John Lennon: The Life

JOHN

LENNON

THE LIFE

PHILIP NORMAN

To Jessica

Table of Contents

Cover Page

Title Page

Dedication

PART I THE COUNTRY BOY

1 WAR BABY

2 THE NORTHERN CONFEDERACY

3 THE OUTLAWS

4 SHORTSIGHTED JOHN WIMPLE LENNON

5 THE GALLOTONE CHAMPION

6 BUDDIES

PART II TO THE TOPPERMOST OF THE POPPERMOST

7 MY MUMMY’S DEAD

8 JEALOUS GUY

9 UNDER THE JACARANDA

10 MACH SCHAU

11 THE SINGING RAGE

12 SHADOWLANDS

13 LUCKY STARS

PART III A GENIUS OF THE LOWER CRUST

14 LEATHER TONSILS IN A THROAT OF STEEL

15 THE BIG BANG

16 THE TOP OF THE MOUNTAIN

17 REAL LIFE IN CINEMASCOPE

18 A MOST RELIGIOUS FELLOW

PART IV ZEN VAUDEVILLE

19 BREATHE

20 MAGIC, MEDITATION AND MISERY

21 THERE’S A GOOD LITTLE GURU

22 BACK TO VIRGINITY

23 BEDLAM

24 WITHDRAWAL SYMPTOMS

25 BEATLEDÄMMERUNG

PART V PIZZA AND FAIRY TALES

26 THE YIPPIE YIPPIE SHAKE

27 TROUBLE WITH HARRY

28 BEAUTIFUL BOY

29 HOMEBODY

30 STARTING OVER

POSTSCRIPT SEAN REMEMBERS

INDEX

Acknowledgments

Other Books By

Copyright

About the Publisher

Other Books By

ALSO BY PHILIP NORMAN

FICTION

Slip on a Fat LadyPlumridgeWild ThingThe Skaters’ WaltzWords of LoveEveryone’s Gone to the Moon

BIOGRAPHY AND JOURNALISM

The StonesThe Road Goes On ForeverTilt the Hourglass and Begin AgainYour Walrus Hurt the One You LoveAwful MomentsPieces of HateThe Age of ParodyThe Life and Good Times of the Rolling StonesElton JohnDays in the Life: John Lennon RememberedShout!: The Beatles in Their GenerationRave On: The Biography of Buddy Holly

PLAYS

The Man That Got AwayWords of Love

PART I THE COUNTRY BOY

1 WAR BABY

I was never really wanted.

John Lennon was born with a gift for music and comedy that would carry him further from his roots than he ever dreamed possible. As a young man, he was lured away from the British Isles by the seemingly boundless glamour and opportunity to be found across the Atlantic. He achieved that rare feat for a British performer of taking American music to the Americans and playing it as convincingly as any homegrown practitioner, or even more so. For several years, his group toured the country, delighting audiences in city after city with their garish suits, funny hair and contagiously happy grins.

This, of course, was not Beatle John Lennon but his namesake paternal grandfather, more commonly known as Jack, born in 1855. Lennon is an Irish surname—from O’Leannain or O’Lonain—and Jack habitually gave his birthplace as Dublin, though there is evidence that his family had already crossed the Irish Sea to become part of Liverpool’s extensive Hibernian community some time previously. He began his working life as a clerk, but in the 1880s followed a common impulse among his compatriots and emigrated to New York. Whereas the city turned other immigrant Irishmen into labourers or police officers, Jack ended up as a member of Andrew Roberton’s Colored Operatic Kentucky Minstrels.

However brief or casual his involvement, this made him part of the first transatlantic popular music industry. American minstrel troupes, in which white men blackened their faces, put on outsized collars and stripey pantaloons, and sang sentimental choruses about the Swanee River, ‘coons’ and ‘darkies’, were hugely popular in the late 19th century, both as performers and creators of hit songs. When Roberton’s Colored Operatic Kentucky Minstrels toured Ireland in 1897, the Limerick Chronicle called them ‘the world’s acknowledged masters of refined minstrelsy’, while the Dublin Chronicle thought them the best it had ever seen. A contemporary handbook records that the troupe was about 30-strong, that it featured some genuinely black artistes among the cosmetic ones, and that it made a speciality of parading through the streets of every town where it was to appear.

