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It Is Just You, Everything’s Not Shit
Some of the greatest pleasures in life are the most simple. Standing in a bookshop, surrounded by thousands of volumes, is one such joy.
Ideally, you would be in no rush. It is good to linger when browsing books. You can then identify a suitable section and decide upon your strategy. There are many to choose from:
The Librarian. Strict alphabetical order; you start at A and allow your eye to run across each spine, perhaps aided by a pointing finger. A small “Tut!” may venture from your lips when you find something not in the correct order. Selected books will be removed from the shelf, examined and then placed back carefully from whence they came. After twenty minutes you have only reached as far as C, so make a mental note of where you got to for your next visit.
The ADHD. Even though you have all the time in the world, you don’t want to miss anything, so your eyes scan huge sections in one go, lingering briefly on interesting looking jackets or strange titles. You will pick things up but get bored after the first few lines of blurb.
The Favouritist. You make a beeline for your favourite authors and quickly check that they haven’t published a new book without you knowing. They never have. You then proceed to rearrange their titles on the shelf so that other shoppers are more likely to come across them.
The Janitor. A nice leisurely browse, tidying as you go. Booksellers of the world love people like you.
The Gambler. Pure pot luck. You pick up anything that comes to hand using whatever method works for you that day. You end up taking home a bunch of stuff you’ve never heard of just to see what it is like.
The Pigeonholer. You know what you like and like what you know. You head straight for your department of choice, never deviating or being swayed by multibuys or special offers. You are rarely surprised.
The Abramovitch. It is pay-day and you buy everything that looks remotely attractive or interesting and end up with a pile of books that you will struggle to fit on your shelves.
Breakfast in bed
This is the one thing no one minds being woken up early for and is the rare occasion when a continental breakfast isn’t a disappointment.
Breaking the ice on a puddle
Once you reach about the age of ten you stop being magnetically attracted to rain puddles. No longer do you jump straight into them, wellies or not. No more do you risk the anger of your mum for getting your socks all wet. You are growing up and jumping in puddles is something you choose, albeit reluctantly, to leave behind.
A frozen puddle, however, is a different thing entirely. It is almost impossible for an adult to walk past one without testing it with their foot in the illicit hope of that beautiful and satisfying crack and the spider web of fractures as you break the surface. It is the sort of moment that fuels an otherwise grey day.
Bubble wrap
Happy birthday, bubble wrap! Bubble wrap was invented by Marc Chavannes and Alfred Fielding in 1957, making it fifty years old this year (unless you are reading this later than 2007, in which case I am a little surprised by this book’s longevity). Technically, the term ‘bubble wrap’ is trademarked by the Sealed Air Corporation and to avoid any legal wrangling I should refer to it as ‘air cellular cushioning material’, but then you wouldn’t have a clue what I was talking about.
Originally, the inventors were trying to come up with a new type of wallpaper but ended up with a versatile packing material. Little did they know at the time that they had actually created one of the most pleasurable and hypnotic stress-relieving devices known to man, which is, of course, the real reason for its inclusion in this volume. The Sealed Air Corporation seem to have a sense of humour about this aspect of their product and even have a personality test on their website, which determines the sort of person you are by examining the way in which you pop the bubbles. For example, an extroverted and self-motivated person tends to throw bubble wrap on the floor and stamp all over it. I prefer to pop them one at a time, which makes me pragmatic and self-assured, apparently.
FASCINATING FACT
Bubble Wrap Appreciation Day is celebrated on 29 January every year, with events to mark the occasion including popping relay races and bubble wrap sculpture.
*It makes absolutely no difference what the film is, as long as it is in black and white.
C
Cancelled meetings
You are snowed under at work, your inbox is full of unread emails and messages with red exclamation marks next to them, you haven’t had time for lunch and you have a meeting you don’t want to go to starting in half-an-hour.
