The Babylon Rite

Another long silence. The tourists whispered and bustled. Adam waited for McLintock to answer. But he just smiled. And then he said, very quietly. ‘Did I write that?’

‘Yes.’

‘Hm! A little piquant. But why not? Yes, I’ll give you a quote.’ Abruptly, Archibald McLintock stood up and Adam recalled with a start that the old man might be ageing but he was notably tall. Fully an inch taller than Adam, who was six foot two.

‘Here’s your quote, young man. I was wrong.’

‘Sorry?’ Adam was distracted: making sure his digicorder was switched on. ‘Wrong about … what?’

The historian smiled. ‘Remember what Umberto Eco said about the Templars?’

Adam struggled to recall. ‘Ah yes! “When a man talks about the Templars you know he is going mad,” You mean that one?’

‘No. Mr Blackwood. The other quote. “The Templars are connected to everything.”’

A pause. ‘You’re saying … you mean …?’

‘I was wrong. Wrong about the whole thing. There really is a connection. The pentagrams. The pillars. The Templar initiations. It’s all here, Mr Blackwood, it’s all true, it’s more strange than you could ever realize. Rosslyn Chapel really is the key.’ McLintock was laughing so loudly now that some tourists were nervously looking over. ‘Can you believe it? The stature of this irony? The key to everything was here all along!’

Adam was perplexed. Was McLintock drunk? ‘But you debunked all this – you said it was crap, you’re famous for it!’

McLintock waved a dismissive hand and began to make his way down the medieval aisle. ‘Just look around and you will see what I didn’t see. Goodbye.’

Adam watched as the historian walked to the door and disappeared into the drizzly light beyond. The journalist gazed for a full minute as the door shut, and the tourists thronged the nave and the aisles. And then he looked up, to the ancient roof of the Collegiate Chapel of St Michael in Roslin, where a hundred Green Men stared back at him, their faces carved by medieval stonemasons, into perpetual and sarcastic grins.

3

Rosslyn Chapel, Midlothian

‘OK, I’m done. Got it all.’ Jason stood and stretched. ‘The upside-down angel thingy, Mary Magdalene by the fire extinguisher. And a cute Swedish girl bending over the tomb of the Earl of Orkney. Short skirt. Plaid. You all right?’

‘Yes …’

Jason theatrically slapped his own head. ‘Sorry. Ah. I didn’t get a shot of your old guy – what was his name?’

‘Archie McLintock. Professor McLintock.’

‘So,’ Jason capped his lens. ‘He give you any good quotes?’

Adam said nothing. He was wrapped in confusion.

The silence between the two men was a stark contrast to the hubbub of tourists coming into the building: yet another tour guide was escorting a dozen Japanese sightseers into the nave and pointing out the Templar sword on the grave of William Sinclair, ‘identical, they say, to the Templar swords inscribed on Templar tombs in the great Templar citadel of Tomar!’

‘Hey?’ said Jason, waving a hand in front of Adam as if testing his friend’s blindness. ‘What is it?’

‘Like I said. Just something … a remark of his.’

‘Okayyy. Tell me in monosyllables?’

Adam stared hard at the carving of the Norse serpents at the foot of the Prentice Pillar, and there, on the architrave joining the pillar the famous inscribed sentence. Forte est vinum fortior est rex fortiores sunt mulieres super omnia vincit veritas: ‘Wine is strong, a king is stronger, women are stronger still, but truth conquers all.’

Truth conquers all.

It was all true?

‘Well …’ Adam exhaled. ‘He admitted, or rather confessed, that he had been wrong all along. That it was all true. The Templar connections. Rosslyn really is the key, the key to everything. The key to history. That’s what he said.’

Zipping up his light meter in one of the many pockets of his jacket, Jason gazed laconically at Adam. ‘Finally gone gaga then. Doollally tap. Too much tainted porridge.’

‘You’d think so, wouldn’t you? Yet he sounded sane I … I just don’t know.’

‘Mate. Let’s get a beer. What’s that shit they drink up here? Heavy. A pint of heavy.’

‘Just a half for me.’

Jason smiled. ‘Naturally.’

They walked with a mutual sense of relief out of the overcrowded, overwarmed confines of Rosslyn Chapel into the honestly dreary Scottish weather. For one last second Adam turned and looked at the church, landed in its green lawn, a greystone time machine. The gargoyles and the pinnacles disturbingly leered at him. A chime, an echoic buzz, a painful memory resonating.

