Year of Wonders

Year of Wonders

Geraldine Brooks

a novel of the Plague

For Tony.Without you, I never wouldhave gone there.

O let it be enough what thou hast done,When spotted deaths ran arm’d through every street,With poison’d darts, which not the good could shun,The speedy could outfly, or valiant meet.

The living few, and frequent funerals then,Proclaim’d thy wrath on this forsaken place:And now those few who are return’d agenThy searching judgments to their dwellings trace.

From Annus Mirabilis, The Year of Wonders,1666, by John Dryden

Table of Contents

Cover Page

Title Page

Epigraph

Leaf-Fall, 1666

Apple-picking Time

Spring, 1665

Ring of Roses

The Thunder of His Voice

Rat-fall

Sign of a Witch

Venom in the Blood

Wide Green Prison

So Soon to Be Dust

The Poppies of Lethe

Among Those That Go Down to the Pit

The Body of the Mine

The Press of Their Ghosts

A Great Burning

Deliverance

Leaf-Fall, 1666

Apple-picking Time

Epilogue

Afterword

Praise

Also by Geraldine Brooks

Copyright

About the Publisher

Leaf-Fall, 1666

Apple-picking Time

I used to love this season. The wood stacked by the door, the tang of its sap still speaking of forest. The hay made, all golden in the low afternoon light. The rumble of the apples tumbling into the cellar bins. Smells and sights and sounds that said this year it would be all right: there’d be food and warmth for the babies by the time the snows came. I used to love to walk in the apple orchard at this time of the year, to feel the soft give underfoot when I trod on a fallen fruit. Thick, sweet scents of rotting apple and wet wood. This year, the hay stooks are few and the woodpile scant, and neither matters much to me.

They brought the apples yesterday, a cartload for the rectory cellar. Late pickings, of course: I saw brown spots on more than a few. I had words with the carter over it, but he told me we were lucky to get as good as we got, and I suppose it’s true enough. There are so few people to do the picking. So few people to do anything. And those of us who are left walk around as if we’re half asleep. We are all so tired.

I took an apple that was crisp and good and sliced it, thin as paper, and carried it into that dim room where he sits, still and silent. His hand is on the Bible, but he never opens it. Not anymore. I asked him if he’d like me to read it to him. He turned his head to look at me, and I started. It was the first time he’d looked at me in days. I’d forgotten what his eyes could do – what they could make us do – when he stared down from the pulpit and held us, one by one, in his gaze. His eyes are the same, but his face has altered so, drawn and haggard, each line etched deep. When he came here, just three years since, the whole village made a jest of his youthful looks and laughed at the idea of being preached at by such a pup. If they saw him now, they would not laugh, even if they could remember how to do so.

‘You cannot read, Anna.’

‘To be sure, I can, Rector. Mrs. Mompellion taught me.’

He winced and turned away as I mentioned her, and instantly I regretted it. He does not trouble to bind his hair these days, and from where I stood the long, dark fall of it hid his face, so that I could not read his expression. But his voice, when he spoke again, was composed enough. ‘Did she so? Did she so?’ he muttered. ‘Well, then, perhaps one day I’ll hear you and see what kind of a job she made of it. But not today, thank you, Anna. Not today. That will be all.’

A servant has no right to stay, once she’s dismissed. But I did stay, plumping the cushion, placing a shawl. He won’t let me lay a fire. He won’t let me give him even that little bit of comfort. Finally, when I’d run out of things to pretend to do, I left him.

In the kitchen, I chose a couple of the spotted apples I’d culled from the buckets and walked out to the stables. The courtyard hadn’t been swept in a sennight. It smelled of rotting straw and horse piss. I had to hitch up my skirt to keep it off the muck. Before I was halfway across, I could hear the thud of his horse’s rump as he turned and strutted in his confinement, gouging clefts into the floor of the stall. There’s no one strong or skilled enough now to handle him.

