MemoRandom

Copyright

HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Published by HarperCollinsPublishers 2015

Copyright © Anders de la Motte 2014

Translation copyright © Neil Smith 2014

Lyrics from ‘Odds and Evens’ from The Sleep Tape © The Highwire 2010

Cove layout design © HarperCollinsPublishers 2015

Cover photographs © Ingrid Michel / Arcangel Images (man in snow landscape); Shutterstock.com (all other images)

Anders de la Motte asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008101107

Ebook Edition © DECEMBER 2015 ISBN: 9780008101114

Version: 2015-10-23

Dedication

For Anette

Contents

Cover

Title Page

Copyright

Dedication

Prologue: Saturday, November 23

Friday, October 18

Saturday, November 23

Friday, October 18

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Epilogue

Acknowledgements

Also by Anders de la Motte

About the Author

About the Publisher

PROLOGUE

Saturday, November 23

Blue lights … that’s his first lucid thought after he opens his eyes.

He can’t have been unconscious for more than a few seconds, a tiny micropause in his head. But the world seems so strange, so unfamiliar. As if he weren’t quite awake yet.

Blue reflections are dancing around him. In the rearview mirror, bouncing off the concrete walls, the roof, the wet road surface, even off the shiny plastic details of the dashboard.

A car. He’s in the driver’s seat of a car, going through a long tunnel.

The pain catches up with him. He has a vague memory of it from before he blacked out. A brilliant, ice-blue welding arc cutting straight through the left-hand side of his skull and turning his thoughts into thick sludge.

He can even identify the way it smells.

Metal, plastic, electricity.

Something’s happening to his body, something serious, threatening his very existence, but weirdly he doesn’t feel particularly frightened. He tightens his grip on the steering wheel, feels the soft leather against the palms of his hands. A pleasant, reassuring sensation. For a moment he almost gives in to it and lets go, tracing those smooth molecules all the way back into unconsciousness.

Instead he squeezes the wheel as hard as he can and tries to get his aching head to explain what is happening to him.

‘David Sarac.’

‘Your name is David Sarac, and …’

And what?

The car is still driving through the tunnel, and one of the many incomprehensible instruments on the dashboard must be telling him that he’s going too fast, way too fast.

He tries to lift his foot from the accelerator pedal but his leg refuses to obey him. In fact he can’t actually feel his legs at all. The pain is growing increasingly intense, yet in an odd way simultaneously more remote. He realizes that his body is in the process of shutting down, abandoning any process that isn’t essential to life support until the meltdown in his head is under control.

‘Your name is David Sarac,’ he mutters to himself.

‘David Sarac.’

Various noises are crackling from the speakers: music, dialing tones, fractured, agitated voices talking over each other.

He looks in the rearview mirror. And for a moment he imagines he can see movement, a dark silhouette. Is there someone sitting in the backseat, someone who could help him?

He tries to open his mouth and sees the silhouette in the mirror do the same. He can see stubble, a tormented but familiar face. He realizes what that means. There’s no one else there, he’s all alone.

The light in the rearview mirror is blinding him, making his eyes water. The voices on the radio are still babbling, louder now – even more agitated.

The shutdown of his body is speeding up. It’s spreading from his legs and up toward his chest.

‘Police!’ one of the radio voices yells. The word forces its way in and soon fills the whole of his consciousness.

Police.

Police.

Police.

He looks away from the rearview mirror and laboriously turns his head a few centimetres. The effort makes him groan with pain.

‘Your name is David Sarac.’

And?

Some distance ahead he can see the rear lights of another car. Alongside them is a large warning sign, an obstruction of some sort, and an exit ramp. The rear lights are suddenly glowing bright red.

He ought to turn the wheel, follow the car ahead of him out of the tunnel. His every instinct tells him that would be the sensible thing to do. But the connection to his arms seems to be on the way to shutting down as well, because all he can manage is a brief, jerky movement.

The obstruction is getting closer, a large concrete barrier dividing the two tubes of the tunnel. The reflective signs are shimmering in the glare of the car’s headlights. He tries to look a few seconds into the future and work out whether he’s in danger of a collision. But his brain is no longer working the way it normally does.

