Derek Acorah’s Ghost Towns

Derek Acorah’s

Ghost Towns

Contents

Cover

Title Page

Introduction

Faversham

The Shipwright’s Arms

The Crouch Family Home

Via Mystica Shop

Faversham Brewery

Shrewsbury

The Parade Shopping Centre

Pengwerne Books

The Old Post Office Hotel

The Haunted Flat

Maidstone

Profile Selection and Recruitment Agency

Maidstone Museum

Doorstep Divination

Feng Shui Chinese Restaurant

The Ringlestone Inn

Northampton

The Haunted House

The Grosvenor Shopping Centre

Greyfriars Bus Station

Snappy Snaps

The Wig and Pen Public House

Royston

Banyers Hotel

Walsh’s Garage

Doorstep Divination

Henrick’s Hairdressing

The Old Police Station

Bedford

New York, New York Nightclub

The Swiss Garden

The King’s Arms

Twinwood Airfield

Copyright

About Publisher

Introduction

The enormous black-and-silver Ghost Truck rolled into town. This was the start of a whole new journey for me. Where would it lead? I felt very excited. I was taking my own show on the road, going out to meet people the length and breadth of the country and using my mediumship to investigate their Ghost Towns…

Getting the show on the road

How did it all start? Since 2001 I had been working on the highly successful Most Haunted television show, but after five series and over 100 investigations I felt it was time to move on. I was asked to stay for one more series and when that was over I was ready for something different. When LIVINGtv offered me the chance to host my own show in a new format, I was delighted.

Richard Woolfe, then director of television for LIVINGtv, and Paul Flexton, managing director of Ruggie Media, who had worked with me on LIVINGtv’s Loose Lips and I’m Famous and Frightened, had a great idea: putting a show on the road – literally. We would go out to the public and investigate their stories. That meant we would investigate shops, offices, pubs, hotels, houses – anywhere in fact where paranormal activity had been reported. Anything could happen – and probably would. I was only too happy to take part.

‘Derek loved the idea. He was ready for a new challenge. He was really excited about the show and he’s loved it ever since. And we’re delighted to be working with the best medium in the country.’

Paul Flexton, executive producer

The show was commissioned in the middle of June 2005 and we had to get moving, as the first series was to go out in October.

The Ghost Towns family

Joining me on my journeys around the country would be Danniella Westbrook and Angus Purden. I first met Danniella on Granada Breeze’s Psychic Livetime, though I knew of her work as an actress and, later, as a programme presenter. She had been intrigued by the paranormal ever since she had seen a ghost in her own home and had described presenting a programme on the paranormal as her ‘dream job’, so when the show was put together her name was top of the list.

Strangely enough, Angus also worked as a presenter, was interested in the paranormal and had seen a ghost. As a child he had lived in a house on a hill surrounded by trees, and once he had looked out of his bedroom window and seen a ghostly shape silhouetted there. Later on he had felt guided by his deceased grandmother and had had an accurate psychic reading, but he still didn’t accept everything uncritically.

‘I have always been fascinated by everything from déjà vu to reincarnation, but I’ve always had a certain amount of scepticism too – a healthy scepticism, if you like! I’ve always had to analyse and question everything.’

Angus

When I met him we got on very well and I knew that his open-minded approach would be an asset to the show. And in spite of a few scares along the way, he is loving it!

‘A mad, crazy job that involved working through the night – I had to do it. And it is great fun!’

Angus

Angus and Danniella had never met before, but they also hit it off straightaway and now they enjoy spending time together talking, drinking coffee and going shopping. I have heard a rumour that Danniella has bought clothes in every town so far. She and Angus have even started shopping for colour-coordinated outfits for the show. As we’re usually filming with night-vision cameras, unfortunately the viewing public don’t often get the full benefit!

‘Danniella and I investigate ghosts by night and shops by day. To be honest, I was hoping that I’d be her pet poodle and she’d buy me lots of clothes, but it hasn’t worked out that way!’

Angus

We also work with a very professional and enthusiastic crew. Normally in the fast-paced television world people move on fairly rapidly, but we have the same great team working with us now as at the very beginning, and that’s evidence of the cameraderie that has built up on the show.

My tour manager, Ray, is always with us too, and helps everyone out in so many ways – thank you again, Ray!