The stable boy, whose job it was to keep the courtyard raked, was asleep on the floor of the tack room. He jumped when he saw me, making a great show of searching for the snath that had slipped from his hand when he’d dozed off. The sight of the scythe blade still upon his workbench vexed me, for I’d asked him to mend it long since, and the timothy now was naught but blown seed head and no longer worth the cutting. I was set to scold him about this, and about the filth outside, but his poor face, so pinched and exhausted, made me swallow the words.

Dust motes sparkled in the sudden shaft of sunlight as I opened the stable door. The horse stopped his pawing, holding one hoof aloft and blinking in the unfamiliar glare. Then he reared up on his muscled haunches and punched the air, saying, as plainly as he could, ‘If you aren’t him, get out of here.’ Although I don’t know when a brush was last laid on him, his coat still gleamed like bronze where the light touched it. When Mr. Mompellion had arrived here on this horse, the common talk had been that such a fine stallion was no fit steed for a priest. And people liked not to hear the rector calling him Anteros, after one of the old Puritans told them it was the name of a pagan idol. When I made so bold as to ask Mr. Mompellion about it, he had only laughed and said that even Puritans should recall that pagans, too, are children of God and their stories part of His creation.

I stood with my back pressed against the stall, talking gently to the great horse. ‘Ah, I’m so sorry you’re cramped up in here all day. I brought you a small something.’ Slowly, I reached into the pocket of my pinafore and held out an apple. He turned his massive head a little, showing me the white of one liquid eye. I kept prattling, softly, as I used to with the children when they were scared or hurt. ‘You like apples. I know you do. Go on, then, and have it.’ He pawed the ground again, but with less conviction. Slowly, his nostrils flaring as he studied the scent of the apple, and of me, he stretched his broad neck toward me. His mouth was soft as a glove, and warm, as it brushed my hand, taking the apple in a single bite. As I reached into my pocket for the second one, he tossed his head and the apple juice sprayed. He was up now, angrily boxing the air, and I knew I’d lost the moment. I dropped the other apple on the floor of the stall and slid out quickly, resting my back against the closed door, wiping a string of horse spittle from my face. The stable boy slid his eyes at me and went silently on with his mending.

Well, I thought, it’s easier to bring a small comfort to that poor beast than it is to his master. When I came back into the house, I could hear the rector out of his chair, pacing. The rectory floors are old and thin, and I could follow his steps by the creak of the boards. Up and back he walked, up and back, up and back. If only I could get him downstairs, to do his pacing in the garden. But once, when I suggested it, he looked as if I’d proposed something as ambitious as a trek up the White Peak. When I went to fetch his plate, the apple slices were all there, untouched, turning brown. Tomorrow, I’ll start to work with the cider press. He’ll take a drink without noticing sometimes, even when I can’t get him to eat anything. And it’s no use letting a cellar full of fruit go bad. If there’s one thing I can’t stand anymore, it’s the scent of a rotting apple.

At day’s end, when I leave the rectory for home, I prefer to walk through the orchard on the hill rather than go by the road and risk meeting people. After all we’ve been through together, it’s just not possible to pass with a polite, ‘Good night t’ye.’ And yet I haven’t the strength for more. Sometimes, not often, the orchard can bring back better times to me. These memories of happiness are fleeting things, reflections in a stream, glimpsed all broken for a second and then swept away in the current of grief that is our life now. I can’t say that I ever feel what it felt like then, when I was happy. But sometimes something will touch the place where that feeling was, a touch as slight and swift as the brush of a moth’s wing in the dark.

In the orchard of a summer night, if I close my eyes, I can hear the small voices of children: whispers and laughter, running feet and rustling leaves. Come this time of year, it’s Sam that I think of – strong Sam Frith grabbing me around the waist and lifting me into the low, curved branch of a gnarly, old tree. I was just fifteen. ‘Marry me,’ he said. And why wouldn’t I? My father’s croft had ever been a joyless place. My father loved a pot better than he loved his children, though he kept on getting them, year passing year. To my stepmother, Aphra, I was always a pair of hands before I was a person, someone to toil after her babies. Yet it was she who spoke up for me, and it was her words that swayed my father to give his assent. In his eyes I was but a child still, too young to be handfasted. ‘Open your eyes, husband, and look at her,’ said Aphra. ‘You’re the only man in the village who doesn’t. Better she be wedded early to Frith than bedded untimely by some youth with a prick more upright than his morals.’

