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The English Girl
The English Girl
Daniel Silva
Copyright
Harper
An imprint of HarperCollinsPublishers
77–85 Fulham Palace Road,
Hammersmith, London W6 8JB
www.harpercollins.co.uk
First published in Great Britain by HarperCollinsPublishers 2013
Copyright © Daniel Silva 2013
Cover layout design © HarperCollinsPublishers Ltd 2014
Cover photographs © Elizabeth Ansley/Arcangel Images (woman); Mark Owen/Trevillion Images (city scene)
Daniel Silva asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © 2014 ISBN: 9780007433377
Version: 2014-07-03
Dedication
Once again, for my wife, Jamie, and my children, Lily and Nicholas
He who lives an immoral life dies an immoral death.
CORSICAN PROVERB
Table of Contents
Cover
Title Page
Copyright
Dedication
Epigraph
Part One: The Hostage
1. Piana, Corsica
2. Corsica–London
3. Jerusalem
4. King David Hotel, Jerusalem
5. King David Hotel, Jerusalem
6. Israel Museum, Jerusalem
7. Corsica
8. Corsica
9. Corsica
10. Marseilles
11. Off Marseilles
12. Off Marseilles
13. Côte D’Azur, France
14. Aix-En-Provence, France
15. Aix-En-Provence, France
16. The Lubéron, France
17. Paris
18. Apt, France
19. The Lubéron, France
20. Marseilles–London
21. 10 Downing Street
22. London
23. 10 Downing Street
24. Dover, England
25. Grand-Fort-Philippe, France
26. Northern France
27. Grand-Fort-Philippe, France
28. Pas-De-Calais, France
Part Two: The Spy
29. Audresselles, Pas-De-Calais
30. Tiberias, Israel
31. Corsica
32. Corsica–London
33. London
34. Basildon, Essex
35. Basildon, Essex
36. Chelsea, London
37. Cheyne Walk, Chelsea
38. Hampstead Heath, London
39. Grayswood, Surrey
40. Grayswood, Surrey
41. Mayfair, London
42. Copenhagen, Denmark
43. Copenhagen, Denmark
44. Copenhagen, Denmark
45. Zealand, Denmark
46. Grayswood, Surrey
47. Grayswood, Surrey
48. Moscow
49. Red Square, Moscow
50. Café Pushkin, Moscow
51. Tver Oblast, Russia
52. Tver Oblast, Russia
53. St. Petersburg, Russia
54. Lubyanka Square, Moscow
55. St. Petersburg, Russia
56. Lubyanka Square, Moscow
57. St. Petersburg, Russia
Part Three: The Scandal
58. London–Jerusalem
59. London
60. London
61. Corsica
62. Corsica
Author’s Note
Acknowledgments
About the Author
Also Written By Daniel Silva
About the Publisher
1
PIANA, CORSICA
THEY CAME FOR her in late August, on the island of Corsica. The precise time would never be determined—some point between sunset and noon the following day was the best any of her housemates could do. Sunset was when they saw her for the last time, streaking down the drive of the villa on a red motor scooter, a gauzy cotton skirt fluttering about her suntanned thighs. Noon was when they realized her bed was empty except for a trashy half-read paperback novel that smelled of coconut oil and faintly of rum. Another twenty-four hours would elapse before they got around to calling the gendarmes. It had been that kind of summer, and Madeline was that kind of girl.
They had arrived on Corsica a fortnight earlier, four pretty girls and two earnest boys, all faithful servants of the British government or the political party that was running it these days. They had a single car, a communal Renault hatchback large enough to accommodate five uncomfortably, and the red motor scooter which was exclusively Madeline’s and which she rode with a recklessness bordering on suicidal. Their ocher-colored villa stood at the western fringe of the village on a cliff overlooking the sea. It was tidy and compact, the sort of place estate agents always described as “charming.” But it had a swimming pool and a walled garden filled with rosemary bushes and pepper trees; and within hours of alighting there they had settled into the blissful state of sunburned semi-nudity to which British tourists aspire, no matter where their travels take them.
Though Madeline was the youngest of the group, she was their unofficial leader, a burden she accepted without protest. It was Madeline who had managed the rental of the villa, and Madeline who arranged the long lunches, the late dinners, and the day trips into the wild Corsican interior, always leading the way along the treacherous roads on her motor scooter. Not once did she bother to consult a map. Her encyclopedic knowledge of the island’s geography, history, culture, and cuisine had been acquired during a period of intense study and preparation conducted in the weeks leading up to the journey. Madeline, it seemed, had left nothing to chance. But then she rarely did.
