This Little Family

Laurent is turned on, she can feel him hardening against her buttocks. She lets him have his way, can’t see any alternative. She’s never rejected him, he’d think it was odd if she did now for no obvious reason. Being tired won’t always be an excuse for escaping her conjugal duty, especially if they’re still planning to have a baby. Laurent lowers her tights, turns his wife around in his arms and lays her down on the bed. His hand slips inside her, strokes her with slow circular movements. He kisses her, explores her mouth with his tongue, takes a handful of her hair, pinches her nipples between thumb and forefinger. Marie is frightened it will hurt. She prepares for the pain she will feel when he penetrates her, taking a breath in and letting it out slowly. He drives into her. Her body tears on the inside as if a great heated file were being inserted into her vagina. Her mouth twists and she groans in pain. Laurent pushes harder. Every thrust of his hips, the least undulation is torture. She suddenly feels as if she is being drained of all her blood, she can feel her organs sliding downward inside her, a gaping wound opening up in her stomach. Laurent plunges a finger into her anus and she screams. He pulls it out. She feels raped all over again, by her husband. He’s not noticing her, is tormenting her body, inflicting superficial pain to escape the confines of an excitement that’s become all too familiar. Now there’s no distinguishing between the two situations. Her rapist’s sadism feels to her just like Laurent’s, the husband who doesn’t notice her suffering. “I’m coming … Wait, I’m coming …” He comes inside her. She’s going to throw up, represses it. A few vestiges of her lunch come into her mouth. She smiles at him, puts her arms around him, breaks away. He watches in silence as she gets up. He can’t possibly know that this second ordeal endured by his wife marks the end of any compromising on her part.

This dinner is a bad idea. On the way there Marie thinks about how she’s going to say hello to her friends, about the moment when she has to sit down at the table, evading certain questions, certain forms of eye contact. Paul and his wife Sophia live in the Monge neighborhood. Marie and Laurent had hesitated for a long time before settling on their apartment in Charonne; they’d been offered an exceptional property on the rue Daubenton but didn’t yet have the funds to afford it, much to the disappointment of Marie and Sophia, who’d been friends for years and liked to go to the Sunday market together on the rue Mouffetard.

“Are you staying in the car, or what?” Agreeing to make love with Laurent before the meal was also a bad idea. Her body had begged her to stop but it was too late and now she must simply wait for the pain to subside a little. Marie finds it hard to get out of the car. Her husband slams the door, doesn’t notice the trouble she’s having. “I do like Charonne but you gotta admit this neighborhood’s quieter. It’s better for kids.” He still hasn’t given up.

Paul and Sophia have a three-year-old son and live in a large duplex apartment. He’s a gynecologist and she a dental surgeon. Marie has always found it practical having friends with a medical bent, but this evening she’s wary of Paul’s experience. After the rape she thought of the sexual diseases she might pass on to Laurent and the psychological trauma of abused women, but she hopes she can forget, erase all the suffering of this period. She’s going to take refuge in her work and her marriage. Perhaps the longing to have a child with her husband will resurface in a few days, stronger than before.

Sophia appears on the landing looking radiant in a loose-fitting orange tunic. She takes Marie warmly in her arms. A delicious smell of Middle Eastern spices hangs in the air in their living room. “I made a couscous—Granny Zara’s recipe!” Sophia was born in Morocco. She’s proud of her roots and makes a point of passing on a few words of Arabic to her son so that he’s familiar with his second culture. Paul is not very enthusiastic about this and thinks it will end up giving the child identity issues. “There she goes again! We’re not in the medina now, baby!” They tease each other, laugh about it, understand each other. Marie envies their natural intimacy. Maybe Paul would have known straightaway, unlike Laurent.