Sam Frith was a miner with his own good lead seam to work. He had a fine small cottage and no children from a first wife who’d died. It did not take him long to give me children. Two sons in three years. Three good years. I should say, for there are many now too young to remember it, that it was not a time when we were raised up thinking to be happy. The Puritans, who are few amongst us now, and sorely pressed, had the running of this village then. It was their sermons we grew up listening to in a church bare of adornment, their notions of what was heathenish that hushed the Sabbath and quieted the church bells, that took the ale from the tavern and the lace from the dresses, the ribands from the Maypole and the laughter out of the public lanes. So the happiness I got from my sons, and from the life that Sam provided, burst on me as sudden as the first spring thaw. When it all turned to hardship and bleakness again, I was not surprised. I went calmly to the door that terrible night with the torches smoking and the voices yelling and the men with their faces all black so that they looked headless in the dark. The orchard can bring back that night, too, if I let my mind linger there. I stood in the doorway with the baby in my arms, watching the torches bobbing and weaving crazy lines of light through the trees. ‘Walk slow,’ I whispered. ‘Walk slow, because it won’t be true until I hear the words.’ And they did walk slow, trudging up that little hill as if it were a mountain. But slow as they came, in the end they arrived, jostling and shuffling. They pushed the biggest one, Sam’s friend, out in front. There was a mush of rotten apple on his boot. Funny thing to notice, but I suppose I was looking down so that I wouldn’t have to look into his face.

They were four days digging out Sam’s body. They took it straight to the sexton’s instead of bringing it home to me. They tried to keep me from it, but I wouldn’t be kept. I would do that last thing for him. She knew. ‘Tell them to let her go to him,’ Elinor Mompellion said to the rector in that gentle voice of hers. Once she spoke, it was over. She so rarely asked anything of him. And once Michael Mompellion nodded, they parted, those big men, moving aside and letting me through.

To be sure, there wasn’t much there that was him. But what there was, I tended. That was two years ago. Since then, I’ve tended so many bodies, people I loved and people I barely knew. But Sam’s was the first. I bathed him with the soap he liked, because he said it smelled of the children. Poor slow Sam. He never quite realized that it was the children who smelled of the soap. I washed them in it every night before he came home. I made it with heather blooms, a much gentler soap than the one I made for him. His soap was almost all grit and lye. It had to be, to scrape that paste of sweat and soil from his skin. He would bury his poor tired face in the babies’ hair and breathe the fresh scent of them. It was the closest he got to the airy hillsides. Down in the mine at daybreak, out again after sundown. A life in the dark. And a death there, too.

And now it is Elinor Mompellion’s Michael who sits all day in the dark, with the shutters closed. And I try to serve him, although sometimes I feel that I’m tending just another in that long procession of dead. But I do it. I do it for her. I tell myself I do it for her. Why else would I do it, after all?

I open the door to my cottage these evenings on a silence so thick it falls upon me like a blanket. Of all the lonely moments of my day, this one is always the loneliest. I confess I have sometimes been reduced to muttering my thoughts aloud like a madwoman when the need for a human voice becomes too strong. I mislike this, for I fear the line between myself and madness is as fine these days as a cobweb, and I have seen what it means when a soul crosses over into that dim and wretched place. But I, who always prided myself on grace, now allow myself a deliberate clumsiness. I let my feet land heavily. I clatter the hearth tools. And when I draw water, I let the bucket chain grind on the stone, just to hear ragged noise instead of the smothering silence.

