Doyle, Edna St. Vincent Millay, Gene Stratton-Porter, Richard McGowan, Frances Hodgson Burnett, United States. Bureau of the Census, Electronic Frontier Foundation, Robert Louis Stevenson, Anonymous, Jerry Bonnell, Robert Nemiroff, Andrew Lang, G. K. Chesterton, John Bunyan, Sunzi 6th cent. B.C., Harold Frederic, Mary Wollstonecraft, Victor Hugo, René Doumic, Upton Sinclair, Virginia Woolf, George Eliot, Thomas Paine, Benjamin Franklin, Plato, Samuel Taylor Coleridge, Ruth M. Sprague, William Dean Howells, Wilkie Collins, Jean Webster, H. G. Wells, Kate Chopin, Mark Eliot Laxer, Louisa May Alcott, Frank Norris, Edith Wharton, S. D. Humphrey, Henry Hunt Snelling, William Morris, Mrs. Susanna Rowson, Christopher Morley, Sax Rohmer, Oscar Wilde, Gaston Leroux, Henry James, Project Gutenberg, Harriet Beecher Stowe, Various, Robert W. Service, A. B. Paterson, Henry Lawson, Jack London, Laozi, D. H. Lawrence, Julius Caesar, Joseph Conrad, W. Somerset Maugham, George MacDonald, Marcus Tullius Cicero, Virgil, Theodore Dreiser, Giuseppe Salza, Rudyard Kipling, ca. 50 BCE-16 BCE Sextus Propertius, Robert A. Harris, William Wells Brown, graf Leo Tolstoy, Omar Khayyám, Michael Hart, Library of Congress. Copyright Office, Coalition for Networked Information, Geoffrey Chaucer, Adam Lindsay Gordon, Hiram Corson, Robert Browning, Amy Lowell, Rupert Brooke, Joyce Kilmer, John Gower, Saki, Kenneth Grahame, Anna Sewell, Martin Luther, Philipp Melanchthon, National Atomic Museum, Alexander William Kinglake, Charles John Cutcliffe Wright Hyne, Amelia Edith Huddleston Barr, James Branch Cabell, Bayard Taylor, Horatio Alger, Booth Tarkington, Hjalmar Hjorth Boyesen, Michael Husted, Émile Gaboriau, Jerome K. Jerome, Stephen Vincent Benét, Edwin Arlington Robinson, J. Frank Dobie, Joseph Rodman Drake, Eliot Gregory, John Fox, John Muir, Richard Harding Davis, Edgar A. Guest, Mary Roberts Rinehart, Thomas Nelson Page, Sir Walter Alexander Raleigh, Rebecca Harding Davis, Charles Alexander Eastman, Zitkala-Sa, Marie L. McLaughlin, J. M. Barrie, Bram Stoker, Hesiod, Edna Ferber, John McCrae, Anna Howard Shaw, Elizabeth Garver Jordan, Frances Jenkins Olcott, P.-J. Proudhon, Eleanor H. Porter, Mary Hunter Austin, Sarah Orne Jewett, Russell Herman Conwell, Daniel Defoe, Henry Benjamin Wheatley, Ambrose Bierce, Nettie Garmer Barker, Martí Joan de Galba, Joanot Martorell, Oliver Goldsmith, Zane Grey, Winston Churchill, Arthur Machen, L. Cranmer-Byng, Torquato Tasso, H. De Vere Stacpoole, Elizabeth Cleghorn Gaskell, Frank Richard Stockton, Rutherford Hayes Platt, Sara Teasdale, Samuel Smiles, W. E. B. Du Bois, Phillis Wheatley, Elbert Hubbard, Richard Jefferies, George Henry Borrow, Sherwood Anderson, Vachel Lindsay, David Graham Phillips, Harry Houdini, Eugene Field, Gustave Le Bon, Henry Brodribb Irving, William Healy, Mary Tenney Healy, Charles Godfrey Leland, Ralph Parlette, Don Marquis, Richard Le Gallienne, Stewart Edward White, Andrew Steinmetz, Madame de La Fayette, Abbé Prévost, Honoré de Balzac, Charles W. Chesnutt, Sara Cone Bryant, William Booth, James Nasmyth, Enrico Ferri, Joe Hutsko, Miriam Michelson, Oliver Optic, Victor MacClure, Calamity Jane, Gertrude Franklin Horn Atherton, Dinah Maria Mulock Craik, Henry J. Coke, Kate Douglas Smith Wiggin, Victor [pseud.] Appleton, Carlo Collodi, Hugh Lofting, John Philip Sousa, Andrew Dickson White, Joseph Sheridan Le Fanu, Isaac Taylor Headland, Amy Steedman, B. M. Bower, William Tuckwell, Clarence Edgar Johnson, Sinclair Lewis, Rex Stout, Carl R. Maag, Steve Rohrer, Mariano Azuela

ISBN 978-3-7429-0510-9

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The Underdogs

by

Mariano Azuela

Mariano Azuela, the first of the "novelists of the Revolution," was born in Lagos de Moreno, Jalisco, Mexico, in 1873. He studied medicine in Guadalajara and returned to Lagos in 1909, where he began the practice of his profession. He began his writing career early; in 1896 he published Impressions of a Student in a weekly of Mexico City. This was followed by numerous sketches and short stories, and in 1911 by his first novel, Andres Perez, maderista.