In fact we all get on so well that I refer to us as ‘the Ghost Towns family’.

How does it work?

We could go anywhere of course, but so far the towns have been chosen in a number of ways. For the first series it was very much up to the producers where they chose to film. They wanted a variety of settings, not just historic towns but also more modern ones. The only requirements were that there had to be enough people to tell their stories and enough room to get the Ghost Truck in! (This did prove something of a problem in Bedford.) Later on, people started contacting the television company to put forward their own towns. Now we have quite a long list of places to go to…

‘We don’t make any claims. It’s for people to make up their own minds. But we’ve had a huge positive response to the show and a lot of people would just love it to come to their town.’

Paul

The Ghost Truck spends two days in each town. On the day before we start filming we arrive at a hotel. It may be in the town we are filming in, but it may not. I have no idea where the investigation itself is to take place and the team takes great care not to tell me anything about it in advance. The next morning the Ghost Truck rolls into town and collects people’s stories, but I don’t go there until the evening, and it’s not until I get in the ‘Ghost Car’ and am driven to the venue that I find out what sort of place we are investigating.

‘It’s not difficult to keep details of the investigation away from Derek. Some people think he’s told everything in advance, but there’s no way that could happen – or that he could remember it, as he has the most appalling memory. It even takes a while before he can remember the names of the people he’s working with! Until he arrives at the location he has no idea where he’s going at all.’

Paul

During the day, as people are relating their stories at the Ghost Truck, our researchers are busy checking them out as far as possible. Angus, Danniella and I do have some opportunity to explore the local area (or go shopping), but the crew are busy meeting local people, hearing their ghost sotries, conducting research and preparing for the shoot.

‘With hauntings at a private home, we’re not able to run independent checks, but we do try to find out more about more public places, just to make sure that we’re not going off on a wild goose chase or that people aren’t just seeking publicity. As well as ensuring that the reports are genuine, we try to follow up those sightings where there may be a real story to uncover – as with Hayley Murton’s house in Northampton, for example. And if there have been several reports of paranormal activity at a site, particularly over a period of time, it’s definitely going to be well worth further investigation!’

Natalie Ralston, series producer

We film at night for several reasons – in some cases that’s when spirits have made themselves known, often to people who are closing up shops and other premises, and of course an investigation would be impossible in pubs, bus stations, shopping centres and other busy areas when they were open to the public. Spirit communication may come in the form of a gentle breeze or a slight tapping, so we also need to eliminate as much outside interference as we can. This isn’t always possible – in the case of a pub on a busy main road, for example – but we do our best. During an investigation, if one of the crew inadvertently makes a noise they always let me know as quickly as possible. Sometimes it’s difficult to avoid banging into something when you are in a strange place in the dark, or seven or eight people are all crammed together in a toilet!

Although I don’t know anything about the location in advance, Angus and Danniella are briefed on the background of the site and the paranormal activity that has been reported there. This is so they can help things along during the course of the investigation if the person who has called us in forgets something that might be relevant or even freezes on camera or under the stress of the investigation. Both Angus and Danniella are experienced presenters and I am always grateful for their help.

The notes they are given also help them to work out who is going on which investigation, though in most cases it is the series producer who makes the decision. If either Angus or Danniella is intrigued by a particular location, however, they can choose to go there. Danniella always accompanies me on the doorstep divinations. Angus just loves the idea of objects moving or lights going on or off, so he checks out those cases whenever possible.

At the end of the day we all go back to the hotel and are usually so tired that we just have a hot drink before going to bed. It’s always nice to relax after all the excitement…

What exactly happens in the Ghost Truck?

‘The show’s become a juggernaut – literally, in fact, in the case of the Ghost Truck.’

Paul

Basically, the Ghost Truck is a big empty oblong truck. As well as being home to the team gathering people’s stories, it also has an area where people can talk to camera, a ‘History Corner’ for the local historian helping us with our investigations, and a seating area where Angus and Danniella can work on their notes or have a cup of coffee.

The truck is very distinctive – and large – and hundreds of people have visited it, sometimes even in one day! Some have stories to tell, others just want to find out what’s happening, meet us and maybe discover a little bit more about their town. One thing’s for certain – it gets people talking…

Doorstep divination

‘The doorstep divination is my favourite part of the show. As a producer, I’m very proud of it, as it’s taking Derek to the people in a way that’s never been done before.’

