The Straw Men 3-Book Thriller Collection: The Straw Men, The Lonely Dead, Blood of Angels

MICHAEL

MARSHALL

THE STRAW MEN 3-BOOK THRILLER COLLECTION

Copyright

This novel is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.

Harper An imprint of HarperCollinsPublishers HarperCollinsPublishers 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published by HarperCollinsPublishers 2015

Copyright © Michael Marshall 2015

Michael Marshall asserts the moral right to be identified as the author of this work

Cover layout design © HarperCollinsPublishers 2015

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

Ebook Edition © MAY 2015 ISBN: 9780008135096

Version: 2015-04-10

Contents

Cover

Title Page

Copyright

The Straw Men

The Lonely Dead

Blood of Angels

Keep Reading

About the Author

By Michael Marshall

About the Publisher

MICHAEL

MARSHALL

THE

STRAW

MEN

Copyright

HarperCollinsPublishers 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

This edition 2003

First published by HarperCollinsPublishers 2002

Copyright © Michael Marshall Smith 2002

The Author asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead,events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books.

Source ISBN: 9780006499985

Ebook Edition © MAY 2009 ISBN: 9780007325344

Version: 2015-04-10

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Dedication

ForJane Johnson

Contents

Cover

Title Page

Copyright

Dedication

Part 1

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Part 2

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Part 3

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Acknowledgements

The Straw Men

We are too late for gods

and too early for Being.

Being’s poem,

Just begun, is man.

Martin Heidegger

Language, Truth, Thought Translated by Albert Hofstadter

Palmerston, Pennsylvania

Palmerston is not a big town, nor one that can convincingly be said to be at the top of its game. It’s just there, like a mark on the sidewalk. Like all towns, it has a past and once had a future, but in this case that future turned out to involve little but getting dustier and more sedate, nudged ever further from the through lines of history: a stiff old faucet at the end of an increasingly rusty pipe, that someday is going to leak so badly that no water makes it to the end at all.

The town sits on the Allegheny River, in the shade of muscular hills, and has more trees than you could shake a stick at unless you had a lot of time and were unusually demented. The railroad used to pass close by, just the other side of the river, but in the mid 70s the station was closed and most of the track lifted up. Little remains of it now apart from the memory and a half-hearted museum, which not even the schoolkids visit much any more. Every now and then a few tourists will wander in, peer with bemused indifference at grim photographs of the long-dead, and then elect to get back in the car and make time. Though it’s been thirty years, long-term residents (and in Palmerston, they’re all long-term, and vaguely proud of it) still feel the absence of the railroad, like an amputated limb that itches from time to time. For some there were petitions and town meetings, bumper stickers and fundraisers; for others the change came quietly, numbly accepted as part of history’s entropic progress in some other direction. Were the town a little bigger and more boisterous, the overgrown track might make a good place to buy drugs or get mugged. In Palmerston it’s used mainly by earnest parents to trek children down at weekends, for pointing at birds and trees; and equally earnestly, a few years down the line, for those same kids to get each other pregnant in order to exchange one style of confinement for another.

The town is built around a T junction, the shape of the letter obscured by side streets that seem unsure of their purpose. The upright is littered with gas stations, a car wash, a video store, two small motels and a minimart with a rack of cheap CDs of the Marshall Tucker Band’s Greatest Hits. An old wooden church stands at the intersection with the cross stroke, paint peeling now, but still picturesque against a cold blue sky. The right fork takes you up into the hills towards New York State and the Great Lakes.

If you take a left, as you would if you were heading west on Route 6 to go look at the Allegheny reservoir – and that’s pretty much the only reason that you’d be passing through – you get onto Main Street. Here you find a few banks and stores, the windows of the former mirrored and anonymous; those of the latter in need of cleaning, and framing antiques of limited worth. Something about the desultory arrangement of the displays suggests that the objects will have plenty more time to accrue value in situ. There are two small movie houses, one of which tried to show art movies ten years ago and was rewarded by attendances so low that it closed in a fit of pique and never reopened; the other still steadfastly toeing the party line of popular culture, hawking unrealizable dreams to popcorn junkies. On the southern side of the street, in a large plot all by itself, sits a beautiful Victorian house. It has lain empty for some years, and though most of the windows are intact, it’s peeling a good deal worse than the church and some of the boards are beginning to slip.