She had come to the Party’s Millbank headquarters two years earlier, after graduating from the University of Edinburgh with degrees in economics and social policy. Despite her second-tier education—most of her colleagues were products of elite public schools and Oxbridge—she rose quickly through a series of clerical posts before being promoted to director of community outreach. Her job, as she often described it, was to forage for votes among classes of Britons who had no business supporting the Party, its platform, or its candidates. The post, all agreed, was but a way station along a journey to better things. Madeline’s future was bright—“solar flare bright,” in the words of Pauline, who had watched her younger colleague’s ascent with no small amount of envy. According to the rumor mill, Madeline had been taken under the wing of someone high in the Party. Someone close to the prime minister. Perhaps even the prime minister himself. With her television good looks, keen intellect, and boundless energy, Madeline was being groomed for a safe seat in Parliament and a ministry of her own. It was only a matter of time. Or so they said.
Which made it all the more odd that, at twenty-seven years of age, Madeline Hart remained romantically unattached. When asked to explain the barren state of her love life, she would declare she was too busy for a man. Fiona, a slightly wicked dark-haired beauty from the Cabinet Office, found the explanation dubious. More to the point, she believed Madeline was being deceitful—deceitfulness being one of Fiona’s most redeeming qualities, thus her interest in Party politics. To support her theory, she would point out that Madeline, while loquacious on almost every subject imaginable, was unusually guarded when it came to her personal life. Yes, said Fiona, she was willing to toss out the occasional harmless tidbit about her troubled childhood—the dreary council house in Essex, the father whose face she could scarcely recall, the alcoholic brother who’d never worked a day in his life—but everything else she kept hidden behind a moat and walls of stone. “Our Madeline could be an ax murderer or a high-priced tart,” said Fiona, “and none of us would be the wiser.” But Alison, a Home Office underling with a much-broken heart, had another theory. “The poor lamb’s in love,” she declared one afternoon as she watched Madeline rising goddess-like from the sea in the tiny cove beneath the villa. “The trouble is, the man in question isn’t returning the favor.”
“Why ever not?” asked Fiona drowsily from beneath the brim of an enormous sun visor.
“Maybe he’s in no position to.”
“Married?”
“But of course.”
“Bastard.”
“You’ve never?”
“Had an affair with a married man?”
“Yes.”
“Just twice, but I’m considering a third.”
“You’re going to burn in hell, Fi.”
“I certainly hope so.”
It was then, on the afternoon of the seventh day, and upon the thinnest of evidence, that the three girls and two boys staying with Madeline Hart in the rented villa at the edge of Piana took it upon themselves to find her a lover. And not just any lover, said Pauline. He had to be appropriate in age, fine in appearance and breeding, and stable in his finances and mental health, with no skeletons in his closet and no other women in his bed. Fiona, the most experienced when it came to matters of the heart, declared it a mission impossible. “He doesn’t exist,” she explained with the weariness of a woman who had spent much time looking for him. “And if he does, he’s either married or so infatuated with himself he won’t have the time of day for poor Madeline.”
Despite her misgivings, Fiona threw herself headlong into the challenge, if for no other reason than it would add a hint of intrigue to the holiday. Fortunately, she had no shortage of potential targets, for it seemed half the population of southeast England had abandoned their sodden isle for the sun of Corsica. There was the colony of City financiers who had rented grandly at the northern end of the Golfe de Porto. And the band of artists who were living like Gypsies in a hill town in the Castagniccia. And the troupe of actors who had taken up residence on the beach at Campomoro. And the delegation of opposition politicians who were plotting a return to power from a villa atop the cliffs of Bonifacio. Using the Cabinet Office as her calling card, Fiona quickly arranged a series of impromptu social encounters. And on each occasion—be it a dinner party, a hike into the mountains, or a boozy afternoon on the beach—she snared the most eligible male present and deposited him at Madeline’s side. None, however, managed to scale her walls, not even the young actor who had just completed a successful run as the lead in the West End’s most popular musical of the season.
“She’s obviously got it bad,” Fiona conceded as they headed back to the villa late one evening, with Madeline leading the way through the darkness on her red motor scooter.
“Who do you reckon he is?” asked Alison.
“Dunno,” Fiona drawled enviously. “But he must be someone quite special.”
It was at this point, with slightly more than a week remaining until their planned return to London, that Madeline began spending significant amounts of time alone. She would leave the villa early each morning, usually before the others had risen, and return in late afternoon. When asked about her whereabouts, she was transparently vague, and at dinner she was often sullen or preoccupied. Alison naturally feared the worst, that Madeline’s lover, whoever he was, had sent notice that her services were no longer required. But the following day, upon returning to the villa from a shopping excursion, Fiona and Pauline happily declared that Alison was mistaken. It seemed that Madeline’s lover had come to Corsica. And Fiona had the pictures to prove it.