Alicia. Of course. Alicia Hagen. His girlfriend. Buried in a Sydney suburb with the kookaburras in the trees and the sun burning down on the fake English Gothic church.

Anxiety pierced him. Now he had lost his job, would he go back to brooding? He needed to work, to take his mind off the past; he had emigrated from Australia to put distance between himself and the tragedy, and that had succeeded – to an extent – but he also needed to occupy himself. Or he would recall the girl he had truly loved, who died so pointlessly, so casually. And then he would feel the sadness, like a g-force, as if he was in a plummeting plane.

Adam paced quickly into the car park. The local pub was just there, on the corner, looking welcoming in the mizzle and cold.

‘Maybe I’ll have an entire pint. And a few chasers.’

‘Good man,’ said Jason. ‘We could—’

‘Watch out!’

Adam grabbed at Jason, and pulled him back. Jason spun, alarmed.

‘Whuh – Jesus!’

A car shot past, inches from them, doing seventy or eighty miles an hour: an insane speed on this suburban road, skidding left and right, but the driver’s intention was disturbingly obvious.

‘Christ—’

They ran after the vehicle, now heading straight for a high brick wall flanking the curve of the road.

‘Fuck—’

‘Jesus—’

‘No!’

The impact was enormous. The car smashed straight into the wall with a rending sound of sheared metal and shattered glass. Even at this distance Adam could tell that the driver must be dead. A head-on crash with a wall, at eighty miles an hour? It was suicidal.

They slowed as they approached the car. The crash was enveloped by an eerie silence. Shocked onlookers stood, seemingly paralysed, hands to their mouths. As he dialled his phone urgently for an ambulance, Adam leaned to see: the windscreen was entirely smashed on the driver side, the glass bent outwards like a massive and obscene exit wound: the driver had indeed gone straight through.

Chunky nuggets of glass lay scattered bloodily on the pavement. Shards of metal littered the kerbstones. The driver was clearly dead, his bloodied body half-in, half-out of the car.

Jason already had his camera out.

Adam didn’t need a camera to record his memories; he would not forget what he had seen. The driver had been smiling as he raced past them: smiling as he drove straight into the wall.

And the dead driver was Archibald McLintock.

4

Pan-American Highway, north Peru

Every second or third time Jess closed her eyes, she experienced it again: the truck slamming into the garage, the dirty black pornographic fireball, the terrible aching crash of glass and silence and screams. She opened her eyes. Enough of this: she had to stay alert: because she was driving, taking the road north out of Trujillo, the Pan-American Highway.

Pan-American Highway was a very grandiose name for what was, in reality, just a dirty, narrow, trash-littered blacktop, slicing through the wastes of the Sechura Desert. The route was long and monotonous, punctuated only by the odd strip of green as a river descended from the Andes, and the odd desultory greasy township, where drivers paused at gas stations to refuel their huge trucks, full of Chinese toys and pungent fishmeal, being ferried south to the factories of Trujillo and Chimbote and Lima.

One such truck was headed her way now: arrogantly dominating the road. She swerved to give it room, catching the ammoniac scent of the fishmeal as it swept past, shaking her pick-up.

Who the hell would drive a truck into a gas station in Trujillo? She winced, once again, at the images: like grainy internet videos projected on a wall. She didn’t want to watch but she had to watch.

Jessica lifted the truck a gear, and replayed in her mind the terrible moment, and her questionable reactions. Should she have done something else? Anything else? What exactly? After the fireball had subsided, she had wrenched herself free from the man holding her down, the man who had saved her life, and sprinted over the road, shouting Pablo’s name.

But the smoke had been so thick, and so hot, and so burning. Unable to get near, she’d choked and stumbled in the violent blackness. Then the police had swept in, sirens shrieking, nightsticks waving. Fearful of further explosions, they had angrily pushed people from the scene, down the road, away from the burning carcass of the building and the truck. So there was nothing she could have done for Pablo, and she had done nothing. But the guilt abided.

And then she’d seen it. Tossed a hundred metres by the wild explosions was an entire Moche pot, miraculously unharmed, lying on a greasy verge next to a burned plastic oil canister from the Texaco garage.