Paul

How strange it must be to open the door one night and find a medium and a camera crew on your doorstep. I would be surprised if it happened to me! But if I feel a psychic pull towards a house, I know that there is a message from spirit for someone there and that we should try to deliver it if we can.

We do try to be respectful. We never knock after ten o’clock and usually it’s before nine. I know that people, particularly the elderly, may not be keen on letting strangers into their home, and that’s fine. It’s up to them. The message is there, but if they don’t wish to receive it at that time, that’s their choice and I respect that. A person did once refuse on religious grounds, but most people do agree and get something of value from the reading.

‘We do make sure before the reading that the person hasn’t just lost someone the night before, that they aren’t suffering from a heart problem or a mental illness, and also that they understand what a psychic reading is. We need to ensure that they know what’s going to happen and that they aren’t going to be traumatized by it.’

Natalie

‘Doorstep divination is a real test for Derek – nothing’s prepared, he’s going in cold and yet he comes up with so much information, it’s unbelievable.’

Angus

Now we have taken doorstep divination a step further and done it live! I was so excited to be part of it.

‘The best thing is doing the doorstep divination live – we have no control over it at all. It’s the most stomach-churning thing, because it’s all on live TV and you just don’t know who’s going to answer the door.’

Natalie

Our first live show was in York in January 2006 – and we certainly weren’t disappointed!

Where are we now?

‘In less than eight months since the show has been commissioned, we’ve completed two series and two live shows, and the third series is about to start … It’s an exciting journey we’re all on and it’s been an amazing adventure for all of us.’

Paul

At the time of writing, I have just completed the second live show, which took place in Halifax. The second series is on air and a third series is underway. The show is going from strength to strength and I’m loving every moment of it!

Wherever we’ve been, we’ve had fun, had fascinating experiences and, I hope, helped people to understand the world of spirit. Our ‘open-minded sceptic’ has certainly had a lot of food for thought.

‘It’s hard to be sceptical, because Derek can often prove you wrong. And in a way it’s easy to dismiss things and it’s often more difficult to believe, because then you have to work out why something’s happening and what it means.’

Angus

But where next? My mediumship has already taken me to America, Canada and New Zealand, and I would love to take this show there too – and even further afield. It has already been sold to Canada, the United States and Iceland.

‘Ghost Towns is a roller-coaster ride of a show and the fun’s only just begun … Our aim is to take Derek to the world – and beyond! – and to keep the Ghost Truck rolling.’

Paul

As for the future, we’ll see. But now, let’s go back to the very first series that went out on air…

‘I’d heard that Faversham had a lot of stories, a lot of spiritual activity. I was expecting something. I wasn’t quite expecting this much.’

Angus

Chapter One Faversham

As I arrived at Faversham, I wondered what spirits still haunted these old streets. The ancient Kentish town lies between the Downs and the sea. One of the famous Cinque Ports, it has a picturesque market square, a traditional brewery and many fine historic houses. But what else would we find there?

The Ghost Truck arrived at about nine in the morning and it wasn’t long before it was packed with residents telling stories of strange phenomena and ghostly sightings. By midday we had hundreds of reports. There were many haunted places to choose from for our investigation, but when the Ghost Towns team heard the legend of a local pub, the Shipwright’s Arms, they knew we had to start there.

The Shipwright’s Arms

‘I felt really privileged to be part of that, with that activity going on.’

Danniella

Neil Cole, who lives at the Shipwright’s Arms, and Honda Rye and Trisha Philpot, who work there, told the Ghost Towns team that there had been many strange events in the old pub. A customer had disappeared right in front of the barmaid’s eyes, a gas lamp had flown across the room, mysterious phone calls had been made from the pub when no one was there – it just went on and on. The level of activity had been constant over a long period of time and had been witnessed by many people.

Even as we were in the Ghost Car travelling to the pub I found I was picking up energy. It often happens that as I approach a property I am able to start sensing the energies present. If there is negative energy there, I feel a kind of anxiety or depression and know I have to prepare myself. In this case, I could feel a pull of psychic energy and I knew we were going to encounter spiritual activity.

Once we had arrived at the pub and been made welcome, we decided the easiest way to find out what was happening would be to hold a séance.

