Alice Close Your Eyes

With haunting prose and deft psychological insight, Averil Dean spins a chilling story that explores the dark corners of obsession—love, pain and revenge.

Ten years ago, someone ruined Alice Croft’s life. Now, she has a chance to right that wrong—and she thinks she’s found the perfect man to carry out her plan.

After watching him for weeks, she breaks into Jack Calabrese’s house to collect the evidence that will confirm her hopes. When Jack comes home unexpectedly, Alice hides in the closet, fearing for her life. But upon finding her, Jack is strangely calm, solicitous…and intrigued.

That night is the start of a dark and intense attraction, and soon Alice finds herself drawn into a labyrinth of terrifying surrender to a man who is more dangerous than she could have ever imagined. As their relationship spirals toward a breaking point, Alice starts to see just how deep Jack’s secrets run—and how deadly they could be.

“Crisply written, wickedly suspenseful….[Alice Close Your Eyes] reads like a dark, sensual nightmare, and it is the reader who won’t want to close her eyes until all of the book’s tantalizing secrets are finally revealed. Don’t miss it.”

—David Bell, author of Never Come Back and Cemetery Girl

Alice Close

Your Eyes

Averil Dean

www.mirabooks.co.uk

For my mother.

Every spirit builds itself a house.

—Ralph Waldo Emerson

Contents

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Acknowledgments

Reader’s Guide

Questions for Discussion

Q&A with Averil Dean

CHAPTER ONE

I am inside Jack’s house.

Rain trickles down the windowpanes and a spring thunderstorm rumbles almost inaudibly in the distance as I drift through the blue window light, in and out of the shadows, tracing the objects in the living room with my gloved fingertips. A queen conch shell reclines on the sideboard, its frilled pale pink lip deepening to a slick rose interior as the shell curves in on itself. I pick it up, hold it to my ear. A phantom ocean soughs inside the empty calcium walls. I imagine the bowl filling with surf, overflowing, disappearing under the sand.

The furniture is low and modern, with square brown side chairs and a kidney-shaped coffee table in front of the fireplace. The living room is arranged around a rag-leather area rug, and at one end of the sofa is a floor lamp made from a piece of gnarled, tiger-striped mesquite, stained and rubbed to a satin finish the color of a cinnamon stick. On the wall next to the fireplace hangs a graphic, ceiling-high painting of a raven on its perch.

I circle the room, opening drawers and doors, careful to leave things as I find them. I search the kitchen cabinets and the top shelf of the coat closet, the blanket chest by the door and the bookshelves against the wall, until I find what I came for: a simple wooden box, the contents of which are of no value to anyone but me and the guy who collected them.

A brass clock sits in the center of the mantel, clicking like an old lady’s tongue as I tuck the box under my arm.

Hurry. I hesitate, my eyes on the back door. Hurry.

I cross the room and start down the hallway. To my right, a door is ajar. I give it a gentle push and step through the doorway. The home owner—Jack, I think, loving this, Jack Calabrese—has turned over the second bedroom to his hobby, ships in bottles. The room is lined with shelves bearing elaborate models in heavy glass bottles of different sizes and shapes, and under the window, a worktable is strewn with tiny pieces of wood and lengths of string. It looks like he’s begun work on a new model, and has only gotten as far as laying out the components. I circle the room, running my fingers along the smooth curved glass. I press my nose to the mouth of one of the bottles and inhale. Sawdust, mixed with a briny scent that makes me think he salvaged this bottle from the beach. Together the aromas evoke a shipyard, or a seaside lumber mill. I peer through the bottleneck at the ship inside, its prow aimed right at me.

My thoughts judder to a halt. A key clicks against the front door and slides into the lock.

My heart leaps, stumbles, restarts. Adrenaline flashes through my limbs.

In a second I’m out the door, skidding silently down the hall to the bedroom. I duck around the corner, run to the window and flip the latch. But the sash is fitted with a security lock that prevents it from opening more than a few inches. No sign of the key, and there won’t be time to pick the lock. I turn back to the room in dismay. The bed is low to the ground, no space underneath. No shower curtain in the attached bathroom or wardrobe against the wall. And the back door I entered through is at the other side of the house.

