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The Element Encyclopedia of Ghosts and Hauntings: The Complete A–Z for the Entire Magical World
The Element Encyclopedia of Ghosts and Hauntings: The Complete A–Z for the Entire Magical World

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The Element Encyclopedia of Ghosts and Hauntings: The Complete A–Z for the Entire Magical World

Язык: Английский
Год издания: 2018
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Do something mundane or physical to bring you back to earth.

the evil-minded dead. However, psychologists maintain that the real danger is in exposing material from the unconscious that has been repressed.

AUTOMATISM

Automatism is divided into two categories: motor automatism and sensory automatism. Motor automatisms are unconscious movements of the muscles, which seem to be directed by supernatural guidance. The most common forms of motor automatism are automatic writing and automatic painting or psychic art, and other creative pursuits such as speaking, singing, composing and dancing. Dowsing is a type of motor automatism, an extrasensory guidance influenced by the movements of the rod held by a dowser. Other types of motor automatisms include impulsive behaviour, such as deciding to do or not do something at the last minute without knowing why, sudden inhibitions and sudden physical incapacities.

Sensory automatisms are thought to be produced by an inner voice or vision and can include apparitions of the living, inspirations, hallucinations and dreams. Hallucinations were once assumed to be caused by physical disorders, but Edmund Gurney, an early psychical researcher and a founder of the Society for Psychical Research, established that paranormal visions and sounds can occur without the presence of physical disorders.

After automatic writing and drawing, automatic music composition is perhaps the most common form of automatism. An unusual case was that of a London woman called Rosemary Brown, who, although she had limited musical ability, began in 1970 to compose music that she said was channelled to her from dead composers such as Chopin, Liszt and Beethoven. Recordings were made, and the works did indeed resemble the various styles of the composers, but critics declared them not as good as definitive compositions by these musical geniuses.

Problems associated with automatisms include compulsion, obsession and a feeling of possession. The practice may grow until a person feels taken over by it. Some people talk of possession by demons, but psychologists say that the effects are created by paranoia, not demons.

Since ancient times, inspired activity has always been attributed to the divine, the supernatural or the spirits, but today’s view is that automatisms are products of ESP or secondary personalities who produce knowledge or information that has been repressed or forgotten.

AVALON

According to Celtic legend, a mystical land of immortal heroes where the enchanted sword Excalibur was forged and where a mortally wounded King Arthur was taken after a bloody battle.

The story of King Arthur may be based on a historical figure of a Celtic king of the sixth century, who defended his kingdom against Saxon invaders, but it is the legends of King Arthur that have had a timeless, mystical hold over people’s imagination for centuries. According to legend Arthur came to power when he pulled a magical sword from a stone with the help of the wizard Merlin, an act that proclaimed his royal heritage. He started the Order of the Round Table, peopled by noble and virtuous knights, and married the beautiful but adulterous Guinevere who betrayed him for his best friend Lancelot. Arthur was mortally wounded by his treacherous nephew, Mordred, and is said to be buried on the mythical Isle of Avalon, from where he will rise again in Britain’s hour of need.

There is a tradition that Glastonbury was the Isle of Avalon. In 1191 the monks of Glastonbury unearthed, from 16 feet under the ground, an oak coffin that they said was Arthur’s. They showed an inscription: ‘Here lies beneath the renowned King Arthur with his beloved Queen Guinevere his second wife in the Isle of Avalon’ on a lead cross, which they said had been found in the coffin.

With its miraculous weapon of destiny, its goddess-like Lady of the Lake appearing by moonlight from the water and, most of all, the mysterious realm of Avalon, where Arthur journeys by water to be healed from death, the Arthurian world shimmers with a Celtic supernatural glow. Like a faraway, half-heard song, Avalon conveys a sense of something lost forever, never to be found – the mystical quest for the lost land, the lost world, the lost self and lost psychic powers.

AVATAR

Derived from the Sanskrit word avatora, which means ‘descent’, avatar is used in Hinduism to denote a god who has descended, by way of incarnation, to either human or animal form, coming into this world for the duration of one lifespan. An avatar is believed to be a mediator between people and the divine.