Every subject they broach around the table strikes her as dull. She’s distracted, far removed from the dinner, aware of the sounds without really hearing or understanding them. She stares blankly in one direction and then turns and alights on another. A few words ring out: “She was covered in bruises. Her body swollen and bleeding. She was most likely raped several times.” Marie’s eyes light up, her body is electrified, she wakes up at last. Paul is talking about one of his patients, a girl of seventeen who was beaten by her father for years and probably raped by him, and who came to see Paul in his office after a violent altercation. “When I examined her everything was confirmed. I didn’t even need a speculum.” There’s a brief silence. The subject is disturbing, a bit disgusting. Sophia gets up to fetch the couscous from the kitchen while Paul continues to give details of the story.

Laurent doesn’t seem put out, continues to chew absentmindedly on his piece of bread, as if to pass the time. “But are you sure it’s the father? No, it’s just these days it seems like everyone’s been raped and the perpetrators are named before anyone can be sure it’s really them.” Marie doesn’t say anything, this contribution smacks her full in the face. She feels dirty and ashamed before her husband, suddenly guilty for what she may have provoked the night before. Paul is used to this sort of discussion and tries to present a different argument. Good, evil, men accused of rape turning out to be victims of spite, the public lynching of some men, the Dominique Strauss-Kahn case, Polanski …

Sophia comes back into the dining room and puts a large colorful earthenware dish on the table. The couscous is almost overflowing. “Maybe we could talk about something else? I mean we could do without your work stories about rape when we’re trying to eat.” Marie wants them to talk about it. She wants to get up and scream that she too has been raped, by her boss, and she understands this young girl. She wants to announce loud and clear to her husband and friends that she was forced to take a penis in her mouth, in her ass and in her vagina, that her body was butchered, she had blood on her thighs, semen in the corner of her mouth, puke all over her breasts, and shit spread over her stomach. She could do it. Her mind fights to speak out. But she doesn’t have the courage. She’s afraid she’ll destroy everything, lose her husband and friends, be judged, be suspected of lying or exaggerating. She decides against it.

They move on to something else. The subject is changed. “So, Laurent told us the good news. Enjoy yourselves while you can because they don’t leave you in peace for a single night in the first year!” The baby again. Marie doesn’t think she can keep this up. Her vagina feels stretched, torn between her thighs. She slips away to the bathroom, as natural as can be. Her breathing accelerates, on the verge of a panic attack. The walls close in, the paintings hanging along the corridor talk to her, criticizing her weakness. Uncontrollable tears spill down her cheeks, distorting her face, smudging her makeup. Her reflection appears. She looks like a whore. A raped whore. A few smears of blood seep into the toilet paper.

When she joins the others again, there are North African gazelle horn pastries proudly displayed on the table. “Is everything okay? You look a little tired this evening.” Marie smiles, claims she hasn’t been feeling too good since yesterday. Her husband puts his arms around her, cuddles her, and says they’ll leave soon. Marie drains her coffee as she listens to Sophia’s ideas for their next winter vacation. The four of them could go to Switzerland together. Her mother will look after their son. Skiing in the glorious alpine landscapes around Geneva, nothing better just before Christmas. Marie is mortified, she realizes just how much the future means to people. No one ever talks about the present, and not much about the past. The evening when she was raped is already long ago, almost forgotten, obsolete. Even if she spoke about it publicly, she couldn’t be sure how people would react. She’ll have to see her attacker in the workplace, maybe even accept his congratulations for the contract she will soon have signed, walking beside him, smiling at him and smelling his aftershave. He will have forgotten, time will pass, and justice will too. The facts will have lapsed.

It’s time to go home. Paul hands Marie her coat and wants to help her put it on. She refuses his offer, not wanting him to touch her. She thinks about his penis, about how he might take Sophia. She pictures him examining his young patient, imagines her tortured, abused vagina, its flesh and nerves raw. Sophia hears her son crying and kisses Marie before hurrying upstairs to soothe him.

