The Unbreakable Trilogy

I can feel ridiculous tears crowding into my throat.

‘Where am I going to get some new gloves at this time of night, for God’s sake?’

My gloves float out of the darkness, right under my nose where I’m hunched over the gate, biting back sobs. The bloody things are waggling and waving at me in thin air. They look solid, filled, as if they have fingers inside them.

‘I took them hostage, Serena. I’m so sorry. I was teasing you. I picked them up earlier in the garden.’

Gustav Levi is indeed wearing them, and they look ridiculous, like a child’s mittens hanging off his long fingers. My eyes are still heavy and wet with unshed tears, and though I blink furiously to try to hide it, he bends and peers into my face. The new expression there, the softness in his eyes, the self-mocking bat of his thick eyelashes, the teasing lift of his mouth, are all so unexpected that I nearly burst into tears in earnest.

‘I’m OK, it’s fine, really,’ I gulp, blinking back at him like an owl. ‘Thank you for my gloves.’

He wipes one leather finger gently along the lower lid of each eye and then hands both gloves back to me.

‘Now. Tell me I can’t escort you somewhere, Serena. You look a bit, well, undone. Dishevelled? No, that’s not the right word. At sixes and sevens. Knackered. Who wouldn’t be? This can be an exhausting old town. How about allowing me to buy you a drink if you think you can trust me?’

CHAPTER THREE

It takes me all of three seconds to make up my mind. There’s no-one waiting for me. No-one expecting me to check in. No-one who gives a toss.

‘Mr Levi? Thank you. I could murder a glass of dry white wine.’

‘Gustav. You were OK with it before. It’s a formal enough name without your making me feel like a sergeant major.’

‘OK, Gustav. And if you’re not to be trusted, well, I’m a big girl now. I can look after myself.’

He presses his hand into the small of my back. A signal of agreement, or the commencement of a new journey? Either way it gets me going, like the crank handle on a vintage car. I’m happy for him to keep his hand there, actually. Against all my resolutions, despite my upbeat retorts, I feel right now as if I have no spine, no backbone, that I’ll crumple in a heap and give up with no visible means of support.

But to my disappointment he removes it, puts his hands thoughtfully into his pockets, and instead of walking up the hill, as he started to do just now, he leads me away from the dark square, towards the bright lights of what must be Piccadilly where red buses and black taxis and normal people are going about their business.

Behind me I imagine the shadows in the square staring after us, reluctant to let us go.

We cross the street and like everyone else we walk briskly towards the Ritz Hotel. The famous lights illuminating its name above the colonnade are so inviting. Gustav glances down at me. The amusement I’m becoming familiar with starts in the crinkling of his eyes, the softening of his cheeks, lifts the curve of his argumentative mouth.

‘They have a dress code in there, I’m afraid, to go with all that glitzy gilt. They wouldn’t let us set foot in this revolving door, let alone contaminate one of their precious seats in the Rivoli Bar.’

I am an urchin, standing in the cold, elbowed aside by the glossy rich visitors in their fur coats and ostentatious jewellery, being fussed into the hotel by pompous-looking doormen.

‘No problem. I’d better get home, actually Mr – Gustav. A drink is very tempting, but maybe not such a good idea after all.’ I pat my pockets. ‘And I’m skint.’

‘Pavements not paved with gold yet, eh?’ He moves on along the facade of the grand hotel to the corner, and waits. He’s staring not back at me but down St James’s Street. I wage a little war with myself. He’s a stranger, remember.

The newspaper headlines, exaggerated by the time they reach the office of Jake’s local rag: Country girl from the sticks raped and murdered in London by suave conman.

Even Polly would be wagging her metaphorical finger at me by now. Blaming herself for not being there, looking out for me. But we’re out in public here. Lots of people around us. He’s charming. He’s incredibly attractive. He’s got a lovely deep, well spoken voice. And he’s an entrepreneur who must be bloody rich if he owns more than one house. What the hell else am I going to do with myself when everyone else is out having fun?

One thing I won’t tell him is that my pockets might be empty, but my bank account is full.

‘One drink. Then I must get back.’

He doesn’t answer or protest, but with a courtly bow he crooks his elbow and escorts me down St James’s. We turn right and into the far more subtle splendour of Dukes Hotel.