The pot was unusual: a spouted jug in the form of two toads copulating. This was maybe all that was left of the Casinelli collection, yet she couldn’t bear to pick it up.

After that, she’d done her duty: weeping, occasionally, in her hotel room at night; giving her evidence to the police by day. Dan had called many times, very attentively, and she had been grateful to hear a consoling voice. Now, a week later, she was heading back to work. Determined but rattled.

Her hands trembled for a moment on the steering wheel of her long-term rented Hilux. She needed a break, and she definitely needed a cooling drink, a Coke, some water, even an Inca Kola, even if it did taste like bubblegum drool. Anything would do. Slowing down, she drove past a row of shanty slums, houses of reed and plastic, people living in the middle of nowhere.

It was barely more than a hamlet, and a pretty impoverished one at that. Adobe bricks lay drying on the roadside, like hairy ingots of mud. The settlement was surrounded by a cemetery so poor it had hub caps for gravestones, the names daubed thereon in red paint. She knew what to expect in a desert village like this: restaurants where the chicken soup cost twice as much if the chicken was plucked; dire and rancid tamales served on plastic plates.

But she had no choice. This was north Peru. It was always like this, everywhere, a satanic part of the world: no wonder the civilizations that emerged here had been so insane. The landscape was evil, even the sea could not be trusted: one day serving up endless riches of anchovy and sea bass and shark, the next offering El Niño or La Niña, and wiping out entire civilizations with drought or flood, leaving rotten corpses of penguins strewn across the beach.

The image of the burning garage filled her mind once more: she thought of her dead father and she didn’t want to know why.

‘Señorita?’ a dirty barefoot kid looked hopefully at her gringa blonde hair as she climbed out of the Hilux. ‘Una cosita? Señorita?’

‘Ah. Buenas …’ Jessica deliberated whether to give the kid a few soles. You were not meant to. But the poverty gouged at her conscience. She handed over a few pennies and the lad grinned a broken-toothed grin and did a sad barefoot dance and gabbled in Quechua, the ancient language of the Inca: Anchantan ananchayki! Usplay manay yuraq …

Jess had no idea what he was saying. Thank you kindly? Give me more, Yankee dogwoman?

It could be anything. She barely understood Peruvian Spanish, let alone this Stone Age tongue. Braving the boy with a half-hearted smile, she headed for the nearest cantina advertising the inevitable pollos.

Inside it was, of course, dingy: a few plastic tables, the whiff of old cooking oil. Three men in cowboy hats were sharing one dirty glass of maize beer served from an enormous litre bottle. The men glanced at her from under their hats, and turned back to the shared liquor. The first man poured a slug, and guzzled, and tipped a little on the dirt floor, making an offering to Pachamama, the mother bitch of the earth, with her dust that ate cities.

‘Agua, sin gas, por favor?’ Jess said to the tired woman who approached, her hand was scarred with an old burn. The woman nodded, loped off behind a counter, and returned with a bottle of mineral water. And a chipped glass. A chalkboard on the wall advertised ceviche, the national dish: raw fish. Jess shuddered. What might that be like out here in the desert? Rancid, rotten, decomposing: six days of dysentery …

Her cellphone rang. Daniel, again. Click. ‘Jess, you’re OK?’

‘Dan, I’m fine! You don’t have to keep ringing me – I mean, I’m glad you do but I’m fine.’

‘Where are you now?’

Jess squinted out of the little window, at the thundering fishmeal trucks heading Lima-wards. ‘Pan-American, about sixty klicks south of Chiclayo. I’ll be in Zana in an hour.’

‘OK. That’s good. Great. So, uh, do they know any more about the truck? The driver?’

‘No, not really.’ Jess drank a cold gulp of the water, refreshing the memory she would prefer to leave undisturbed. ‘The cops think, now, it may have been just some guy with a grudge. Apparently he was sacked by Texaco a week before, he was working off his notice. No one really knows. But Pablo paid the price.’

A sad brief silence. ‘Jesus F. Poor Pablo. Still can’t get over it, the museum was totally destroyed: all the Moche pottery, the best collection outside Lima!’

‘Yep.’

One of the men in the cowboy hats brushed past Jess, opening the door to the noisy highway. He turned, for a second, and glanced at her from beneath the brim of his hat. The glance was long, and odd, and obscurely hostile. The image of the eerie Moche pot, with the toads copulating, filled her mind. But she shook the stupidity away, and listened to Dan as he went on.

