Long Gone

Now the screen changed to a pan across the piece of art in question. The correspondent narrated. “We at Eyewitness News have blocked out almost the entire photograph because we have also been unable to confirm the age of the depicted model. Some local officials are calling for the exhibit’s removal pending verification of the model’s age.”

The multiple black bars pasted across the photograph created the impression of more tawdriness than the collage actually contained.

“The manager of the Highline Gallery declined our request for an on-camera interview, but the gallery did release a written statement: ‘The Highline Gallery promotes the work of provocative, cutting-edge artists who, like Hans Schuler, create art that makes us think, react, and sometimes even become uncomfortable with our own thoughts and reactions. We of course condemn and would never agree to display indecent depictions of minor children, but we have heard no evidence to support these disturbing allegations. Without articulation of a good-faith basis for the accusation, we respect the First Amendment rights of our artists.’

“For now, it sounds like the city’s mayor agrees.”

Alice wanted to believe she was managing the public relations aspect of this disaster as well as could be expected, on her own, isolated from the information that actually mattered. She had issued the written statement. She had stopped answering the gallery phone, letting all calls go to voice mail with the same statement recorded as the outgoing message. Last time she checked, she had received not only that first call she had answered from the Daily News, but also calls from the Post, Times, Sun, Observer, and a place called Empire Media.

The film cut to an image of Mayor Michael Bloomberg stepping from the backseat of a town car. “This isn’t the first time someone’s been offended by art. I support artistic freedom, and I support the First Amendment. If there is evidence that laws have been broken, we will take that evidence seriously and prosecute offenders under the law.”

“It seems the one person who isn’t commenting tonight is the artist himself. According to his Web site, Hans Schuler communicates with his followers only on the Internet so as not to taint the world’s perception of his art. Although the origin of this photograph might still be a mystery, one thing is certain: with this level of controversy, Hans Schuler isn’t likely to remain unknown for long.”

“We’ll keep an eye on this one, Robin. Sounds like it could turn into a real wrangle.”

“Sure thing, Andy. One interesting side note about the gallery. Its manager is Alice Humphrey, the daughter of Frank Humphrey and his former leading lady, Rose Sampson.”

Great. Apparently there was icing to go on the cake.

“Oh, sure. She was the kid in that show about the single father—what was it called?—Life with Dad.”

“Before my time, I’m afraid, Andy, but importantly, Alice Humphrey’s own father is no stranger to scandal. His acclaimed film The Patron was boycotted by the Catholic Church for its depiction of a steamy affair involving a Catholic bishop. It was his long and seemingly devoted marriage to the beloved actress Rose Sampson that often softened a public persona defined by his explicit films and controversial public statements, but of course that all changed when several women came forward last year with evidence of multiple extramarital affairs with Humphrey over the years. So far, his wife has been standing by him, and the family had begun to fade from the headlines until this new story involving his daughter—”

Alice couldn’t stand it any longer. She hit the mute button and was relieved when the broadcast moved on to a story that appeared to be about the beneficial health effects of red wine.

She returned her attention to her computer.

Schuler had not responded to any of her many texts, and a call to the number she’d been using for their texts went unanswered. She’d made no progress finding additional contact information for the artist online. Other than his Web site, the man was a ghost.

More creatively, she’d been trying to track down the gallery owner using the few facts she’d gleaned about his biography from Drew. Moneyed. Maintained a part-time presence in Tampa since Drew was a kid, making him a considerably older man. Plagued by long-whispered rumors about his sexuality. Presumably here in New York. Sufficiently well known for the name to be familiar.

She prided herself on pretty clever Googling skills, but so far, she’d come up with squat.

She tried Drew’s number for the umpteenth time. Straight to voice mail once again.

