The Map of Time and The Turn of the Screw

THE MAP OF TIME

By Félix J. Palma

and

THE TURN OF THE SCREW

By Henry James

Copyright

This omnibus edition first published HarperCollins 2011©

The Turn of the Screw

This edition of The Turn of the Screw first published by HarperCollins in 2011

Life & Times section by Gerard Cheshire

Classic Literature: Words and Phrases adapted from

Collins English Dictionary

The Map of Time

Copyright © Felix Palma 2008 Translation copyright © Nick Caistor 2011 First published in Spanish as El Mapa Del Tiempo 2008

Felix Palma asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library

ISBN: 9780007344123

Ebook edition © 2011 ISBN: 9780007344147

Version 2

These novels are entirely a work of fiction. The names, characters and incidents portrayed in them are the work of the authors’ imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Ebook Edition © ISBN: 9780007344154

Version: 2016-10-04

Contents

Title Page

Copyright

THE MAP OF TIME

THE TURN OF THE SCREW

About the Publisher

FELIX PALMA

The Map of Time

Translated from the Spanish by Nick Caistor

‘The distinction between past, present and future is an illusion, but a very persistent one.’

ALBERT EINSTEIN

‘Mankind’s most perfectly terrifying work of art is the division of time.’

ELIAS CANETTI

‘What is waiting for me in the direction I don’t take?’

JACK KEROUAC

Contents

Cover

Title Page

Epigraph

PART ONE

Chapter I

Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Chapter VII

Chapter VIII

Chapter IX

Chapter X

Chapter XI

Chapter XII

Chapter XIII

Chapter XIV

Chapter XV

Chapter XVI

Chapter XVII

PART TWO

Chapter XVIII

Chapter XIX

Chapter XX

Chapter XXI

Chapter XXII

Chapter XXIII

Chapter XXIV

Chapter XXV

Chapter XXVI

Chapter XXVII

Chapter XXVIII

Chapter XXIX

Chapter XXX

Chapter XXXI

Chapter XXXII

Chapter XXXIII

PART THREE

Chapter XXXIV

Chapter XXXV

Chapter XXXVI

Chapter XXXVII

Chapter XXXVIII

Chapter XXXIX

Chapter XL

Chapter XLI

Chapter XLII

Chapter XLIII

About the Author

PART ONE

Chapter I

Andrew Harrington would gladly have died several times over if that meant not having to choose just one pistol from among his father’s vast collection in the living-room cabinet. Decisions had never been Andrew’s strong point. On close examination, his life had been a series of mistaken choices, the last of which threatened to cast its lengthy shadow over the future. But that life of unedifying blunders was about to end. This time he was sure he had made the right decision, because he had decided not to decide. There would be no more mistakes in the future because there would be no future. He was going to destroy it completely by putting one of those guns to his right temple. He could see no other solution: obliterating the future was the only way for him to eradicate the past.

He scanned the contents of the cabinet, the lethal assortment his father had lovingly assembled after his return from the war. He was fanatical about those weapons, though Andrew suspected it was not so much nostalgia that drove him to collect them as his desire to contemplate the novel ways mankind kept coming up with for taking one’s own life outside the law. In stark contrast to his father, Andrew was impassive as he surveyed the apparently docile, almost humdrum implements that had brought thunder to men’s fingertips and freed war from the unpleasantness of hand-to-hand combat.

He tried to imagine what kind of death might be lurking inside each of them, lying in wait like some predator. Which would his father have recommended he use to blow his brains out? He calculated that death from one of those antiquated muzzle-loading flintlocks, which had to be refilled with gunpowder and a ball, then tamped down with a paper plug each time it was fired, would be a noble but drawn-out and tedious affair. He preferred the swift death guaranteed by one of the more modern revolvers nestling in their luxurious velvet-lined wooden cases.

He considered a Colt single-action model, which looked easy to handle and reliable – but he had seen Buffalo Bill brandishing one in his Wild West Adventures: a pitiful attempt to re-enact his transoceanic exploits with a handful of imported Red Indians and a dozen lethargic, apparently opium-sated buffalo. Death for him was not just another adventure. He also rejected a fine Smith & Wesson, the gun that had killed the outlaw Jesse James, of whom he considered himself unworthy, and a Webley specially designed to hold back the charging hordes in Britain’s colonial wars; he thought it looked too cumbersome.

His attention turned next to his father’s favourite, a fine Pepperbox with rotating barrels, but he seriously doubted whether this ridiculously ostentatious weapon would be capable of firing a bullet with enough force.