When I have a tallow stub, I read until it gutters. Mrs. Mompellion always allowed me to take the stubs from the rectory, and although there are very few nowadays, I do not know how I would manage without. For the hour in which I am able to lose myself in someone else’s thoughts is the greatest relief I can find from the burden of my own memories. The volumes, too, I bring from the rectory, as Mrs. Mompellion bade me borrow any book I chose. When the light is gone, the nights are long, for I sleep badly, my arms reaching in slumber for my babies’ small, warm bodies, jolting suddenly wakeful when I do not find them.

Mornings are generally much kinder to me than evenings, full as they are of birds’ songs and fowls’ clucking and the ordinary promise that comes with any sunrise. I keep a cow now, a boon that I was not in purse to have in the days when Jamie or Tom could have benefited from the milk. I found her last winter, wandering gaunt in the middle of the road, her hide draped loose upon her bony nethers. Her big eyes looked at me with such a vacant, hopeless stare that I felt I was gazing into a mirror. My neighbours’ cottage was empty, the ivy already creeping across the windows and the grey lichens crusting the sills. So I drove her inside and fitted it up as her boose, fattening her through the cold months with their oats – abundant food of which the dead had no need. She had her calf alone there, without complaint. By the time I found him I guess he had been born two hours, his back and sides dried out but still wet behind the ears. I helped him get his first drink, putting my fingers in his mouth and squirting her teat between them onto his slippery tongue. In return, the next night I stole a bit of her rich, yellow birth milk to make a beastings pie, baked with egg and sugar, and took it to Mr. Mompellion, rejoicing when he ate it as if he were my child, thinking how Elinor would be glad of it. The little bull calf is sleek now, and his mother’s brown eyes regard me with a kindly patience. I love to lean my head against her warm flank and breathe the scent of her hide as the steaming milk foams into my bucket. I carry it to the rectory to make a posset or churn sweet butter or skim the cream to serve with a dish of blackberries – whatever I think will best tempt Mr. Mompellion. When I have enough in the pail for our small needs, I turn her out to graze. She has fattened so since last winter that every day now I fear she will lodge halfway through the doorway.

Bucket in hand, I leave the cottage by the front door, for in the mornings I feel more able to meet whomever might be abroad. We live all aslant here, on this steep flank of the great White Peak. We are always tilting forwards to toil uphill, or bracing backwards on our heels to slow a swift descent. Sometimes, I wonder what it would be like to live in a place where the land did not angle so, and people could walk upright with their eyes on a straight horizon. Even the main street of our town has a camber to it, so that the people on the uphill side stand higher than those on the downhill.

Our village is a thin thread of dwellings, unspooling east and west of the church. The main road frays here and there into a few narrower paths that lead to the mill, to Bradford Hall, the larger farms, and the lonelier crofts. We have always built here with what we have to hand, so our walls are hewn of the common grey stone and the roofs thatched with heather. Behind the cottages on either side of the road lie tilled fields and grazing commons, but these end abruptly in a sudden rise or fall of ground: the looming Edge to the north of us, its sheer stone face sharply marking the end of settled land and the beginning of the moors, and to the south, the swift, deep dip of the Dale.

It is a strange prospect, our main street these days. I used to rue its dustiness in summer and muddiness in winter, the rain all rizen in the wheel ruts making glassy hazards for the unwary stepper. But now there is neither ice nor mud nor dust, for the road is grassed over, with just a cow-track down the centre where the slight use of a few passing feet has worn the weeds down. For hundreds of years, the people of this village pushed Nature back from its precincts. It has taken less than a year to begin to reclaim its place. In the very middle of the street, a walnut shell lies broken, and from it, already, sprouts a sapling that wants to grow up to block our way entire. I have watched it from its first seed leaves, wondering when someone would pull it out. No one has yet done so, and now it stands already a yard high. Footprints testify that we are all walking round it. I wonder if it is indifference, or whether, like me, others are so brimful of endings that they cannot bear to wrench even a scrawny sapling from its tenuous grip on life.