An avatar is similar to the Christian figure of an incarnated being but is different in two ways. First, a Hindu god can become incarnate in many places at the same time through partial avatars (amshas); second, the avatars do not fully participate in human activity or lose the knowledge and power of their divinity.

Exceptional holy men and women in India are called avatars. Hindus accept Gautama, Buddha, as an avatar. Vishnu, sky god and protector of the universe, is most famous for his numerous avatars, which include Krishna and Rama, but other gods, such as Shiva, also have avatars. Many charismatic leaders, such as the Indian mystic Chaitanya (c.1486–1533), have been regarded as avatars. In our own time, Ammachi – Mata Amritanandamayi – the South Indian woman who was given the Gandhi-King award at the United Nations in Geneva in 2002 for her promotion of non-violence, and who greets her long lines of followers by giving each person a warm hug, is considered an avatar of the Great Mother.

The bhakti (devotional) movements of Hinduism have often centred round avatars who are supposed to possess psychic abilities and paranormal powers, such as the ability to levitate or bilocate.

AVEBURY

A village in Wiltshire, England, eighty miles west of London, and site of the Avebury stone circle, one of the oldest prehistoric monuments in Britain. More extensive than Stonehenge, Avebury is large enough that it is said more than a quarter of a million people could stand within the boundaries of its circle. The circle was in active use in later Neolithic/early Bronze Age times, between 2600 BC and 1600 BC, so it pre-dates the Druids.

The Avebury circle was probably constructed by people from the Beaker culture. It is the largest stone circle in Europe; its 100 standing stones, reaching up to 14 feet high, mark a circle that is 1,100 feet in diameter. Another nearby landmark, Windmill Hill, bears an earthwork on top and may pre-date Avebury as a cattle market or ritual site. The purpose of Silbury Hill, yet another nearby landmark and Europe’s tallest man-made mound, remains unknown.

No records survive attesting to the original purpose and uses of the Avebury stone circle, and excavations have yielded few insights. According to theories Avebury may have been used for religious festivals to honour the Goddess, or it may have had astronomical purposes, as the stones align to the May Day sunrise. It is believed by some that the Avebury stones are repositories of Earth and psychic energy, which can be detected by clairvoyance and dowsing and that tapping the stones can enable communication with other megalithic sites. Such psychic energy may be responsible for paranormal phenomena that have long been reported at this site, including strange lights drifting on the ground and eerie small figures and apparitions flitting around the stones. In the 1980s Avebury became a major site of mysterious crop circles, geometric patterns made in arable fields that defy explanation.

B

BA

In ancient Egyptian mythology the Ba is what we would call ‘soul’, but there are differences. According to the Book of the Dead, after death the Ba rises up out of the body in the shape of a falcon, with a human head, that can fly between the tomb and the underworld. It was also believed that the Ba could take on any form it chose but that it had to reunite itself with the deceased every night in order for the deceased person to live forever. So the Ba remains very much attached to the physical body, contrary to the concept of the soul or spirit separating from the body at death. It was thought that the Ba had the same physical needs as the person, like food and water, so offerings of cake and water were left at tombs for the Ba.

BACHELOR’S GROVE CEMETERY

A small, abandoned cemetery that is overgrown, unkempt and subject to vandalism, Bachelor’s Grove Cemetery is one of Chicago’s most haunted sites. It is located on the edge of the Rubio Woods Forest Preserve, near the suburb of Midlothian, Illinois. There have been over a hundred paranormal incidents reported here, including inexplicable lights and voices, apparitions, strange photos, anomalous recordings and even sightings of magical creatures.

The first burial took place in 1844, but it wasn’t until 1864 that the cemetery became known as Bachelor’s Grove. This may have been because around this time a group of German immigrants, hired to help build the Illinois–Michigan Canal, settled on small farms nearby, and most of these settlers were unmarried men. Burials became less frequent in the 1960s, and the last recorded burial was in 1989.