Eventually he settled on an elegant 1870 Colt with mother-of-pearl inlay that would take his life with all the delicacy of a woman’s caress. He smiled defiantly as he plucked it from the cabinet, remembering how often his father had forbidden him to meddle with his pistols. But the illustrious William Harrington was in Italy at that moment, no doubt reducing the Fontana de Trevi to dust with his critical gaze. His parents’ decision to leave for Europe on the very day he had chosen to kill himself had been a happy coincidence. He doubted that either of them would ever decipher the true message concealed in his gesture (that he had preferred to die as he had lived – alone), but for Andrew it was enough to imagine the disgust on his father’s face when he discovered his son had killed himself behind his back and without his permission.

He opened the cabinet where the ammunition was kept and loaded six bullets into the chamber. He supposed that one would be enough, but who knew what might happen? After all, he had never killed himself before. Then he tucked the gun, wrapped in a cloth, inside his coat pocket, as though it were a piece of fruit he would eat later. In a further act of defiance, he left the cabinet door open. If only he had shown this much courage before, he thought. If only he had dared confront his father when it had mattered, she would still be alive. But by the time he had, it was too late. And he had spent eight long years paying for his hesitation. Eight years, during which his pain had only worsened, spreading its tendrils through him like poison ivy, wrapping itself around his guts, gnawing at his soul. Despite the efforts of his cousin Charles and the distraction of other women’s bodies, his grief over Marie’s death refused to be laid to rest. Tonight, though, it would all be over.

Twenty-six was a good age to die, he reflected, contentedly fingering the bulge in his pocket. He had the gun. Now all he needed was a suitable spot in which to perform the ceremony. And there was only one possible place.

With the weight of the revolver in his pocket comforting him like a good-luck charm, he descended the grand staircase of the Harrington mansion in elegant Kensington Gore, a stone’s throw from the Queen’s Gate entrance to Hyde Park. He had not intended to cast any farewell glances at the walls of what had been his home for almost three decades, but he could not help feeling a perverse wish to pause before his father’s portrait, which dominated the hall. His father stared down at him disapprovingly from the gilt frame, a proud, commanding figure, bursting out of the old uniform he had worn as a young infantryman in the Crimean War until a Russian bayonet had punctured his thigh; the wound had left him with a disturbingly lopsided gait. William Harrington surveyed the world disdainfully, as though in his view the universe was a botched affair on which he had long since given up. What fool had been responsible for the untimely blanket of fog that had descended on the battlefield outside the besieged city of Sebastopol so that nobody could see the tips of the enemy’s bayonets? Who had decided that a woman was the ideal person to preside over England’s destiny? Was the east really the best place for the sun to rise?

Andrew had never seen his father without cruel animosity in his eyes so could not know whether he had been born with it or had been infected with it when fighting alongside the ferocious Ottomans in the Crimea. In any event, it had not vanished, like a mild case of smallpox, leaving no mark on his face, even though the path that had opened in front of him on his return could only have been termed a fortunate one. What did it matter that he had to hobble along it with the aid of a stick? Without having had to enter any pact with the Devil, the man with the bushy moustache and clean-cut features depicted on the canvas had overnight become one of the richest men in England. Trudging around in that distant war, bayonet at the ready, he could never have dreamed of possessing a fraction of what he now owned. How he had amassed his fortune, though, was one of the family’s best-kept secrets, a complete mystery to Andrew.

The tedious moment is now approaching when the young man must decide which hat and overcoat to pick from among the heap in the hall cupboard: one has to look presentable even for death. This is a scene that, knowing Andrew, could take several exasperating minutes and, since I see no need to describe it, I shall take the opportunity to welcome you to this tale, which has just begun, and which, after lengthy reflection, I chose to begin at this juncture and not another – as though I, too, had to select a single beginning from among the many jostling for position in the closet of possibilities.

Assuming you stay until the end, some of you, no doubt, will think I chose the wrong thread with which to begin spinning my yarn, and that for accuracy’s sake I should have respected chronological order and begun with Miss Haggerty’s story. Perhaps so – but there are stories that cannot begin at their beginning, and this may be one of them.

So, let’s forget about Miss Haggerty for the moment, forget that I ever mentioned her, even, and go back to Andrew, who has just stepped forth from the mansion suitably dressed in a hat and coat, and even a pair of warm gloves to protect his hands from the harsh winter cold.

Once outside the mansion, the young man paused at the top of the steps, which unfurled at his feet like a wave of marble down to the garden. From there, he surveyed the world in which he had been brought up, suddenly aware that, if things went to plan, he would never see it again. Night was spreading its veil over the Harrington residence. A hazy full moon hung in the sky, bathing in its soft glow the immaculate lawns surrounding the house, most of them cluttered with flowerbeds, hedges and oversized stone fountains – dozens of them – decorated with excessively ornate sculptures of mermaids, fauns and other mythical creatures. His father had accumulated such a large number because, an unsophisticated soul, his only way of showing off his importance was to buy a lot of expensive and useless objects. In the case of the fountains his extravagance was excusable, because they combined to soothe the night with their watery refrain, making the listener want to close his eyes and forget everything except their hypnotic burble.