Moving her cursor to the search window, she typed in “George Hardy,” and then clicked to review recent news articles. The first cluster of hits linked to stories covering that afternoon’s protest outside the Highline Gallery. But as she scrolled through a series of pages, she learned more about the Reverend Hardy and his Redemption of Christ Church. Based out of southern Virginia. Founded by Hardy only a decade earlier. They’d made a name for themselves protesting seemingly everything—abortion clinics, “antifamily” movies, same-sex commitment ceremonies, and the funerals of American soldiers for defending a depraved nation that had lost its way.

Her cell phone rang. Blocked call. She answered.

“Hey, it’s Drew.”

“Thank God. I’ve been calling you all day. I put out a statement, but we need to reach Schuler. Call the gallery owner. Make Schuler prove the model’s age.”

“There’s something I need to tell you. I’ll meet you at the gallery tomorrow morning. Early. Seven, okay?”

“Wait. I need to know—”

But somehow she knew in the silence of the receiver he was gone. “Drew? Hello? Are you there?” She called his cell, but once again, she immediately heard his outgoing message. She hit redial for another hour until she finally forced herself to go to bed.

CHAPTER FOURTEEN

Hank Beckman made it to Jersey before the crack of dawn, determined to return to the city with the vehicle identification number of Travis Larson’s newly acquired BMW. He parked across the street from the apartment complex, tucked the slim jim up his coat sleeve, and stepped out from behind the wheel.

He kept his eye on Larson’s front door as he made his way into the parking lot. He was within fifteen feet of the car, slipping the slim jim from its hiding place, when he saw movement at the top of the stairs.

Saying a silent thank-you for the pricks who still drove gas guzzlers, he dodged behind a GMC Yukon and bent down next to the tire, faking a tie of his shoelaces in case a neighbor caught a glance. He heard Larson’s footsteps move quickly down the stairs and across the concrete. Larson wasted no time hopping into the driver’s seat and firing up the BMW’s engine, not bothering to signal when he pulled out of the lot.

Hank trotted back to his own car, flipped a quick U, and headed after the BMW. By the time he reached the T at the end of the road, Larson was already gone. Hank played the odds and hung a right, heading for the city.

It was just past six in the morning, but traffic was already starting to accumulate outside the Lincoln Tunnel. His eyes scanned the lanes of cars lined up to pay their tolls, searching for the gray sedan in what seemed like a sea of light-colored luxury cars.

Then he thought again about his previous glimpse through Larson’s dash. He prided himself on his photographic memory. He could pull mental images from his past and display them like a virtual snapshot against the blackness of his closed eyelids. How many times had he pictured Ellen beaming across the table from him, a bright smile above her wine glass, as she announced her engagement to the man sitting beside her? The man who just hadn’t rubbed Hank right. The man who was too young. The man whose name turned out not to be Randall after all.

He shook the image away as if it were sand in an Etch A Sketch and instead pulled up a visual of Larson’s front window. Pictured the New York magazine, the one with the funny looking black-and-white dog on the cover, concealing the VIN. Saw the gray pebbled console. The black rearview mirror. And the unoccupied glass around it.

Larson hadn’t had an E-ZPass, the automated toll-payment device users mounted to their front windshield. Hank moved two lanes to the left, pulling himself closer to the Cash Only toll lanes. He spotted Larson two lanes over, about six car lengths in front of him.

No problem. Hank inched up, watching his progress against Larson until he merged into his E-ZPass lane.

By the time the gray BMW emerged from the tunnel, Hank was lingering in the right lane, ready to pull in behind him.

He worried about the man spotting him. Hank had made the trip in his personal vehicle, confident from his past rounds of surveillance that Larson would be dead to the world this early. He found comfort in Larson’s speed. He didn’t seem to be paying attention to traffic around him. He didn’t act like a man worried about a tail.