Like most of the young Liberals, he supported Francisco I. Madero's uprising, which overthrew the dictatorship of Porfirio Diaz, and in 1911 was made Director of Education of the State of Jalisco. After Madero's assassination, he joined the army of Pancho Villa as doctor, and his knowledge of the Revolution was acquired at firsthand. When the counterrevolutionary forces of Victoriano Huerta were temporarily triumphant, he emigrated to El Paso, Texas, where in 1915 he wrote The Underdogs (Los de abajo), which did not receive general recognition until 1924, when it was hailed as the novel of the Revolution.

But Azuela was fundamentally a moralist, and his disappointment with the Revolution soon began to manifest itself. He had fought for a better Mexico; but he saw that while the Revolution had corrected certain injustices, it had given rise to others equally deplorable. When he saw the self-servers and the unprincipled turning his hopes for the redemption of the under-privileged of his country into a ladder to serve their own ends, his disillusionment was deep and often bitter. His later novels are marred at times by a savage sarcasm.

During his later years, and until his death in 1952, he lived in Mexico City writing and practicing his profession among the poor.

The Underdogs

by

Mariano Azuela

A Novel of the Mexican Revolution

Translated by E. Munguia, Jr.

Original Title: LOS DE ABAJO

PART ONE

[Updater's note: the location of the start

of chapter IX is unknown.]

I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI

PART TWO

I II III IV V VI VII VIII IX X XI XII XIII XIV

PART III

I II III IV V VI VII

PART ONE

"How beautiful the revolution!

Even in its most barbarous aspect it is beautiful,"

Solis said with deep feeling.

I

"That's no animal, I tell you! Listen to the dog barking! It must be a human being."

The woman stared into the darkness of the sierra.

"What if they're soldiers?" said a man, who sat Indian-fashion, eating, a coarse earthenware plate in his right hand, three folded tortillas in the other.

The woman made no answer, all her senses directed outside the hut. The beat of horses' hoofs rang in the quarry nearby. The dog barked again, louder and more angrily.

"Well, Demetrio, I think you had better hide, all the same."

Stolidly, the man finished eating; next he reached for a cantaro and gulped down the water in it; then he stood up.

"Your rifle is under the mat," she whispered.

A tallow candle illumined the small room. In one corner stood a plow, a yoke, a goad, and other agricultural implements. Ropes hung from the roof, securing an old adobe mold, used as a bed; on it a child slept, covered with gray rags.

Demetrio buckled his cartridge belt about his waist and picked up his rifle. He was tall and well built, with a sanguine face and beardless chin; he wore shirt and trousers of white cloth, a broad Mexican hat and leather sandals.

With slow, measured step, he left the room, vanishing into the impenetrable darkness of the night.

The dog, excited to the point of madness, had jumped over the corral fence.

Suddenly a shot rang out. The dog moaned, then barked no more. Some men on horseback rode up, shouting and sweating; two of them dismounted, while the other hung back to watch the horses.

"Hey, there, woman: we want food! Give us eggs, milk, beans, anything you've got! We're starving!"

"Curse the sierra! It would take the Devil himself not to lose his way!"

"Guess again, Sergeant! Even the Devil would go astray if he were as drunk as you are."

The first speaker wore chevrons on his arm, the other red stripes on his shoulders.

"Whose place is this, old woman? Or is it an empty house? God's truth, which is it?"

"Of course it's not empty. How about the light and that child there? Look here, confound it, we want to eat, and damn quick tool Are you coming out or are we going to make you?"

"You swine! Both of you! You've gone and killed my dog, that's what you've done! What harm did he ever do you? What did you have against him?"

The woman reentered the house, dragging the dog behind her, very white and fat, with lifeless eyes and flabby body.

"Look at those cheeks, Sergeant! Don't get riled, light of my life: I swear I'll turn your home into a dovecot, see?"

"By God!" he said, breaking off into song:

"Don't look so haughty, dear,

Banish all fears,

Kiss me and melt to me,

I'll drink up your tears!"

His alcoholic tenor trailed off into the night.

"Tell me what they call this ranch, woman?" the sergeant asked.

"Limon," the woman replied curtly, carrying wood to the fire and fanning the coals.

"So we're in Limon, eh, the famous Demetrio Macias' country, eh? Do you hear that, Lieutenant? We're in Limon."