Out of options, I cross the room, slip through the closet door and slide it shut. The hangers clatter as I push the clothes aside and sink to a crouch, clutching the wooden box to my chest.

From the hallway, footsteps approach. Heavy, thudding against the hardwood floor.

Even here, I feel exposed. In my closet, there would be places to hide: a raft of boots and sneakers, a curtain of secondhand coats, the blue plastic laundry basket in the corner, full to overflowing with sweaters and faded jeans. I could have buried myself in belongings, hidden for hours until he either left again or fell asleep. But in this half-full closet, only a thin sliding door stands between me and discovery.

A slice of my reflection shimmers on the metal frame. My eye flashes, caught in a chink of light from the bedroom window. I ease sideways and press my back into the corner.

The footsteps get louder and more deliberate. They cross the room to the window I left standing open. A scrape of the window frame, and the whisper of rain outside is silenced. There is a pause. Then three steps, louder.

The grit on the bottom of his boot grinds against the floor.

My heartbeat is crashing in my ears, pounding at the roof of my mouth. Surely he will hear it. I hold my breath, feel my eyelids stretch open, then snap together. I screw them shut and chant a silent prayer.

Please don’t open the door. Please please please don’t open the door....

The box in my arms tilts a little, shifting the contents. A muffled clunk from inside strikes my ears like a mallet.

Shit. God fucking dammit.

The door begins to slide.

The first thing I see is a claw hammer, raised to shoulder height. Then a fist, wrapped around the handle. A man’s face. The knife’s edge of his jaw, serrated with afternoon stubble. His eyes, framed in the thick brown rims of his glasses, squinting into the darkness, then widening in surprise.

Jack Calabrese.

He slides the clothes aside and stares down at me.

“What the fuck.”

I scramble to my feet, through the rack of jeans and flannel shirts. A lock of dark hair flops over my eyes.

“You want to tell me what the fuck you’re doing in my closet?”

“Robbing you.” My voice is thready. I clear my throat, jerk my chin.

His gaze falls to the box in my arms. He’s taller and more imposing than he seemed from a distance. But as he looks at me, his angry expression melts to a sort of baffled amusement, as though he’s waiting for me to explain the point of a joke. Up close, I notice an unexpected dimple that fills with shadow when he speaks and empties when he frowns, leaving only a short, thin crease to mark the place.

I hold out the box with both hands like a guilty child. He takes it from me, looks briefly inside and sets it on the dresser.

“You have odd taste for a thief,” he says. “Or poor judgment.”

I step toward the door. He shifts his weight, a bare movement, but it stops me in my tracks. I glance automatically at the window. Closed and latched.

“Don’t I know you?” he says. “From town or something?”

“No. Look, I’m sor—”

“Is this about Rosemary?”

I look at him blankly. “No.”

His gaze wanders down my body as he takes in my Pixies T-shirt, torn secondhand Levi’s. Knitted, elbow-length gloves, striped orange and blue.

There is a light thump from the closet. A couple of shirts, dislodged from the rack, have fallen to the ground. To leave them there seems rude, so I gather them up and hang them back on the rail, smoothing the fabric, adjusting the hangers as though I can convey a benign intention by the care I take with his clothing.

When I straighten again and face Jack Calabrese, his expression has softened to that of a cool stepfather dealing with the teenager who’s just wrecked the family car. And though I’ve dressed to inspire that reaction, just in case, his self-confidence unsettles me.

He lays the hammer on the dresser, next to the wooden box. “Want a drink?”

I must have heard him wrong. “A drink.”

“Yeah.” He speaks over his shoulder as he passes through the doorway. “You look like you could use one.”

I follow slowly, my legs weak as water, boneless, loose. Down the hallway, past the ship room. Outside, the rain has picked up, pattering against the roof, the raindrops sliding thick as wax down the windowpanes.

