As Luck Would Have It

I dedicate this book to Mum and Dad, and to my teacher, Bobby Brown.

CONTENTS

Cover

Title Page

Dedication

The Seven Ages

Prologue: The Boy with the veil

AGE I INFANT, MEWLING

1 The front room

2 Our war

3 The return of Alfred Jacobi

4 The Christmas Conned ’em

5 Mum

6 Dad

AGE II SHINING MORNING FACE

7 ‘With one little touch of her hand’

8 Confinement

9 East London boy

10 My teachers

11 Intimations of immortality

12 The lads of life

13 The passport prince

14 Cloud-capped towers

AGE III SIGHING LIKE FURNACE

15 First term, first love

16 The Marlowe Society

17 Princes and puppets

18 ‘Honorificabilitudinitatibus’

19 Encounters with a colossus

20 The Brummie Beast

AGE IV SEEKING THE BUBBLE REPUTATION

21 A shameful episode

22 ‘I thought Hamlet looked a bit down at the wedding’

23 Sir

24 Clay feet and other parts

25 Giving away Michael York

26 Leading in the dark

27 The Idiot

AGE V AND THEN THE JUSTICE

28 The intangible ‘it’

29 From Kaiser to Emperor

30 ‘Hamlet, played by Derek “I, Claudius” Jacobi’

31 Enter Richard II

32 A marriage proposal

33 Terrible news

34 So we’ll go no more a-roving

AGE VI A WORLD TOO WIDE

35 Ultimate nightmare

36 The RSC

37 Proboscis magnifica

38 The Jacobi Cadets

39 Two broken codes for the price of one

40 Life among the great and good

AGE VII STRANGE EVENTFUL HISTORY

41 My new family

42 The summons

43 Walks on the dark side

44 Russell Crowe’s bum

45 Shakespeare’s end-games

46 Aren’t we all?

Picture Section

Afterword and Acknowledgements

Copyright

About the Publisher

THE SEVEN AGES

All the world’s a stage, And all the men and women merely players: They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse’s arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon’s mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper’d pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.

Shakespeare, As You Like It, II, vii.

PROLOGUE

The boy with the veil

It shimmers and enchants; it belongs to a secret, magical, forbidden world, and I have always wanted it.

She keeps her glorious white silk wedding veil – part of her wedding trousseau – in her wardrobe, and I sometimes sneak into my parents’ bedroom and gaze at it. And then one day in 1945, when I am six years old and they are both out at work, I creep into their room, open the wardrobe and carefully lift out the veil. I drape the gorgeous white material round my shoulders and over my head, and, swishing it around and puffing myself up like mad, I go out of the house and parade up and down Essex Road.

We East London kids like to play out in the Essex Road and the adjoining streets, and do so in complete safety. The streets of England are our playground. We make dens in the front gardens, and dream and imagine we are other people and characters. From as early as I can remember I have been excited by the idea of dressing up, and this is my first recollection of being in costume.

Perhaps it is to impress Ivy Mills that I have worn Mum’s wedding veil, though my first girlfriend is Winnie Spurgeon. We play hopscotch, and doctors and nurses, with two other girls in the street and we chalk our initials on the pavement. Yet it is Ivy, the prettiest of the three, who has now become my favourite. The boys in my class start to chalk on the pavement, ‘DJ LOVES IM’, and I will do anything to please her.

But on this day I know I’m not just pleasing Ivy. I know in some instinctive way that I am performing, perhaps for the first time in my life, and suddenly all the world – or at least Essex Road – is my stage. And in transforming myself, and entertaining Ivy, I have a sudden insight – a sense of who I am, and who I could be, when I’m not just being myself.

I can become other people in my imagination – but can’t we all? I can be a hero or villain, strong, weak, timid, arrogant, crafty, trusting, passionate, destructive, nurturing ... I can be anything I want to be. After all, I’m a human being, full of everything you can possibly imagine.

Of course Ivy, Winnie and my friends laugh at me and are most impressed. I play up to it for all it’s worth – strutting, waltzing, skipping, galloping around the pavement until my veil is finally shredded to bits on the front garden privets.

Mum was back home when I returned. She was waiting.

‘Well, this is it,’ I thought. ‘She’s going to go completely bananas at me when she finds her precious wedding veil torn into tatters!’