Then a miracle happens. The boss’s PA calls to tell you that, for reasons you are too giddy with excitement to hear, the meeting has been cancelled. Suddenly, your whole afternoon opens up before you like a beautiful summer field full of daisies. You feel like running barefoot through the car park and jumping for joy. Well, sort of.
Brian Cant
Brian Cant has managed to be a key performer in no fewer than five television shows that are now part of modern folklore: Play School, Camberwick Green, Trumpton, Chigley and Play Away. He was a fundamental, and fondly remembered, part of the early years of millions of children in the UK and around the world. He was, for most of the 1970s, the nation’s storyteller.
A printer by training, Cant was playing around at amateur dramatics when he was offered a professional acting job and quit work the next day. After some time as a jobbing actor, he auditioned for a new BBC children’s show called Play School and there began his stint in living rooms across the land.
Following an early period of heavily scripted shows, Cant got more involved in the production of Play School and ended up writing whole weeks of episodes. These were never live, as many people assume, but recorded a week ahead.
His appearances on Play School landed him some voiceover work for Gordon Murray and Freddie Phillips who were putting together an animated series for the BBC called Camberwick Green. This was such a success that he was asked back to do the same for Trumpton and Chigley. Recording his material in a converted broom cupboard, Cant didn’t get to see the animations at the time and, to this day, has not seen every episode from the series.
Play Away evolved from Play School and was aimed at older children and recorded in front of a live studio audience. During his time on that show, he worked alongside actors such as Jeremy Irons and Tony Robinson, both of whom went on to enjoy success with an adult audience, but Cant will always be remembered for his work in children’s television. Still acting today, he appears regularly on stage up and down the UK.
Personally I think it is about time that his significant achievements, and his place in the memories of millions, were recognised with an honour. Perhaps a knighthood is out of his reach, but an OBE or something like that wouldn’t be too much to ask, would it?
Frank Capra movies
The word ‘Capra-esque’ is often used to describe a movie, or anything, really, which has a heart-warming, life-affirming and slightly magical quality. It came about because of director Frank Capra’s tendency to produce films that ticked all those boxes, and many of his productions are considered all-time classics. His films include Mr. Deeds Goes to Town or It Happened One Night, which starred Clark Gable and Claudette Colbert and became the first film in history to win an Oscar for every major category.
Coming from a working-class background, Frank Capra was drawn to stories about the little man fighting against the odds, something epitomised by James Stewart’s performances in Mr. Smith Goes to Washington and It’s a Wonderful Life.
Capra himself was, by many accounts, not a particularly nice chap, but he was an excellent film director. He also knew how to pair up with talented people; many of his more successful films were penned by screenwriter Robert Riskin, a man whose vision is probably more aligned to the true meaning of Capra-esque.
Three Frank Capra movies appear on the American Film Institute’s list of the 100 Greatest American Movies of all Time. These are It’s a Wonderful Life (#11), Mr. Smith Goes to Washington (#29) and It Happened One Night (#35).
Cartoons
An artist draws an image on a sheet of paper. He then draws a slightly different image on another sheet. By quickly flicking between the two, he creates the illusion of movement. He has made a cartoon.
Take thousands of artists drawing millions of images over the past hundred years or so and you have a universe of animation that has brought joy, awe, wonder and amazement to everyone who has had the pleasure to witness them.
Cartoons unite us; they make us all smile; they are an experience we share with everyone else who has ever watched one. When my son laughs at Bugs and Daffy arguing over rabbit season/duck season, he is reliving the laughter I expressed when I was his age watching that very scene, which is precisely the same as my father before me.
Every now and then some morally outraged individual will complain about all the violence in animated cartoons. They will point to Jerry smashing Tom’s face in with an iron, or Wile E. Coyote getting crushed by an anvil, and suggest that it is corrupting the minds of minors.
I say that they clearly didn’t watch enough cartoons as a kid. If they did, they’d have a bloody sense of humour.
Children’s paintings
On one hand, the critical and artistic one, children’s paintings are basically crap. Of course they are. They are created by people with no artistic talent and with the most basic of materials. They tend to look nothing like their intended subject.