"Limon? What the hell do I care? If I'm bound for hell, Sergeant, I might as well go there now. I don't mind, now that I've found as good a remount as this! Look at the cheeks on the darling, look at them! There's a pair of ripe red apples for a fellow to bite into!"

"I'll wager you know Macias the bandit, lady? I was in the pen with him at Escobedo, once."

"Bring me a bottle of tequila, Sergeant: I've decided to spend the night with this charming lady.... What's that? The colonel? ... Why in God's name talk about the colonel now? He can go straight to hell, for all I care. And if he doesn't like it, it's all right with me. Come on, Sergeant, tell the corporal outside to unsaddle the horses and feed them. I'll stay here all night. Here, my girl, you let the sergeant fry the eggs and warm up the tortillas; you come here to me. See this wallet full of nice new bills? They're all for you, darling. Sure, I want you to have them. Figure it out for yourself. I'm drunk, see: I've a bit of a load on and that's why I'm kind of hoarse, you might call it. I left half my gullet down Guadalajara way, and I've been spitting the other half out all the way up here. Oh well, who cares? But I want you to have that money, see, dearie? Hey, Sergeant, where's my bottle? Now, little girl, come here and pour yourself a drink. You won't, eh? Aw, come on! Afraid of your--er--husband ... or whatever he is, huh? Well, if he's skulking in some hole, you tell him to come out. What the hell do I care? I'm not scared of rats, see!" Suddenly a white shadow loomed on the threshold.

"Demetrio Macias!" the sergeant cried as he stepped back in terror.

The lieutenant stood up, silent, cold and motionless as a statue.

"Shoot them!" the woman croaked.

"Oh, come, you'll surely spare us! I didn't know you were there. I'll always stand up for a brave man."

Demetrio stood his ground, looking them up and down, an insolent and disdainful smile wrinkling his face.

"Yes, I not only respect brave men, but I like them. I'm proud and happy to call them friends. Here's my hand on it: friend to friend." Then, after a pause: "All right, Demetrio Macias, if you don't want to shake hands, all right! But it's because you don't know me, that's why, just because the first time you saw me I was doing this dog's job. But look here, I ask you, what in God's name can a man do when he's poor and has a wife to support and kids? ... Right you are, Sergeant, let's go: I've nothing but respect for the home of what I call a brave man, a real, honest, genuine man!"

When they had gone, the woman drew close to Demetrio.

"Holy Virgin, what agony! I suffered as though it was you they'd shot."

"You go to father's house, quick!" Demetrio ordered. She wanted to hold him in her arms; she entreated, she wept. But he pushed away from her gently and, in a sullen voice, said, "I've an idea the whole lot of them are coming."

"Why didn't you kill 'em?"

"Their hour hasn't struck yet."

They went out together; she bore the child in her arms. At the door, they separated, moving off in different directions.

The moon peopled the mountain with vague shadows. As he advanced at every turn of his way Demetrio could see the poignant, sharp silhouette of a woman pushing forward painfully, bearing a child in her arms.

When, after many hours of climbing, he gazed back, huge flames shot up from the depths of the canyon by the river. It was his house, blazing....

II

Everything was still swathed in shadows as Demetrio Macias began his descent to the bottom of the ravine. Between rocks striped with huge eroded cracks, and a squarely cut wall, with the river flowing below, a narrow ledge along the steep incline served as a mountain trail.

"They'll surely find me now and track us down like dogs," he mused. "It's a good thing they know nothing about the trails and paths up here.... But if they got someone from Moyahua to guide them ..." He left the sinister thought unfinished. "All the men from Limon or Santa Rosa or the other nearby ranches are on our side: they wouldn't try to trail us. That cacique who's chased and run me ragged over these hills, is at Mohayua now; he'd give his eyeteeth to see me dangling from a telegraph pole with my tongue hanging out of my mouth, purple and swollen...."

At dawn, he approached the pit of the canyon. Here, he lay on the rocks and fell asleep.

The river crept along, murmuring as the waters rose and fell in small cascades. Birds sang lyrically from their hiding among the pitaya trees. The monotonous, eternal drone of insects filled the rocky solitude with mystery.

Demetrio awoke with a start. He waded the river, following its course which ran counter to the canyon; he climbed the crags laboriously as an ant, gripping root and rock with his hands, clutching every stone in the trail with his bare feet.

When he reached the summit, he glanced down to see the sun steeping the valley in a lake of gold. Near the canyon, enormous rocks loomed protrudent, like fantastic Negro skulls. The pitaya trees rose tenuous, tall, like the tapering, gnarled fingers of a giant; other trees of all sorts bowed their crests toward the pit of the abyss. Amid the stark rocks and dry branches, roses bloomed like a white offering to the sun as smoothly, suavely, it unraveled its golden threads, one by one, from rock to rock.