Further off, beyond the neatly clipped lawns, stood the immense greenhouse, graceful as a swan poised for flight, where his mother spent most of the day marvelling at the exotic flowers that sprouted from seeds brought back from the colonies.

Andrew gazed at the moon for several minutes. He wondered whether man would ever be able to travel there, as had the characters in Jules Verne and Cyrano de Bergerac’s works. What would he find if he did manage to land on its shimmering surface – in an airship, or shot out of a cannon, or with a dozen bottles of dew strapped to his body in the hope that, as it evaporated, he would float up to the sky, like the Gascon swashbuckler’s hero? Ariosto the poet had turned the planet into a warehouse where lunatics’ reason was stored in phials, but Andrew was more drawn to Plutarch, who imagined that the moon was where dead people dwelled. Andrew liked to picture them living at peace in ivory palaces built by an army of worker angels or in caves dug out of that white rock, waiting for the living to receive their safe-conduct to death and to carry on their lives anew, exactly where they had left off.

Sometimes he imagined that Marie was living at that very moment in one of those grottoes, oblivious to what had happened to her, and grateful that death had offered her a better existence than life. Marie, pale in that white splendour, waiting patiently for him to decide once and for all to blow his brains out and come to fill the empty space in her bed.

He stopped gazing at the moon when he noticed that Harold, the coachman, had followed his orders and was standing at the foot of the stairs with a brougham at the ready. As soon as he saw his young master descending the flight of steps, the coachman rushed to open the carriage door. Andrew had always been amused by Harold’s display of energy, considering it incongruous in a man approaching sixty, but the coachman clearly kept in good shape.

‘Miller’s Court,’ the youth commanded.

Harold was astonished by his request. ‘But, sir, that’s where—‘

‘Is there some problem, Harold?’ Andrew interrupted.

The coachman stared at him for a moment, his mouth hanging ludicrously half open, then recollected himself: ‘None whatsoever, sir.’

Andrew gave a nod, signalling that the conversation was at an end. He climbed into the brougham and sat down on the red velvet seat. Glimpsing his reflection in the window, he gave a sigh of despair. Was that haggard countenance really his? It was the face of someone whose life had been seeping out of him unawares, like a pillow losing its stuffing through an open seam.

In a certain sense this was true. Although his face retained the harmonious good looks he had been born with, it now resembled an empty shell, a vague impression in a mound of ashes. The sorrow that had cast a shadow over his soul had taken its toll on his appearance: he could scarcely recognise himself in the ageing youth, with hollowed cheeks, downcast eyes and unkempt beard, who stared back at him in the glass. Grief had stunted him, transforming him into a dried-up, sullen creature.

The brougham rocked as Harold, having overcome his astonishment, clambered up to his perch, and took Andrew’s attention away from the blurred face sketched on the canvas of the night. The final act of the disastrous performance that had been his life was about to begin, and he was determined to savour every moment. He heard the whip crack above his head and, caressing the steely bulge in his pocket, he let himself be lulled by the vehicle’s gentle sway.

The brougham left the mansion and went down Carriage Drive, which bordered the lush vegetation of Hyde Park. Gazing through the window at the city, Andrew thought that in less than half an hour’s time they would be in the East End. This ride had always fascinated and puzzled him in equal measure: it allowed him to glimpse in a single sweep every aspect of his beloved London, the world’s greatest metropolis, the giant head of an insatiable octopus whose tentacles stretched over almost a fifth of the Earth’s surface, holding Canada, India, Australia and a large part of Africa in its vice-like grip.

As they sped east, the salubrious, almost countrified atmosphere of Kensington soon gave way to the crowded urban environment of Piccadilly, and beyond to the Circus, where Anteros, the avenger of unrequited love, is firing an arrow into the city’s heart. Beyond Fleet Street, the middle-class dwellings seemingly huddled around St Paul’s Cathedral gradually came into view, until finally, once they had passed the Bank of England and Cornhill Street, a wave of poverty swept over everything, a poverty that people from the adjoining West End knew of only from the satirical cartoons in Punch. It seemed to pollute the very air itself, as it mingled with the stench rising from the Thames.

Andrew had last made this journey eight years earlier, and had known ever since that, sooner or later, he would make it again, for the very last time. Hardly surprising, then, that as they drew nearer to Aldgate, the gateway to Whitechapel, he felt slightly uneasy. He peered warily out of the window as they entered the district, experiencing the same misgivings as he had in the past. He was overwhelmed, again, by shame because he was spying on an alien world with the dispassionate interest of someone who studies insects – even though, over time, his initial revulsion had turned into compassion for the souls who inhabited this place, where the city dumped its human waste.