‘Dress code?’ I ask nervously, wiping my feet obediently on the huge but welcoming doormat and drifting ahead of him into the smart interior where domed and glassed corridors lead here and there. The foyer smells of mulled wine and candles and entices you to succumb to its perfumed embrace.

‘Not as such. It’s not whether you’re wearing the latest Victoria Beckham or carrying a Hermès that counts in a place like this.’ His voice has become more mocking since we stepped out of the cold. He snaps his gloves off.

‘As if. I’ve never even been into the kind of shop that would sell those.’

‘Well, don’t ever go there. It’s a total waste of money. Vanity and greed. And the women who claim their lives aren’t worth living if they don’t have the latest designer crap are a waste of space too.’

Waves of hostility are coming off him now that we’re within spitting distance of others. ‘So what does count here?’

‘Standing. Class. Breeding. Beauty helps, no matter what people say.’ He unwinds his scarf as if it has offended him, then turns at last towards me. The sudden annoyance melts away as quickly as it arrives. He flicks imaginary dust off my shoulder. ‘And of course, whether or not you can pay your bar bill.’

‘Oh Gustav, I told you I’ve no money on me.’

‘And I told you, not a problem. Your beauty and my wallet will see us through this evening.’ He laughs softly. ‘So how about we rearrange you, Serena, undress you a little? How would that be?’

I open my mouth and shut it like a fish. Open it again. ‘Undress me?’

‘I meant – what did I mean?’

For the first time he stutters. There are streaks of colour in his pale cheeks from our chat in the cold and our brisk walk down here. He brings his big hands up to frame my face. They push against my tender skin and the bones beneath as if he’s a blind man moulding clay. It makes me feel small, and young, and clueless. The last time anyone touched me was Jake, but I was always in charge then. The leader.

There’s a twist of lust lighting up Gustav’s black eyes. He said ‘this evening’ as if we have all the time in the world. Maybe we’ll get a room. The pulse is banging fast in his neck. I’m learning that’s his gauge. His meter. Does he want me? Oh God, can I ask him?

‘Christ, Serena,’ he mutters thickly as the hotel buzzes around us. His licks his mouth as he tries to speak. He must be reading my mind again. ‘If things were different. In a heartbeat.’

‘What things? How different?’

Silky strands of hair are sticking to his forehead as the overblown heating of the hotel attacks us in our outdoor clothes. He looks as if he’s been running or hurdling. I stroke the hair away. He’s so close, one little move from me and we will be kissing. But abruptly he presses one finger so hard against my mouth that it folds inwards and catches on my teeth.

‘I meant, we should get these things off.’

I got it wrong. Fine. I’m rusty. Clueless. He closes his eyes for a moment, then whips off my beret. The roots of my hair prickle.

Gustav moves slowly behind me and unwinds my blue scarf. So far, so harmless. So brotherly. But then he combs his fingers through my hair, starting at the base of my neck, and I shiver with uncontrollable, unexpected pleasure. He misreads my shivering for cold, or rejection, pauses as if waiting for me to stop him.

‘Please, don’t stop, Gustav,’ I moan quietly.

He has no idea how this has calmed me, like a wild horse. I had no idea how someone stroking my hair would affect me. He stands very close. His tall body lines itself up behind mine, firm and unbending like the lamp post in the square. I push myself back against him. Oh, we fit so well. My bottom is just a little lower than his hips. His fingers go back to work. His hands are circling my throat loosely like a noose. I brush against the hardness in his trousers and it gives him away. My stomach curls over, my body tightening in dark agreement.

Does he know I know? I tilt my head sideways. If I’m too shy to speak, how can I show him what I want, how I want the tips of his fingers to go on combing and stroking me, how I want him to stand nice and tight behind me, set my cold body on fire.

He knows. He strokes my skin. He lifts my hair, unwinding it out of my collar as if it’s a magician’s endless rope or a charmer’s snake.

‘You have no idea,’ I breathe, my eyes fluttering closed as my hair lifts and curls round his fingers, strokes against my cheek and neck, sends its own minute promises of pleasure down my body, ‘how good that feels.’

‘My ragged Rapunzel,’ he breathes, so hot on the back of my neck. A squeal of excitement bunches in my throat. I bring my hands up to his, try to keep him there, get his warm mouth to press down onto me.

But he steps away, leaving a cool space between us. My hair drops like a curtain.