Larson drove north on Sixth Avenue, then curved into the West Village on West Fourth Street. Hank forced himself to remain a block and a half behind the BMW on the narrow streets, still quiet this time of morning. When he spotted the glow of Larson’s brake lights midblock past the stop sign at Bank Street, he immediately hit the button to roll down his window as he pulled to the curb on Washington. He watched as Larson parallel-parked. Leaned his ear outside as Larson hopped out of the car, looking both ways before crossing the street. He saw Larson disappear into a storefront, but couldn’t identify the business from this vantage point.

Hank pulled forward to the stop sign, hung a left on Bank, and then circled around to park north of the BMW and head south on foot. He took the red wool scarf he’d brought for the occasion—remembered Ellen giving it to him for Christmas—and wrapped it around his cheeks. Slipped the slim jim up his coat sleeve.

He paused at the curb beside the BMW. Did a quick visual of the interior. Nothing. He was relieved to see that Larson had removed the magazine from the dash. He had a clear look at the VIN and jotted it down.

He felt the slim jim against his forearm. It was an unnecessary risk, but he was moving too fast now to rethink his decision. He hadn’t heard the beep-beep of an activated alarm when Larson left the car. The sidewalks were still empty. It was now or never. Just one quick peek.

He forced the slim jim past the rubber seal of the driver’s side window. Allowed himself to exhale when no alarm blasted the neighborhood silence. He began to jiggle, counting off the passed seconds in his head. One, one thousand, two, one thousand. He had vowed to give himself only fifteen seconds before hightailing it back to his own car.

Thirteen thousand. He felt the lock release.

Still seeing no one, he popped the glove box. Completely empty. Pulled the lever for the trunk, shut the door, and headed to the rear of the car. Also empty.

He clicked the trunk shut and made his way north to his Toyota Camry. Made three left turns: Greenwich, to Bethune, and back onto Washington.

As he cruised past the parked BMW, he checked out the storefronts across the street. He identified what looked like a flower shop and a shoe store as candidates for Larson’s location, a closed-down storefront separating the two.

Nice car. Pretty girl. Early-morning drives. And absolutely nothing in his ride, not even an owner’s manual or registration.

The next step was to run the VIN.

CHAPTER FIFTEEN

Her apartment had to be cold—it always was in the winter, thanks to the lousy furnace and cheap windows—but Alice woke up with the covers kicked from her body and a thin sheen of perspiration coating her skin. She was thankful to be one of those people who could never truly remember her dreams. Although the details of last night’s sleep were fuzzy, they’d left behind a shadow of anxiety still lingering in her core.

Even as she shuffled into the shower, images from her sleep flashed through her mind. Hans Schuler’s photographs. The protesters. Those ugly words plastered onto their signs. News cameras. Standing at a podium before an auditorium full of reporters. The white lights of flashbulbs blinding her. A hush covering the room as she began to speak. Looking down at her notes to find nothing but blank paper. A thin, balding man chasing her. In her dream, she imagined he was Hans Schuler. Or maybe he was the Reverend George Harvey. Or perhaps he was no one—just a physical representation of the horrible feeling she carried in her subconscious about yesterday’s protest at the gallery.

She held her head beneath the spray of hot water, as if she could literally wash away the thoughts from her mind and send them spiraling down the drain.

Even after the long shower, she had too much time on her hands before her meet-up with Drew. She used the extra minutes to check the online situation.

She entered “Highline Gallery Hans Schuler” into her search engine and hit enter. As the computer did its thinking, she hoped against hope that she would find no new results since the previous night.

No such luck. As she’d suspected, the story had gone viral. What started as a local New York story had been picked up on the wires, was spreading blog to blog, and was now being “retweeted” across the Web with irreverent headlines like “Hans Smut-ler” and “New York Art Show: Mainstream Radicalism or Old School Porn?”

On the Daily News Web site, she was happy to see that the story of a missing girl in Dover, New Jersey, had replaced the gallery for top billing. No surprise. Alabaster skin, full lips, a few freckles for good measure. Becca Stevenson’s photo beneath a banner declaration—MISSING—made good newspaper copy. Alice felt a pang of guilt as she registered her hope that the media vultures would latch on to the missing girl story instead of her own saga.