Now it seemed that there was every reason for him to feel compassion still: London’s poorest borough had changed relatively little in the past eight years. Wealth brings poverty in its wake, thought Andrew, as they crossed the ill-lit, rowdy streets, crammed with stalls and handcarts, and teeming with wretched creatures whose lives were played out beneath the menacing shadow of Christ Church. At first he had been shocked to discover that behind the dazzle of the city’s façade there existed this outpost of hell where, with the Queen’s blessing, human beings were condemned to live like beasts. The intervening years had made him less naïve: he was no longer surprised that, even as the advances of science were transforming London – and the well-to-do amused themselves by recording their dogs’ barks onto the wax-coated cylinders of phonographs or conversed via telephone under the glow of Robertson’s electric lamps – Whitechapel had remained immune to progress, untouchable beneath its rotten shell, drowning in its own filth.

A glance was enough to tell him that crossing into this world was still like sticking his hand into a hornets’ nest. It was here that poverty showed its ugliest face, here that the same jarring, sinister tune was playing. He observed a couple of pub brawls, heard screams from the depths of dark alleyways, glimpsed a few drunks sprawled in the gutter, gangs of street urchins stripping them of their shoes, and exchanged glances with a pair of pugnacious-looking men standing on street corners, petty rulers in this parallel kingdom of vice and crime.

The luxurious brougham caught the attention of several prostitutes, who shouted lewd proposals to him, hitching up their skirts and showing their cleavage. Andrew felt a pang of sorrow as he gazed upon this pitiful spectacle. Most of the women were filthy and downtrodden, their bodies bearing the mark of their daily burden of customers. Even the youngest and prettiest were stained by the misery of their surroundings. He was revisited by the agonising thought that he might have saved one of these doomed women, offered her a better life than the one her Creator had allotted her, yet he had failed to do so.

His sorrow reached a crescendo as the carriage rattled past the Ten Bells, emitting an arpeggio of creaks as it turned into Crispin Street on its way to Dorset Street, passing in front of the Britannia pub where he had first spoken to Marie. This street was his final destination. Harold pulled the brougham up next to the stone arch leading to the Miller’s Court flats, and climbed off the box to open the carriage door.

Andrew stepped out, feeling suddenly dizzy. His legs were shaking as he looked around him. Everything was exactly as he remembered it, down to the shop with grimy windows run by McCarthy, the owner of the flats, which stood beside the entrance. Nothing he saw indicated to him that time also passed in Whitechapel, that it did not avoid it, as did the bigwigs and bishops visiting the city.

‘You can go home now, Harold,’ he told the coachman, who was standing at his side.

‘What time shall I fetch you, sir?’ asked the old man.

Andrew didn’t know what to say. He stifled a laugh. The only thing fetching him would be the cart from the Golden Lane morgue, the same one that had come there to fetch what was left of his beloved Marie eight years ago. ‘Forget you ever brought me here,’ was his reply.

The sombre expression that clouded the coachman’s face moved Andrew. Had Harold understood what he had come there to do? He could not be sure, because he had never given a moment’s thought to the coachman’s intelligence, or indeed to that of any servant. He always thought that at most they possessed the innate cunning of people who, from an early age, are obliged to swim against the current in which he and his class manoeuvred with ease. Now, though, he thought he detected in old Harold’s attitude an unease that might only have come from his having guessed Andrew’s intention.

And the servant’s capacity for deduction was not the only discovery Andrew made during that brief moment when, for once, they looked directly at each other. Andrew also became aware of something hitherto unimaginable to him: the affection a servant can feel for his master. Although he saw them as shadows drifting in and out of rooms, according to some invisible design, only aware of them when he needed to leave his glass on a tray or wanted the fire lighting, these phantoms could care about what happened to their masters. That succession of faceless people – the maids whom his mother dismissed on the flimsiest grounds, the cooks systematically impregnated by the stable boys as though conforming to some ancient ritual, the butlers who left their employ with excellent references for another mansion identical to theirs – made up a shifting landscape that Andrew had never taken the trouble to notice.

‘Very well, sir,’ murmured Harold.

Andrew understood that these words were the coachman’s last farewell; that this was the old fellow’s only way of saying goodbye to him – embracing him was a risk he appeared unwilling to take. With a heavy heart, he watched that stout, resolute man, to whom he would have had to relinquish the role of master if they had ever been stranded on a desert island, clamber back on to the brougham and urge on the horses, leaving only an echo of hoofs as the carriage was swallowed by the fog that spread through the London streets like muddy foam. It struck him as odd that the only person to whom he had said goodbye before killing himself should be the coachman, not his parents or his cousin Charles. Life was full of such ironies.