On the other hand, the emotional and creative one, they are little rectangles of pure imagination.
A blue strip of sky clings desperately to the top of the page. A monster with 13 legs and eyes hovering somewhere above its head explodes in a riot of colour. An incomprehensible mass of paint swirls together into impossible shapes. Go and see an infant school art display some time; they will be the greatest pictures you will ever see.
If you still aren’t convinced that children’s paintings are the most rewarding form of art we have, then ask yourself this. Why is it that all the great modern artists spend their adult lives trying to see the world as children again? If you want to paint as well as Picasso, you either have to be a genius…or five years old.
Chinese chips
Obviously it is a bit silly to order chips from a Chinese takeaway, but if you have ever done so, you will know that the Chinese have a secret magic recipe. Somehow their chips taste nicer than any others. I have no idea how they prepare them, and I have never thought to ask. Perhaps they cook them in a wok. Whatever it is they do, it elevates the chipped potato to a whole new level.
Church bells
I don’t care what religion you are, the ringing of church bells on a sunny spring morning is a joy to the ears.
Close encounters with wildlife
Most wild animals steer well clear of us human beings. A very wise move, too—we have a tendency to kill them for food, sport, or out of sheer boredom. So when an otherwise shy creature happens across your path and doesn’t instantly flee, it is a rare privilege.
Those brief seconds, silent and still, can seem timeless. As you make eye contact and, for a moment, you acknowledge each other’s presence, it is as if you are communing with nature on an almost spiritual level. It is enough to humble even the most cynical of humans.
Clouds
Floating above our heads every day are the stuff of dreams and poetry. The most amazing sights in nature are just an upwards glance away.
Don’t just take my word for it, here’s someone who knows far more about it than me.
AN INTERVIEW WITH GAVIN PRETOR-PINNEY, FOUNDER OF THE CLOUD APPRECIATION SOCIETY.
What inspired you to start the Cloud Appreciation Society?
A few years back, a friend asked me to give a talk about clouds for her literary festival. She knew how enthusiastic I was about them and, of course, I said yes. But in the weeks before the event, I worried that no one would come along, since most people complain about clouds. It occurred to me that they might be more likely to come if I gave the talk an interesting name. So I called it ‘The Inaugural Lecture of the Cloud Appreciation Society’, even though no such society existed. When the talk was packed out, and everyone came up afterwards to ask how they could join, I figured that it was about time I started a society for real.
How many members do you have?
There are currently 7,700 members in 42 different countries, with more joining every day.
What are the benefits of membership as opposed to, I don’t know, just looking up at the sky?
There are no particular benefits. We have yet to negotiate with airlines for members to have priority booking of window seats. But when you spend £3 to become a member, you get a badge and a certificate with your name and membership number on it. This states that you will ‘pledge to persuade all who’ll listen of the wonder and beauty of clouds’. Of course, you don’t need to be a member to look up and enjoy clouds. They are there for anyone to enjoy. They belong to everyone and no one. It is about time someone stood up for clouds. It’s just about that, really.
Any famous cloudspotters among your number, or is that a secret?
I have the utmost respect for the privacy of our members. Still, I can divulge that membership includes a celebrity chef, a musician/conceptual artist who had a number one hit single, and a husband-and-wife TV presenter duo.
What is it about clouds that you like so much?
I like the way they bring variety and drama to our skies. Life would be dull if we had to look up at monotonous blue skies day after day. Clouds are precious precisely because they are so transient: every cloudscape is unique, and clouds generally are useful metaphors for life down on earth (just one of the reasons for their great credentials as subjects for poetry and art). Put simply: clouds are for dreamers and their contemplation benefits the soul. A few minutes looking up each day to let your mind float along with the clouds is the best form of meditation I know. It helps elevate you above earthly concerns—and saves on psychoanalysis bills.
What is your all-time favourite cloud?