I was starting to cry as I stood there ready for her to tear me to shreds – just as I had torn her wedding veil.

But her reaction wasn’t anger: she hardly told me off at all.

From that moment I continued to fancy myself in the veil. The idea of the veil stuck in my mind as a garment that, whoever wore it, both concealed and revealed the person. Yet the actor in me, the dressing-up part of me, was a mystery which I never could understand, right from the beginning – and that still remains the case today. I can only describe it as a magical process.

Later I would say that the actor must somehow have got in there right from the start, at the moment of conception, but God knows where he came from. Was I simply born an actor, as grandly titled by Edmund Kean – ‘A prince and an actor’ – a part which I was to play later in Jean-Paul Sartre’s play? Even then, in that earlier time as a child, the first part I ever acted was a prince, and this prince was by no means to be the last.

We take it for granted that actors can act; the skill or craft – or the trick – is to make people believe they are seeing somebody real on stage, not an actor acting. Ideally they should leave the theatre talking about the person they’ve seen and the emotions they’ve felt, not saying, ‘Gosh, isn’t he a good actor?’ That suggests that it has been merely a spectator sport, and the actor has been showing off. Audiences or viewers want to believe they have been in the presence of a real person.

But theatre, film and television are trickery; a bit of a performance works, and I glow to myself. I know I’ve managed to carry it off, and it is a moment of pure, private pleasure. As every actor does, I have felt the power and the glory of trickery and mystification.

Yet who would ever have suspected that that little boy who was so excited at putting on his mum’s wedding veil would in time come to play real and fictional people – Hamlet, Lear, Hitler or Alan Turing, and a great host of others? Who could ever have known that he would come to live in the palaces or grand locations of his games and imagination, or re-inhabit in stories the real places, such as Bletchley, or the suburbia-like lower-middle-class Leytonstone, which had an importance in his early life?

It was the fate and destiny established way back in my past, in my childhood or before, that there would be many, many parts, well over the 200 mark through my seven ages, behind which I would hide my true self, conceal myself as behind a veil, yet at the same time be able to reveal some of who and what I was.

AGE I

INFANT, MEWLING

1

THE FRONT ROOM

It was all a ghastly mistake. The state of the world at that time was such that no one thought of having a family. Hitler was already advancing fast and the world was on the brink of war when I was born in East London on 22 October 1938.

This was in our front room in Leytonstone. My mum – Daisy – struggled in labour for forty long hours to give birth. Forty hours! Has anyone ever taken so long to be born? It must be a record. Mum was completely worn out, and when at last I’d been delivered she sank back and groaned, ‘Never again!’

‘Is this what it’s all been about?’ said our doctor, as he held me up with just his right hand to show Mum and Dad. Mum and I were then placed in an improvised oxygen tent to recover. She had no more children.

The labour may have been endlessly protracted and I was probably the most appallingly mewling, puking infant, but from that moment on I was the sole object of my parents’ love and attention. They lived for me, exclusively and without reservation. Each Christmas Day, for instance, I would wake, rub my eyes and gaze in utter wonder at my presents at the end of the bed: not one but two pillowcases stuffed full of presents of every kind – games, toy trains, Meccano, jigsaws – all just for me!

There would never be anyone else in the house besides the three of us: my parents and me. It encouraged me to have the highest ideals and aspirations, and it may well be that the romanticism stemmed from this extraordinary good fortune of being favoured as an only child, with devoted and loving parents, while they, too, grew steadfastly more romantic about me. They always believed in the best of me – and wanted the best for me – in spite of anything that might not prove them right.

So from the start I had no rival; at times I might have missed the presence of a brother or sister, but actually, I had to remember, not only did I get all the pocket money and all the presents, but I carried all their fears, love and aspirations. As my mum Daisy and my dad Alfred both worked, I thought at first we were favoured with wealth and good fortune, but when I found out we weren’t, it didn’t really matter.

There were few disadvantages in being so well favoured from the start. I might certainly claim that I’ve been ‘dogged’ by good luck, so maybe that’s my misfortune, and the huge obstacles to overcome that most people have to face to make their way in the world – I’ve had very few of these. Heartbreaks yes, but that seriously – as we shall see – is another matter. For I was born a romantic, however much I might want to wrestle with it and deny it. Seventy-five years later I am still as much a romantic as I ever was, and still as unromantic in appearance as ever I was.