He takes two glasses from the cupboard and fills them with ice. I steal a glance at the door. Now would be the time to run—make a mad dash across the room, out the door, down the road to the main street and the shortcut through the heavy woods to my house. I imagine myself there, safe and warm and locked in tight.

But I don’t run. The same thing that drew me here keeps me rooted to the spot.

He crosses the room and hands me the drink.

“So, what were you looking for, exactly?” he says. “Money? Drugs?”

“Neither, nothing.” I take a sip of fiery-cool liquid. “Just the box.”

“That box of sentimental crap? Why?”

“C-curiosity.”

“About what?”

Warmth bursts over my cheeks and seeps down my neck, and that seems to answer his question. And in a flash, I realize he’s handing me the perfect excuse—for the break-in, for everything. I see, dimly, the path before us. All I need to do is let his ego lead the way.

He smiles. “I’m flattered. And how did you know about the box?”

“I didn’t. At least...I mean, everyone has a box. Usually with men it’s a shoebox. Yours is...”

“Mine is what?”

“Nicer than usual.”

He crosses his arms, leans a hip against the granite counter. His voice is slow, intimate, as though we’re exchanging secrets in a crowded room. The corner of his mouth twitches upward. “This a hobby of yours? Breaking and entering? Stealing men’s boxes?” He raises his eyebrows, loading the question with innuendo.

I swirl my drink and stare into the glass.

“Look, I’m sorry.”

A white gleam slides along the frame of his glasses when he moves his head. His eyes are veiled by a sheet of window light across the lenses.

“So, what did you want to know?”

What can I say that doesn’t seem absurd to the point of madness? I wanted to know what your house looks like, what’s in your fridge and medicine cabinet, where you keep your jack mags and how well-used they appear to be. Whether that accent is Boston or Philly. I want to know what your shampoo smells like, whether you leave your socks on the floor, can keep a houseplant alive, own a cat or a bong or an insulin syringe. I want to see how you rumple the bed. And the sum of all those answered questions, plus a thousand more I haven’t thought of yet:

I want to know whether you’d kill for me.

I set his glass on the counter and head for the door, shuffling sideways to avoid turning my back to him.

He follows, hands in his pockets.

“What’s your name?” he says.

The heel of my sneaker hits the step at the entryway. “I’m sorry.”

“You mentioned that.”

“And I’ll be going now.”

As I reach the door and twist the handle at the small of my back, he closes the gap between us, stretches one long arm over my shoulder to hold the door closed. I stare straight ahead, watching his pulse flicker in the hollow under his jaw.

“Tell me your name,” he says. “I’m guessing you know mine.”

I won’t look him in the eye. My breath has grown shallow and quick, small gusts over my lips.

“Well?”

I don’t know how to answer. None of this is going according to plan. I feel like an actor onstage who’s rehearsed the wrong play. I need to get out the door, get away, think it through before things go too far—

Before I can react, he reaches behind me, slides his hand around my ass and into my pocket and comes up with my wallet. I make a grab but he yanks it away, opens it and takes out my driver’s license.

“Alice Elizabeth Croft,” he reads. “Five-four, one hundred fifteen pounds. Black hair, green eyes.”

He returns my wallet, smiling, looking me over. “Sounds about right.”

“Can I go now?”

He steps back, hands up. “Who’s stopping you?”

I open the door and stumble onto the front porch, pausing at the top step to pull up my hood.

“Hey, do you want a ride?” The amusement in his voice is clear, even through the storm. “It’s 336 Signal Road, right?”

I run down the wooden steps and leave him laughing behind me.

* * *

I unlock my front door, drenched and out of breath from my mile-long sprint through the forest. My sneakers are muddy and bristled with pine needles. I toe them off, strip out of my gloves, T-shirt and jeans and leave them in a dark, sodden heap next to the door.