If you’re hungry, chances are you’ll find yourself in the McDonald’s a little further up the street, just along from the Railway Museum. Most people do. Palmerston isn’t a bad place. It’s peaceful, and the people are friendly. It’s a pleasant part of the world, low on crime and close by the Susquehannock State Forest. You could be born, raise kids, and die there, without feeling you’d been especially short-changed by fate.

There just isn’t much to do in between.

At lunchtime on Wednesday, 30th October 1991, the McD’s was crowded. Most of the tables were already occupied, and four lines straggled out from the counter. Two little girls, four and six years old and out for a treat with their mother, clamoured vehemently for Chicken McNuggets. Everyone else gazed at the menu boards with the reverence they deserved.

There were three non-locals present, a red-letter day for Palmerston’s tourist industry. One was a middle-aged man wearing a suit, sitting by himself at a table in the corner. His name was Pete Harris, and he was driving back to Chicago after a long sales trip that had been largely disappointing. The Victorian house’s Italianate tower was just visible from his seat and he was considering the house as he chewed, finding it astounding that no one had bothered to reclaim the property and fix it up.

The other two were a couple of English tourists, by coincidence sitting at the next table. Mark and Suzy Campbell had skipped breakfast to do a couple hundred miles in the morning and were more than ready for some food. They’d been hoping for a picturesque diner, but after a slow trawl through town they’d settled on the burger den by default. Munching their sandwiches in a defensive huddle, they were at first alarmed and then mildly pleased to find that they had sat next to a local who talked. His name was Trent, and he was tall, in his forties, and had a good deal of copper-coloured hair. On hearing that they were a few days into a coast-to-coast drive, he nodded with distant approval – as if being told of a practice he could understand but had no desire to undertake himself, like collecting matchbooks, or rock-climbing, or having a job. He was familiar with England as a concept, and gathered that it had a whole lot of history and a thriving rock music industry, both of which he was in favour of.

In the end the conversation petered out, running aground in the shallows of shared experience. Suzy was a little disappointed, having enjoyed the encounter. Mark was preoccupied, wanting to do some shopping. In the hotel they’d stayed at the night before, the bartender had spent some time trawling the radio waves in search of something to play very loudly. He’d accidentally wandered across a classical station, and for a brief, wonderful moment, a snatch of the Goldberg Variations had floated across the bar. Mark had pictured the radio station as just one guy holed up in the mountains someplace, the door barred against hordes armed to the teeth with Garth Brooks records. The Bach had remained in Mark’s head through the following hours of syrupy ballads contrasting the fragility of marriage and the steadfastness of dogs, and he wanted to buy a CD and play it in the car. Palmerston didn’t have a classical music store.

Trent was soon joined by a gaggle of floppy and unattractive teenage boys, and as Suzy eavesdropped it emerged that he was engaged in convincing the youths to help him move a huge pile of dirt outside his trailer, down by the old railroad line. It was never established why the dirt was there, nor why it now needed to be moved somewhere else. The boys were, not unnaturally, interested in some kind of payment for this work, and this was offered in the form of a case of beer. As none were within three years of legally being able to buy alcohol, the proposition was readily accepted. While they waited for Trent to finish wading through his burgers, they lurked like a crew of disreputable seagulls, trading the affectionate insults and unrealistic suggestions which are the key discourse of boys. During this it became clear that despite the surfing-related T-shirts in which most were clad, not a single one had ever surfed, most had not been out of state, and only one had even seen the sea.