The sighting had occurred at ten minutes past two, at Les Palmiers, on the Quai Adolphe Landry in Calvi. Madeline had been seated at a table along the edge of the harbor, her head turned slightly toward the sea, as though unaware of the man in the chair opposite. Large dark glasses concealed her eyes. A straw sun hat with an elaborate black bow shadowed her flawless face. Pauline had tried to approach the table, but Fiona, sensing the strained intimacy of the scene, had suggested a hasty retreat instead. She had paused long enough to surreptitiously snap the first incriminating photograph on her mobile phone. Madeline had appeared unaware of the intrusion, but not the man. At the instant Fiona pressed the camera button, his head had turned sharply, as if alerted by some animal instinct that his image was being electronically captured.
After fleeing to a nearby brasserie, Fiona and Pauline carefully examined the man in the photograph. His hair was gray-blond, windblown, and boyishly full. It fell onto his forehead and framed an angular face dominated by a small, rather cruel-looking mouth. The clothing was vaguely maritime: white trousers, a blue-striped oxford cloth shirt, a large diver’s wristwatch, canvas loafers with soles that would leave no marks on the deck of a ship. That was the kind of man he was, they decided. A man who never left marks.
They assumed he was British, though he could have been German or Scandinavian or perhaps, thought Pauline, a descendant of Polish nobility. Money was clearly not an issue, as evidenced by the pricey bottle of champagne sweating in the silver ice bucket anchored to the side of the table. His fortune was earned rather than inherited, they decided, and not altogether clean. He was a gambler. He had Swiss bank accounts. He traveled to dangerous places. Mainly, he was discreet. His affairs, like his canvas boat shoes, left no marks.
But it was the image of Madeline that intrigued them most. She was no longer the girl they knew from London, or even the girl with whom they had been sharing a villa for the past two weeks. It seemed she had adopted an entirely different demeanor. She was an actress in another movie. The other woman. Now, hunched over the mobile phone like a pair of schoolgirls, Fiona and Pauline wrote the dialogue and added flesh and bones to the characters. In their version of the story, the affair had begun innocently enough with a chance encounter in an exclusive New Bond Street shop. The flirtation had been long, the consummation meticulously planned. But the ending of the story temporarily eluded them, for in real life it had yet to be written. Both agreed it would be tragic. “That’s the way stories like this always end,” Fiona said from experience. “Girl meets boy. Girl falls in love with boy. Girl gets hurt and does her very best to destroy boy.”
Fiona would snap two more photographs of Madeline and her lover that afternoon. One showed them walking along the quay through brilliant sunlight, their knuckles furtively touching. The second showed them parting without so much as a kiss. The man then climbed into a Zodiac dinghy and headed out into the harbor. Madeline mounted her red motor scooter and started back toward the villa. By the time she arrived, she was no longer in possession of the sun hat with the elaborate black bow. That night, while recounting the events of her afternoon, she made no mention of a visit to Calvi, or of a luncheon with a prosperous-looking man at Les Palmiers. Fiona thought it a rather impressive performance. “Our Madeline is an extraordinarily good liar,” she told Pauline. “Perhaps her future is as bright as they say. Who knows? She might even be prime minister someday.”
That night, the four pretty girls and two earnest boys staying in the rented villa planned to dine in the nearby town of Porto. Madeline made the reservation in her schoolgirl French and even imposed on the proprietor to set aside his finest table, the one on the terrace overlooking the rocky sweep of the bay. It was assumed they would travel to the restaurant in their usual caravan, but shortly before seven Madeline announced she was going to Calvi to have a drink with an old friend from Edinburgh. “I’ll meet you at the restaurant,” she shouted over her shoulder as she sped down the drive. “And for heaven’s sake, try to be on time for a change.” And then she was gone. No one thought it odd when she failed to appear for dinner that night. Nor were they alarmed when they woke to find her bed unoccupied. It had been that kind of summer, and Madeline was that kind of girl.
2
CORSICA–LONDON
THE FRENCH NATIONAL Police officially declared Madeline Hart missing at 2:00 p.m. on the final Friday of August. After three days of searching, they had found no trace of her except for the red motor scooter, which was discovered, headlamp smashed, in an isolated ravine near Monte Cinto. By week’s end, the police had all but given up hope of finding her alive. In public they insisted the case remained first and foremost a search for a missing British tourist. Privately, however, they were already looking for her killer.