She moved her cursor back to the search window. This time, she searched for her own name, plus the words “Highline Gallery.” Maybe Channel 7 would be the only outlet to play up her family background.

Despite her hopes, she found story after story identifying the gallery’s manager as the daughter of Frank Humphrey and Rose Sampson. Almost all of them alluded to the controversies her father had created with his own work. Most also mentioned his recently exposed infidelities—the “casting couch” allegations, the scandalous ages of the women involved. Then she reached a news update that she found herself rereading.

Alice Humphrey is only the latest member of her family to find herself at the center of controversy. In addition to her father’s reported extramarital and perhaps even coerced sexual activity going back decades, her brother, Ben, was arrested last weekend for drug possession. According to two separate NYPD sources, Ben Humphrey, 41, was arrested after police found marijuana in his possession while investigating a noise complaint outside of a West Village bar.

She remembered Ben’s unexplained absence from the gallery opening. Recalled her parents’ anxious expressions, wondering whether he was back to his old ways.

She quickly pulled up his number on her cell, but heard only his familiar outgoing message: “This is Ben. You know the drill.” Even when he was clean, Ben was not the type to answer a phone this early in the morning.

As she disconnected the call, she caught the time displayed on the screen: 6:34. Shit. Time to meet Drew. Her brother’s problems would have to wait.

She found herself working the metal of the gallery key between her bare fingers inside her coat pocket like a worry stone. If it weren’t for those ridiculous protesters, she would have had time yesterday to pick up a new pair of gloves to replace the ones that were still missing. One more reason to hate the fuckers.

Alice wasn’t proud of this aspect of her personality, the complete inability to harness free-floating anxieties. She was the kind of person who could not sit still once she realized an unsent piece of mail still lingered on her desk, who would wake in the middle of the night with a recollection of an unreturned phone call.

Her relationship with stress was one of the reasons she had never felt at ease with the acting career her mother had so desperately sought for her. The standing around, biding time before the next scene. Wondering if the director was going to alter the dialogue or the order of filming. Waiting to know whether the powers that be would pick up the pilot or approve the dailies. The constant uncertainty had left her feeling unfocused and insecure, never able to find peace within herself.

The irony that she had chosen a safer path only to find herself out of work for nearly a year was not lost on her. Now she had finally landed not only a job, but a fabulous one at that, and once again she found herself trying to anticipate what would happen next.

As she continued to rub that key between her fingers, she resolved that her involvement in this nightmare would end today. She would not spend another night as she had the last, tossing and turning in bed while those awful images rushed through her mind. She would take control of this situation, or at least her role in it. She was through with Drew’s middleman smokescreen. She would simply refuse to end this morning’s meeting until he put her in direct contact with Schuler. And if he couldn’t connect her to Schuler, she’d insist on speaking with the gallery’s owner. And if all else failed, she would quit. She’d go back to being jobless. She’d break down and ask her parents to help, if it became necessary.

But no matter what happened, her anxiety about those photographs would be assuaged. Hopefully, it would be a simple matter of verifying the model’s age and identity. A quickie press release, and all would be forgotten. And if the verification didn’t come, she’d take the omission as a sign that the Reverend Harvey might actually be onto something, and she would walk away. Regardless, she would no longer be part of this story by the time the day ended.

She found comfort in that knowledge. She’d found a small element of control.

As she approached the gallery, she spotted brown butcher paper lining the previously unobstructed glass. Drew had been quite the busy bee this morning. She let out a frustrated sigh. She was as upset about the protesters’ allegations as anyone, but covering the windows like some seedy peep-show emporium was a little over the top. Knowing—okay, not knowing at all—but based on her assumptions about Hans Schuler, she wondered if this was the artist’s way of generating even more controversy, along with the attendant publicity.