It was in the 1960s that stories of hauntings began. Unfortunately, this was also when the vandalism and desecration began, and today the cemetery is in a terrible condition. Vandals have left few of the graves still standing, and many tombstones have been stolen or dumped elsewhere, giving rise to legends that the gravestones sometimes move by themselves.

The reporting of strange phenomena peaked in the 1970s and 1980s, but hauntings continue to be reported to this day, including flashing lights and phantom vehicles. The strange lights are said to be red or blue in colour, dancing just out of reach of those who chase them, as if the lights had an intelligence of their own. Phantom cars appear and disappear on the cemetery path. One couple even had a car crash with a vehicle that vanished before their eyes, leaving their own untouched despite the sounds of bending metal and breaking glass.

The most-often reported apparition at Bachelor’s Grove is a vanishing house or floating house. Access to the cemetery is gained by way of a narrow gravel trail that was once a main road through the area. Along this trail, many visitors have reported seeing a phantom farmhouse that seems to appear and disappear at random. The house is always seen from a distance and described in the same way, as a white house with porch pillars, a swing and a soft light burning in the window, but it is never reported in the same place. As witnesses approach the house, it shrinks and disappears. According to legend, anyone who succeeds in entering the house will never return.

Just past the fence surrounding the cemetery is a small lagoon that borders the nearby turnpike road. This pond was a favourite corpse dumping ground for Chicago gangsters during the years of Prohibition, so it isn’t surprising that the pond is thought to be haunted. One ghost linked to the lagoon is said to be a two-headed man, reported on many occasions. Others report seeing a ghostly farmer who was pulled into the water by his plough and horse in the 1870s. The horse was drowned by the weight of the plough, taking the farmer with it.

Still others report seeing people dressed in monks’ robes, and in 1984 the vision of a glowing yellow man was reported. In the 1990s several people reported seeing a large black dog near the entrance, which would vanish as people appeared, perhaps as a warning to go no further. The most famous ghost is the ‘White Lady’ or the ‘Madonna of Bachelor’s Grove’, who has been seen on nights of the full moon, wandering the cemetery with a baby in her arms. She is said to be the ghost of a woman buried there, next to her young son.

Paranormal investigators have reported electronic voice phenomena at Bachelor’s Grove, with the names of those buried there being called out repeatedly. There have been many attempts to capture Bachelor’s Grove phenomena on film, and plenty of photographs exist with images resembling ectoplasm. Perhaps the most famous photograph of Bachelor’s Grove was taken in 1991 by Mari Huff, a member of the Ghost Research Society. It shows a waif-like transparent young woman dressed in old-fashioned clothes sitting on a crumbling tombstone. According to Huff, this woman was not visible when the picture was taken. Sceptics argue that the photo is a double exposure, but a number of professional photographers do believe it to be genuine.

BAKECHOCHIN

Translated as ‘haunted lantern’, in Japanese folklore a bakechochin is a lantern inhabited by ghosts. According to lore the lantern has a long tongue and wild eyes and is home for the ghosts of people who died with hate in their hearts; for this reason, they are doomed to haunt the earth for all time. If someone should light one of these haunted lanterns, it is thought that a hateful ghost may leap out of it and attack.

BALLECHIN HOUSE

Hauntings at Ballechin House in Tayside, Scotland, came to public attention in the late 1890s, but they had been reported there for several decades before.

In 1806 Ballechin House was built by the Stuart family, and in 1834 Robert Stuart inherited the house from his father and rented it out to tenants while he was posted to India with the army. He returned in 1850 after achieving the rank of Major.

From his years in India, the Major had come to believe in reincarnation and transmigration, the ability of the soul to inhabit a nonhuman body. He vowed that when he died he would return to Ballechin in the body of his favourite black spaniel – he preferred the company of dogs to humans. Although he never married, he did enjoy the company of a young housekeeper called Sarah, who died mysteriously – it was said in his bed – at the age of 27, in 1873. Major Stuart died a few years later and was buried beside her at Logierait churchyard.