Overhearing this, the Campbells realized how extraordinary it was that they were – on a whim conceived one drunken evening in a pub six thousand miles away – driving the entire breadth of someone else’s vast country. They became both flushed with pride and utterly overawed with the magnitude of the undertaking, and sipped their coffees meditatively, taking perhaps five or six minutes longer than they normally would have allowed. Without this delay, they’d have been out the door by 12.50. Even with it, they’d have been on the road by 12.56 at the latest. By then Suzy would have been ready for a cigarette, which the signs on the walls forbade through curt, easy-to-read sentences and internationally recognizable iconography. Pete Harris was in no real hurry, and would have been there anyway: still gazing at the house on a plot by itself, wondering vaguely how much it might cost, knowing that even if he could rustle up the money, his wife would have earmarked it for something else.

At 12.53 a woman shouted in the middle of the restaurant.

It was a brief, emphatic utterance, conveying nothing except urgency. People moved unconsciously out of the way, creating a clearing in the central aisle. It became evident that two men – one in his late teens, the other mid-twenties, both wearing long coats – were the focus of the woman’s concern. The older man had short fair hair, the younger’s was darker and rather longer. It was soon also clear that they were carrying semi-automatic rifles.

The light in the room seemed suddenly very bright, sounds abnormally clear and dry, as if some cushioning ether had been swept away. When you’re sitting in a McDonald’s on a weekday lunchtime with your coffee just approaching a drinkable temperature, and you realize that night has fallen out of a clear blue sky, time slips into a slow moment of lucidity. Like the long second before the impact of a car crash, this hiatus is not there to help you. It’s not an escape route, or a gift from God, and it is not enough to do anything in except take the chance to greet death and wonder what took it so long.

One of Trent’s crew of slackers had just time to say ‘Billy?’ in a tone of goofy bafflement, and then the two men started shooting.

They stood in the central aisle and fired calmly and quickly, the stocks of the rifles securely anchored in their shoulders. As the first casualty jerked backward, an expression of wordless surprise on her face, the gunmen moved on: intently, earnestly, as if seeking to demonstrate to some higher authority that they were worthy of this task, and carrying it out to the best of their ability.

After about another second, and two more deaths, everyone in the restaurant suddenly fought their way up out of bewilderment. Time hit the ground running, and the screaming started. They tried to flee, or hide, or to pull other people in front of them. Some made a break for the doors, but the guns turned as one and took down the deserters efficiently. Their line of fire swept past the out-of-towners, and Mark Campbell took a direct shot in the back of the head at about the same instant his wife’s face was spread over a spiderweb of cracks in the plate-glass window that halted both of the bullets’ progress. Trent died furiously soon afterwards, halfway to his feet on a doomed mission to throw himself at the gunmen. Few were sufficiently self-possessed to even consider such positive action, and those that did died quickly. The two guns swivelled as if pulled on the same string, and the action heroes discovered that while passive smoking may be bad for you, passive bullet use will take you down quicker.

Most people just tried to run. To get away. The vice-president of Bedloe Insurance tried, as did his exasperatingly inefficient assistant. Twelve schoolchildren tried. They all tried together, and got in one another’s way. Many found that their feet were tangled amidst the bodies of the injured, and died awkwardly, dislocating knees and hips as they fell. Those whose way was unobstructed were shot down as they fled, crashing into tables and walls and the serving counter, behind which the remaining living server was curled in a tight ball, all too aware that she lay in a pool of her own urine. From where she lay she could see the twitching feet of Duane Hillman, the young man with whom she’d most recently walked the line of the railroad. He had been sweet, and offered to use a condom. As she knew that he’d not only been shot but had fallen while holding a tray of hot oil, she wasn’t inclined to look at him. She was hoping instead that if she looked at nothing at all, and made herself small, maybe everything would be all right. A stray bullet later cut directly through the counter and into her spine.

There were those who didn’t even try to escape, but held their positions, eyes wide, souls already departed before shells tumbled through their lungs, groins and stomachs. At least one of them, recently diagnosed with the same cancer that had slowly killed her father, did not view this turn of events in an entirely negative light: although the fact of the matter is that the young doctor at the hospital, whom she did not trust largely because he looked a little like the villain on her favourite TV show, would have been able to save her had she lived and taken his advice.