‘Why have you stopped?’

He comes round in front of me and puts his finger on my mouth. ‘It’s a crime to hide this amazing hair. And the colour, in this candlelight! Rossetti and those pre-Raphaelites would have had a name for it. A glorious Italian-sounding tint. Titian. Tintoretto. Not red. Auburn. Claret. Cinnamon.’

‘Five spice?’

‘And what about introducing this tangle to a pair of scissors, Calamity Jane?’

I can’t help smiling. How has he managed to get under my skin so quickly? Is it because he’s taller and older, impossibly attractive with his own unruly hair and steady black eyes? He’s unlike anyone I’ve ever met down there in my dreary old life by the sea. Is it the chameleon way he’s simultaneously courteous and mocking? Is it his deep voice or the way his face goes from cold to hot like running water, from dark to light like the changing hours?

‘Oh, I know all about scissors, believe me,’ I retort.

A single hair he’s missed is caught in my eye and when he sees me blinking at it he hooks it away absently, familiarly, before he steps towards the reception desk.

I’ve been growing it for years, but until I was big enough to fight them off my hair was an unkempt bird’s nest because they never understood how to treat it. They didn’t understand how to treat me. The night before each new school term they would shove me down on a hard chair as if I was Anne Boleyn being prepared for the block. He would hold me down while she would start chopping at it with a pair of kitchen scissors.

No point wasting money on a hairdresser, it’s just ugly, dead material.

I learned to control the impotent tears as she hacked and he shoved and I watched the russet curls, the emerging tendrils struggling to prove themselves, kinking up even when they were only a few inches long. Shorn, limp, kicked about on the dirty floor like withering autumn leaves. Where did I come from? Who in my biological past had, or has, this hair?

‘I’ve stepped over a line. Taken liberties.’ These aren’t questions. They’re statements. Gustav Levi is watching me again, trying to read me. He’s not succeeding.

But even through the sudden wretchedness I can still see the way my blue pashmina dangles over his arm like a waiter’s napkin as comical.

I shake my head. ‘I’m just reminded of things, people, I’d rather forget.’

‘You don’t like your hair being touched?’

‘Au contraire,’ I sigh. ‘I have just discovered that I love it being touched. No-one’s ever – it took me by surprise, that’s all.’

‘I’m continental. Too tactile. And you Anglo-Saxons?’ He flips his hands dismissively. ‘Ice in your veins.’

‘I always think of myself as Celtic. Fire, not ice. But no, Gustav. I’m trying to tell you it felt nice. Lovely. It was just more intimate than I’m used to.’

He raises his eyebrows questioningly.

‘I would defy any man not to want to either stroke it or paint pictures of it all day long. Christ, even mammals groom each other, don’t they?’ He pushes the hair off his face and unbuttons his coat. ‘You telling me your mother never brushed it? All that sunset splendour?’

‘Brushed it?’ I repeat harshly. ‘God no. She pulled it when I was naughty, the little baby hairs just in front of my ears, oh, and she chopped it off, as soon as it grew more than a few inches, because she hated it. It wasn’t sunset splendour to her. It was ugly and ginger.’

A shadow passes over Gustav’s face. A brief cloud, followed by watery sunlight. I wonder if he realises how easy he is to read. The black gleam in his eyes steadies to understanding, as if he’s listening to a piece of music he used to play.

‘I’ve never told anyone that before. No-one has ever stood still long enough to listen.’

‘My God, Serena,’ he says, very softly, his eyes softening. ‘You really are a lost soul under all that chutzpah, aren’t you?’

‘Not lost. Fighting to be heard. I’m fine. You learn to be the cat who walks alone when you’re kicked about often enough.’

A small, dark man in an impeccable suit appears soundlessly from behind a huge vase of winter flowers. ‘Mr Levi. How very good to see you. Your usual tipple this evening?’

Gustav nods. ‘Thank you, Jerome. If you have my favourite seat, too?’

The tinkle of glasses and low murmur of voices start to trickle out of the bar as if we’ve disturbed birds sleeping on a wire.

‘And very sexy they are too.’ Gustav takes a step towards the bar.

‘What are?’

‘Cats. Cold, distant. And you have the eyes, too. Green, slightly slanted. Perfect for Halloween.’ Gustav crooks his arm again. ‘They sometimes pounce on mice for fun, when no-one’s looking, don’t they? Don’t make that face. I mean it in a good way.’