Demetrio stopped at the summit. Reaching backward, with his right arm he drew his horn which hung at his back, held it up to his thick lips, and, swelling his cheeks out, blew three loud blasts. From across the hill close by, three sharp whistles answered his signal.

In the distance, from a conical heap of reeds and dry straws, man after man emerged, one after the other, their legs and chests naked, lambent and dark as old bronze. They rushed forward to greet Demetrio, and stopped before him, askance.

"They've burnt my house," he said.

A murmur of oaths, imprecations, and threats rose among them.

Demetrio let their anger run its course. Then he drew a bottle from under his shirt and took a deep swig; then he wiped the neck of the bottle with the back of his hand and passed it around. It passed from mouth to mouth; not a drop was left. The men passed their tongues greedily over their lips to recapture the tang of the liquor.

"Glory be to God and by His Will," said Demetrio, "tonight or tomorrow at the latest we'll meet the Federals. What do you say, boys, shall we let them find their way about these trails?"

The ragged crew jumped to their feet, uttering shrill cries of joy; then their jubilation turned sinister and they gave vent to threats, oaths and imprecations.

"Of course, we can't tell how strong they are," said Demetrio as his glance traveled over their faces in scrutiny.

"Do you remember Medina? Out there at Hostotipaquillo, he only had a half a dozen men with knives that they sharpened on a grindstone. Well, he held back the soldiers and the police, didn't he? And he beat them, too."

"We're every bit as good as Medina's crowd!" said a tall, broad-shouldered man with a black beard and bushy eyebrows.

"By God, if I don't own a Mauser and a lot of cartridges, if I can't get a pair of trousers and shoes, then my name's not Anastasio Montanez! Look here, Quail, you don't believe it, do you? You ask my partner Demetrio if I haven't half a dozen bullets in me already. Christ! Bullets are marbles to me! And I dare you to contradict me!"

"Viva Anastasio Montanez," shouted Manteca.

"All right, all right!" said Montanez. "Viva Demetrio Macias, our chief, and long life to God in His heaven and to the Virgin Mary."

"Viva Demetrio Macias," they all shouted.

They gathered dry brush and wood, built a fire and placed chunks of fresh meat upon the burning coals. As the blaze rose, they collected about the fire, sat down Indian-fashion and inhaled the odor of the meat as it twisted on the crackling fire. The rays of the sun, falling about them, cast a golden radiance over the bloody hide of a calf, lying on the ground nearby. The meat dangled from a rope fastened to a huizache tree, to dry in the sun and wind.

"Well, men," Demetrio said, "you know we've only twenty rifles, besides my thirty-thirty. If there are just a few of them, we'll shoot until there's not a live man left. If there's a lot of 'em, we can give 'em a good scare, anyhow."

He undid a rag belt about his waist, loosened a knot in it and offered the contents to his companions. Salt. A murmur of approbation rose among them as each took a few grains between the tips of his fingers.

They ate voraciously; then, glutted, lay down on the ground, facing the sky. They sang monotonous, sad songs, uttering a strident shout after each stanza.

III

In the brush and foliage of the sierra, Demetrio Macias and his threescore men slept until the halloo of the horn, blown by Pancracio from the crest of a peak, awakened them.

"Time, boys! Look around and see what's what!" Anastasio Montanez said, examining his rifle springs. Yet he was previous; an hour or more elapsed with no sound or stir save the song of the locust in the brush or the frog stirring in his mudhole. At last, when the ultimate faint rays of the moon were spent in the rosy dimness of the dawn, the silhouette of a soldier loomed at the end of the trail. As they strained their eyes, they could distinguish others behind him, ten, twenty, a hundred. ... Then, suddenly, darkness swallowed them up. Only when the sun rose, Demetrio's band realized that the canyon was alive with men, midgets seated on miniature horses.

"Look at 'em, will you?" said Pancracio. "Pretty, ain't they? Come on, boys, let's go and roll marbles with 'em."

Now the moving dwarf figures were lost in the dense chaparral, now they reappeared, stark and black against the ocher. The voices of officers, as they gave orders, and soldiers, marching at ease, were clearly audible. Demetrio raised his hand; the locks of rifles clicked. "Fire!" he cried tensely.

Twenty-one men shot as one; twenty-one soldiers fell off their horses. Caught by surprise, the column halted, etched like bas-reliefs in stone against the rocks.

Another volley and a score of soldiers hurtled down from rock to rock.

"Come out, bandits. Come out, you starved dogs!"

"To hell with you, you corn rustlers!"

"Kill the cattle thieves! Kill 'em!"

The soldiers shouted defiance to their enemies; the latter, giving proof of a marksmanship which had already made them famous, were content to keep under cover, quiet, mute.

"Look, Pancracio," said Meco, completely black save for his eyes and teeth. "This is for that man who passes that tree. I'll get the son of a ..."