In his 1853 will the Major left Ballechin House to his nephew, John Stuart, who, fearful that the Major might be reincarnated as one of his dogs, cruelly shot all the Major’s hounds, starting with the black spaniel. This later would lead to the theory that the Major was forced to remain a disembodied spirit, haunting the house in protest. John Stuart was a devout Roman Catholic; his aunt, the Major’s sister Isabella, had become a nun and, after her death in 1880, was said to make ghostly appearances to visitors.

Almost immediately after the Major’s death in 1876 strange happenings were reported. One day in the Major’s study, Mrs Stuart noticed a strong smell of dogs in the room. She opened the window to let some air in and felt a nudge on her leg, as if an invisible dog had rubbed itself against her. This was followed a few days later by knocking sounds and the sound of gunfire and voices quarrelling. There were also sounds of someone limping around the master bedroom. Soon Ballechin House got a reputation for being haunted, and governesses and servants would flee the house in fear.

The Stuarts managed to live in the house for more than twenty years, but the children were so frightened that John Stuart was forced to build a new wing for the children to live in outside the haunted area. A Jesuit priest and family friend, Father Hayden, who often stayed at Ballechin, heard the haunted sounds, including screams, on many occasions. In January 1895, John Stuart was in the Major’s old study talking to his agent when three loud knocks were heard. This may have been an omen because a few hours later John Stuart died in London after being run over by a cab.

After John’s death the house was rented to a family for a year, but they left after a few weeks complaining of being terrorized by poltergeist activity, such as thumps and bumps, strange noises, apparitions and unseen hands moving objects.

In 1896 the Marquis of Bute, an avid ghost researcher, rented Ballechin House and asked two psychic researchers to help him carry out investigations. Almost immediately after moving in the researchers reported hearing loud clanging noises, muffled voices and gunfire.

Other guests invited to stay at the house reported supernatural activity. Several of the group conducted sessions with a Ouija board. During one session a person with the name of Ishbel came through and asked the investigators to go to a nearby pond. On doing so, the investigators clearly saw the figure of a nun, thought to be the Major’s sister, Isabella, wearing a black habit and walking through a snowy wood before suddenly vanishing.

From 1932 the house remained empty, and it was demolished in the 1960s. An account of the investigations that took place there at the turn of the century was published in 1899 with the title The Alleged Haunting of B House. The Stuart family disliked publicity so much that they asked for all names to be changed or excluded from the story. As a result the hauntings had to be reported as alleged and could never be credited as genuine.

BALTIMORE POLTERGEIST

Between 14 January and 8 February 1960, alleged poltergeist activity caused havoc in the Baltimore household of a couple called Jones, their daughter and son-in-law, and their 17-year-old grandson, Ted Pauls.

The first incident occurred on 14 January when the family sat down for dinner. A miniature pottery pitcher, one of Mrs Jones’s favourite pieces in her china collection, inexplicably exploded, showering Mr Jones with tiny pieces of china. Upset by the loss, Mrs Jones immediately went into the kitchen for a dustpan and brush, but before she reached the kitchen another pitcher shattered, followed by another and another and another, until fifteen of her precious ornaments had been shattered. The Jones family jumped away from the table in fear and panic.

In the month of misery that followed, objects flew off shelves and crashed through windows, pictures fell from the wall, plants leapt out of their holders, a sugar bowl floated up to the overhead ceiling light and dumped its contents all over the table, chairs and tables moved about and overturned, soda bottles exploded, books tumbled over and a brass incense holder was seen flying across a room. When the dining room light began to swing about violently during mealtimes the Joneses took to eating in their bedrooms, but this did not stop knives and forks vanishing from beside their plates.

Surprisingly, the only injury to occur was on the night of 17 January, when Mr Jones tried to pick up a can of corn that had fallen off a shelf and a tin of sauerkraut smacked him on the back of the head. There was an occasional day of respite, but more often than not the family spent their time running from room to room to tidy up and repair the damage. Then suddenly, on 9 February the incidents stopped as mysteriously as they had begun.