For this John Lennon, unlike the grandson he would never see, music did not bring worldwide fame but was merely an exotic interlude, most details of which were never known to his descendants. Around the turn of the century he came off the road for good, returned to Liverpool and resumed his old life as a clerk, this time with the Booth shipping line. With him came his daughter, Mary, only child of a first marriage that had not survived his temporary immersion in burnt-cork makeup, banjo music and applause.

When Mary left him to work in domestic service, a solitary old age seemed in prospect for Jack. His remedy was to marry his housekeeper, a young Liverpool Irishwoman with the happily coincidental name of Mary Maguire. Although 20 years his junior, and illiterate, Mary—better known as Polly—proved an ideal Victorian wife: practical, hardworking and selfless. Their home was a tiny terrace house in Copperfield Street, Toxteth, a part of the city nicknamed ‘Dickens Land’, so numerous were the streets named after Dickens characters. Rather like Mr Micawber in David Copperfield, Jack sometimes talked about returning to his former life as a minstrel and earning fortunes enough for his young wife, as he put it, to be ‘farting against silk’. But from here on, his music-making would be confined to local pubs and his own family circle.

Jack’s marriage to Polly gave him a second family of eight children. Two died in infancy, a fact that the superstitious Polly attributed to their Catholic baptism. The next six therefore received Protestant christenings, and all survived: five boys, George, Herbert, Sydney, Alfred and Charles, and a girl, Edith. Polly did a heroic job of feeding them all on Jack’s modest wage. But their diet of mainly bread, margarine, strong tea and lobscouse—the meat-and-biscuit stew from which Liverpudlians get their nickname Scousers—was chronically lacking in essential nutrients. This had its worst effect on the fourth boy, Alfred, born in 1912, who as a toddler developed rickets that stunted the growth of his legs. The only remedy known to paediatrics in those days was to encase both legs in iron braces, hoping the ponderous extra weight would promote growth and strength. Despite years burdened by the braces, Alf’s legs remained puny and foreshortened, and he failed to grow any taller than 5′4. He was, even so, a good-looking lad, with luxuriant dark hair, merry eyes and the distinctive Lennon family nose, a thin, plunging beak with sharply defined clefts over the nostrils.

Jack’s musical talents were passed on to his children in varying measure. George, Herbert, Sydney, Charles and Edith all had passable singing voices, and the boys played mouth organ, the only instrument young people in their circumstances could afford. Alf, however, showed ability of an altogether higher order, allied to what his brother Charlie (born in 1918) called ‘that show-off spirit’. He could sing all the music-hall and light operatic songs that made up the First World War hit parade; he could recite ballads, tell jokes and do impressions. His speciality was Charlie Chaplin, the anarchic little tramp whose film comedies had created the unprecedented phenomenon of an entertainer famous all over the world. At family gatherings, Alf would sit on his father’s knee in his Tiny Tim leg irons, and the two would sing ‘Ave Maria’ together, with sentimental tears streaming down their faces.

Jack died from liver disease, probably caused by alcoholism, in 1921. Unable to survive on the state widow’s allowance of 5 shillings per child per week, Polly had no choice but to take in washing. It meant backbreaking, hand-scalding work from 4 a.m. to dusk, scrubbing other people’s soiled linen on a washboard, then squeezing out the sodden coils through a heavy iron mangle. Even so, as her granddaughter Joyce Lennon remembers, the cramped little house remained always spotless with ‘floors you could eat your dinner from’, the kitchen range cleaned with graphite religiously every Monday morning, the front step scoured almost white, then edged in red with a chip of sandstone. Polly ruled her five sons like Mrs Joe in Great Expectations, not hesitating to chastise them with a leather strap even when they were nearly grown men. Like many down-to-earth people, she had a contrasting mystical side, believing herself a psychic able to read the future in spread-out playing cards or the pattern of tea leaves in an empty cup.