Yet I have an abiding sense of never having been taken quite seriously enough – that is, it goes without saying, as I take myself! I’ve always felt there was something about me which doesn’t give off that radiation, that sense of power – either it is my look, or the life journey I’ve been through – which doesn’t have suffering crying out at every twist and turn. It is true that few have taken me as seriously as I’d like to have been taken.

Nor have I championed anything, nor been a martyr to anything – no, and I’ve never been much of a mover or a shaker either, always a follower. If I haven’t suffered enough – mea culpa, I pray I might be forgiven, for isn’t it the dogma of today that to be taken really seriously you have to have suffered? But I haven’t and I can’t help it!

Our terraced house in Essex Road was built in red and brown brick, with an iron gate and tiny paved area in front, bay windows, yellow and red brick features and some fancy stuccoed panels: an average, lower-middle-class property. There were three bedrooms upstairs, Mum and Dad’s, mine, and a spare room. At the back was a modest garden where, as I grew into childhood, I used to run around with friends and knock tennis balls about.

Mum and Dad bought the house before my birth, when George VI was on the throne. They paid £800 for the freehold and it took them twenty-five years to pay off the mortgage. They told me later that when they moved in there were green fields and cows opposite, but these were soon replaced by the inevitable blocks of flats. I don’t remember any green fields or herds of cows, so for me these flats were always there.

The front room was where we went into on Sundays, the special day, the day of rest, although Mum and Dad rarely if ever went to church. It was the room where the best furniture was kept, well dusted and tidy. Where we played and listened to the gramophone records. Where the cocktail cabinet, the central feature of the front room, was stationed, and where Mum and Dad would display the drinks – which would never be drunk most of the year. The expectations of booze, of parents with their gin and tonics or their nightly glasses of wine, not to mention six pints downed at the pub, were never there for any of us – so different from the way it is for many children born today.

The exception was of course at Christmas, when the cherry brandy would be poured, and then imbibed to celebrate the tree lights being switched on. The radiogram cabinet was huge, almost as big as a sideboard. It housed the sole piece of broadcasting equipment – the sacred wireless, with white buttons and dials to twirl and press, and rasps and crackles of static and a muddle and jumble of strange tongues, like Pentecost, to which we all listened dutifully, even religiously. There were just three channels – the Home Service, the Third Programme and the Light Programme – and that was all there was, well before television came along. The notion of constant choice and switching channels just didn’t enter into it.

And so it stayed like that for many years, until I was ten – and to begin with, and for life ever after, the first outlet of my romantic feelings and love was for Mum and Dad, whose whole focus was on me.

Being a happy child and belonging to a small, close-knit family as I did, my memories of childhood mostly centre around the other members of my family who lived locally. There was Grandpa and Grandma, Dad’s parents; Dad’s brother – Uncle Henry; his wife – Auntie Hilda; and their son Raymond. All five of them lived on two floors in Poplars Road, off Baker’s Arms, which was twenty minutes’ walk away in Leyton. Grandpa and Grandma lived upstairs, the others on the ground floor. Grandma Sarah was tiny. She and Grandpa Henry were very sweet, kind and gentle.

In the wider family circle my cousin Michael (son of my mother’s brother Alfred) and Vicky, his sister, lived just down the road, too. Alf Two was very close to Dad. Tall and gangling with dark hair, he was a builder and later built the lean-to or conservatory on the back of our house. He was Mum’s favourite brother, a joker who would have us in fits, but he liked to gamble, and on more than one occasion – as I found out later – got himself into ‘a spot of bovver’. One day after the war he suddenly took off with his wife and two children without telling a soul, and sailed for Australia. Mum was heartbroken. On discovering they had gone she came back from their house furious and upset.

We went round and found the house empty. They really had gone. I think this must have been another ‘spot of bother’ – he’d got himself into a state over money. Even before they left my parents had the feeling that there was something ‘not quite right’, and were suspicious about what was going on in Uncle Alf’s immediate family. Mum wasn’t too keen on the Beardmores, as the family her brother married into were called, and we were all a bit doubtful about them. I grew up wary of the Beardmores: not because they were unfriendly or uncommunicative, but because they were a little odd and eccentric.