In my bra and underwear, I head for the bathroom and take out my kit: straight razor, ointment, gauze and a large, flat bandage. My hands are trembling and too slippery to hold the razor. I wipe them on a towel and sit at the edge of the tub, my ankle crossed over my knee, and run my thumb over the tapestry of pink and white scars on the sole of my foot—the hard, half-healed ridges and faded round cigarette burns, the deeper, purplish groove from last year’s infection. I slide the blade across the arch of my foot. Once, twice, three times. There is a short, shocked pause before the invisible cuts fill into fine red threads, then fat strands of yarn, swelling crimson beads, each one adorned with a square, striped catchlight from my bathroom window. One by one the droplets shiver and burst and drip to the tile, swirling into the rain that trickles from the ends of my hair.

I close my eyes as the fire sets in. The razor blade clatters to the floor.

CHAPTER TWO

On Vashon Island, there is a strange tree. Decades ago when the tree was young, a boy parked his Red Ranger bicycle there, straddling the fork and locked in place with a sturdy chain. The bike was never reclaimed so the tree grew around it, engulfed it, until only the wheels and twisted handlebars remained visible, suspended six feet off the ground like some giant prehistoric insect trapped in amber.

I lived near the tree when I was growing up. My grandmother had a small trailer in a lot across the road, and I would sneak away sometimes, silent on the loamy footpath, to my spot on a mossy stump where I would stare up at the bike and wonder how to extricate it. Something about the preternatural fusion of tree and bicycle distressed me. That horrifying, remorseless consumption—the strangled metal, trapped inside the bowels of the tree.

Recently I read that the bicycle was vandalized and the front wheel removed. I imagine the bike’s decapitation, the final indignity. I don’t want to see it.

* * *

“Mocha decaf,” says Midge.

“You’re good,” I say, easing the café door shut. A rich aroma greets me: coffee and cream, and something seductive from the huge ancient oven behind the counter.

“What else?” she says.

“Whatever that is in the oven.”

Midge smiles, wiping her hands on her canvas apron. She has always reminded me of a Sesame Street monster. Small, square, adorably ugly. A huge fierce grin full of crooked teeth, a tuft of wiry black hair. “You can’t have that. It’s a wedding cake.”

“So cruel. Thank God there are muffins.”

I take my breakfast outside and lay out my notes and pages. It’s early morning, drizzly and cool. Across the gravel road, two gray horses appear through the mist, grazing in a ragged field against a backdrop of dark pines. One of them lifts her head and lets go with a high-pitched whinny that rips through the stillness and trails away.

Aside from the Red Ranger tree, Vashon-Maury is like any other island in the Puget Sound, with one utilitarian commercial district featuring a handful of disorganized grocery stores, interspersed with touristy shops bearing hand-painted names like Heron’s Nest and Treasure Island, where you can buy mugs depicting the Seattle skyline or salt and pepper shakers shaped like the island’s famous strawberries (which nobody grows anymore, though the festival lives on). On Thursdays, we have a farmers’ market with lumpy rows of pumpkin and zucchini, and jars of organic jam covered by squares of red-and-white gingham, tied around the lid with hemp twine. At the north end of town, our single-screen theater shows last season’s films in a postapocalyptic setting; the stoner at the ticket counter will ask if you want popcorn, and if you do he’ll follow you to the snack bar to ring you up, then trudge upstairs with a hot dog for himself and start the film ten minutes late.

It’s a humble town, peeling and briny. So it makes no sense for me not to sleep at night, but the fact is I can’t. I haven’t slept in the dark since I was thirteen years old. Instead, I spend the nights working on my manuscript—Zebra Down, fifth in the series of young adult novels that’s been paying my bills since I left high school—and in the mornings I take a walk or ride my bike to the Beanery for a cup of coffee.

I brush the crumbs off my fingers, open a book of writing prompts and choose one at random. This is my daily routine, my exercise, prescribed by an online writing teacher who believes in the importance of keeping the creative muscles loose. Ten minutes, scribble like hell, see what comes out.

Faceless men.

I set the timer on my phone and begin.

At night I dream of faceless men. They move through the architecture of my imagination like spirits, shadowy incubi who wait for sleep to deliver me. They press me into the walls, the floors, and I am trapped here in the structure, with all my ghosts inside me and all my rooms on display. I let them seduce me, reveal me and all the secret places where I simmer and burn, let them lift me up and drag me down and nail me with their need, until I feel the push of everything male against all that is female in me.