The shutdown reaches his face, making his chin drop.

The distance to the barrier is still shrinking.

‘Police.’

The word is back, even more insistent this time, and suddenly he realises why. He’s the police; the blue lights are coming from his own car.

His name is David Sarac. He’s a police officer. And …?

The pain in his head eases long enough for him to be able to piece together a coherent chain of thought. What is he doing here? Who is he chasing? Or is he the one being chased?

The lights in the rearview mirror are getting closer and closer. Burning into his head.

Fear overwhelms him, sending his pulse racing. The ice-blue pain returns, even stronger this time. His eyelids flutter; all the noise around him fades away into the distance. He tries to remain conscious, fighting the shutdown process. But there’s no longer anything he can do.

A brief jolt shakes the car. But he hardly notices it. The shutdown process is almost complete and he is more or less unconscious again. Free from pain, fear, and confusion. All that remains is a stubborn, scarcely noticeable signal in his tortured brain. An electrical impulse passing between two nerve cells that refuses to let itself be shut down – not until it’s completed its task.

Just before his car crashes into the concrete barrier, the second before the vehicle goes from being an object with clearly defined parametres to a warped heap of scrap metal, the impulse finally reaches its target. In a single, crystal-clear moment he suddenly remembers everything.

Why he is in this car. What it’s all about.

Faces, names, places, amounts.

The reason why all of them, every last one of them, must die.

All because of him. Because of the secret …

An immense feeling of relief courses through his body. Followed by regret.

His name is David Sarac. He is a police officer.

And he’s done something unforgivable.

Friday, October 18

As a child, Jesper Stenberg sometimes got the feeling he could make time stop. It usually involved Christmas or birthdays. Special occasions he’d been particularly looking forward to. In the midst of everything, when things were at their height, it was as if time would slow down. Giving him the chance to suck every little nuance, every euphoric sensation out of the moment he had been looking forward to for so long, in peace and quiet.

He could still recall those occasions of being utterly in the moment, and could describe them in minute detail thirty years later: the colour of his mum’s dress, the smell of his dad’s aftershave, the way the shiny wrapping paper felt beneath his little fingers. It was all fresh in his memory, without the sad patina of pictures in a photograph album.

But the ability suddenly vanished during his early teenage years. For a long time he believed it was because of his parents’ divorce. Unless it was simply because he was growing up and losing his childish perception of time. Whatever the reason, special occasions were never the same after that. Graduation from high school, getting his law degree, his first criminal case, when he proposed to Karolina, even their extravagant wedding. It could all be summarized with just one word: disappointment.

He had worked so hard for those moments. Had longed for them, fantasized about how they would feel, taste, smell. Then, all too quickly, everything was over and all that was left were a few fuzzy memories and a nagging sense of dissatisfaction.

He would persuade himself that it would be different next time. If he could just aim a bit higher and pull the bow a bit tighter, he’d be able to feel more. When the children were born, his job in the Hague, membership in the Bar Association, the day when he was invited to become the youngest-ever partner in the prestigious law firm of Thorning & Partners.

But there was always the same feeling, the same inability to live in the moment. As if there were some sort of thin filter between him and reality.

He started to take photographs. Deluged his computer with scalpel-sharp digital images, devoting hours to putting together short films of holidays in the sun, gingham-cloth picnics and Astrid Lindgren moments with Karolina and the children. But no matter how good the resolution of the camera, or how many pixels on the screen, he still didn’t feel satisfied. It was as if he had missed something essential in those moments, some tiny, invisible nuance that could make all the difference.

But today everything was different. This was Stenberg’s greatest moment to date, the moment he had been waiting for for years, and he didn’t need to look down at the Patek Philippe watch on his wrist. He knew that the second hand of the precision-made Swiss watch had just stopped, and that this moment would be just as stylized and perfect as he had always dreamed it would be. All his hard work, all his sacrifices were finally about to pay off. The years of drudgery in the public prosecutors’ office: the fraudsters, wife beaters, petty criminals, thieves, and all the rest of the rabble. Then his time in the Hague, admittedly with bigger cases, but where a young prosecutor like him mostly got used as an errand boy. Then the move to Thorning & Partners. High-profile cases, excellent for a young, ambitious defense lawyer who wanted to make a name for himself.