I made my way to the rectory gate without meeting any soul. So my guard was down and I was unready to face the person who, in all the world, I least wished to see. I had entered the gate and had my back turned to the house, refastening the latch, when I heard the rustle of silk behind me. I turned suddenly, slopping milk from my bucket as I did so. Elizabeth Bradford scowled as a droplet landed on the aubergine hem of her gown. ‘Clumsy!’ she hissed. And so I reencountered her much as I had last seen her more than one year earlier; sour-faced and spoiled. But the habits of a lifetime are hard-shed, and I had dropped into a curtsy without willing it, my body acting despite the firm resolve of my mind to show this woman no such deference.

Typically, she did not even bother with a greeting. ‘Where is Mompellion?’ she demanded. ‘I have been rapping upon that door for a good quarter hour. Surely he cannot be so early abroad?’

I made my voice unctuously polite. ‘Miss Bradford,’ I said, ignoring her question, ‘it is a great surprise, and an honour unlooked for, to see you here in our village. You left us in such haste, and so long since, that we had despaired of ever more being graced by your presence.’

Elizabeth Bradford’s pride was so overweening and her understanding so limited that she heard only the words and missed the tone. ‘Indeed.’ She nodded. ‘My parents were well aware that our departure would leave an unfillable gap here. They have always felt their obligations most keenly. It was, as you know, that sense of obligation that caused them to remove us all from Bradford Hall, to preserve the health of our family so that we could continue to fulfil our responsibilities. Surely Mompellion read my father’s letter to the parish?’

‘He did,’ I replied. I did not add that he had used it as an occasion to preach one of the most incendiary sermons we ever had from him.

‘So, where is he? I have been kept waiting long enough already, and my business is urgent.’

‘Miss Bradford, I must tell you that the rector sees no one at present. The late events in this place, and his own grievous loss, have left him exhausted and quite unequal to shouldering the burdens of the parish at this time.’

‘Well, that may be, insofar as the normal run of parishioners is concerned. But he does not know that my family is returned here. Be so good as to inform him that I require to speak with him at once.’

I saw no purpose in further discourse with this woman. And I have to own that I was consumed with curiosity to see if the news of the Bradfords’ return would rouse Mr. Mompellion, or draw forth any sign of feeling. Perhaps wrath could rouse him where charity had not. Perhaps he needed to be singed by just such a brand.

I swept by her and walked on ahead to open the rectory’s great door. She pinched her face at this; she was not accustomed to sharing a doorway with servants, and I could see she had expected me to pass to the kitchen garth and then come and let her in with accustomed ceremony. Well, times had changed in the Bradfords’ absence, and the sooner she accustomed herself to the inconveniences of the new era the better.

She pushed past me and found her own way to the parlour, pulling off her gloves and flicking them impatiently against the palm of her hand. I saw the surprise in her face as she registered the bareness of the room, stripped as it was of all its former comforts. I went on to the kitchen. No matter how urgent her business, she would have to wait until Mr. Mompellion broke his fast, since that scant serving of oatcake and brawn was the only meal I knew with any certainty that he would take. She was pacing, barely able to contain herself, as I passed by some minutes later with the laden tray. I glimpsed her through the open door. Her brow was drawn so low, her scowl so deep, that she looked as if someone had grabbed her face from beneath and dragged it groundwards. Upstairs, I took a minute to compose myself before I knocked on the door. I did not want to say, or look, more than I should when I announced to the rector his caller.

‘Come,’ he said. He was standing by the window when I entered, and the shutters, for once, were opened. His back was to me as he spoke. ‘Elinor would be sorry to see what has become of her garden,’ he said.

I did not know at first how to answer that. To speak the evident truth – yes, indeed, she would – seemed likely only to feed his gloom. To deny his proposition would be a falsehood.

‘I expect she would understand why it is so,’ I said, bending to set out the dishes from his tray. ‘And even if we had hands enough to do the ordinary tasks – to pull the weeds and prune the dead-wood – yet it would not be her garden. We would lack her eye. What made it her garden was the way she could look at a handful of tiny seeds in the bareness of winter and imagine how they would be, months later, sunlit and in flower. It was as if she painted with blooms.’

When I straightened, he had turned and was staring at me. The shock of it went through me once again.