My phone beeps at the end of ten minutes. I read my page of scrawled handwriting as I sip my coffee and crumble a bite of muffin over my plate.

Nail me, I think disgustedly. Paging Dr. Freud. I cross it out and write it back exactly the same way. Twice.

I obliterate all three versions with lines that dent the paper, rip the page from my notebook, crumple it and toss it toward the trash can. The paper bounces off the rim and lands on the sidewalk. Before I can get out of my chair, a man on his way out of the coffee shop stoops to pick it up.

Jack Calabrese. He grins and starts to open the page.

I leap up and snatch it away.

“Whoa,” he says, laughing. “Check out the reflexes on the little cat burglar.”

I back away, the ball of paper in my fist, and begin to pack up my notebooks. My heartbeat accelerates—I feel the pressure rise in my neck.

“Don’t go,” he says.

“I need to get home.”

“Why? Is someone waiting for you?”

My mouth tightens. No one is waiting for me, but his tone implies that he knows this already. As though such a thing is outside the realm of possibility.

“Sit with me for a few minutes,” he says.

He is unshaven but his hair is damp, and he has a freshly scrubbed look about him. His flannel shirt is soft with age, drooping over the bump of his shoulders, the cuffs rolled up over his brown forearms. He has a cup in his hand and under his arm a book that he lays on the table as he claims the seat across from me. Intensity. Dean Koontz.

In the distance, the tsunami siren blares. We recognize the test pattern and ignore it.

“You’re a writer, then,” he says.

“Nothing gets past you.” I sink into my chair, still collecting my notes and battered index cards. I wind a rubber band around the latter and shove them into my satchel.

“So hostile. You got no time for the guy who caught you breaking and entering?”

His tone is even, but the challenge in his eyes, framed by the heavy rims of his glasses, stops me. I snap my bag closed and lean into the back of my chair.

“I apologized for that. What else is there to say?”

“People do have unnecessary conversations sometimes, Alice.”

My name sounds too easy coming from him. Too familiar.

“Look. I get that you feel entitled to mess with me. But unless you’ve got something to tell them down at Barney’s cop shack, you can fuck straight off.”

“Got it. But have dinner with me first.”

“Yeah. That’s not going to happen.”

“Why not?”

I don’t want to answer. The fact that he’s here makes me uneasy. I know his schedule—at 7:00 a.m. he should be at work. It occurs to me that he may have followed me, and I don’t like that turn of the tables at all.

I get to my feet and sling the satchel over my shoulder. “Let’s just say, it seems like a bad idea.”

“I can’t believe that’s something that normally stops you.”

Heat rushes up my neck. I pull up my hood to cover it, and carry my dishes to the plastic bin next to the trash can.

He raises his cup to bid me goodbye. “If you change your mind, you know where to find me.”

I grit my teeth and turn away. It feels like a long walk to the corner where I’ve left my bike, and with every step I feel his stare at my back.

It takes all I have not to turn around.

* * *

He is all I can think about on my way home from the café, through my hot shower, as I brush my teeth and hair and crawl at last, at 9:00 a.m., into bed.

At first his face fills my mind’s eye. The sharp line of his jaw; the row of even white teeth, flashing like sunlight on water; the double frame of his glasses and thick dark eyebrows, under which his eyes gleam with mischief. But as I lie in my bed with the memory of him, stroking tentatively over the thin, warm fabric of my cotton underwear, his face becomes shrouded, dissolving into obscurity. I know it’s him the way you know it in a dream: it’s his presence, his name in my mind, but he has become both more and less than himself. In my fantasies, he’s an archetype, faceless and almost formless. He is what he does. He is the idea of a man.

I remember his house, the doorknob cold in my hand, his long arm stretched above me to hold the door closed. He’s angry that I’ve invaded his space, angry that I want to leave. I have crept deliberately into his den and my curiosity has a price.