I toss my jacket and gloves at him, as if he’s a servant. His hand shoots out overarm as if he’s catching a cricket ball.

‘Are we going to have that drink or what?’

He laughs and slaps his leg. Those expressive hands. ‘Of course. What would you like?’

‘Surprise me. And could you look after my camera, while I freshen up? Guard it with your life.’

‘Oh, I will, Serena. Don’t you worry about that.’

I know he’s watching me, my butt, my supposedly fertile woman’s hips, my legs, sketching me all over again in his head as I make my way self-consciously down the airy corridor to the ladies’ room. The knowledge that he’s watching makes hot sweat spring through my cold skin. I pray I don’t trip. I push open the big white door, slip inside. Alone at last.

False pretences. I don’t really need the bathroom. I just need a moment. Work out what’s going on. Get a grip. I need to, what do those counsellors say? Regroup.

Polly, the only person who looks out for me, would still be nagging me.

You have no idea who this guy is. He could be an axe murderer. He could be twice your age. Get the hell out of there, before something happens.

But I want something to happen! That’s precisely why I came to London, isn’t it? And it’s not as if I’ve gone down a dark alley with him, is it, tempted as I was, or allowed him to drag me back to his lair.

I start to tremble. I close my eyes and let it take me over. I know what that means. It’s my body’s reaction to the possibility of danger. Gustav Levi’s lair. What would that be like? What would happen there? What would he do to me if I went there with him?

I open my eyes and stare at the girl reflected in the huge mirror. I barely recognise her. In the house on the cliff they used to nail up one or two dusty panes of mirrored glass in the only places where it was absolutely necessary. The bathroom, beside the front door, so the handful of visitors, the priest, the doctor, the undertaker, could check that they looked sane before taking great lungfuls of fresh air on departure.

Only two days ago this girl was still in that house, reflected in those paltry mirrors. Pale, transparent, only catching sight of herself out of the corner of her eye. She was a ghost, not just because the house was deserted, no furniture now, never any ornaments or pictures, no cushions or rugs. Not just because everyone else was dead and gone, burned to a crisp like the tables and chairs and beds. But because in that house she had never had a life.

Even the girl at the railway station yesterday, shoving the beret down on her hair, applying lip gloss to stop her biting her lips, looked drained and anxious as if any minute someone would burst in like it was a Wild West saloon and tell her she would never leave this one-horse town.

This girl, the one who got to London in the end, is loitering in an expensive hotel, about to have a drink with a very attractive vampire, possibly a dangerous stranger, and she’s up for it. There. I’ve said it. I’m going to do whatever the hell I like, wherever the hell it leads me.

This huge mirror is a mirror that invites, that celebrates reflections. Not makes them out to be something vain and sinful. It’s almost too brightly lit, as if put there to help Hollywood starlets apply their stage make-up. Pampering and vanity is encouraged in this boudoir with its piles of soft white face towels, its elegant curved taps, its primrose-flavoured, oily, perfumed handwash in crystal bottles attached to the basins so that urchins like me won’t nick them.

But the girl in the mirror has altered. It’s like the portrait of a different girl. Her face is pale, cheeks flushed with red. Her eyes, her Halloween cat’s eyes, are sparking with anticipation. The mouth with its pillowy lips is open, as if I’m out of breath. Those lips earned the nickname Fishy, taken up by every bully at school.

Here’s my tongue, running along the lower lip, catching on the curve because the surface is so dry.

I giggle into the silence and bite my finger. There’s a drip, drip of water from one of the cubicles. I press my hands on my head to try to calm myself down. It doesn’t work. I press my palms against my hollowed cheeks like Edvard Munch’s The Scream. Do I want to kiss Gustav? Is that it? Do I want him to kiss me? I don’t know. Not yet. I’m off men, remember? Too much going on in my head for that. So, no. I just want to get near him. He’s deadly, the way he pins you like a butterfly. I’ve followed him here without question, but what’s going to happen next?

You’re just lonely. You don’t know anyone in town. Sad sack. Any old company will do.

But Gustav Levi is not just any old company. I have the weirdest feeling that he’s picked me.

The crazy reflection in the mirror shakes its head, and I bend to wash my hands.