Séances

The word séance is French for a ‘sitting’. A séance is when a group of people gather together to make contact with a spirit or spirits. It is not absolutely necessary for an experienced medium to be present, but I always consider it to be advisable. The people taking part in the séance arrange themselves in a circle, often around a table, place both feet on the floor and either hold hands or, if a table is being used, place their hands palms down upon it with the little finger of each hand touching the little finger of their neighbour on either side to form a chain of energy.

It is often a good idea to place a lighted candle in the centre of the table, as the flickering of the flame can indicate a spirit’s movement through the atmosphere.

Everyone then closes their eyes and empties their mind of all thoughts, whilst the medium recites a prayer of invocation and protection for both themselves and the people taking part in the séance. Protection is highly important, as it is impossible to predict what sort of spirit or spirits will come to the group. Before I start any kind of psychic work I always perform an ‘opening up’ meditation to ask for protection from any negative energies. I call this my‘spiritual waterfall’ and I visualize white light cascading down on me and protecting me from any negative energies.

During a séance, once contact with the spirit world has been made it is no longer absolutely necessary to maintain physical contact with the neighbouring person and people may rest their hands on their lap or on the tabletop if they wish, palms upwards to keep the energy field of the physical body open.

Although the medium leads the communication with the spirit or spirits, anyone can talk to them or ask questions of them. Participants are also encouraged to say how they are feeling at any time and to just go with the experience.

A séance should end with the medium ‘closing the circle down’ by thanking the spirits for their presence and offering a prayer of thanks and protection to help them to return to the spirit realms.

Séances can be a very useful way of getting in touch with the spirits who are present in a certain place and finding out more about them. At the Shipwright’s Arms, this certainly proved to be the case.

We sat around a table in the oldest part of the pub, lit a candle and all held hands. Once we had opened the circle, it wasn’t long before I made contact with a spirit presence. I just wanted to scream out, ‘Splice the main brace!’ I took a deep breath and asked my spirit guide Sam to help him to step back. He was an angry spirit.

At that point I became aware of a strong smell of tobacco. ‘He’s got boxes and boxes and boxes of tobacco,’ I said. ‘He’s piling it up. That’s what he did.’

Who was he? I knew he was a strong man, but a weary man. He was a man of the sea. The reason he kept coming back to the pub was that he resented the way he’d lost his life. Sam told me that he’d barely made it this far. His ship had gone down, but he had not perished with it. He had got out of the water, but after that he had been walking blindly. He had had no idea where he was going.

The smell of tobacco was overwhelming. I had to ask Sam to back it off. I couldn’t believe that no one else could smell it.

Then I caught a whiff of another smell.

‘Ugh!’ I wrinkled my nose.

‘That’s amazing,’ said Angus, who was sitting on my right. ‘That’s horrible!’

‘Can you smell it now?’ I asked.

‘I can smell it,’ he said.

It was the smell of tar. It began wafting around the room and soon everyone started to smell it.

‘When I first smelled the smells I just thought, “Oh, it’s probably all in the mind,” but it was really, really strong. I could really smell the tar. It was just like roads being laid.’

Trisha

‘That happens all the time,’ Neil said, ‘and it’s always around this area.’

Then I got a name: Frederick Symes. ‘That’s his name,’ I stated.

‘My favourite part of this investigation was actually putting a name to the sailor.’

Neil

Hardly had I said the words than Angus looked puzzled and asked,‘What’s started swinging?’

Everyone looked up, startled. A lamp that was hanging above the bookshelf behind us was rocking back and forth. Its moving shadow was what had caught Angus’s attention.

‘That’s got to be phenomena,‘I explained.’ No one’s touched it. ‘I felt really pleased that we were getting such a good response.‘Come on,’I said encouragingly,‘give it a really good swing!’

Suddenly Danniella exclaimed,‘That’s moving, that one, that’s moving as well!‘She and Angus both pointed at once. A miner’s lamp which was hanging near the other lamp was also swinging gently. The spirit man was responding to us.

‘When we saw the lamps moving, we all stopped in our tracks.’

Angus

There was no window, no draught, no breeze, no physical reason why the lamps should be moving, and the wonderful thing about it was the way that the momentum kept up. There was no one near the lamps anyway, but if they had been physically pushed, sooner or later they would have slowed down and come to a stop, but the pace remained the same for six or seven minutes.