‘Jess, I do have, however, some pretty good news. It might cheer you up. We got results. From your friend the bone guy.’

Her alertness returned, even a hint of excitement. ‘What? Steve Venturi? The necks? He called you?’

‘Yes. He kept trying to reach you, apparently, but you were in the police station. So he called here and I picked up this morning and … well bone analysis confirms it all, Jess. You were right. Cut marks to the neck vertebrae, coincident with death. Made with the tumi.’

‘The cuts were made deliberately?’

‘Yes. No question.’

‘Wow … Just. Wow.’ Jess felt half-bewildered, half-exhilarated. Her theory was expanding, but the concept was still a little sickening. She pushed away her glass of water. ‘So we finally know for sure?’

‘Yep we do, thanks to you …’ Dan’s voice drifted and returned, with the vagaries of the Claro Móvil signal, across the vast Sechura.

‘Wait, Dan – wait a moment! I’ll take it outside.’

Jess stood and left a few soles on the table. She needed the fresh, dirty air of the Pan-American. The two remaining men in cowboy hats watched her depart, their gaze fixed and unblinking. As if they were wax statues.

Outside she breathed deep, watching the traffic: the SUVs of the rich, the trucks of the workers, the three-wheeled motokars of the poor.

‘Go on, Dan.’

‘This is it. The sacrifice ceremony really happened. You were spot on. They really did it, Jess. The Moche. They stripped the prisoners, lined them up, and ritually cut their throats, hence the strange cut marks on the neck bones. And then they probably drank the blood, judging by the ceramics. Extraordinary, eh? So the scenes on the pottery depict a real ceremony! I’m sorry I doubted you, Jessica. You are a credit to UCLA Anthropology. Hah. Steve Venturi actually called you his prize pupil.’

Jessica felt like blushing. She watched as a turkey vulture descended from the sky, and pecked at a fat-smeared piece of plastic, half-wrapped around a lamppost. A dog came running over to investigate; the animals squabbled over it. A shudder ran through her: surely another aftershock, from the explosion.

‘Jess, are you still there?’

‘Sorry, yes, I’m still here.’

‘There’s something else. Something else you need to know. More good news.’ His pause was a little melodramatic.

‘Dan, tell me!’

‘An untouched tomb.’

‘Huaca D?’

‘Yes.’ He paused. ‘And you’ll be there to see it, when we go in tomorrow. If you want, of course!’

Jess smiled at the endless desert. ‘Of course I want to be there! An untouched tomb. Yay!’

Saying her goodbyes, she closed the call, and walked to the truck with renewed vigour. Her moments of fear and self-doubt had passed; she was already dreaming of what lay inside the tomb. An untouched Moche tomb! This was a fine prize; this would be perfect for her thesis. Now perhaps they would get to the heart of the matter: the ultimate Moche deity. The identity of the mysterious god, at the heart of the Moche’s mysterious religion, was one of the great puzzles of north Peruvian archaeology.

And maybe the solution was coming into reach.

Jessica started the truck and pulled away. Above her, unseen, the turkey vulture had won the day; with a flap of grimy wings it swung across the sky, carrying its prize.

5

Braid Hills, Edinburgh

The hotel was overheated, and reeked of beer from last night’s raucous wedding, which had kept him awake until three.

As he packed his bag, Adam wasn’t sad to be leaving. He’d done his job here in dark, wintry and rather depressing Edinburgh. The Guardian had run his Rosslyn Chapel story, with a gratifying double-page spread and some nice quirky photos by Jason. The paper had also taken a small but judicious personal addition, by Adam, to its unsigned obituary of Dr Archibald McLintock, expert and author in medieval history – ‘in his last days I met Professor McLintock once again, and he was as courteous and enlightening as ever …’

Yet even as he stuffed his dirty shirts into his suitcase, Adam felt a nagging sense of unease. Of course the suicide of Archie McLintock had been upsetting, but it was also those last words the professor had used, in the chapel.

It’s all true, Rosslyn is the key.

Adam had, with some reluctance, omitted their brief and eccentric encounter from his article on Rosslyn. The professor had obviously been mentally unbalanced at the end, and Adam had not wanted to trash McLintock’s memory by using those uncharacteristic quotes, which made the man look a fool. Not so close to his death. But the unanswered questions were still out there.