I step smartly into the small bar with its glittering wall of bottles, all brimming with the fuel of adventure. He is sitting on a tall stool, elbow propped on the bar, coat off, jumper slung round his shoulders, his long fingers turning a glass swizzle stick. In the soft lighting his face is sculpted with the rough promise of a piratical beard, so how does he still manage to look like James Bond under cover as an unshaven bandit?

I pull my stomach in. This guy is waiting for me. This cool, sexy, scary guy.

His long legs in dark blue jeans are crossed comfortably, one Italian loafer tapping out a tune on the rung of the bar stool. Those lovely legs. Just now they were standing behind me, pressed against my back as he tried and failed to groom me. My stomach kicks rebelliously at the memory. The hard evidence I felt of his maleness. The proof that being close to me aroused him. He’s not made of stone at all, even if it takes hieroglyphics to understand him. I may just be one girl amongst many, but I’m the one who’s right here, right now, and it’s me he’s waiting for.

Look at him. That languid body the dark blue cashmere fits so well, skimming the muscular torso beneath, the run of muscle under his ribs, the subtle flex in his forearm as he twirls his swizzle up and down his fingers like a cheerleader’s baton.

I stand at the door. I observe his air of elegant alienation. No Brit by definition can combine the two. Yet he’s so restless when he thinks no-one’s looking. His tapping foot, his long fingers twisting and clapping and explaining. The muscle in his jaw is going again. His eyes are lowered over his cocktail as if he’s a soothsayer examining the entrails of a goat. All I can see from his profile is the fierce jut of his eyelashes.

He turns his head as if he senses a siren call and sees me leaning against the door frame. He nods as if I’ve just asked him something. His eyes lock onto mine for a moment, dark and persuasive, before moving easily over my mouth, my throat, the barely visible curves deliberately hidden under my sweater. My body tightens and resists my clothing. Something uneasy stirs. There’s something final in his study of me, as if this is the last time.

I walk towards him and he pushes himself away from the bar to stand chivalrously as I approach him. I wrap my fingers round the cold glass.

How many mobile phones have broken how many perfect moments? Mine buzzes impatiently into life just then, dancing about on the chrome bar. We both glare at it as if it’s a scorpion just scuttled out of a salad.

‘This is so rude, Gustav.’ I glance down anxiously to see who it is. ‘But it’s a text from my cousin.’

Surprise! In town 1 nite only. Don’t worry, won’t invade space, staying with boyf, v late notice but party tonite, come quick here’s the address! Costume provided x

A fancy dress party is the last thing I feel like tonight. I glance at Gustav, who is staring at the steamed window. Polly will be gutted if I say no.

‘I’m so sorry, Gustav, this has been great, but I have to go.’

I waggle my mobile phone in explanation. I sound far too flippant.

He hands me a cocktail glass with a clear liquid as if he hasn’t heard me. Now that his gloves and coat are off, I notice the chunky Rolex slipping on his wrist.

‘James Bond drinks in here,’ he remarks. His eyes, his face, are very calm.

‘You took the words out of my mouth.’ I take the glass from him a shade too quickly so the liquid tips in a mini tidal wave. ‘That sounds like the kind of code spooks would use at a meet.’

He laughs. The laugh is reined in now, and I suspect that’s my fault for wrecking the mood.

I stand beside the bar stool where he’s neatly folded my jacket, scarf and beret. I don’t sit down on the proffered bar stool. We chink our glasses very carefully. They look so fragile they could shatter with a sneeze. I can’t look at him. I’m afraid that if I stare into those pensive eyes I’ll never stop. So I stare down into the liquid, and the conversation dries up.

The martini is exquisite. It flurries over my tongue and warms its way down my throat, prising the top off my head, lifting me instantly. I don’t want to leave. But I’m equally sure that I must.

‘And his tipple of choice is exquisite. I love this place. I feel as if I was born to sit here sipping cocktails. But it turns out a Halloween party does await me, after all.’

‘Of course it does. Go trip the light fantastic, Serena.’ He turns the stem of his glass and smiles, not at me but at the olive bobbing on the surface of his martini. ‘But don’t get abducted by the undead, will you?’

I put my glass down and start to struggle with my jacket. My arm gets stuck in the sleeve as I’m halfway in.

‘Oh, blow it!’ I mutter crossly, my fist punching at the lining.