There were no potential suspects or persons of interest other than the man with whom she had lunched at Les Palmiers on the afternoon before her disappearance. But, like Madeline, it seemed he had vanished from the face of the earth. Was he a secret lover, as Fiona and the others suspected, or had their acquaintance been recently made on Corsica? Was he British? Was he French? Or, as one frustrated detective put it, was he a space alien from another galaxy who had been turned into particles and beamed back to the mother ship? The waitress at Les Palmiers was of little help. She recalled that he spoke English to the girl in the sun hat but had ordered in perfect French. The bill he had paid in cash—crisp, clean notes that he dealt onto the table like a high-stakes gambler—and he had tipped well, which was rare these days in Europe, what with the economic crisis and all. What she remembered most about him were his hands. Very little hair, no sunspots or scars, clean nails. He obviously took good care of his nails. She liked that in a man.
His photograph, which was shown discreetly around the island’s better watering holes and eating establishments, elicited little more than an apathetic shrug. It seemed no one had laid eyes on him. And if they had, they couldn’t recall his face. He was like every other poseur who washed ashore in Corsica each summer: a good tan, expensive sunglasses, a golden hunk of Swiss-made ego on his wrist. He was a nothing with a credit card and a pretty girl on the other side of the table. He was the forgotten man.
To the shopkeepers and restaurateurs of Corsica, perhaps, but not to the French police. They ran his image through every criminal database they had in their arsenal, and then they ran it through a few more. And when each search produced nothing so much as a glimmer of a match, they debated whether to release a photo to the press. There were some, especially in the higher ranks, who argued against such a move. After all, they said, it was possible the poor fellow was guilty of nothing more than marital infidelity, hardly a crime in France. But when another seventy-two hours passed with no progress to speak of, they came to the conclusion they had no choice but to ask the public for help. Two carefully cropped photographs were released to the press—one of the man seated at Les Palmiers, the other of him walking along the quay—and by nightfall, investigators were inundated with hundreds of tips. They quickly weeded out the quacks and cranks and focused their resources on only those leads that were remotely plausible. But not one bore fruit. One week after the disappearance of Madeline Hart, their only suspect was still a man without a name or even a country.
Though the police had no promising leads, they had no shortage of theories. One group of detectives thought the man from Les Palmiers was a psychotic predator who had lured Madeline into a trap. Another group wrote him off as someone who had simply been in the wrong place at the wrong time. He was married, according to this theory, and thus in no position to step forward to cooperate with police. As for Madeline’s fate, they argued, it was probably a robbery gone wrong—a young woman riding a motorbike alone, she would have been a tempting target. Eventually, the body would turn up. The sea would spit it out, a hiker would stumble across it in the hills, a farmer would unearth it while plowing his field. That was the way it was on the island. Corsica always gave up its dead.
In Britain, the failures of the police were an occasion to bash the French. But for the most part, even the newspapers sympathetic to the opposition treated Madeline’s disappearance as though it were a national tragedy. Her remarkable rise from a council house in Essex was chronicled in detail, and numerous Party luminaries issued statements about a promising career cut short. Her tearful mother and shiftless brother gave a single television interview and then disappeared from public view. The same was true of her holiday mates from Corsica. Upon their return to Britain, they appeared jointly at a news conference at Heathrow Airport, watched over by a team of Party press aides. Afterward, they refused all other interview requests, including those that came with lucrative payments. Absent from the coverage was any trace of scandal. There were no stories about heavy holiday drinking, sexual antics, or public disturbances, only the usual drivel about the dangers faced by young women traveling in foreign countries. At Party headquarters, the press team quietly congratulated themselves on their skillful handling of the affair, while the political staff noticed a marked spike in the prime minister’s approval numbers. Behind closed doors, they called it “the Madeline effect.”
Gradually, the stories about her fate moved from the front pages to the interior sections, and by the end of September she was gone from the papers entirely. It was autumn and therefore time to return to the business of government. The challenges facing Britain were enormous: an economy in recession, a euro zone on life support, a laundry list of unaddressed social ills that were tearing at the fabric of life in the United Kingdom. Hanging over it all was the prospect of an election. The prime minister had dropped numerous hints he intended to call one before the end of the year. He was well aware of the political perils of turning back now; Jonathan Lancaster was Britain’s current head of government because his predecessor had failed to call an election after months of public flirtation. Lancaster, then leader of the opposition, had called him “the Hamlet from Number Ten,” and the mortal wound was struck.