But in spite of the money, the prestigious job, and the increasing media interest in him personally, in spite of the fact that John Thorning had chosen him as his protégé, he had hated being a lawyer. During his first six months there, the first thing he’d do when he got home from the office was have a shower. Changing out of the bespoke suits and expensive Italian shoes that made such an impeccable impression on television. Scrubbing his skin until it was bright red.

After that he got used to it and adopted a mask, just as Karolina had suggested. A sort of alter ego he could slip into and out of in a fraction of a second. Someone who looked and sounded like Jesper Stenberg, but with whose words and deeds he would prefer not to be associated.

That way he could go on playing the game and keep up appearances. He patiently bided his time, waiting for his moment. This moment. And that was why he intended to squeeze every last millisecond out of it. Fix it to his cerebral cortex so he could remember every single detail, every nuance, even in forty or fifty years when the expanse of time that had seemed so infinite to him as a child was approaching its end.

His senses were wide open, feeding him with details. The grain of the wood on the heavy, dark furniture around the conference table. The thick, red carpet under his shoes. The light from the chandeliers reflecting off the silver coffeepots in the middle of the table. The wafer-thin porcelain of the cup in front of him. Everything was just as he had imagined it. But the most enduring impression was still the way the room smelled. A heavy, sweet smell that overwhelmed him. Almost making him feel slightly aroused.

The smell of power.

At the top of the table sat the boss, in toadlike majesty. His subordinates, including Stenberg’s own father-in-law, crowded the long sides of the table. Suits, Botoxed foreheads and double chins. Friendly expressions on most of the faces, but naturally not all. After all, he was an outsider, an upstart who hadn’t followed the prescribed path. Someone who could disturb the balance of power.

The men and women around the table were all looking at Stenberg, awaiting his response. He checked his own expression. Humility, with a hint of surprise, he could manage that in his sleep. But an irritating little grin was lurking somewhere, he could feel it tugging at one corner of his mouth. Hardly surprising, really. He had just been asked the Question. His dreams – no, their dreams – were about to come true, and everything would be different from now on.

The moment he opened his mouth and transformed that little grin into his best television smile, he thought he could detect a tiny vibration from his watch. As if a new age had just begun.

Atif opened the cooler, dug about among the cans of soft drinks until he found one that was still more or less cold, and pressed it to the back of his neck. Sweat was running down his back; one of the many power cuts had brought the fan on his desk to a standstill more than an hour ago, and the air in the shabby little room was almost still.

He opened the can, drank greedily, and then went back to his lookout post at the dirty, half-covered window.

Outside, everything was going on pretty much as usual. A dozen parked trucks, all with their rear doors or covers open, between which various goods slowly circulated. Half of the vehicles were military green. Their uniformed drivers were standing by the little café, smoking while the workmen unloaded their trucks. A few scabby stray dogs were wandering about in the shadows between the vehicles. They kept their distance as they occasionally sniffed the air, as if to check whether any of the many crates being unloaded contained anything edible.

By now Atif was very familiar with everything that was going on in this dusty square. What brand of cigarettes the truck drivers preferred, the name of the café owner’s sullen daughter, which of the drivers smuggled hash, which one of the mangy animals was top dog. The one the others feared.

The cell phone in his breast pocket began to vibrate. Atif inserted the hands-free earpiece, then raised the binoculars. He zoomed in on the sentry box beside the only real entrance to the square. The man was leaning against a wall, smoking, his Kalashnikov nonchalantly slung over his shoulder.

His cell phone vibrated again and Atif pressed the Answer button.

‘Hello.’

‘It’s me. How’s it going?’

‘Pretty much the same as usual.’

‘Still no sign?’

‘This is where the trail brought me.’

‘And how long have you been sitting there now, Atif?’

‘Almost three weeks.’

‘Right. You don’t think it’s time to give up yet?’

‘He’ll be here.’

The line was silent for a few seconds. Atif scanned the rest of the square through the binoculars, then went back to the guard. The man was standing up straight now, stubbing his cigarette out on the red earth.