There was a brother of my maternal grandmother – a great-uncle who was known as Gaga. He sat around in Hackney and did nothing, but on Dad’s side Grandpa had six brothers, one of whom was a well-known architect called Julius Jacobi who built some of the first skyscrapers in London, although we never knew him or the other Jacobis.

A remarkable feature of Aunt Hilda’s household was the one outside toilet to which I’d head to answer the call of nature. When I was ready I’d call out, ‘I’m ready, Aunt Hilda!’ – the call I made for Auntie to come and wipe my bottom. Grandpa, who was a cobbler and worked for Dolcis all his life, had a shed in the garden to ply his trade and mend our shoes; this was his holy of holies, where he kept all his cobbling tools – I treasure to this day a metal last as a doorstop.

Not only was there no toilet in the house, but also no bathroom. We took our immersions in a tin bath, filled it up with hot water once a week, with a fire blazing in the hearth to keep us warm. But did we feel deprived? Did we feel others had more than we did? Never – it never once crossed our minds.

Mum’s maiden name was Daisy Gertrude Masters. I knew nothing about her paternal background, but her grandmother had the unlikely name of Salomé Lapland, so heaven knows where she came from – most likely from the frozen north – and for all I knew the family could have been gypsies. She had some French relations somewhere, and there were two adored brothers. There were no actors or anyone remotely like artists in her family. She would later claim that my artistic temperament came from her side, for an aunt of hers played the piano!

Mum was pretty, she had a round face, while her hair had turned white when she was in her twenties. She was very conscious of her hair and would go to the hairdressers once a week in Leyton. Dad and I had an old-fashioned barber who lived next door and who would come in once a week to cut our hair. We would lay out newspapers in our front room to collect the cuttings.

I never remember what people look like, but I do remember their voices. The barber had a voice like my uncle Henry, which I learned later had been the result of diphtheria when he was young. It was adenoidal, strained, and he spoke very high, at the top of his throat. His throat had been burned away, or cauterised.

Both my parents were born in Hackney in the same year, 1910. Mum and Dad met first as teenagers, while very much later, in their forties, they both worked at Garnham’s department store in Walthamstow High Street, where Dad managed the crockery and hardware department and Mum was the boss’s secretary and a department supervisor.

‘It was the scout uniform,’ she would say. ‘To woo me your dad had a motorbike with a sidecar. He would come and collect me, and we would go out together.’

They had a modest wooing, with her on the pillion or sidecar. Sometimes my Auntie Hilda and Uncle Henry joined them.

War was declared in September 1939, a month before my first birthday. My memories go back to sitting in a pram when we first heard the air-raid sirens. Mum grabbed hold of me, swaddled and wrapped me up, then rushed me down the steps into the Anderson shelter.

I liked the wail of the sirens and never felt fear. Although we didn’t live in the area of dense, blanket bombing or the fire bombs that set the whole of Docklands on fire, there were explosions enough – flashes, sirens, wailing searchlights crossing the sky and picking out planes and barrage balloons. Somehow I was never affected. I was too young to feel or understand violent death and destruction as a presence.

Dozens of kids from where I lived were sent away in the early months of war with labels round their necks and a single change of clothing, accompanied by teachers, to board with strangers, but with no guarantee they could stay even with brothers and sisters, and not knowing when they would next see their fathers and mothers.

This never happened to me. I never stood on a station platform looking lost and forlorn with a label round my neck.

During the Blitz in 1940–41 I was still in Leytonstone. Dad, being over thirty, wasn’t called up for a while and, like millions of others, dug out and built an Anderson shelter in the back garden. It was purpose-made from sheets of corrugated iron bent into a semi-circular shape. Dad set it over a concrete base embedded two or three feet in the ground. It had no soak-away, but it had bunk beds on either side making four beds in total. Like others, Dad covered it with earth and a little rock garden: planting aubretia, roses, Canterbury bells and geraniums.

I’m not sure if this camouflage decoration put off the Boche from dropping bombs on us. During the raids we were hunched up with sopping feet in the Anderson, which every now and then shook and quaked in the depths from after-shock. I heard later that when I was three one huge bomb fell just hundreds of yards down our road at the junction of Essex Road with Crieg Road in front of the Leyton High School for Boys, gouging out a vast crater.