As hard as Polly worked, the task of supporting her six-strong brood proved beyond her. Fortunately, a means was found to take Alf and Edith off her hands without breaking up the family or damaging her fierce self-respect. Both were offered live-in places at Liverpool’s Bluecoat Hospital (charity school) in Church Road, Wavertree, a stone’s throw from a then-obscure thoroughfare called Penny Lane. Founded in 1714, the Bluecoat still attired its male pupils in an 18thcentury costume of gold-buttoned blue tailcoat, breeches, stockings and cravat. The educational standard was high, the regime not unkindly, and any child granted admittance was considered fortunate. Alf and Edith, even so, found it traumatic to leave their cosy, soapy home in Copperfield Street and the mother they worshipped. Of the two, cheery Alf adjusted better to institution life: he did well at lessons, became mascot of the football team, and entertained his dormitory mates with the same song-and-dance and Charlie Chaplin skits he used to do for his family and neighbours.

From earliest childhood, his one wish had been to follow his father into show business. It very nearly came true one night when he was 14, and his brother Sydney took him to the Empire Theatre in Lime Street to see a troupe of singing, dancing juveniles called Will Murray’s Gang. After the show, Alf talked his way backstage and performed an impromptu audition for Will Murray, the Gang’s adult ringmaster, who there and then offered him a job. When his brothers Herbert and George, now in loco parentis, refused to entertain the idea, Alf ran away from the Bluecoat Hospital and joined up with the Gang en route to Glasgow for their next appearance. But a Bluecoat teacher came after him, led him back in disgrace and subjected him to ritual humiliation in front of his assembled schoolmates.

A year later, the Bluecoat sent him out into the world, equipped with a good education, plus two suits with long trousers to confirm his entry into manhood. He spent a few unhappy weeks as an office boy before realising that a far preferable career—one, indeed, almost comparable with going on the stage—lay right under his nose. For this was the golden age of transatlantic liner travel, when Liverpool vied with Southampton as Britain’s busiest passenger port. Huge, multi-funnelled ships daily nosed up the River Mersey to be met by emblazoned boat-trains from London, packed with rich people, their furs and cabin trunks. In Ranelagh Place, the splendiferous Adelphi Hotel had just been built to provide a painless transition from shore to ship, with its Titanic-size palm court, bedrooms like staterooms, below-waterline swimming pools, hairdressers and masseurs.

So Alf went off to sea as a bellboy on the SS Montrose. It was, as he soon discovered, a life he seemed born to lead. His friendly, cheery nature made him popular with passengers and his superior officers and kept him on the right side of the gay mafia who ran the ships’ catering departments. ‘Lennie’—his onboard nickname—rapidly won promotion to restaurant waiter on the cruise vessels plying between Liverpool and the Mediterranean. In off-duty hours, he would entertain his fellow workers with songs and impressions in their cramped, foetid communal cabins or in the crew bar, known on every ship as the Pig and Whistle. His speciality (one his father Jack would have especially appreciated) was blackening his face with shoe polish and ‘doing’ Al Jolson, the minstrel offcut whose schmaltzy anthems to ‘Mammy’ and ‘Dixie’ sold records by the million in the 1920s and early 30s.

He could think himself always in a kind of spotlight, whether serving rich food to ‘nobs’ in his gleaming white mess jacket and gloves, or crooning Jolson’s ‘Sonny Boy’, down on one knee, with clasped hands, to the beery delight of his shipmates, or returning home to Copperfield Street laden with the contraband ship’s delicacies that are every steward’s God-given perk. Between voyages, too, in some dockside saloon-bar or other, he could always find an audience eager to be regaled with stories about the exotic places and peoples he had seen and the racy shipboard life of a single young waiter.

Despite all his lurid sailor’s yarns, there had only ever seemed to be one woman for Alf Lennon. Sometime in 1928, not long after leaving the Bluecoat Hospital, he was strolling through Sefton Park resplendent in one of his two new suits, topped off by an outsized bowler hat and smoking a cheap Wild Woodbine cigarette fixed dandyishly into a holder. Seated alone on a bench beside the ornamental lake was a girl with fluffy auburn hair and the facial bone structure of a young Marlene Dietrich. When Alf moved in to chat her up, he was met with gales of derisive laughter. Realising that his top-heavy bowler was the cause, he whipped it off his head and sent it skimming into the lake. So began his long, troubled relationship with Julia Stanley.

In Julia—variously known as Juliet, Judy, or Ju—destiny had paired Alf with a character whose craving for glamour and urge to entertain were almost the equal of his. Julia, too, had a better than average singing voice and, unlike Alf, was a practised instrumentalist. Her grandfather, yet another stagestruck Liverpool clerk, had taught her to play the banjo; she also could give a passable account of herself on the piano accordion and the ukulele.