It is either the pileus cloud or the lenticular cloud. A pileus is like a cloud haircut. It looks like a blow-dried bouffant, and sometimes forms on top of the puffy, cauliflower-like summit of a large cumulus cloud. It only lasts a few minutes, before the cumulus grows up through it. It therefore embodies the transitory, ephemeral nature of clouds. A lenticular cloud tends to form in hilly or mountainous regions. It looks like a flying saucer. Unlike most clouds that blow along in the wind, the lenticular formation hovers, more or less stationary, in a brisk breeze. One of the joys of cloudspotting is finding shapes, so this UFO-shaped cloud is a winner.
Cloudspotters: anoraks or poets?
Both. And that’s the beauty of it.
Do you think people who appreciate clouds have a more optimistic outlook on life?
Yes. What could be more optimistic than finding profound beauty in the everyday? Let others find clouds mundane; let them spend fifty weeks of the year wishing they were on holiday somewhere else where the sky is always blue. If a dramatic display of altocumulus undulatus, cast in the warm light of the setting sun, appeared only once in a generation, it would become a legend. I don’t think the fact that it happens on a weekly basis makes it any less remarkable.
(The Cloud Appreciation Society can be found online at www.cloudappreciationsociety.org. Gavin Pretor-Pinney is the author of The Cloudspotters’ Guide, published by Sceptre.)
Columbo
Peter Falk’s portrayal of the seemingly hapless LAPD homicide detective Lieutenant Columbo has become one of the most popular character performances in television history. With its genre-breaking format—the audience knew the identity of the killer from the outset—the show became hugely popular during the 1970s although the pilot episode was shot as far back as 1968. In fact, the character of Columbo dates from much earlier, having appeared in a one-off TV drama in 1960, written by creators Richard Levinson and William Link. In that live broadcast, Columbo was played by Bert Freed.
Although it had a unique approach to the cop show format, the makers of Columbo were not averse to the world of cliché and the programme built up its own repertoire over the years, much to the delight of fans and aficionados.
Enthusiasts revel in hearing Lt Columbo utter his catchphrases, ‘just one more thing’, or ‘about that alibi of yours’, watching him trying to find somewhere to stub out his cigar or parking his battered old Peugeot really badly.
The original ’70s series featured a cornucopia of special guest stars including William Shatner, Robert Culp, Johnny Cash and Leonard Nimoy, but was a breeding ground for significant talent behind the screens as well—John Cassavetes, Jonathan Demme and Stephen Spielberg all directed episodes.
Now a staple of weekday afternoon television, Columbo continues to find new audiences every year and its appeal looks likely to go on for many more years to come.
FASCINATING FACT
Despite the protests of Columbo’s star and creators, NBC produced a show called Mrs. Columbo in 1979. It featured the crimestopping adventures of the lieutenant’s supposed wife and starred Kate Mulgrew who later went on to captain the USS Enterprise in Star Trek: Voyager. Unsurprisingly, it was cancelled after one season.
Constellations
If clouds are the poetry, then constellations are definitely the stories of the sky. They are thought to have been created by farmers in ancient times in order to more easily determine the seasons. They imagined shapes and characters within the star formations and some historians believe that these were the genesis of many ancient myths; by telling stories around these characters, they were better able to remember them and pass them down the generations.
Modern astronomy has changed the original formations somewhat, so that now every star in the sky is in exactly one constellation. There are 88 official constellations in the night sky.
Cracking a boiled egg
I suppose this falls into the same category as frozen puddles. Taking a spoon and giving a boiled egg a good beating is an intensely satisfying feeling. Not so severing the top with a knife; this is simply wrong and somewhat alarming. People who adopt that latter method are probably to be avoided.
A great practical joke when you are a child is to finish eating a boiled egg and then turn it upside down, trying to convince some unsuspecting victim (usually your dad) that it is indeed a nice, fresh new one. Actually, you don’t have to be a kid at all to enjoy this. I am going to give it a go next time (and I am willing to bet that you do, too).
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