“I’ve always thought it odd for a man to be a gynecologist. Seriously, it’s kind of weird looking at vaginas all day long, isn’t it?” The walls of the arcades by the Louvre Museum are so old, rising out of the ground since forever, solid as rocks. She’d liked to turn the steering wheel, for Laurent to hurtle into them, for the two of them to die instantly together, for him to shut up at last. He puts his hand on his wife’s thigh. She automatically pushes it away as if terrified. Everything seems so easy to him. “Are you sure you’re okay? You were a little strange over dinner.” Marie gives up, puts his hand back on her leg and slides it a little way toward her crotch. Laurent smiles again. She wants him to stroke her, she thrusts his hand inside her tights and rubs his penis at the same time. He has an erection. It’s late. There’s very little traffic along the riverbank. The bright light of streetlamps intermittently illuminates the inside of the car. At night Paris is sparklingly beautiful. Laurent has taken a wrong turn. The Hôtel de Ville is deserted, its white stone illuminated by dazzling reflections from the Seine. His penis hardens as Marie rubs it backward and forward. Her hand accelerates. He sighs, moans, raises his foot from the accelerator. She makes him come in a few minutes. Her hand is sticky, cloying. She disguises her disgust, looks for a tissue in the glove compartment to wipe herself. “Oh, I think you have your period, honey.” His fingers emerge from her tights soaked in blood. She tells him it’s nothing, just the remains of her last period. Actually, no, she was raped a day ago, her insides torn in places till they bled while he was enjoying a lobster at the Coupole brasserie with his client.

He won’t try anything this evening. Marie can go to bed without worrying. She’ll let the time sift through her fingers. She knows that sometimes it will be tough, insurmountable, but she’s sure she can do it. A whole new day starts tomorrow. Laurent gets into bed, kisses her. He’s asleep already.

Bois-le-Roi is a delightful place. The Forest of Fontainebleau protects its inhabitants, nestling them in a natural, leafy cradle of calm. The reddish facades of the large buhrstone buildings peep through the impressive oak trees that edge the old properties. Below them the Seine flows past. They can hear the sound of the water, the pressure of it. This is where they’ve chosen to have their picnic. In crisp beams of autumn sunlight Marie’s mother, Irene, is busy unwrapping the picnic basket she prepared this morning. A multitude of bread rolls arranged perfectly by flavor give the finishing touch to the bucolic mood of the scene.

It’s nearly three weeks since Marie’s assault. Her vagina has stopped hurting. The pain inflicted by her rape has disappeared, taking with it the few precise recollections that clung to her memory. She has continued to make love with her husband. He still hasn’t noticed anything unusual about her behavior, just a few bad moods put down to stress and tiredness.

Laurent is unfolding the fishing rods down by the river with his father-in-law, Gérard. They’re hoping to grill their catch this evening. Marie’s father, a retired pharmacist, has always exercised a kindly authority over his family. His wife, a stay-at-home mother who attentively raised their two daughters, showed no inclination to have a career. Being a mother was enough for her. Marie has never thought to ask her whether she was truly happy, whether having a child could fill the void that she sometimes feels opening up around her. “Children are life itself,” her mother often tells her. “When life is added to life, what more could you want to give meaning to everything else?”

Marie is helping her sister change her baby’s diaper on the plaid blanket. He seems to like his aunt. She forces a smile.

“How are things at the bank? I heard it was heating up right now.” The pitiful ordinariness of the questions Marie has to answer shoots through her head at the speed of sound. Is she such a good actor? How can this loving, affectionate, attentive family, this husband who’s so close to his wife, not see anything, how come not one of them has noticed the change in her? They’re uncorking the champagne, handing around petit fours on china plates. It’s absurdly cheerful. Marie feels like taking the big knife, snatching it from her mother and, in sheer desperation, driving it straight into her heart and slicing it down into her belly.