The security gate was unrolled over the glass entrance, but when she bent down to unlock it, she found it unsecured. Drew must have pulled it down behind him. She rolled the gate open and found the front door also unlocked. She pushed it open, ready to find Drew waiting for her at the desk. Instead, the lights were off. The space black.

“Drew?”

He must have stepped out for coffee. If she was going to continue to work here, she’d have to talk to him about leaving the place unattended, even at this early hour.

She made her way through the gallery space, struggling to adjust her vision to the dark, wondering who the genius was who installed the light switches in back. She was relieved when she finally felt the rear wall. She ran her hand along the now-familiar row of switches, but nothing happened.

Damn it. She had no idea where the fuse box was in this place.

She worked her way toward the fire exit, one hand against the wall. Fumbled with the bolt until she felt it release. She was disappointed when only a gray ray of morning light crept through the propped open door.

She knew immediately when she turned to face the interior of the gallery again that something was wrong. It was one of those unexpected realizations. A dawning of awareness at a cellular level. The rhythms of this space had already become ingrained. Even in the dark, her brain was wired to expect certain shaded forms—the low leather banquettes dividing the gallery in half, the glass-topped desk toward the front door, the very objects that she’d been careful to avoid bumping into as she’d worked her way to this place. But she saw nothing but evenness in her field of vision.

“Drew?”

Her voice sounded different in the room. Louder. With a touch of an echo.

Every sense was telling her that something had changed. She fumbled inside her purse for her cell phone and activated the screen for a tiny pocket of light. Did a 180-degree scan of the room. Saw an empty floor where the benches had been. Saw uninterrupted blank space on the wall where Hans Schuler’s First had hung.

Fuck. She had assumed the brown paper on the windows was a cheap publicity stunt—a very public effort to obscure their so-called pornography from public view—but now she realized Drew had been even busier this morning, and even more overreactive, than she’d first assumed. It looked like she wouldn’t be calling the shots about how the end would go down. Obviously the owner was pulling the plug.

She was tempted to walk out the door and leave the entire experiment behind her, but thought Drew owed her an explanation. She assumed, based on the open gate, that he’d be returning.

As she walked toward the front of the gallery, she noticed a shadow on the floor—some sort of pile. She took each step carefully, as if the sounds of her footsteps might disrupt it. Fifteen steps from the pile. Now ten. Five.

Despite her caution, she felt the sole of her boot slide beneath her on the floor. Felt her weight pulling her down backward. She reflexively stuck her hands beneath her, forgetting all those old ski lessons about protecting your wrists in a fall. She heard her cell phone tumble to the floor.

Her body hit the ground, palms first, and then slid against the tile. Wet. Warm. Sticky. Paint?

She pulled herself to her knees and crawled toward the form on the ground. Used a tentative hand to tap what she recognized upon touch as some kind of fabric. A rug? A large canvas?

She patted the form’s edges and jerked upright when she finally identified a texture with certainty. Hair. Coarse human hair.

She scrambled on the slick tile, fumbling for her phone. Found the button at the bottom. Aimed the tiny beam of light toward what she now suspected was a body.

Drew Campbell lay on his side, a magenta pool forming beneath him despite the bundling of his winter coat. Her hands and knees and shins and forearms were soaked in his fresh blood.

She felt her fingertips stick to the glass screen of her phone as she dialed 911.

CHAPTER SIXTEEN

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“God damn it.”

Detective Jason Morhart hit the enter key on his computer once again, this time so hard he thought it might not pop back into place.

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“Fuck.”

“Cursing’s for the uncreative. They say ‘Frack!’ on Battlestar Galactica, and everyone still knows what it means.”

Nancy had appeared at his desk about six presses of the return key ago. Her job was to process file requests. In her mind, that plus a few software classes at the community college made her the resident computer expert at the police department. No one had the heart to disabuse her of the notion. He knew for a fact that Nancy could out-cuss a cussing contest at a sailor’s convention, but that wasn’t going to stop her from ribbing him about his temper.

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