Frowning, Adam gazed through the bay windows of his second-floor bedroom. The hotel was a converted Victorian villa, with creaky corridors, wilting pot plants, a conservatory where old ladies ate scones; and a very decent view across the medieval skyline of Edinburgh Old Town, down towards the docklands of Leith.

That view was already darkening. Two o’clock in the afternoon and the onset of night was palpable, enshrouding the city like a sort of dread. Down there, on the Firth of Forth, vast swathes of winter rain, great theatre curtains of it, were sweeping westwards – past Prestonpans and Musselburgh, past Seafield and Restalrig.

A Nordic doominess prevailed even in the names. Alicia Hagen. Norwegian.

Adam hastened his packing, zipping up the suitcase with a rush of vigour, sealing any morbid thoughts inside, with his dirty washing. Jobless now, he could not waste time. He had done his last article for the Guardian, his pay-off was being wired into his account, now he really should bog off to Afghanistan. Or at least go right back to London, and look for more work.

He turned to the phone on the bedside table, and picked up. The receptionist greeted him cheerily, and gave him the number for a taxi. He re-dialled the cab firm. ‘Yes, Waverley Station. Straight away?’

Straight away turned out to be impossible: he’d have to wait twenty minutes. But that was OK: his train wasn’t leaving until four thirty.

Strolling to the window, he lingered. Edinburgh Castle brooded on the skyline, dour and clichéd and impressive. The dark Scottish streets glistened in the smirr.

Then his own phone rang. Adam took the call, though he didn’t recognize the number. An Edinburgh prefix … ‘Hello.’

The answering voice was young, and female, and rich with Scottish vowels. ‘Hello, is that Adam Blackwood of … the Guardian?’

‘Yes.’

‘You wrote the piece about my father?’

‘Sorry?’

A short, distinctive pause. Then, ‘My name is Nina McLintock. Archibald McLintock was my father. I’m sorry to bother you but …’

‘Go on. Please.’

‘Ach, it’s just …’

She sounded distracted, maybe even distraught. Adam felt a sudden rush of sympathy. He blurted, ‘I’m so sorry for what happened, Miss McLintock, it’s so shocking. I mean I was there, I spoke to your father just moments before, before the suicide, I actually saw the crash …’ Even as he said this Adam chastened himself. It felt like a silly boast, or something presumptuous, and using the word suicide was just graceless. But the girl seemed encouraged by his words, rather than offended.

‘Call me Nina. Please call me Nina. I want to talk with you. You saw it all. The police told me, you spoke to my dad just before.’

‘Yes, but I—’

Nina McLintock was not for pausing. ‘So you know! My father was not in any way depressed. He was happy. These last weeks he was really happy. I know my dad. He wasn’t suicidal. Just wasn’t.’

The first raindrops rattled on the window.

‘I think he was murdered.’

‘Sorry?’

‘Murdered. He was killed. I’m sure of it, but meet me and I’ll tell you why. Tell you everything.’

6

The Hinnie Tavern, Edinburgh Old Town

The Hinnie was one of those Edinburgh pubs that seemed to contain a slightly rancid, off-putting darkness, in the heart of the Old Town, under the louring stone bulwarks of the castle, down a tiny medieval wynd so obscured and sooted by history that only the initiated knew those ancient, uninviting steps led down to an equally ancient, uninviting pub.

Glum drinkers stared into glasses of The Famous Grouse. Old men ignored each other at the bar, drinking pints of 80 Shilling. Another young man gazed aggressively at Adam, with the stare of an antlered male stag on a hillside in the rutting season: fuck you.

Adam raised his glass and toasted him, staring right back, making the boy visibly seethe. Come on then, Adam thought, I am descended from some of the worst English criminals in the history of transportation. My grandfather killed dingoes with his bare hands. You think you’re harder than me?

Adam felt guilty about his temper, but he also had a pleasing confidence in his physical capabilities, which sometimes came in handy. He recalled the day they beat up the Lebanese boys in Cronulla, gave them a hiding for nearly gang-raping his sister’s friend when the police wouldn’t do anything. Too racially sensitive, mate.

His father, of course, was – or at least had been in his prime – exactly the same. A bit of a drinker, a bit of a bruiser. Almost liked a fight; he and Adam used to wrestle and box when Adam was a lad. So the propensity must’ve come from Dad.