Julia’s musical talent, personality and enchanting prettiness made her an obvious candidate for the professional stage. But the hard slog entailed by a career on the boards was not for her. When she left school, aged 15, it was merely for an dull office job in a printing firm. She quickly gave this up to become an usherette at Liverpool’s plushest cinema, the Trocadero in Camden Street. Like Alf’s role at sea, it was a life of glamour by proxy, working amid deep pile carpets and soft lights, clad in a trim Ruritanian uniform with cross-buttoning tunic and pillbox hat.

Her looks won her many admirers, and even the manager of the Trocadero, a magnificent personage who wore evening dress all day, made periodic attempts to woo his prettiest usherette by leaving gifts of stockings or chocolates in her locker. For such a siren, Alf Lennon with his Chico Marx hat and little legs seemed not much of a catch. But their happy-go-lucky natures and zany sense of humour were exactly in tune. They also shared a passion for dancing—which in those days meant the ‘strict tempo’ ballroom variety. Waltzing or quickstepping in each other’s arms, they would imagine themselves the most famous dancing couple of the cinema screen, with redheaded Julia becoming Ginger Rogers while Alf metamorphosed into Fred, as in Astaire.

To outward appearances, Alf and Julia might seem to have been from roughly similar backgrounds. Both belonged to large families—she having as many sisters as he had brothers—and both were offspring of men in shipping. Like every other stratum of British life, however, the seafaring world in those days was governed by rigid class distinction. And it happened that Julia’s father, George Stanley, known to his family as Pop, stood several notches above Alf in the rigidly defined mercantile hierarchy. He had trained as a sailmaker in the not-so-distant days when many ships putting into Liverpool still relied on canvas as a supplement to steam. After many years at sea with the White Star Line, he had joined the London, Liverpool and Glasgow Tug Salvage Company, helping to retrieve the wrecks that storms or human error frequently caused in the treacherous deeps between the Mersey estuary and the North Wales shore.

Pop Stanley therefore mingled on equal terms with ships’ captains and pilots, the bluebloods of the sea. His other four daughters, though lively and strong-willed, all comported themselves in a manner befitting this social eminence, keeping company with young men destined to be navigators or marine engineers. Only Julia had ever dragged down the family by going out with ‘a mere steward’ like Alf Lennon. In his displeasure, Pop found strongest support in his oldest daughter, Mary, known as Mimi. ‘Why she picked [Alf] I’ll never know,’ Mimi would still lament at the very end of her life. ‘I couldn’t believe she ended up with a seaman. He was a good-for-nothing…the type to have one in every port. Fly-by-night is what I called him.’

Alf himself, unfortunately, possessed the same sharp wit and withering bluntness that would be among his future son’s strongest characteristics. Mingling as he did with actual bluebloods every day of his nautical life, he found the Stanleys’ attitude ludicrous, and made no bones about saying so. Whenever Julia tried to introduce him into her tight-knit family circle, there would invariably be some upset—if not with Pop then with Mimi—that ended with his leaving the house or being ordered out of it. Had the pair been left alone, Julia probably would have tired of Alf and found someone her family considered worthier of her. But, true to her nature, the more he was snubbed and criticised, the greater became her determination to hang on to him.

So their courtship meandered on through the 1930s, kept fresh when it might otherwise have staled by Alf’s periodic long absences at sea. He grew reasonably friendly with Julia’s sisters Elizabeth, Anne and Harriet, and liked her mother Annie (née Millward), a woman so sweet-natured and kind that she would sometimes buy shoes for children she saw running barefoot in the street. But Pop (whom even Mimi described as ‘a bully’) always remained bristlingly hostile. Like most young courting couples of that time, with nowhere to meet but pubs, family front parlors and park benches, Alf and Julia reached their early twenties without having experienced any physical intimacy beyond kissing and petting. In spite of Mimi’s dark suspicions about ‘one in every port’, Alf always swore he remained faithful to Julia on his travels, and wrote to her at every opportunity. The Stanleys accused Alf of being work shy—‘swallowing the anchor’ in nautical slang. However, he seems to have remained employed more successfully than a great many others in Liverpool during that era of grinding economic depression. His official Board of Trade seaman’s employment record gives the standard of his work and personal conduct for voyage after voyage as a consistent VG. At one point, Julia’s family made a highly disingenuous move to ‘help’ him by finding him a place aboard a whaling ship, which would have had the blessed result of taking him away for about two years. When Alf refused to consider the idea, Pop Stanley ordered him out of the house once again.