Laurent comes back, swinging the half-full bag of fish from one hand to the other. He’s pleased. Marie finds him uglier by the minute. With his fishing rod, his blissful look of permanent happiness, and his perfect little life, she feels like spitting on him, ramming something right down his throat. Someone needs to focus on the details in this tableau that has no visible flaws. No one thinks to do that, preferring instead the smooth, supple contours of reassuring surface emotions. Whatever happens they wouldn’t want to make out the black stains, the dysfunction and the torment. Marie remembers how shocked she was when she first saw Magritte’s paintings on a trip to Brussels with Laurent. She’d always been fascinated by the precision of his work, the almost photographic mastery of his subject, his perfect grasp of the laws of perspective, but was terribly disappointed. Proximity can shatter everything in an instant. As she moved closer to her favorite work, The Castle of the Pyrenees, featuring a huge rock suspended in the sky with a small medieval town on its summit, she noticed the first imperfections. The irregular brushstrokes, the rough-hewn curves and contours, cracks in the paint … It was so disappointing, so far removed from everything she’d envisioned about this artistic perfection that she’d believed in since she first came across the painting as a child, on the glossy paper of a school book.

The sun illuminates the scene. Its gilded beams light up the damp lawn, radiate through the air. Only Marie is surrounded by gloom. In total darkness. She has the same faltering feeling as in that museum. The veil is finally being lifted on her existence, crushing the idealistic lie. She longs for silence to think over what she can do to extricate herself. They all clink their glasses. Marie feels like snapping the tablecloth out from under them as they guzzle champagne and macaroons, she wants to topple them over like glasses, break the crockery and dump everything on the ground. She never wants to feel her vagina again. Neither the suffering nor the arousal that are destroying her day after day. No one will ever touch her again.

“What’s this, then? Don’t you like champagne anymore?” her father says. “And I thought it would make you happy, it’s your favorite!” He puts his strong arms around her, squeezing her a little too tightly. Within a second she’s driven away her thoughts and buried her longings and is smiling at him. She eats and drinks, and kisses her husband, mother, and sister. She forgets the details, camouflages the flaws, ejects the pain, represses her disgust at the indifference of her loved ones. Their lunch is over. They need to go home, Roxane’s baby is getting cold.

Marie clings to her Monday morning delay like a precious undying feature. Some things mustn’t change. Laurent found his file right away, he’ll be on time. He wanted to make love to Marie last night. She couldn’t refuse, she gave herself to him with complete abandon. She lost that game long ago. The memories are gradually being quashed in her mind. She puts her cup in the sink and suddenly feels dizzy. Then it stops. She’s not sleeping well at the moment and, when Laurent’s not looking, she takes a lot of sleeping tablets before bed. Maybe the pills’ harmful side effects are making her weaker than usual.

She heads off to the bank on her new bicycle. Hervé’s happy to see her and shows her a picture on his phone of the turtledove he decided to buy on Saturday at a pet store on the banks of the Seine. “The look on Corinne’s face when she realized the cage had a new occupant! I just saw that and I knew I was going to have the best weekend of my life!”

Marie goes to her office for her nine-thirty meeting. She puts down her coffee and turns on her computer. Her stomach clenches, her eyes glaze over. Time stands still, the taste of urine comes back to her. Her vagina contracts, instinctively protecting itself. Her old phone has been placed in the middle of her desk. Marie can still feel it vibrating at her feet in that car. She remembers the configuration of the screen, the colors, the rhythm of the new message ringtone, her finger typing away on the keypad a few minutes before the attack. He has been in this office. He’s decided to come back into her life. She slowly picks up the phone. “Oh yes, the CEO’s assistant came by this morning. He found your phone after the last meeting, he wanted to give it back to you in person but you’d left already.” He’s lying to everyone too. She’s not the only one. She’s strangely reassured by this thought, it brings her closer to him in the intimacy of their shared secret. They’re in the same boat, perhaps even in the same dead end. When she’s plugged the phone in to charge it she switches it on, rereads Laurent’s messages, now finds them appallingly childish, thoughtless, almost indecent. Why did the CEO want to give her back her phone? There’s no evidence left now. He’s completely in the clear, it would be her word against his. No gynecological examination, no traces of violence, his car must have been cleaned from top to bottom the very next day, Marie threw her clothes in the bin. No one knows about it, it’s too late, the moment has passed.