The other statue people had no such reason for equanimity. They were simply unable to move until the choice was no longer theirs to make.

In a room full of victims, murderers look like gods. The men kept shooting, with occasional changes of direction, rifles turning together to rain fire on an unexpected corner of the room. They reloaded a number of times, though never at the same moment. They were very efficient. Neither said anything throughout the entire incident.

Of the fifty-nine people in the McDonald’s that lunchtime, only thirty-one heard the deadened report of the final shot. Twelve of those were dead before dark, bringing the toll to forty. Among those who lived was the girl behind the counter, who never walked again and became an alcoholic before finding God and then losing him once more. One of the little girls also survived. She was fostered out to an aunt in Iowa, and went on to live a life of relative peace. One of Trent’s friends made it, and four years later was a coast guard on Laguna Beach.

Pete Harris also survived. By rights he should have died early, in the first sweep of gunfire down the left side of the restaurant, but Suzy Campbell’s body had crashed on top of him just as he tried to slip under his table. Her weight caused him to slew off his seat and crunch headfirst to the ground. They were joined moments later by Suzy’s husband, who was already dead. Neither of the Campbells’ faces would have been recognizable from their passports (both carefully stowed in their jacket pockets, in case somebody broke into the car while they ate), but the clothes the couple were wearing – some carefully packed back in England, others frugally acquired at a Gap sale in Boston’s Back Bay area – were virtually unblemished. Barely a brush-down would have been needed and they could have walked out the door, climbed back in their hire car, and driven on up the road. Perhaps in some better reality that was allowed to happen, and Mark found the Goldberg Variations by happy chance at a town up the way, and they drove the rest of the day along a long straight road between trees with leaves that seemed lit from within: riding the crests and dips of the highway as it took them into afternoon and then evening, never noticing that they rode alone.

In this world they merely saved the life of another human being, as Pete Harris lay frozen beneath them, stunned into immobility by the contact of his head with the tiled floor. All around him were limbs, and all he could see was chaos and death: all he could feel was the whistling of his cuts and a cold ache in his head that developed into a concussion so severe that some days he felt as if it never went away. A young staff nurse, who seemed to regard him with superstitious awe because he had survived when almost everyone else had died, spent the night in the hospital in Pipersville keeping him awake, when he would have much preferred to have slept.

But that was later, as was the heart attack in 1995 that achieved what the bullets had not. He never tried to find out if the Victorian house was for sale. He just worked until he dropped.

Above the measured snap of gunfire and the coughs and screams of the dying, the distant sound of approaching sirens became evident. The gunmen fired for perhaps another twenty seconds, clearing a small pocket by the counter where the mother and her girls had found temporary respite. Then they stopped.

They looked around the room, faces betraying no reaction to what they’d done. The younger of the two – the boy called Billy – took a step back, and shut his eyes. The other man shot him point-blank in the face. While Billy’s body still languidly spasmed on the floor, the man squatted to wash his hands in the blood. He stood again to write something on the glass door, working calmly, in big dripping letters, then surveyed the room once more, calmly, at his ease. He didn’t even glance at the cop cars hurtling up Main, far too late to influence an event that would finally put Palmerston back on the map.

Then, when he was good and ready, the man jumped through the shattered window behind the Campbells’ bodies and disappeared: escaping, it was believed, along the track of the old railroad line. He was never apprehended. No one was ever able to give a clear description of his face, and in time it was as if he slipped out of the event and into shadow. The blame ended up being wholly Billy’s: a young boy who had only been doing what he was told, by a man he’d thought was a new friend.

When he heard the sound of the police cars pulling up outside, Pete Harris tried to sit up, tried to gather the strength to push the Campbells’ bodies off. He failed, but succeeded in raising his head far enough to see what had been written in blood on the doors.

The letters had dripped, and his eyesight was clouded by a white light in his head, but the words were clear enough. They said ‘The Straw Men’.

Eleven years passed.

Part 1

Of the hill, not on the hill …

Frank Lloyd Wright,

on the architecture of Taliesin

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