Alf and Julia finally married in December 1938, when he was 26 and she 24. A few weeks earlier, then Prime Minister Neville Chamberlain had returned from Munich waving the piece of paper that ‘guaranteed’ peace with Hitler’s Germany in return for abandoning Czechoslovakia to invasion and genocide. The mood of national euphoria, while it lasted, produced a sharp surge in the marriage rate as many young people felt their future to be more secure. But Alf and Julia took their belated plunge with no more thoughts of the future than they ever had. According to Alf, she dared him to do it one night at the pub, and he was never one to refuse a dare.

Neither of their families was told in advance what they had decided. On 3 December, Julia left home as if it were just another working day and at noon met with Alf at the register office in Bolton Street, behind the Adelphi Hotel. The only witnesses to the ceremony were Alf’s brother Sydney, whom he’d let into the secret at the last moment, and one of Julia’s usherette colleagues. Afterwards, Sydney stood the new Mr and Mrs Lennon drinks and a meal of roast chicken at a pub over the road called the Big House; they spent the evening at the cinema, watching a Mickey Rooney film (which happened to be about an orphanage), then separated to spend their wedding night at their respective homes. Mimi was never to forget the heart-sinking moment when Julia walked in, threw her wedding certificate onto the table and said, ‘There, I’ve done it! I’ve married him.’

Pop Stanley’s initial reaction was also one of explosive horror and disgust. But, under the gentler influence of his wife, Annie, he accepted that there was nothing that could be done—indeed, that as a conscientious father he must try his best to give the newlyweds a proper start in life. Swallowing his feelings, Pop volunteered to leave the family flat in Berkeley Street and rent more spacious accommodation so that Julia and Alf could move in with Annie and him. The chosen property was number 9 Newcastle Road, a bay-windowed terrace house a few minutes’ walk from Penny Lane and Alf’s alma mater, the Bluecoat Hospital.

The four coexisted in relative harmony throughout 1939, as war with Germany drew nearer and Britain succumbed to a fever of gasmask issuing, child evacuation and air-raid precautions. For Pop Stanley in particular, it was an eventful time. In June, a brand-new Royal Navy submarine, the Thetis, sank during her trials in Liverpool Bay. Pop joined the massive operation to recover the vessel, whose stern was initially visible rising vertically from the water. The crew considered themselves in no great peril, tapping out cheerful Morse messages to their rescuers on the steel hull as cables were passed underneath to drag it to the surface. But at the crucial moment, the cables snapped and the submarine disappeared for good, taking 71 men with her.

Alf had gone to sea again, on the SS Duchess of York, but returned home in time for the first Christmas of the Second World War. His only child with Julia was conceived at 9 Newcastle Road one day in January 1940. Finding themselves, unusually, alone in the house for a couple of hours, they made love on the kitchen floor. They had not been trying for a baby, and Julia’s immediate pregnancy was equally dismaying to them both. ‘Ninety per cent of people [of my generation] were born out of a bottle of whisky on a Saturday night, and there was no intention to have children,’ the baby would one day observe bitterly. ‘I was never really wanted.’

Julia’s pregnancy coincided with the bleakest months in Europe’s history, as Hitler’s mechanized armies swept across Belgium and France, the battered remains of the British Expeditionary Force were evacuated from Dunkirk, and RAF fighters whirled like fiery gnats around the Luftwaffe’s incoming swarms of heavy bombers. Alone and braced for invasion, the country often seemed to have nothing to sustain it but the voice of Winston Churchill, whose bulldog-like mien and gift for blood-igniting oratory made the most desperate moments seem somehow glorious.

In August, Alf sailed away again on the SS Empress of Canada. With London under nightly bombing and Britain seemingly defenceless, the RAF made a surprise hit-and-run raid on Berlin—an event that the Luftwaffe’s commander, Hermann Goering, had boasted could never happen. A furious Hitler promised to retaliate by razing all Britain’s other major cities. As a key port for the nation’s vital Atlantic food convoys, Liverpool prepared for the worst.