Not surprisingly, word spread during the month of terror, and reporters and investigators were regular visitors to the house. Several theories were put forward. Some thought Ted was playing tricks on his family, but this was denied by his parents. Others suggested radio signals, sound waves and earth tremors, but no proof was found. The police could find no evidence of explosives. A local plumber suggested that the hot air furnace might be the culprit. He urged the family to equalize pressure by opening the dining room windows. The Joneses followed his instructions, and the incidents stopped, causing the family to credit the plumber with solving the mystery.

Before the phenomena ceased, however, the respected psychoanalyst and researcher of paranormal phenomena Nandor Fodor suggested that poltergeists were not ‘ghosts’ but were bundles of ‘projected repressions’ that quickly wore themselves out.

Fodor theorized that so-called poltergeist activity was usually associated with a teenaged member of the family. When he investigated the case, he concentrated on Ted Pauls, the 17-year-old grandson. According to Fodor, Ted was a shy but talented and intelligent boy who was unconsciously using his mental power to create the disturbances. Fodor believed that the human body and mind could release energy ‘similar to atomic bombardments’, and could project this force into objects such as soda bottles, which would then burst from within.

Fodor thought that Ted felt misunderstood and longed to be esteemed for his writing talent. He theorized that Ted was unconsciously venting his frustrations by projecting them into aggressive poltergeist activity. Fodor explained this to Ted and suggested that if a way could be found to help him feel appreciated and valued as a person, he would have no need to express himself in such a destructive way. Fodor then took a risk by announcing that Ted was a gifted writer and that if his talent could be recognized the poltergeist activity would stop. He suggested that Ted should write his own account of what had happened, and, as expected, this had a therapeutic effect on Ted. His family gave Ted a newfound respect, and his self-esteem was boosted. Although a few more incidents happened (the psychological working-out process, as Fodor explained), they gradually stopped.

The Joneses, however, remained convinced that the plumber had solved the mystery.

BANSHEE

In the words of the Irish playwright and poet, and expert in Irish folklore, William Butler Yeats:

The banshee (from ban [bean], a woman, and shee [sidhe, a fairie]) is an attendant fairy that follows the old families, and none but them, and wails before a death. Many have seen her as she goes wailing and clapping her hands. The keen (caoine), the funeral cry of the peasantry, is said to be an imitation of her cry. When more than one banshee is present, and they wail and sing in chorus, it is for the death of some holy or great one. An omen that sometimes accompanies the banshee is the coach-a-bower (cóiste-bodhar) – an immense black coach, mounted by a coffin, and drawn by headless horses driven by a Dullahan. It will go rumbling to your door, and if you open it…a basin of blood will be thrown in your face. These headless phantoms are found elsewhere than in Ireland. In 1807 two of the sentries stationed outside St. James’s Park died of fright. A headless woman, the upper part of her body naked, used to pass at midnight and scale the railings. After a time the sentries were stationed no longer at the haunted spot. In Norway the heads of corpses were cut off to make their ghosts feeble. Thus came into existence the Dullahans, perhaps; unless, indeed, they are descended from that Irish giant who swam across the Channel with his head in his teeth. (From A Treasury of Irish Myth, Legend, and Folklore, ed. W B Yeats.)

In Irish and Scottish folklore the banshee is believed to be a death omen who attaches herself to families, usually those whose surnames begin with Mac. Thought to be the spirit of a young woman who died in childbirth, she strikes terror into the hearts of those who encounter her as she only manifests when there is to be a death in the family.

There are variations in the way she appears. According to Irish lore the banshee is known as Bean Si and is a beautiful young woman with long, flowing hair, wearing a grey cloak over a white, red or green dress. Her eyes are always red and sore from crying. In both Scottish and Irish lore she is also known as Bean Nighe or ‘little washer by the ford’. The Bean Nighe is thought to signal an imminent death by washing bloodstained clothes in a stream but, unlike the Bean Si, who is beautiful, the Bean Nighe is evil and ugly, with just one nostril, buck teeth, pendulous breasts and red webbed feet.

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