‘A woman called,’ the voice in his ear said. ‘From Sweden. Said she was your sister-in-law, she wanted you to call back as soon as you could. Something to do with your brother …’

‘Half brother,’ Atif muttered, without taking his eyes off the guard.

The man’s body language had suddenly changed. He had taken his gun off and was now holding it in both hands, and all of a sudden seemed to be taking his duties more seriously. The man let out a whistle and the sound brought all activity in the square to a halt.

A dark-coloured car with military registration plates and tinted windows was slowly approaching. The guard raised a hand to his forehead, in a sort of hybrid between a salute and a wave. The atmosphere in the square was transformed in a matter of seconds. The drivers dropped their cigarettes and stubbed them out, and exchanged nervous glances. The workmen quickened their pace.

Even the dogs seemed to realize that something was going on. They drew back further into the shadows as they warily followed the dark car with their eyes. It stopped and a man in uniform and dark glasses got out. Atif didn’t need to look through the binoculars; the reaction of the other people in the square was enough to tell him who it was.

The man he had been looking for.

The top dog.

Atif reached out his hand and picked up the pistol from the wobbly little table and tucked it into the back of his trousers. He tugged his shirt looser to make sure the gun couldn’t be seen.

‘I’ve got to go,’ he muttered into his cell.

‘Atif, wait,’ the voice said. ‘It sounded important. Properly important. You should probably call home.’

Saturday, November 23

The inner city seems to be full of blue lights. They bounce between the facades of the buildings, only slightly muted by the falling snow before reflecting off the dark water under the bridges. Some of the emergency vehicles have their sirens on, but most of them race through the night in silence.

The six students walking north along Skeppsbron are already bored of the commotion. They had stood for a while at a good vantage point up at Slussen, watching the circus down on the long highway bridge. Loads of ambulances, fire engines, marked and unmarked police cars, so whatever it was that had happened inside the tunnel had to be something serious.

A couple of the students had held their cell phones over the ice-cold railing in the hope of capturing some of the action. But when several minutes passed without anything much happening, they quickly lost interest. The intense cold and falling snow persuaded the group to carry on toward the city centre.

The snowball fight starts somewhere near halfway along Skeppsbron. One of the boys, it isn’t clear which one, stops and picks up an armful of snow from the windshield of a parked car. He quickly forms an uneven snowball and throws it at the backs of his friends, and then everything kicks off. All six of them are running along the sidewalk, dodging one another’s snowballs and stopping to make new ones.

The young woman in the red woolly hat is the one who makes the discovery.

‘Look, there’s someone sitting in here asleep,’ she cries, pointing at one of the parked cars, from whose windshield she’s just swept an armful of snow.

‘Hello, wake up! He looks like he’s passed out.’ She laughs as her boyfriend catches up with her. Through the black hole in the snow he can make out a large, fair-haired man. The man is sitting in the front passenger seat, with his head resting on the dashboard. It looks as if he’s asleep.

The young man on the sidewalk knocks on the windshield as well, and when there’s no reaction he starts clearing the snow that’s still obscuring the view. Slowly at first, then faster and faster, until at last almost the entire windshield is clear. He clears the side window as well. The man in the car still hasn’t moved.

In the distance they can hear the sound of motors and the pulsing roar of a helicopter approaching. Something makes the others stop their snowball fight and approach the car. Cautiously, as if they’re not really sure they want to see who or what is concealed inside the car. But the girl in the red woolly hat hasn’t noticed the change in mood.

‘Come on, leave it,’ she says, with laughter in her voice. ‘I’m freezing, let him sleep.’

She tugs at her boyfriend’s arm, trying to pull him with her. But the young man doesn’t move. As soon as the snow on the side window is gone he presses his nose to the glass.

‘Shit,’ he mutters.

‘What is it …?’ Suddenly the girl’s voice doesn’t sound so amused. More like scared. The noise of the helicopter’s rotor blades is getting louder.

‘Shit,’ the young man repeats, mostly to himself.

Frost on the inside of the glass is obscuring the view, and the inside of the car is dark. But the sleeping man is no more than an arm’s length away and the young man has no problem seeing enough details. The leather jacket, the embroidered logo on the back, the tribal tattoo curling up from the man’s collar like a snake, across his thick neck.