Her client arrives late and she asks for him to wait in the corridor. She feels like throwing up. She runs to the bathroom, flips up the lid, and spews out her breakfast. It’s too much of a shock. Everything’s getting more and more complicated. One thing leading to another. But life just keeps on doing the opposite of what she wants, and she decides that today must go ahead without a letup.

A section of boulevard Voltaire is blocked because of a strike. The warm croissants will go cold. “You need to take rue Richard-Lenoir,” a policeman tells her, and she has an urge to retort that that was the street where she was raped and she doesn’t feel like walking along it, and, as an agent of the law, he should find another solution by way of compensation. She doesn’t say anything. The entrance to the car park isn’t all that wide, after all. It was dark, but Marie suddenly thinks it strange that no one saw anything. She pictures people turning away at the point where the deepest core of her parted company with the rest of her body, people happier to stare straight ahead than witness that disturbing sex scene. She doesn’t stop, quickens her step, gets away from the place by crossing the street. A furtive moment of suffering that stirs memories. She doesn’t remember the pain now.

Laurent is only just waking. He went to bed late last night after finishing his defense. The trial starts soon. He gets up to kiss his wife. “How lucky am I to have such a wonderful wife … She brings croissants for breakfast. I didn’t even hear you go out!” She didn’t want to wake him and run the risk of being subjected to his morning sexual enthusiasm. She sets the table meticulously, arranges the five croissants on the large silver dish her parents gave them as a wedding present, and pours freshly squeezed orange juice into a jug. Laurent starts cooking eggs and bacon, filling the room with the smell of frying. “Can you open the window a little, otherwise the whole living room smells of it.” She gets up. Her stomach churns again. How many times has she thrown up in the last few days?

Laurent looks at her. “Hey, are you okay? Are you sick?” She hurries to the bathroom and doesn’t have time to close the door. Laurent watches her through the half-open doorway and smiles.

“What are you laughing at? Watching me on all fours, puking?” Laurent comes over to her but she pushes him away. She finds the situation disgusting and asks him to go back to the kitchen and finish making breakfast. It hurts deep down in her stomach. She can’t take any more of this aching. It’s always in the same place, as if the pain has made up its mind to keep knocking at the same door, reopening the wound with the same determination. Marie has nothing left to throw up, she’s spitting bile. The green liquid dribbles down the inside of the toilet bowl. She drags herself back to join Laurent. He’s sitting on a chair, slightly offended that she banished him so harshly. He gets the picture before she does.

Marie sits at the table without a word, still wincing because of the acid that keeps rising up her throat. She can feel Laurent staring at her. She looks him right in the eye until he gives up and looks away. She doesn’t want to know what he’s thinking, doesn’t want to hear the words come out of his mouth. If she listens to his explanations she’ll scream, spit in his face, try to push him out the window at any opportunity or chuck the hot oil from the bacon in his face. “I’d rather stay at home today, I’m a little tired from the week I’ve had.” He was planning to go to an exhibition at the Musée d’Orsay, which Marie loves visiting on Saturday mornings before tourists get all overexcited about Paris. The light there soothes her; soft vaporous beams filter through the glass roof of this former train station, casting a heavenly protective halo over the large marble statues. He won’t go alone, he’ll get on with his work or go visit his parents in Melun.

Marie returns to the bedroom to get some rest, burrowing back under the unmade sheets contentedly. Some days aren’t worth the effort of being lived anywhere but in bed. She can just see herself in her pajamas, slumped on her plump comfortable mattress, receiving clients, friends, and relations. The nausea is back, stronger than before. “Do we have any medicine for this? Something to stop me throwing up?” Laurent brings a pack of small red pills and a glass of water. She’d like to tear the smile off his face, peel off his skin, blot out any trace of satisfaction in him. He needs to leave, and plants a kiss on his wife’s forehead like an encouragement for what lies ahead. She’s going to sleep all day. Sleep at last. For a few hours she just won’t be here.

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